FTA: “In the afternoon, the authors found the canopy of a forested park cooled things down by 1.8 °C, which is higher than previous estimates.
Single trees had no such effect, but in the evening, those single trees made a difference. In the study, a single 15-meter-tall tree (49 feet) would cast a shadow a 14-meter shadow in the afternoon. By the evening, that tree’s shadow increased to 56 meters. Practically, this meant that just a smattering of canopies could cover the same amount of ground as a dense forest by the end of the day.
Together, when the shadows of these individual canopies combined to cover 50 percent of an area, researchers measured significantly lower temperatures – up to 1.4 °C lower, to be exact.
Even after sundown, when the canopies of scattered trees only covered about 20 percent of the area, the team noticed a cooling effect.
In summertime, urban areas without much greenery can turn into heat islands, and rising temperatures from climate change are going to make it even harder for city dwellers to find relief.
“Evenings are not quite the respite from heat that we once had,” says Alonzo.
"These distributed trees do help the city cool off in the evening and that’s important for human health.“”
The last year has demonstrated just how razor thin our margin of survival is—from the brutality of the police to the viciousness of the virus, from the absurd ups-and-downs of the economy to the glaring incompetence of the government.
Now that they’ve been forced to send some cash our way, we’d like to propose a little something they maybe didn’t expect. The idea is simple: what if we took our stimulus checks and put them towards collective use?
In recent weeks Inhabit has been collaborating with groups around the country to put together a series of kits called the #1400challenge. The result is a handful of introductory guides for a variety of collective projects—from soundsystems and meshnets to pop-up dwellings and community gyms.
Each project is based on a proven and replicable idea, a working model that has already seen action in the streets and in neighborhoods. And each could be a jumping off point for new designs, new skillsets, new encounters, and newly expanded frontlines in the battle for the future.
No doubt many of us will have to spend our checks on necessities like groceries, rent, medical bills—all the bullshit it takes to stay alive in this bullshit world. But for those who can, and especially for those who want to pool resources, the opportunity is clear: invest in collective infrastructure that increases our shared capabilities, that augments our ability to live and to fight.
Here’s our wager. We have to translate isolated, temporary solutions to individual problems into the material and ethical basis for building collective power. We need autonomous solutions that scale at the level of neighborhoods, cities, and regions. Our power together unlocks more potential than we have alone.
It’ll take more than a stuck container ship to break the hold of the economy over our lives. Design and build new ways of living together, that lessen our dependence on their system at the same time that we cultivate trust in one another. Leverage all the means at our disposal—including their cold hard cash—to bring out the beauty, dignity, and creativity of our shared existence.
Read more…
If you want even more ideas, check out my #practical tag
but imagine if we had tiny little dragons
the size of puppies
and they would go wherever we went sitting on our shoulders and hissing at everyone who tried to touch you because you’re their most special thing in the universe and they are so tiny it’s ridiculously cute
RIP Joann's. Now many places in the US no longer have a local fabric store, such as it even was toward the end.
There are some good posts going around about where to shop for fabric and craft supplies online, like this one for example. But if you're a beginner-to-intermediate sewist, and the way you've always shopped for fabric is by going to the store and touching it, it can be a hard, even cruel adjustment to suddenly be looking at a photo online and trying to piece together from the inconsistent descriptions what you're actually looking at.
So I'm going to just try to bang together a little primer on What Things Are Called, and how to educate yourself, so that you don't have to do what I did and just buy a ton of inappropriate stuff you wound up not being able to use for what you'd thought. And I will link to some resources that will help with this. This will be garment-sewing-centric but will, I think, be fairly broadly applicable.
The first thing is to look carefully at your desired project. If it is a commercial pattern, it will usually tell you what kind of fabric you need, but it will describe it in not the same words it's often sold under. If it is NOT a commercial pattern and you're kind of winging it, it's even harder. So here is how to start figuring out what you need.
Number one: Knit or Woven?
Quilting fabric is woven. If you are making a quilt, you want a woven. Most craft projects are made with woven fabric-- tote bags, upholstery, you name it.
Many garments are knits. T-shirts, yoga pants, cardigans. It is easy to know, because knits stretch. They can either stretch both ways (along the length and along the width) or just one way (usually along the width); this is confusingly either called 2-way stretch or 4-way stretch. Yes, stores are inconsistent. Look carefully at the description, and they will usually specify-- "along the grain" or "in all directions". Some garments require stretch only around the body-- maxi skirts, knit dresses etc-- while some absolutely need stretch both ways, like bathing suits.
No, you absolutely cannot clone your favorite knit t-shirt in quilting cotton. It will not fit. Most knit garments have "negative ease", meaning they are smaller than your body and stretch to fit. All woven garments have "positive ease", meaning they are larger than your body, unless very firm shaping undergarments are used.
SMALL EXCEPTION: There exist "stretch wovens", which are woven fabrics made with elastic fibers. These will be labeled as such. They are actually harder to sew with than regular wovens because they almost never have their stretch percentage labeled; they are NOT suitable for knit patterns. Avoid them, until you are more advanced and know how to accomodate them, is my advice!
Number two: WEIGHT.
How heavy is the fabric? How thick? How thin? This is measured in two main ways-- ounces per yard (denim is often 8oz, 10 oz, 12 oz) or grams per square meter. But many fabric retailers do not tell you a weight, they use words like "bottomweight" or "dress-weight", and you have to learn to figure out what they mean by that.
