“Oh, Archivist.”

“Oh, Archivist.”

“Oh, Archivist.”

It’s finished! Nikola Orsinov kidnapping Jon sent me spiraling so I had to paint it. The horrors he endures😵‍💫🥺 poor Jon. I don’t think the creators meant to have the wax figures melting but that’s how it is in my head

Detail below:

“Oh, Archivist.”

More Posts from Screechinglostacademia and Others

screechinglostacademia - maximilian
screechinglostacademia - maximilian
Jonathan Sims • The Archivist

Jonathan Sims • The Archivist

It’s much and it’s work :,)

screechinglostacademia - maximilian
11 months ago
Can You Remember What She Was Like?
Can You Remember What She Was Like?

can you remember what she was like?

tw horror image under the cut

I find her in the faces of strangers over and over again.

Can You Remember What She Was Like?
Jon And Martin Seasons 1-5 :,^)
Jon And Martin Seasons 1-5 :,^)
Jon And Martin Seasons 1-5 :,^)
Jon And Martin Seasons 1-5 :,^)
Jon And Martin Seasons 1-5 :,^)
Jon And Martin Seasons 1-5 :,^)
Jon And Martin Seasons 1-5 :,^)
Jon And Martin Seasons 1-5 :,^)
Jon And Martin Seasons 1-5 :,^)
Jon And Martin Seasons 1-5 :,^)

Jon and Martin seasons 1-5 :,^)

11 months ago

Season 3 Elias is so goddamn fucking funny to me I forgot what a rollercoaster he was during my first listen.

Like the s2 finale has Jurgen Leitner giving Jon the whole "monsters are real speech" and Jon's like "I need a cigarette. NO ONE get brutal pipe murdered while I'm gone" and Jurgen fails step 1 because Elias walks in and grabs Jon's point-and-click-adventure pipe he'd been carrying around and Brutal Pipe Murders. Which, of course, Jon walks back in on and is prime suspect #1 due to literally every single feature trait and word he's said in the entirety of s2.

So naturally s3 starts with Jon on the lam and Officer Tonner like "I'm gonna arrest him for brutal pipe murder" and I'M like "Shit. I hate this. Elias is going to SO easily pin it on Jon and get away with it."

EXCEPT Elias walks in and is like "hello Ms. Officer no Jon Archivist did not kill that man, also I won't tell you anything else, also this is what you sound like" while reciting all her childhood trauma and all her illegal activity that will get HER sent to jail for brutal murder of the non-pipe variety and now I'm like "....huh." He's also like "Jon didn't do it but you can kill him if you want maybe :)" Elias your alibi????

And then we come BACK with Jon storming Elias's office with his two lesbian bodyguards as back up and he's like "I'm gonna use my powers to make you confess to pipe murder!" At which point Elias is like "It doesn't work on me. But I'm having fun so Martin go get everyone I need to tell you all how I committed pipe murder." and Martin does and Elias is like "Yes I pipe murdered. I also killed Gertrude. I love murder. You will not be compensated extra for this time. Get back to work." And they... DO... just go back to work. Because work is haunted. One of the lesbian police officers works here now, too. This just happened. "Also living dolls from Russia are about to Apocalypse the world, Jon go stop it," Elias says, while also saying "no I'm not gonna tell you how to stop it."

Okay???? Mr. Elias man??? And you're like "maybe he's a ruthless tactician? Maybe he's brutal but it's all in the interest of stopping the doll apocalypse??? He wants to save the earth???" Except THAT'S not even true it's actually more like he's trying to get the Russian dolls kicked out of line at Disney World so HE gets to meet Mickey Mouse first by which I mean, start his OWN Apocalypse, because if the dolls do it first well then what's the point of apocalypsing a planet that's become someone else's sloppy seconds.

Anyway Elias's master strategy here is to bring the human equivalent of a drowned cat to the gun fight and just sit back and watch Jon fall down every set of stairs he finds while Elias goes "This is good. This will work." His name isn't even fucking Elias.

So apparently the pro-Tetris scene is exploding right now because a 13 year old nerd just reached the game's true killscreen for the first time ever

8 months ago

thinking about Jonathan Sims and Samama Khalid.

