Resources For Mending Clothes

Two to Tango

Comic I made for Shortaki Week 2023 for a series I had no idea was gonna blow me away on a full rewatch…  I still can’t believe Hey Arnold has future lore & Helga almost had a teen spinoff…and she still can! If you want to see more of “The Patakis” era of Hey Arnold get greenlit like fans did for “Hey, Arnold! The Jungle Movie,” sign the petition here! (x) 

Featuring designs from other artists (w/ permission!) Pg 1- MonyArtz || Pg 2- MoonlitStoop || Pg 5- noodle-puppy || Pg 6 - Spikermonster || Pg 8 - Bii

Hi! You don't have to answer this if you don't want to, that's totally fine! But you talking about Orville Peck's appropriation of indigenous culture with his fashion choices made me realize that I had never considered that there might be some aspects of "cowboy clothes" that white ppl shouldn't wear and that was super wrong of me. Again, you totally don't have to answer this, but I was just wondering what ways a white person could wear "cowboy clothes" in a manner that wasn't disrespectful? Or perhaps, should we not wear them at all? I can't afford T yet, but when I can finally get it I was planning on getting a cowboy outfit to embrace my trans mascness, but if that would be wrong of me I can scrap that plan no problem!

Ehhh again this is actually SUPER HARD to answer because almost everything about cowboy fashion & the cowboy "aesthetics" are lifted directly from Native American fashion and culture, either because a lot of cowboys back in the day were Native American themselves (including Afro-Natives & Indigenous Mexican vaqueros) or they were White & just kinda. stole the look from the Native cowboys due to a number of factors.

If you google "cowboy jewelry" the first thing that comes up is silverwork & belts & turquoise jewelry, which is taken from Navajo metalwork. Fringed leather clothing? Again, many Native tribes did that (& in some tribes the fringes could mean something, its not just for looks), most popularily with vests, jackets, and pants. A lot if the leather jackets were a result of Native women just sewing their clothes the same but in a European styled cut. Compare this "cowboy" look below to a Lakota war shirt: both have hair embellishments dangling from the arms.

Studded belts? Inspired by Cheyenne mirror belts, which often also have metal studs in them & you'll still see Native pow wow dancers have this in their regalia. Floral vests? A lot of the inspiration comes from Plains floral beadwork. Geometric patterns and blankets? Came from Southwest or Mexican Native American blankets & designs, ask any Navajo weaver & they'll tell you the same. Feathers in cowboy hats? Who else is famous for wearing feathers on their heads--? Native Americans. The look is still popular with older Native men.

Hell, if you visit this site that sells Western/cowboy fashion, you'll see a SHITTON of appropriation going on, taking Native imagery & designs, including one taken from Native American ledger art, all on White models.

The appropriation of Native culture and fashion in the cowboy/western sphere is ongoing, and the influence that Native fashion & culture has in Western/cowboy fashion as it is is absolutely MASSIVE. I once said in another post that the cowboy/western aesthetic essentially belongs to Native Americans, Latines (especially Mexicans), and Black people. And the history of White cowboys has been one largely of colonialism, racism, and displacement of Indigenous peoples, and the masculinity associated with White cowboys especially is also steeped into racism & American patriotism (think John Wayne. There's a reason he's an American icon who played cowboys & killing Indians in films.). I think the only thing that isn't influenced from either appropriation or colonization is like, jeans. Even the style of cowboy boots themselves and potentially chaps were influenced from vaqueros.

So if you're White I'm not sure that'd exactly be a good route to take because trying to seperate Indigenous elements from this fashion/look (nevermind the problematic history of White cowboys) is almost impossible. Obviously I can't force you to do anything, but honestly if I were you, I'd try a different direction, because otherwise I think you'll find trying to do this will be very hard.

So when the new Superpets movie came out, I knew it couldn’t be anything like the TV show Krypto the Superdog ✨

I’m pretty sure that cartoon was my introduction to Superman 😂

Made be wonder what it would be like to have Kara be a pet mom and portrayed in the cartoon’s style.