My lifehack for learning these has been go to go to ready-to-wear clothing retailers and see if they give the weights of the fabric their garments are made from. (Yes, I learned how to shop for clothes online instead of in-store years ago, because I am fat; some of us have had to do this a long time.)
If you are making a pair of trousers, you need heavier fabric than if you are making a blouse. Do not buy a floaty translucent chiffon to make your work trousers, it will not work no matter how cute the color is. Learn how the different weights of fabric are described, and you will improve your odds of finding what you need.
Number three: DRAPE.
Is it stiff? Is it fluid? Is it soft? is it firm? There are a lot of very artsy words used for this, and you may find yourself puzzling over things with a fluid hand, or a dry, crisp hand, or "a lot of drape", or maybe the listing doesn't describe it at all. This segues neatly into another technical thing, which is the WEAVE of the fabric. There is a dizzying array of words that tell you what kind of fabric it is-- twill, tabby, challis, chiffon, crepe, organza, georgette. And these will give you insight into the drape, and thus into the texture/usability of this fabric, and how suitable it may or may not be for your project.
I know it's a lot to think about but I am now going to give you resources for where to see all this stuff.
Number one is Mood Fabrics, which I can't believe hasn't been in any of the posts I've seen so far. They are a huge store in NYC's Fashion District and yes you can go there, but when I went there it overwhelmed me so much I left empty-handed. But what they have is AN INCREDIBLE WEBSITE. They have everything on there, and what's most important for you, their listings are INCREDIBLY consistent. They have VIDEOS of many of the fabrics, where a sales associate will hold it, wave it, stretch it, and tell you verbally what it is and what it's for, in about thirty seconds. HUNDREDS of these videos.
Whether you want to buy from them or not, go to Mood Fabrics, click around, find their listings, and read them. They will tell you fabric content, weight (usually gsm), often weave, they have little graphics that show you if it's for pants, dresses, shirts. And they have those videos. Look at the listings, watch the videos, and you will leave knowing a lot more about how to look at an online listing of fabric and know what you're getting.
Another really excellent website for this is Stonemountain & Daughter. I've actually not bought anything from them yet (they came highly recommended, but they're not cheap), but their online listings are, again, very thorough and very detailed. They always have a picture of the fabric with a fold in it held in place by a pin, which does more to help you understand the weight and drape of a fabric than any other static image ever could-- that visual, combined with how informative the listings are, has helped me learn to estimate fabric weights on other sites very effectively.
And here is a page that's ostensibly about how to wash silk, but I found it so useful because it gives such a clear image of what each weave/type of silk fabric looks and drapes like. I've never bought anything from these guys either, but this is a good resource.
Learn a little bit about fabric so you know what you're looking for, and you can begin to replace some of that "i just have to go and feel it in person" problem. There will still be trial and error, but you'll have a better starting place at least.
DOGE just froze funding to vital Federal and Indigenous conservation programs devoted to supporting the very delicate and tenuous existence of the black-footed ferret.
I fell in love with these animals as a kid traveling to our National Parks. Their rarity and ferocity made me sharply aware, even as a child, of just how much of a responsibility we have toward our environment. I can't bear the thought of them being a fucking casualty of Trump and Musk.
Look at them! They do war dances.
Winston Duke as Paz Vizsla
This has been on my mind all day thanks to @jaigrex. Had to draw this.
For anyone looking for free zines on Black resistance, policing and activism, Sherwood Forest Zine Library in Austin, Texas, United States has a huge online collection for you to explore.
I'll believe that governments want to "empower disabled people to achieve employment" when they actually:
Legislate broader work-from-home abilities for jobs that don't actually require in-office presence
Strengthen employment discrimination laws so employers stop thinking that the easiest way to get around having to accommodate a disabled employee is just to fire them
Actually create systems where they, the government, monitor and enforce accessible environments and building codes. The onus shouldn't be on us to get the money to hire a lawyer and sue our own workplaces to get our basic access needs met.
Include disabled people in minimum wage legislation, instead of leaving legal carve-outs where "substandard workers" can be paid subminimum wage.
Allow disabled people to keep savings accounts of our own, which we don't need anybody else's approval to create or spend
Let us form supportive households, relationships, and marriages without taking away our benefits (especially because this means we have no money of our own if we want to leave those relationships)
Until then, nuh-uh. Fuck off. You're not "empowering" us. You're just pushing us further out onto a perilous ledge because you think you can use inspirational supercrip narratives to force us to perform or die.
I am Lunē Greybridge, I live in occupied Seminole territory, and I have hit…. a wall.
https://www.gofundme.com/share/s/share-family-friends/lgs-land-back-justicehealingclimate-emergency
!PLEASE watch and share this video.! I am doing the best I can and working very hard but your help is absolutely needed right now. Transcript under the cut:
Keep reading
Our fridge broke, defrosted, and let a bunch of meat and dairy spoil. We are now looking at having to replace an entire fridge & freezer's worth of food on the same weekend we have to take one of our cats to the emergency vet.
It is, ah. It is not my day today.
Y'all know I fucking hate doing this, but we do NOT have the money to replace all the spoiled food AND take the cat to the vet, and we can't NOT take the cat to the vet. She needs care.
Please, send this around if you can, and donate if you have a couple spare bucks. I've got folks depending on me to replace the food, and e-begging is about my only option.
a repository of information, tools, civil disobedience, gardening to feed your neighbors, as well as punk-aesthetics. the revolution is an unending task: joyous, broken, and sublime
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