I’ll forever love Nico for handling his gun like a magical girl
He really makes me miss Sakura
Sounds like Pacific Rim plot, y'all
Guillermo del Toro, I always appreciated your monsterfucker insights, but now you reached the highest level of respect I ever gave anyone
People who think this planet was created for humans to be ours are so wild to me
tumblr adding polls to the website is truly the most prime example of "they need enrichment in their enclosure" for the tumblr userbase. any other normal social media site is using it for like "haha pick your favorite breakfast food" meanwhile we're playing games like "pick the tag that the person you reblogged this from picked and then tag it with an option you didnt pick." this is like giving a group of chimpanzees a box of rubiks cubes, and i'm loving it.
𝐒𝐞𝐧𝐝 𝐦𝐞 𝐚 𝐒𝐡𝐢𝐩 𝐚𝐧𝐝 𝐚 𝐍𝐮𝐦𝐛𝐞𝐫 𝐚𝐧𝐝 𝐈 𝐰𝐢𝐥𝐥 𝐖𝐫𝐢𝐭𝐞 𝐚 𝐊𝐢𝐬𝐬
@samediankh requested: ship: Chris && Wesker ⸻ 9: ﹝…in public﹞
Untypical in times of peace, no trepidations remained in this day and age - at the dawn of a new world. Whatever held him back years prior, had it been reason, discipline or dangers he now could only scoff at, all of it had fallen away the moment he let his mask slip in the laboratory beneath the Spencer Mansion.
A lifetime away were the days in the sunlight, of morning coffee and idle chatter between people he had handpicked. His elite soldiers, once destined for something greater. Who he had intended to remain at his side as he ascended, and yet most of them proved to be disappointments. Most, but not all of them.
Amidst the sobering realization of the S.T.A.R.S. failing at the first curveball tossed their way, a select few had prevailed time and time again.
One of them now stood before him, amber eyes burning with a passion not unlike that which he remembered fanning in moments wholly different in nature, skin pressed against skin as they never seemed to be close enough.
An impulse still very much present in the moment, it seemed, as Wesker had exploited a moment of distraction to close in on Chris, his body moving at inhuman speed and with an ease unlike anything he had experienced before the Mansion Incident.
Gloved fingers had closed around the other man’s throat, exerting only a shred of the power living within as he smashed his former subordinate’s back into the next wall, a curl forming around his lips as he could hear the air leave the body in front of him.
Ignoring clawing fingers on his arm leisurely, Wesker pressed himself closer, leather against tactical gear, material creaking under the pressure applied while he could feel the disbelieving gaze of the vermin intruding on their little dance resting on him, wide-eyed. He ignored the woman as he had for most of their fight, him only toying with Chris while tossing her around like a rag doll whenever she was stupid enough to get in the way.
“Take pride, Chris,” the blond near whispered, a strange tone living deep in his voice, almost reminiscent of excitement - an emotional reaction he had never shown this clearly before, “...for a God has favored you.”
Tinted glass obscuring his eyes until this moment were not enough to hide the red hue now glowing in a foreboding, inhuman way; visible to Chris only for a heartbeat at most, before Wesker leaned in even closer in one smooth motion. Hard lips pressed against once soft and pliant ones, now battle-bruised and dry from the fights before, their bow downturned in a clear sign of denial.
It mattered not.
Soon enough, Chris would see the glory into which he had ascended, and he would make him his right hand, his prophet, the one leading the stray sheep remaining on this mortal plane to greatness.
Still ignoring the unwelcome bystander now releasing a shocked gasp at the sight of what played out before her eyes, Wesker pressed ever closer, thus preventing the other one from using his legs to fight him, while his free hand grabbed the brunet’s wrist. Angling his head, he attempted to deepen the kiss - as public a declaration as Wesker had ever been willing to commit to - but hissed when teeth bore down into his lower lip, breaking skin and mixing the iron taste of blood into the connection.
A far cry from the playfulness of days gone by, he pulled back, face pulled into a grimace of vexation and irritation alike, irrational impulses once again taking over as his hand let go of Chris’ wrist and instead connected a fist to his jaw, the cracking sound seemingly finally being enough to pull his alleged partner out of her stupor.
