I got the image of the Jack, Miko and Rafael learning to imitate Distressed/terrified Sparkling cries and using them against the decepticons. It’s a very efficient defense mechanism. Every cybertronian who heard them is freaking out because oh primus how is the squishy thing making that noise and I gotta protect it at all costs. The sheer chaos that would ensue as the ‘protect/rescue the sparkling’ programming kicks in full force.
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The vehicons are clustered at the other end of the room panicking. They don’t know what to do. The human sparklings are looking right at them and making distress noises. The guilt is killing them.
Knockout going “is the car form less alarming?! If I turn into a car will you stop seeing me as the threat?!”
Breakdown is having a breakdown.
Starscream pinned to the wall on the other side of the room having an internal crisis. He doesn’t like this. Make it stop.
Soundwave makes no noise but you can FEEL the sheer distress radiating off of him.
Megatron is frozen. No thoughts, head empty. He’s not moving at all. He doesn’t know how to handle this.
——
The autobots have mixed feelings about this. They’re glad the kids have a way of defending themselves but please don’t do it near them. They’re stressed out enough as it is.
(This might sound kinda dumb but I thought it was kinda funny. Very tired while writing this)
Wait no this is actually brilliant.
The Decepticons never anticipated their long buried parental nature to be used against them. No one did. But they day the human children turned up on the battlefield looking far too confident, every Bot and Con present had the all encompassing feeling that something was terribly wrong. Their suspicions were quickly confirmed when, before the Decepticons could do much of anything to get the relics they were after, Rafael began to wail.
Normally, human screams meant nothing. But there was a certain pitch that sounded so close to a cry of distress from a sparkling that, to warriors who had not heard a sparkling in millennia, it was enough to send them running to help. In this case, the issue was only compounded as the children scattered like mice and started making the same noises. The Decepticons could hardly focus on the Autobots booking it to the relics as they frantically tried to locate the fictitious sparklings calling for aid.
The Vehicons managed to get to Jack, but he just kept looking up at them defiantly. Every time one of the dozen or so Vehicons on the field tried to grab him, blast him, or otherwise hurt him, Jack would chirp like a sparkling and send all of them scurrying back. It wasn't cute to the Vehicons. Having never seen actual sparklings but still having the coding needed to adore them, they looked at Jack and saw a weird frame-walker. They weren't sure what to do about it except try to haul themselves away while also keeping a vague circle around the human male.
Miko on the other hand made it a point to chase after Megatron and Soundwave, screeching like a sparkling about to be shredded. Neither stopped for her, but Megatron completely lost his train of thought every time that screech rang out. He could have been aiming at Optimus with a perfect head shot and he would be unable to fire as Miko's distressed sounds rang out in his audials. He KNEW she wasn't a sparking. His coding wasn't even that strong. But by Primus, hearing her screech was the same as watching a civilian get run over by a bus, repeatedly. Focus was impossible.
Soundwave wasn't much better. He didn't react outwardly, but the slowing of his steps and the way he tried to sidestep Miko gave away his distress. He avoided her like the plague, trying to refocus but being unable to really get far as Miko screamed like a demon. It was a fight against the Unmaker himself to keep Soundwave from bolting over to collect the sparkling who sounded so very upset.
Rafael, for his part, followed Miko's lead and harassed the other three members of High Command most often found out on the field. Breakdown ran screaming the moment Rafael started chirping at him. This was both out of fear of the frame-walker and to escape the inevitable overreaction of his coding. He may or may not have attempted parkour once or twice to get as far away from the smallest of the humans as possible.
Knockout tried to ignore Rafael when the kid chirped up at him, he really really did. But how does one ignore the Cybertronian equivalent of a soaking wet kitten meowing up at you? Simply put: you don't. Knockout gave in and quickly dropped down to try and soothe the non-existent sparkling every. single. time. Rafael pulled his noise trickery. He never fails to panic and attempt to flash colorful things at Rafael to get him to stop. Every Decepticon has since been endlessly disappointed in him.
Starscream, being terrified of things that really shouldn't be there, took the skies the instant the trio began screeching. Nope. Not today Unicron. He'll get the mission done or get the heck out of dodge to avoid coding coming online. He doesn't need empty nest syndrome on top of a crippling case of "I Love Power." He also doesn't need to deal with the horrific mental image of a squishy somehow managing to sound like a sparkling. Nope. Nope. NOPE.