This was so fun!

Debunking 6 Myths about Steadfast, Flat-arc Characters

Steadfast/flat-arc characters are characters who don’t drastically change their worldviews over the course of the story. In contrast, a change character will do largely a 180 flip in worldview from the beginning of the story to the end of the story.

For example, in the fable of the Little Red Hen, the Little Red Hen never changes her worldview about hard work. But in A Christmas Carol, Scrooge completely changes his worldview from the beginning of the story to the end of the story.

In the writing community, there are a lot of misconceptions of the steadfast/flat-arc character (at least from my experience), which I’m going to talk about, debunk, and clarify today in this article. This information will still be useful to writers who have no interest in writing a steadfast protagonist–because nearly every successful story features a key character who is steadfast.

irst, though, we need to visit our familiar pit stop on writing terminology. The most common term for this character is the “flat-arc” character. But it is not the only term. This character has also been called the “steadfast” character, which is what Dramatica Theory calls it. While “flat-arc” is more common, I prefer “steadfast” for a few reasons:

- It conveys that the character must struggle to hold onto something (after all, one is only “steadfast” when there is opposition)

- “Flat-arc” sorta sounds like there isn’t really any growth or movement, which isn’t exactly accurate.

- For much of my experience in the writing world, protagonists who don’t have much of an arc have been frowned upon or treated as “lesser.” The term “flat-arc” reminds me of that.

This is completely preference. You may use whichever term you want. Today, I’ll be switching between the two.

Now, you can have positive and negative steadfast characters. A positive one will hold onto a true worldview throughout the story, while a negative one will hold onto an inaccurate worldview. For the sake of this article, I will be focusing on the positive one, which is more common, and may do a future article that focuses more on the negative version.

Now, let’s talk about some of the misunderstandings and myths about the positive steadfast character.

My (Helpful) Personal History with Steadfast, Flat-arc Characters

Despite wanting to work in the writing industry since I was seven, I entered the writing world like anyone else: naive.

I had an idea for a story I wanted to write, with a protagonist that drew inspiration from some of my all-time favorite protagonists.

What I didn’t know, and what no one could explain to me, was that all these protagonists were steadfast/flat-arc characters. And that’s what I wanted to write.

I took writing classes, went to conferences, read books, and tried to soak up any piece of advice anyone could give me. But for some reason, some of the information didn’t seem to work into my story or apply to the favorite stories I was drawing inspiration from.

This led to a lot of questioning and challenging of “writing rules” on my part (though that was mostly internal). I was told over and over again (if not in these words) that I needed to have a change arc protagonist. It was implied, over and over again, that protagonists who didn’t have change arcs were static, simple, lacking depth and dimension, and were just boring. Of course, there was always the occasional acknowledgment that 007 or Indiana Jones were successful. But I didn’t want to write 007 or Indiana Jones. I still wanted to go deep into character.

Well, over the years, I unwittingly switched my protagonist from a steadfast protagonist to a change protagonist. I’ve only fully realized this recently when reviewing some of those favorite protagonists from years ago.

Not to be dramatic, but I feel a little cheated and let down by the writing world because of that. Even recently I went looking for resources on steadfast/flat-arc protagonists, and frankly, found very little. And of what I did find, 95% pulled from the same source material. I mean, it’s great, but we are obviously lacking with this.

I tell this story, not for therapeutic reasons (okay, let’s be honest, some of it is totally therapeutic!), but because I know there is someone out there who is struggling like I was. Someone who can’t get their story to work because they are trying to apply change-arc advice to a flat-arc protagonist. This doesn’t work. But you can’t see that, because the people you are learning from (who have sincere intentions), don’t fully understand or acknowledge steadfast protagonists.

For example, a writing book that has been making waves (that I looove and definitely recommend) is Story Genius by Lisa Cron. This book is amazing! And so helpful!

If you are writing a positive change protagonist.