Anticipating the attack before it was even executed, Wesker slinked back into the shadows with another fast motion, snarling as he spit blood onto the floor.
Clearly it would take him some more convincing for Chris to come around, and to do so he would need to get rid of this Sheva Alomar before all else.
I've been having urges to do animatics of songs with these two but too busy for school 😔 Also happy b'day to this french freak
OH MY G-
IT'S THAT ONE OWL
LIKE
THE ONE
The Truth Been Spoken
Twitter goes to hell first. No chill. No respect. No sanity.
twitter is a hellsite (derogatory) and tumblr is a hellsite (affectionate)
YES
I didn't even notice until op said it!
When I was watching that one scene in Avengers it felt so gross, I was immediately disgusted and had such a strong urge to turn it off and forgetforgetforget and pretend I didn't see anything. I guess it worked cause op made me remember it, but if I was asked out of nowhere what the worst show off feminism have you ever seen in cinema I wouldn't be able to tell. The Trauma. Ugh.
Anyway, again, I didn't really see that as something exceptional. It felt so normal and natural to me.
Usually I do pick up on BAD performance and all this bullshit female characters just for check. They don't have a story. They feel empty and unnecessary. The only quality that is important for the story with them is their sex/gender. Or there is nothing important for the story at all.
The point is the Mandalorian did a great job. Its female characters never felt bad like that. That fight included. The performance was good as expected. Therefore it never clicked as something special in modern social media. WHILE IT CERTAINLY IS. It is special!
Because right off the bat I can only remember Hannibal was such quality female writing where the were just right. Tbc it also depends on shows writing and perfomance level in general, so there are some more, but imho they are written less great in general.
And the amount of good female writing is truly saddening yet the good news are it grows! With time there is and will be even more great stuff!!
This post contains minor spoilers. Proceed with caution.
In the season two finale of “The Mandalorian” there is a scene near the beginning of the episode in which a strike team (minus Mando himself) storms onto an Imperial ship, blasts stormtroopers, etc. It’s an extended action sequence. Two of the characters are helmeted.
I was well into the scene before it hit me that all four of the characters on this strike team were women.
The fact that there was this all-female action team wasn’t new. I’ve seen that before. What was new about it was that this was the first time I’d seen a team of women that didn’t feel performative.
Remember that scene in “Avengers: Endgame”, the “she’s not alone” scene where All The Lady Characters Assembled, and you could tell the filmmakers were getting some kind of weird boner of “looooook at how many Strong Female Characters we have, let’s put them all together and have them be Strong Female Characters at the same time” and it felt super gross? That was performative.
I’ve heard and used that term before but I’m not sure I really grokked what it meant until I saw what its absence looked like, in “The Mandalorian.”
It didn’t feel performative because each of those characters had been part of the narrative in their own time over the previous two seasons, with their own agencies and backstories. They were characters in the story as it needed to be told, they weren’t Strong Female Characters introduced for the purpose of being that (in a sexy way, of course). There was never a sense of ticking off the “kickass lady character” boxes. When Cara Dune is introduced, or Fennec Shand, or Bo-Katan, there was never that subtext of “Okay here is our Lady Character, isn’t she such a great Lady Character, look look we’re Doing the Thing you want us to do with having Womens in our Boy Stuff.”
No. It was, here’s a Rebel soldier. Here’s an assassin. Here’s a Mandalorian exile. Here’s a Jedi. Here’s a magistrate. They have functions to perform and stories to tell in this narrative. Those functions and stories happen while these characters are women, not because they are women.
And it’s so, so subtle, the difference. It’s hard to put your finger on how it’s usually done wrong until you see it done right. It’s not just the writing although that’s a big part of it. It’s in how they were filmed, framed, shot, costumed, and lit. It’s in how they were directed, how the camera treated them - i.e. no differently than the male characters. None of these women were sexified, either. Not that they weren’t being portrayed by attractive women, but that wasn’t remotely played up or displayed in how they were styled, costumed, and made up.
Unfortunately now that we’ve all seen how non-performative inclusion of women into a narrative can be done right, everything else is going to seem that much more insufferable.
÷ Personal blog full of random things ÷ Wake up - Stop - Think - Go back to sleep
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