OMG THIS. THIS IS WHAT I’VE BEEN SAYING.
I’ve been ranting about this to all of my friends and family and they always dismiss it but I think that there is something to unlock here!!!
In a world where world peace/hunger/poverty/etc was SOLVED and now the earths biggest issues are intergalactic communications and exploration… what happens to art? Or more specifically, pop culture?
Okay tbh, I was gonna keep on talking but the post I’m reblogging says jt all really lmao.
My one problem with Star Trek is that no one is ever consuming contemporary media. As in media that's contemporary for their time period. Everyone is always reading old novels and practicing classical music. They study Klingon Opera or read old Cardassian mysteries. No one is ever like really into obscure Klingon Nightcore. Nobody is reading shitty Ferengi pulp novels. There's no kids media of any kind. Where is space Sesame Street or junior novels about gaining superpowers from a warp core accident? What about comic books? Nobody is playing crappy indy holodeck games. It's always some recreation of a historical battle or just lounging in a mud pit at some alien spa. Someone give me angsty Bajoran protest music. I need some rebellious teens producing the worst most cacophonous death metal techno that they recorded in an empty cargo bay. I need contemporary pop culture in Star Trek.
Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:
The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.
And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:
'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."
'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'
He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'
(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'
And, finally, this paragraph:
"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"
I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.
Share this post, if you can, please, so that more people can read these excerpts :")
Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)
NO CUZ IT REALLY FEELS LIKE SOMETHING HE WOULD DO
(Also I think thats what happened in the CAS? By @somerandomdudelmao , among other fanfics)
Fandoms will just collectively, non-verbally agree on non-canon things and I think it’s beautiful.
I mean take the rottmnt fandom, we all agreed that Raph died first in the apocalypse timeline, and Donnie second (glum example, ik, but it’s what prompted this post lmao). Was it ever stated in the movie??? I think NOT. Does it absolutely make sense though???? Yes.
*drops pic of my kitten and runs*
That’s a fist. He’s threatening you.
What’s bro gonna do, kill me with cuteness? Because hahaaaa it’s workin
please help me understand how to read your blog name.
i dont know how and its actually driving me the hell insane
is it just farted?
or fuh-ar-ted
pleas help me
Lmao dude it’s a pun between the words “fart” and “art”
Because this is an art blog (technically)
Omg I just have the PERFECT song for this I can’t believe it
Art side of Tumblr please illustrate this little guy getting into situations
Random white blond heterosexual tall guys that look exactly like laios just put on an armor
i can see into the future. i see... an anime convention...... my god.... one million skinny transmascs dressed as chilchuck......
While rewatching ducktales, I realised that they looove foreshadowing, they do it all the time, sometimes they even give the whole plot of an episode in the very first scenes without the viewer noticing lol.
Anyway, I realised that they foreshadowed the whole “duke of making a mess” thing that Huey had in the sword of swanstantine episode!
THE THING IS, EVEN on my first watch, I could tell that this was supposed to be a multiple episode arc but they HAD to make it shorter because ducktales was getting cancelled and I’m PISSED. LIKE ALL OF MY FAVOURITE CARTOONS, THIS COULD HAVE BEEN SO MUCH MORE.
DEWEY had his own arc where he’s trying to uncover his mom’s dissaperance with Webby. LOUIE had his own arc where he was struggling with his place in the family and HUEY. DIDN’T.
Ughhh they foreshadowed the Duke of making a mess in the intern episode and even in Scrooge’s birthday!!
Those are BOTH season 1 episodes (I’m not gonna list more foreshadowing because you get my point) SO THEY’VE BEEN BUILDING UP THIS ARC SINCE THE BEGINNING AND THEY DIDNT GET TO CASH IT INNNNN RAHHHHHH 🗣️‼️‼️‼️‼️
When watching the ONE episode where he appears, you could IMMEDIATELY tell that it should’ve been a bigger deal. I mean come onnnn, they enter Huey’s mind scape and there’s a huge closed up door??? With locks??? DUUUDE THAT WOULD’VE BEEN AWESOMMMMEEE
I’m saying all of this but this is just to vent some frustration about how animation shows will just be cancelled without the chance to say all that they’ve wanted to say… and as the one who wants to hear it: *cries and wails and pees on the floor*
Ducktales was planning so many more seasons and only got 3, like every other great animation show nowadays i fear
Part 4!
The honey is here~
Part 1
@spacegamer10 DUBBED MY COMIC GUYS
CHECK ITTTT
who is your favorite turtle. this will influence if I develop a major crush on you or not/j/srs
Anyway do I pass your test? *blinks cutely* have you developed a major crush on me yet? *blinks even cuter*
Btw that was a fully genuine attempt at drawing raph 😭