It will not help you nail down your steadfast protagonist. Because its principles are founded on the protagonist changing.

So if you are trying to apply it to the wrong type of protagonist, you are going to get frustrated… . or switch your protagonist’s type.

Unfortunately, I myself have been guilty of perpetuating some inaccurate advice, but only because (like most people), I didn’t know better. This also tends to happen because by far the most common protagonist type is the positive change protagonist. There are lots of resources on it. There are lots of people writing it.

But this doesn’t mean that the steadfast protagonist is wrong. It actually doesn’t even mean that he is boring, static, or one-dimensional, nor that he doesn’t grow, struggle, doubt, or change at all. He just doesn’t do a direct flip in worldview. Instead, he proves his worldview true (the thematic statement).

Let’s debunk some myths I’ve heard in the decade or so of being in the writing world.

Myth #1: Flat-arc Characters Don’t Grow

The most common myth you are likely to run into, is that steadfast characters don’t grow. This is inaccurate. The steadfast character doesn’t drastically change her worldview. The positive steadfast protagonist has a worldview that will be proven true by the end of the story, which creates the theme. (In contrast, a negative steadfast protagonist has a worldview that will be proven untrue.)

This doesn’t mean the character doesn’t grow in some way.

For example, you may have a flat-arc character who becomes more competent. Maybe he learns to become a great marksman. Or maybe she learns how to navigate law school (Legally Blonde). A steadfast protagonist can gain any kind of skill, even some that are less obvious, such as learning the art of manipulation. In Moana, Moana must learn how to sail.

You may have a steadfast character who learns to become more proactive/assertive. It’s not exactly unusual for a flat-arc character to not want to get involved in the main conflict in the beginning. He may be a reluctant hero. He may need to learn to not stand by but to stand up for what he believes in, by confronting the antagonist directly. In Disney’s live-action Cinderella, Ella must become more assertive to fully thwart her wicked stepmother.

A steadfast character may grow in experience and wisdom. In Wonder Woman, Diana must experience and understand the real world in order to fully wield her truth against the antagonist.

A steadfast character can grow in pretty much any way that doesn’t totally flip his or her worldview.

Certainly, there are flat-arc characters who don’t grow at all, like 007, and that is fine, and you can write successful characters like that. But that doesn’t mean that none of them grow whatsoever.

Myth #2: Steadfast Characters’ Worldviews Remain Completely Static

Explained most simply, a positive steadfast character has an accurate worldview–understands the true thematic statement–from the beginning. This doesn’t necessarily mean she has a perfect understanding of it.

The character’s worldview may need some refining. It may not be whole or complete. Or, as mentioned, above, it may need more wisdom (discernment) behind it.

These things can only be realized with real-world experience–in other words, the tests and trials of the middle of the story.

While this concept may overlap with the prior, it’s slightly different, as not every way a steadfast character grows will be linked to his or her worldview. They may be two completely separate things. But they can also go hand in hand.

For example, while Cinderella knows kindness will help her through trials (the thematic statement), her worldview needs some refining. She must realize one shouldn’t let others take advantage of that kindness. She needs to stand up and be assertive with her stepmother.

In Arrival, Louise Banks knows that communication can help us understand another perspective, which enables us to avoid confrontation. However, through the story, she gains a greater, deeper, more complete understanding of that, as she learns the heptapods’ language–which has the power to unit humanity and species across time.

In Wonder Woman, Diana knows from the beginning that we should fight for the world that we believe in. However, she gains more wisdom in that regard, after experiencing the gray moral complexities of humanity–does humankind deserve a better world? Only after she comes to terms with this, is she able to embrace the true thematic statement with eyes wide open.

Sure, some steadfast characters have completely static worldviews, but many of them don’t.

This concept can become all the more complex when we consider secondary themes.

First, as a quick recap, the positive steadfast character has an accurate worldview–the “truth,” as some like to call it–this is also the primary thematic statement. This is the truth the story is arguing. The positive steadfast character starts the story with this.