The Autobots are grateful the kids can protect themselves a bit now. But by Primus, they have known NO peace since the kids figured it all out.
Decepticon activity
Hi there. I'm not exactly sure how to Tumblr, but hey, I have to start somewhere, haven't I?
I have recently created this guy as a bit of a proof of concept: it's possible for a cybertronian of a right size to take not a new altmode, but a different robomode. Well, it involves some Fallout, but for those that don't know -- top right is an assaultron, a relatively common enemy and sometimes ally in the series. Sorry for a messy pencil drawing, it was intended to be an inside for-roleplay thing.
Reineke has two alternate stories -- a damaged synth replacing parts with an assaultron armour or a stranded beastformer minicon. Both have a bit of an issue with what they are, but it's easier when your mask is just a mask, not your literal body parts.
Imagine being able to change your body to blend in (the existence of that blending in ability in cybertronians raises questions of their own, but of more or less ecological regard), and you change your face, too. Is that still you? You interact with other beings, trying to provide expected behaviour. Eventually this pretending becomes a second nature. Your character drifts and changes under the circumstances. Radiation can damage some circuitry and knock memories out of place. When you look into a mirror, you don't remember how you were before. Is that still the same you that took a different face some time ago?
Humans have strong connection between their "self" and their looks. New clothes might be wearing you, and I sometimes wear my favourite shirts as a little confidence boost despite nobody being able to see them under my jacket. Would that also be true for cybertronians? Would an earthen altmode affect the self-interpretation, since the root mode changes with new kibble, too?
Also, I know there is a distinction in IDW between "cold construction" (they can only assume alts similar to their natural one) and "forging" ("natural" way with an unrestricted altmode choice), but it's not true for every continuity (TFP Starscream implies that Knockout chose a grounder alt, and Skyquake's everything also implies not having wings to be an option despite being rather plane-shaped; he and Airachnid honestly imply that they didn't have an alt before, I think -- but I know that alien alts in the show would be costly). So in some continuities bots can, in theory, change alts and kibble drastically as often as they want. Would it be something frowned upon? Something "childish", what you do when you aren't sure what you want to be? How much your altmode defines *you*, and how much you would pick an alt because of who you are? Can "dramatic altmode change" be the same as human "dramatic hairstyle change" trope?
And then there are multiple alts and oddballs like Skylinx. I think they deserve a separate rant with questions.
what about light creatures and terms of endearment in different realms?
imagine islanders calling their significant others bird. or fish. imagine passage guide looking at kids running amock and thinking silly baby birds. imagine an ancestor telling their friend see that manta carrying a boat? that's what you are to me and their friend starting to sob
or maybe imagine prairie and the abundance of creatures there. your extremely talkative and extraverted best friend is a bird. the polite little kid that greets you every time you pass by is a whale. your newborn grandchild is a manatee because they do look like one. your first love is a butterfly and the adults used to call you and your friends jellyfish when you were doing silly stuff as children
or maybe imagine foresters praising their best students and calling them birds because one day, they will surely fly very high. imagine them using the names of all those beautiful and majestic creatures that inhabit (or used to inhabit, before everything went wrong) those lands as pet names for their partners. my whale, my jellyfish. imagine a parent calling their child little crab, playing and jumping around, not a care in the world. imagine these terms of endearment being considered old-fashioned during the industrialisation, and then coming back when people start trying to undo the damage they have caused
imagine valley, where animals are seen as inferior to people, and where no one really calls people they care about these silly things. and yet, there is no word that suits your amazing partner with the most mesmering voice ever better than songbird
imagine wasteland, where whales and mantas have been replaced by monsters made of pure darkness. still, the elderly call the new generations mantas and birds and whatnot, because these children are precious, they are their last chance to get out of this mess. imagine telling your friend bleeding out on the battlefield that they are as strong as a whale and will surely make it, and imagine them calling you a manatee because you are saying utter nonsense
imagine that there are no light creatures in vault, not really, but the day the scholars discover the first ghost manta, every single person in the building is referred to as such
and, even if eden is too much for any light creature to really live there, imagine seeing some passing by sparking hope in a young parent's heart. imagine them calling their newborn a bird, or a manta, or whatever, because they wish for their baby to fly away from this horrible place and have a happy childhood and a happy life in general elsewhere
imagine sky kids calling each other everything nature-related because they love everything and everyone equally. imagine ancestors looking at them and wishing they had done so, too
Obsession of the past, obsession of the present. Here goes.
ever since i'd seen @appeypie's Mettaton/Bill Cipher design i kneww i wanted to draw him so full credits go to him !!
i also got thinking about what other characters from ut/gf would go well together and these were just the first few ideas that came to my mind, i'd totally love to hear if you guys have any others though !!
here are some close-ups of this page along with the reference pics i used from the show !
