Here’s a thing I’ve had around in my head for a while!
Okay, so I’m pretty sure that by now everyone at least is aware of Steampunk, with it’s completely awesome Victorian sci-fi aesthetic. But what I want to see is Solarpunk – a plausible near-future sci-fi genre, which I like to imagine as based on updated Art Nouveau, Victorian, and Edwardian aesthetics, combined with a green and renewable energy movement to create a world in which children grow up being taught about building electronic tech as well as food gardening and other skills, and people have come back around to appreciating artisans and craftspeople, from stonemasons and smithies, to dress makers and jewelers, and everyone in between. A balance of sustainable energy-powered tech, environmental cities, and wicked cool aesthetics.
A lot of people seem to share a vision of futuristic tech and architecture that looks a lot like an ipod – smooth and geometrical and white. Which imo is a little boring and sterile, which is why I picked out an Art Nouveau aesthetic for this.
With energy costs at a low, I like to imagine people being more inclined to focus their expendable income on the arts!
Aesthetically my vision of solarpunk is very similar to steampunk, but with electronic technology, and an Art Nouveau veneer.
So here are some buzz words~
Natural colors! Art Nouveau! Handcrafted wares! Tailors and dressmakers! Streetcars! Airships! Stained glass window solar panels!!! Education in tech and food growing! Less corporate capitalism, and more small businesses! Solar rooftops and roadways! Communal greenhouses on top of apartments! Electric cars with old-fashioned looks! No-cars-allowed walkways lined with independent shops! Renewable energy-powered Art Nouveau-styled tech life!
Can you imagine how pretty it would be to have stained glass windows everywhere that are actually solar panels? The tech is already headed in that direction! Or how about wide-brim hats, or parasols that are topped with discreet solar panel tech incorporated into the design, with ports you can stick your phone charger in to?
(((Character art by me; click the cityscape pieces to see artist names)))
This is an illustration I did for the August 2014 issue of Popular Science Magazine. The assignment was to show a scifi take on human aging in the future. I wanted to do something relatively positive, so I drew a lady whose life has been been prolonged through cybernetic enhancements and augmentation, so she gets to spend time with her great-great-great-great grandchildren.
Thanks to AD Michelle Mruk!
Ao3 Classics.
Series inspired by Penguin Classics. (x)
(for single covers follow the link x)
Links to works under the cut |
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European bison released in England’s ancient woodland have doubled in number since 2022, and the woodland has gotten healthier since, reviving previously extinct beetle species and increasing sightings of dormice and reptiles. And England isn’t the only European nation getting bison back in business: In the 1920s, there were just 54 European bison after intense hunting over millennia, but thanks to re-wilding efforts there are now around 10,000, mostly in Russia and Belarus. RTBC
In my early 20s, I apprenticed myself to the The Queen Mothers of Kroboland in Ghana with the hope of understanding more about my cultural heritage. Early one morning, I arrived at the compound of Paramount Queen Mother Manye Nartike, who was particularly animated by a rumor she had heard about our diasporic practices in relation to land. In disbelief she admonished me, “Is it true that in the United States, a farmer will put the seed into the ground and not pour any libations, offer any prayers, sing, or dance, and expect that seed to grow?” Met with my ashamed silence, she continued, “That is why you are all sick! Because you see the Earth as a thing and not a being.”
“It’s great to grow something and say, ‘Wow, I really like to grow this little one. I like to really grow this and sell it and try to make a living on it,’” Tisbert said. “Well, you’ve got to find a market. Everybody has to have a niche. People are trying to figure out where to go. How can I sell it?”
That’s where Salvation Farms comes in.
“When I can’t market the product, I have Salvation Farms,” said Tisbert, who has been working with the organization since 2006. “They show up, and I give them things that I can’t sell in a timely manner. I need to get it out the door because I need my space.”
Salvation Farms is part of the Vermont Gleaning Collective, which consists of a number of organizations that glean throughout the state.
European bison released in England’s ancient woodland have doubled in number since 2022, and the woodland has gotten healthier since, reviving previously extinct beetle species and increasing sightings of dormice and reptiles. And England isn’t the only European nation getting bison back in business: In the 1920s, there were just 54 European bison after intense hunting over millennia, but thanks to re-wilding efforts there are now around 10,000, mostly in Russia and Belarus. RTBC
damn, your comment about where did the carbon come from has got me wondering why the earth's crust is so... ordered, if you see what I mean. like, you don't have just tiny particles of elements that happened to react with each other, in a random mostly-homogeneous mix--you have large areas of the same type of rock, large veins of iron or whatnot, and so on. like going with like, to an extent.
too lumpy and solid to combine and homogenise? or it combined and then separated due to different densities and varying levels of heat? I have no idea where planets came from, I only live on one.
it’s omega!fawnlock in heat. NSFW.
if you want to see it click the picture or link below it
le link
most things will be under the readmore
movies:
walt disney movies
harry potter movies
a movie list
oscar movies
more movies
studio ghibli
marvel movies
spooky movies
more spooky movies
not so scary Halloween movies
more movies
movies to watch when feeling down
so much movies
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a repository of information, tools, civil disobedience, gardening to feed your neighbors, as well as punk-aesthetics. the revolution is an unending task: joyous, broken, and sublime
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