In contrast, a positive change character will start with an inaccurate worldview–the “lie,” as some like to call it–this is basically the “anti-theme”–the opposing argument to the “truth.” The positive change character will change to the “truth,” the accurate worldview, the true thematic statement at the end.

However, many stories have more than one theme. Many stories have secondary themes.

Because of this, it’s possible for the positive steadfast character to be steadfast in the primary theme, but be a change character in the secondary theme.

For example, Diana is steadfast in the primary theme, which is the argument that we should fight for the world we believe in (as opposed to the argument that we should allow humans to suffer the world they “deserve.”)

However, in the secondary theme, she is a change character. The secondary theme is about whether humankind is innately black and white or whether they are innately gray. Diana begins the story believing they are innately black and white (innately good, if not for the antagonist), but learns the truth: humankind is innately gray. This is an arc of disillusionment. This feeds into the primary arc and primary theme.

I have an article on secondary themes in the works, but it’s not complete yet. For now, know this:

Many stories have multiple themes. A steadfast protagonist may or may not be steadfast for every theme (or “worldview” if you prefer). But by definition, they must be steadfast for the primary theme (obviously).

Again, more on that in the future. However, this is why you may see writers argue over whether a particular character has a change or flat arc, and why the same character may get categorized differently–it depends entirely on what thematic thread the person is pulling. One may, in fact, argue Diana is a change character, because she arcs in disillusionment, while another may argue she has a flat arc, because she believes the primary thematic statement from beginning to end.

No worries if it sounds a little confusing. In short, a positive steadfast character’s view may grow or shift in some way, but it never does a 180 flip in the primary arc and theme.

Myth #3: Flat-arc Characters Always Stand Firm

Just because the steadfast character has an accurate worldview and belief system (knows the “truth”), doesn’t mean she never wavers or has doubts about it.

In most flat-arc protagonist stories, the character will have her beliefs tested through the conflicts of the middle. As the antagonistic force gets stronger, the character may experience doubts and powerful temptations (which may include conflicting wants). At some point, it may even seem that her worldview might be wrong. This, along with the cost of adhering to the truth, is almost always the meat of her internal journey. If you want your steadfast character to have a rich inner journey, this is where it’s at.

Keep reading

I see so much RadioStatic backstory of “they were friends but Alastor broke Vox’s heart” but I would like you to consider:

Vox, soon after his death and feeling lost and disconnected, seeking out other sinners with an interest in the only connecting point he has to others, media.

And, in doing so, he goes out of his way to make the acquaintance of the Radio Demon, the only overlord who seems to have the same passion for entertainment that Vox does himself.

And Alastor does not get approached by anyone, because everyone is terrified of him; his only real connection since his own death has been Rosie, and they bonded over cannibalism, not the art of entertainment.

But Vox wants to make his acquaintance, Vox wants to talk shop with him, and Alastor finally has someone with whom he can discuss storytelling and evolutions in broadcasting technology, someone he can stay up with all night who appreciates rye as much as he does and who listens to his infodumping with real rapt attention and who does his own infodumping in a way that Alastor finds compelling.

Alastor tells Vox all about what it was like during the birth and rise of radio and what it was like to run a radio program back during a time when it was the hot new thing.

And Vox teaches Alastor about television, and about writing serialized scripts meant to be seen and heard, and about filming and audio recording and costuming and set design.

And Alastor is subversive and forward-thinking, and he loves television; he loves seeing what beautiful and visual things can be done with the serialized stories he always loved writing for his radio program.

Vox is someone Alastor readily calls his friend.

But Vox is a capitalist, above all else, willing to throw away his artistic integrity and smother his own creativity in his eagerness to chase whatever is new because it is new, and Alastor watches that bright spark that had drawn him to Vox become buried under the weight of corporate greed.