Thinking about how, by all laws of Horror Story Trope, Jon should not be the protagonist. If I'd never heard of tma and you showed me a lineup of the archives crew and asked me to guess who died first I would have pointed to Jon. He's the paranoid professor archetype. The one who dies discovering some crucial bit of information at the beginning to push the plot forward. He's unfriendly, cowardly, insecure, and makes other people do his investigation for him for all of season 1. He doesn't do anything even remotely heroic until the second half of the show. He has no interest in romance for the first half of the show. The audience wasn't even aware Jon had a dark past until he starts telling us about A Guest for Mr. Spider. But he is *Chosen.* Despite the fact that he has no actual qualities of a hero, he's chosen as the eyes special boy. Over the course of the show he starts to become more and more like an actual protagonist. He starts trying to save the world, resist the eye, all that jazz. For one reason or another, being the Archivist turns Jonathan "definition of a side character" Sims into the main character.

Then we have Sam. Sam starts acting like a horror/mystery protagonist almost immediately. He is young, charming, has a mysterious past (that we are made aware of pretty much right away) and a curiosity that causes him to frequently put himself personally in the path of The Horrors. He pokes around where he doesn't belong and looks for clues. He's the center of an office love triangle for goodness sake. He has a strong sense of duty to others and will put himself in harms way to protect those he loves. He exudes main character energy. He has everything a horror protagonist needs to push the plot along. But Sam wasn't *Chosen.* Despite being exactly the person you'd expect the plot to follow. And I can't help but wonder if, in the same way that the narrative made Jon important, it's going to make Sam unimportant. Irrelevant. If, with his rejection from The Magnus Institute, Sam is going to disappear completely. Become a mystery.

Because at the end of the day, so much of your life, your impact on the world, your relevance, has absolutely nothing to do with you. So much of it has everything to do with those in power, and whether they decide you're important.

It all comes down to your own rotten luck.

Best friends

So, I Feel Like I’m Losing My Mind. I Keep Seeing Metas About How Aziraphale Wants Crowley To Return

So, I feel like I’m losing my mind. I keep seeing metas about how Aziraphale wants Crowley to return to Heaven and be an angel again because he wants them to be on the same side/be good/change/etc., etc., etc. but I don’t see that at all. I actually see it as the very opposite.

Aziraphale loves Crowley just as he is. But there’s something more. Something huge.

Aziraphale loves Crowley and because he is an angel who is stuck in seeing things as black and white, he constantly praises Crowley for being nice. For being good. For being kind.

Aziraphale has watched Crowley on and off for 6,000 years. He watched him thwart the plans of Heaven and Hell because it was unjust. He spared the lives of innocents. He did small things that made Aziraphale happy just because (like making Hamlet successful and saving valuable books). And because Aziraphale sees things in black and white, he sees all the things Crowley has done as nice, as good, as kind.

Crowley vehemently attests he’s not nice or good or kind.

He’s not exactly wrong nor is he lying when he says this. When Crowley spares goats during a cruel bet over a righteous man and swallowing laudanum to prevent a suicide, when he prevents Armageddon by working with Aziraphale and stopping the Anti-Christ from being the Anti-Christ, he’s not doing the nice/good/kind thing.

He’s doing the right thing.

Crowley chooses to do the right thing without hesitation. He is better than all of Heaven and Hell who have callous and dispassionate view of all existence because he questions, because he makes choices. Crowley sees the world for all its messiness and he sees himself. He sees a place where he fits in. He sees the blurred edges.

And Aziraphale sees that, even if seeing the blurred edges is hard for him.

But here’s the thing that Aziraphale can’t voice.

It’s the reason why he told Crowley about being allowed to return to Heaven and become an angel again. He doesn’t want Crowley to change. He doesn’t think Crowley is flawed. Or not enough.

It’s something that is so monumental that it cannot be put into words. Because to put it into words would be more than blasphemy. It’s down right unthinkable for anyone in Heaven, Hell, or Earth to say what Aziraphale knows deep in his soul.

God was wrong to cast out Crowley.

Aziraphale believes Crowley can/should return to Heaven because he knows that Crowley should never have fallen in the first place. He wants him to be forgiven because when Crowley fell it was unjust. Aziraphale is trying to correct a mistake. He’s trying to do the right thing.

Yes, Crowley would never accept returning to Heaven. And Aziraphale was wrong to even suggest it (although that conversation is another can of worms to unpack).

Aziraphale loves Crowley. He loves him exactly as he is. He doesn’t want him to change. Aziraphale knows that Crowley the best of all of them. He wants to change Heaven because of it. Because God was wrong and Aziraphale knows it.

Aziraphale may have difficulty seeing beyond black and white, but when it comes to Crowley he sees everything crystal clear and in vivid color.

So, I Feel Like I’m Losing My Mind. I Keep Seeing Metas About How Aziraphale Wants Crowley To Return
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~ Aspirer of many things ~ ~ Lover of another many things ~

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