I Had A “Mean Girls Club” Kind Of TCAF Sunday Afternoon!..

Been a long while, but I’m finally back with an update.. I was digging thru some old work files on my HD, and thought I’d put together a brief post..

Back in 2015, I worked at Nelvana on Nick Jr.’s  “Fresh Beat Band of Spies” cartoon series. A lot of the front-end creative work was directed by ‘6 Point Harness’ in L.A., including some of the Design work; usually establishing the look and style of: characters, props, and locations. Full turnarounds and additional views of those designs though, were done at Nelvana in Toronto.

Early in the production, I spent most of my time creating rotations and additional views of Props. I didn’t have any real experience drawing directly with vector lines. So, I was allowed to draw them in Photoshop on a cintiq, using very clean bitmap lines. I'm guessing another artist may have converted my finished work, later on?..

One of my favorite episodes to work on was: “Band Of Pirates” (ep.14).. There were a lot of very nice design elements in that one. Plus, a fun storyline that featured “Captain Arrrgh” stealing half of a Treasure Map. He does so, using a flying robot and a Steampunk-inspired JetSki. For which, I drew some of the additional views..

The Fresh Beat crew makes a quick pursuit using their elaborate Tour Bus, which could conveniently transform into a kind of hydrofoil speedboat! The Bus was  based loosely on the handful of Art Deco “Futurliner” trucks that GM produced in the 40′s. And I felt like the speedboat itself, also gave off a bit of “Thunderbirds 2″ vibe? Creating the fuller rotation, was something of a drawing challenge, as I had to make hard decisions about the overall dimensionality and how each of the surfaces and corners attached to each other..

About halfway thru the production, I took over the Layout Supervision from my friend: Terry Lenko. This may be the only show that I’ve ever worked on, where my End Credit designation changes across the episodes arc?! Again, I have zero experience (or interest) in vector-based art. So thankfully, all I had to do was “direct” a very talented Layout crew, rather than contribute to the production art directly..

But there were always Layout issues with the storyboard animatics, that would require attention. And Terry taught me the valuable lesson of creating quick Layout thumbnails for each entire episode. Not only did these drawings allow me to identify where the Master and Reuse BGs existed.. But I could also spot and correct all of the continuity, cutting, and staging problems, too!

Enjoy.

Lookee what I got in today's mail.. My copy of 'EC Fan-Addict' #2!! Great articles on the comic art careers of Frazetta and Sid Check.. Plus, an interview with Al Feldstein?! Not available in any stores, folks.. To get your own copy, contact: ecfanaddicts_at_yahoo.com

"TOILET HUMOUR" In The Literal Sense..

I was cleaning up my studio room, when I unearthed a large manila envelope. It contained folders of some Spümco-related artwork that I'd purchased from an eBay Seller, back in 2005.. One folder contained rough layouts from a comic-book story, featuring: "NUTTY the Friendly Dump" ! This past year, I finally got to see the finished-version of the story, when it was included in IDW Publishing's 'John K. Presents COMIC BOOK' collection..

An old Sketchbook page from 2004.. Can't remember if these were studies from a specific story, or simply an attempt to re-create some 'Golden Age' stuff? I do recall wanting the Bedouin dude to resemble a 7-foot tall "Rondo Hatton" -type, though!

Back in 2007, I had the inclination to try drawing a Don Martin -type character.. I was digging thru some old issues of MAD Magazine and found a series of 'SPIDER-MAN' spoofs he'd done. Invented a new pose and (of course) hadda add one of his signature "SHPLORT" sound effects, too!

I was up ‘til about 3am coloring an OLD pen-and-ink drawing for the upcoming “Summer Art Show”, held at the studio I work at.. Today, I’m physically wiped, as a result. I tried to use a color palette that conjures up the feeling of an old 50′s-era comic-book cover.. Perhaps a nod to the ‘MARS ATTACKS’ cards, too? It still feels rushed, but I do like the way his leather boots turned out!

In exactly 20 days, the new Nickelodeon cartoon series I’ve finished working on, will make it’s TV debut. I’m very eager to see/hear the reactions to (what I can only describe as) the most extraordinary animation project I’ve had the good pleasure to work on!

Seen above, are a small handful of the Layouts I completed, for the premier episode.. The show had a stellar cast of "Yowza Animation” talent, working magic on all aspects of the show. And the production pipeline was unique and innovative, in more ways than I can accurately describe.. Suffice to say, it’s highly unusual to have all of the environments “built” as 3D models first, that were then turned into specifically “hand-drawn” 2D location backgrounds!

It was a unique experience for me especially, as I’d also worked Layout on the short digital web-series on which this show was based, back in 2014. But I think that fans of the original web shorts will be even more amazed at the amplified depth and detail of the worlds, as now presented in “Welcome To The Wayne” TV series.. Hope you’ll all enjoy watching it!

Dunno how or where I found this image, but I've always loved it!.. Wally Wood was a genuine Master at combining cartoony poses with solid construction.. My best guess would be that this was a back cover to one of his 'WITZEND' fanzine issues?..

Sorry,-- this is another pen and ink illo that I did from a few years ago.. While browsing my Tumblr dash, I stumbled across the photo reference I'd based this (see sidebar) on.. Kinda surprised me! hah  It was an "illustration friday" based on the word: "Launch", if I recall..

“Scarilyn” chills on a Neitherworld beach.. A 29 year-old layout from the 12th episode in Season One of “Beetlejuice”, entitled: "Quit While You're a Head".. This was my first real Animation job, back in 1989.