A series of 'cartoons' I did for school last semester. Only just got around to translating them all.
Thoughts on death, taxidermy, and the like.
Social commentary was required as part of the assignment. Don't take it too seriously.
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The one with the starving dog was inspired by a Reddit post about pets eating their deceased owners' faces to survive. Many comments said "I would rather my dog ate me than starve." or "I'd just be happy to feed my cat after death."
The one with the hyena is based off of a very old drawing of mine involving holding on to those who hurt you because you're too lonely otherwise.
Just a couple doodles of Satellite Soundwave 😋 I think that it would be a pretty silly idea that Soundwave smuggled Shockwave into Jetfire’s space crew 😌 Jetfire thought it was just a random possession of Soundwave’s but turns out it’s a whole scientist, who woulda known… maybe they just did all that because they were unsure if an empurata victim would’ve been socially accepted within the crew 🤔 they figured they were chill after some time but also they ended up just wanting to see how long they could last hiding Shockwave 😌 long story short I also haven’t yet made a spacecraft au design of Shockwave but I’ve had this idea in my mind for too long
PoseManiacs
Human-Anatomy-For-Artist.com
MagicPoser
MIXAMO
No #1 conways game of life furry fan over here
Got an interesting take on eldritch horror for all you writers out there. It's a bit of a roundabout schlep to reach the actual idea, but writers tend to be readers so I hold you'll stick with me til we get there.
So, consider a 2D creature. Little flat dude, living on the ground. No concept of "up" or "down." He's 2D, he just doesn't parse the concepts and can't perceive them anyways.
He sees you. What he actually sees is just the 2D cross section of you where you intersect with his 2D world, which is probably your footprints. So, as far as he can tell, you are a pair of footprints that are.... apparently one being? He doesn't get how it works exactly, but it's not too far out there, so he just kind of accepts that, yes, humans are The Two That Are One. Spooky. They always seem to use the singular to refer to the pair of themselves, and only differentiate between themselves as Left or Right. But other paired instances of The Two That Are One are, in fact, separate entities. So they're only in sets of two, unless accompanied by a companion called "Cane," which they are sometimes, or even a pair of companions called "Crutches." When Crutches are present, sometimes one of The Two That Are One will be missing entirely. It's a little confusing.
But wait, what now? They disappear and reappear in sequence, teleporting in turns. He never sees them just move like a 2D being, always the stop-start teleporting. Apparently this strange power is called "walking," and its accomplished by The Two That Are One moving through an unseen dimension called "Up," through a process called "lifting" themselves and re-entering the real world farther away in the direction they wanted to go. He can accept the idea of unseen dimensions, and he vaguely gets the idea that one of The Two That Are One must remain anchored in the real world to prevent something called "falling," which is some kind of uncontrolled movement through the unperceivable dimension of "Down." Which is the same dimension as "Up," but...... backwards? Reversed? He's not really clear, but "Falling Down" is presumably bad, so The Two That Are One keep one of themselves here in the real world to prevent it.
Except if they do something called "jumping." Which consists of gathering up their power to hurl themselves through the Up dimension together to reappear together somewhere else in the real world. He isn't sure why they Walk instead of Jump, since it seems better to take both of The Two That Are One together at the same time, but okay.
Okay, what the hell, they can Walk through impenetrable barriers like the great wall of Sidewalk Chalk? How do they go through that? What? They went "Over?" The hell is "Over?" Like 'around' but through the unseen dimension of Up? But they couldn't Walk through the barrier of Wall. Why could they go "Over" Sidewalk Chalk but not Wall?
And they can't go between the four small obstacles of Refrigerator Feet. The area between them is safe from The Two That Are One, for the four Refrigerator Feet are connected to each other in the strange and eldritch dimension of Up. The barriers are too powerful to be moved by The Two That Are One, and it (they?) cannot enter the real world where it is blocked by such powerful forces.
Got all that?
Okay, now consider a 4 dimensional elder god and how we 3D entities would perceive them.
Galarian and Gigantamx form Gardevoir
Wanted to do another doctor who inspired galarian form, can you guess what it is? ;)