(Hikari Karaoke~~)

The Blondes, it's ALWAYS the Blondes

Doctor Who - “Rise of the Cybermen” // Good Omens - “Hard Times”

THIS IS WHY WE CAN'T HAVE NICE THINGS

how to draw arms ? ? 

10 ways in which fans rewrite their favourite television shows:

1) Recontextualization - the production of vignettes, short stories, and novels that seek to fill in the gaps in broadcast narratives and suggest additional explanations for particular actions.

2) Expanding the series timeline - the production of vignettes, short stories, novels that provide background history of characters, etc., not explored in broadcast narratives or suggestions for future developments beyond the period covered by the broadcast narrative.

3) Refocalization - this occurs when fan writers move the focus of attention from the main protagonists to secondary figures. For example, female or black characters are taken from the margins of a text and given centre stage.

4) Moral realignment - a version of refocalization in which the moral order of the broadcast narrative is inverted (the villains become the good guys). In some versions the moral order remains the same but the story is now told from the point of view of the villains.

5) Genre shifting - characters from broadcast science fiction narratives, say, are relocated in the realms of romance or the Western, for example.

6) Cross-Overs - characters from one television programme are introduced into another. For example, characters from Doctor Who may appear in the same narrative as characters from Star Wars.

7) Character dislocation - characters are relocated in new narrative situations, with new names and new identities. 

8) Personalization - the inserted of the writer into a version of their favourite television programme. For example, I could write a short story in which I am recruited by the Doctor to travel with him in the TARDIS on a mission to explore what has become of the Manchester United in the twenty-fourth century. (However, as Jenkins points out, many in the fan culture discourage this subgenre of fan writing.)

9) Emotional intensification - the production of what are called “hurt-comfort” stories in which favourite characters, for example, experience emotional crisis.

10) Eroticization - stories that explore the erotic side of a character’s life. Perhaps the best known of this subgenre of fan writing is “slash” fiction, so called because it depicts same-sex relationships (as in Kirk/Spock,etc.)

- Henry Jenkins Textual Poachers pg 162-177

Goth cowboy?

GOTH COWBOY

Cursed Creature here

Reblog If...

If you’re a fan of something but the fandom is problemaitc 

If you love a series but are unable or too lazy to follow every detail of it 

If you love a series but are sick the fuck tired of discourse 

If you’ve had to step away from a series due to the fandom sucking ass 

If you’re tired of seeing inappropriate fanart of underaged characters

If you’re tired of the creators of a series being bullied by members of a fandom

If you’re so late into a fandom there’s no one your age who likes it

If you’ve ever felt like the only person in the world who loves a series

If you love an abandoned series

If you’ve ever made an OC(original character) for a series but not include anything of the main cast/plot. 

If you have a self insert character and you’re not ashamed of it

If you’re fed up with shipping being more important than story

If you think fandoms should calm the fuck down and just enjoy a series instead of feeling as though they’re entitled to it or own it

I just really like the idea of Gabriel and Beelzebub going out to get coffee together every week or so. Just to vent about their jobs and subordinates and humanity. 

and like, they go to the same cafe every time and they use this time and place to navigate how to pass as humans.

(under cut because it got a little long)

Keep reading

I see your Aziraphale adopts Miles Maitland and I give you

Crowley is best friends with Davina

No one messes with my sisters or my whitelighter.

requested by @lostinmysticfalls

All right so David Tennant and especially Michael Sheen do a dynamite job of acting as each other's characters, but seriously Miranda Richardson deserves just as much love and credit. She jumps from Madame Tracy to Aziraphale and back in seconds, her whole body language shifts, she moves differently for them both, she flails her hands as Aziraphale, she goes utterly terrifyingly batshit while possessed as an angry ghost, she nails it. It's all a phenomenal bit of frikking acting that deserves way more adoration and attention than it gets.

Tell me that's not Aziraphale all over, to say nothing of the bit afterwards where she clutches at herself and frets about where the soldier might have been sent. Excellent.