​heart Can Dance But Is An Asshole Who Steps On Feet On Purpose Canon

Imagine seeing this and not having fandom context

monster is objectively the worst energy drink

Well maybe you're the worst energy drink!!!!!!!!!!

SPIDERS GEORG WRAPPED

You ate 36,520,000 Spiders!

Wow! You skewed 8 Billion People's data! That's in the top 0.0001% of all spider eaters!

Vibes are unique, just like you! Your Spiders Vibe is: Sleeping in a Cave.

im only a man when im a grown ass man and im only a woman when god forbid women do anything

any time other than that? im a fucking Echidna

Chai r

I know what you're all definitely thinking. What if everyone from Gravity Falls was a chair. Well, I was bored enough at 3am to think about that too

Edit: part 2

Being in fandom spaces is so surreal-

Bc once your age hits a 'serious' number, you start to think - "damn, I should probably stop geeking and get more serious." But then you scroll and see a 34y/o woman writing fics after driving her kids to school, a 40y/o dude making fanart of his fav super heroes and you realize - "nah, I'm actually good"

People don’t give website runners enough credit when things go down. Kudos to ao3 staff for handling two downtimes in as many days, resolving them quickly, keeping users up to date, and giving heads-ups for stability. Yall are incredible, thanks for keeping ao3 running!

i would love to hear more of your thoughts on michael shelley!!! 🌀🚪✨

you're in luck because i've sat on thoughts about him for years and i finally feel like i can articulate them. because michael shelley is such a well written case of tragic horror in the horror tragedy podcast. and, despite my criticisms of season 5, it really did do an excellent job in concluding his character arc with the gertrude backstory episode. in a podcast where a common in-universe theme is that knowledge, and the pursuit of knowledge, is dangerous, michael is a subversion in that his ignorance of the horrors of the world he lived in not only didn't save him, but was intentionally engineered to make him vulnerable to exploitation and harm (which, on a broader scope, emphasises the futility of the world of the magnus archives - regardless of whether you participate in or turn a blind eye to the systems at play, involved or uninvolved, you are not safe).

furthermore, i really appreciate the subversion of traditional tropes of the sacrifice as a typically female figure taken advantage of by a male father, brother, or lover, whose tragic and horrible death is used to motivate him (whether to greatness or self-destruction), with michael being a son sacrificed by his mother (or grandmother) figure, who never actually loved him and whose 'frail' and 'nurturing' qualities were weaponised incompetence used to gaslight and manipulate him - and who continues to operate successfully (at least in terms of what can be said to be 'success' in a world like the magnus archives) without being haunted by any apparent doubt about the decision she made, or any hesitation to use others in similar ways, following this betrayal. which makes the fact that he's sewn into the fabric of a being that represents lies in their most insidious form, used as a weapon to devour people and destroy their lives, all the more abhorrent in hindsight - he is forced to not only relive his trauma in an endless loop (or spiral, if you will), but to become the mechanism which enables it. michael is taken to the edge of something evil (at least from a human perspective), and pushed over the threshold with no hope of recourse. there's almost a reverse orphic quality to it - he descends into terrifying other world, one which exists side-by-side with but fundamentally seperate from his own, against his will, and looking back will only cause him pain as he's assaulted by memories of a life he will never be able to reach.

i think a lot of people forget to look past the surface with michael, despite there being an entire episode dedicated to doing so. which is understandable, he's a very outwardly expressive character - but this is intentional obfuscation to hide an incredibly damaged victim whose hatred of this part of himself is integral to his entire reason for being, and which the rejection of causes him to be unmade, incapable of existing as this contradictory nightmare any longer. it's a mercy killing, and yet it is violent and painful, because michael cannot and should not exist, and excising that graft used to muzzle the distortion is as agonising as latching it into place was in the first place. when michael-the-distortion says about michael shelley "he was born. he was pointless. and he should have died." there is an implicit longing there, a rage at the way he was used, his decisions made for him and used to imprison something else instead of ever being allowed to exercise any measure of free will. because michael shelley probably would have died for the archivist, given the opportunity, but he never got the choice.

Current mood: blocking nsfw spam accounts from seeing my stuff while listening to one night in bangkok

Listening to banger songs makes having to look at all these awful gifs to certify they’re really just spam accounts makes the ace pain a little less

Anyways hi guys im back! Woop

WRONG SONG HAIKUBOT

also *eats the art*

“I I thought you knew I knew 'bout why I want to die and say goodbye.”

I know Good Day is technically a Heart song but. I think Soul sometimes feels the same way. And it takes two to bring him back from that metaphorical edge.

Hey if jon feels the emotions of the statement giver do you think he was feeling jonah’s elation in 160 despite himself being beyond terrified? Hell, was he even terrified at the time? Was he even himself? We don’t know how the “briefly assuming the personality of the statement giver” works. Was he, briefly, just Jonah?