And when Vox asks Alastor to join him, Alastor says no, because the Vox who asked for his partnership was not the same man that Alastor sat up all night with so many years, he was not the same man that Alastor wrote ridiculous scripts with, he was not the same man who approached Alastor without a hint of fear flickering on his screen and introduced himself with a cautious smile and a sincere compliment for his last broadcast.

Alastor says no, because this man is not his Vox; this man, instead, murdered his Vox and is wearing his skin like a grotesque costume.

Alastor says he hates television, because television reminds him of a time he almost permitted himself vulnerability, and can’t admit that it destroyed him.

What if, instead, Vox was the one who broke Alastor’s heart?

When BoJack Horseman (2014-2020) said "you can't keep doing shitty things and then feel bad about yourself like that makes it ok. you need to be better" and "all we have are the connections we make" and "I really should've thought about the view from halfway down" and "sometimes you have to take responsibility for your own happiness" and "you do the hokey pokey and you turn yourself around, you turn yourself around, THAT'S what it's all about" and "things have to get worse before they can get better" and "in real life, the big gesture isn't enough, you need to be consistent" and "if we hadn't met each other until now, we wouldn't be the people we are now" and, my personal favourite, "every day it gets a little easier, but you gotta do it every day, that's the hard part, but it does get easier".

I decided to create a masterpost that would help you with what you are struggling with. Hopefully any of the links below will help you! Reminder; You’re going to be okay. What you are going through will pass, just remember to breathe. 

————————————————————————————-

Distractions;

Here are some distractions to help keep your mind occupied so you aren’t too focused on your thoughts. 

-Draw something

-This website translates the time into colours.

-Create your own galaxy.

-Play flowing.

-Make a 3D line travel where ever you like. 

-Listen to music.

-Calm.

-Ocean mood, do nothing for two minutes.

Sleep issues; 

- 8 hour sleep music.

-Rainy mood. 

-Meditation.

-Coping with nightmares.

-How to cope with nightmares, 11 steps.

-Calm

-Foods that can affect your sleeping, both positive and negatively. 

 Uncomfortable with silence; 

-Rainy mood.

-10 hours of rain and thunder.

-3 hours of rain and thunder.

-Human heartbeat.

-Rainforest.

-Sound of rain on a tin roof.

-Autumn wind.

-Rain on a tent

-Traffic in the rain.

-Soft traffic. 

-Fan.

-Train.

-Simply noise.

-My noise.

-Rainy cafe.

Anxiety; 

-How to stop worrying. 

-Tips to manage anxiety and stress.

-The 10 best ever anxiety management techniques. 

-Self-help strategies for anxiety. 

-Helping a friend with anxiety. 

-All about worrying.

-8 myths about anxiety. 

Sad, angry and depressed/depression; 

-“I’m always sad”

-Feeling sad.

-Going through trauma.

-“I’m always angry”.

-Anger management. 

-All about anger.

-National helplines and websites.

-Self-help strategies for depression.

-Dealing with depression at work.

-Dealing with depression at school.

Isolation and loneliness; 

-Pets and mental health.

-All about loneliness. 

-“I feel so alone”

-10 more ideas to help with loneliness. 

-How to deal with loneliness.

 Self-harm;

-Alternatives to self-harm and distraction techniques.

-146 things to do besides self-harm.

-More alternatives to self-harm.

-Self-harm alternatives.

-How to take care of self-harm wounds/injuries.

-Getting rid of scars.  

Addiction; 

-How to help a friend with a drug addiction.

-What is addiction?

-All about alcohol and addiction.

-The facts about drug addiction.

 Eating disorders; 

-Helping a friend with an eating disorder.

-Eating disorder treatments. 

-Support services for eating disorders. 

-Self-help tips with eating disorders.

-Eating disorder recovery. 

-Recovering from an eating disorder. 

-100+ reasons to recover. 

-Understanding and managing eating disorders. 

 Dealing with self-hatred;  

-3 ways to ease self-loathing. 

-How to turn self-hatred into self-compassion.

-Self-hatred resources.

-10 step plan to deal with self-hate. 

 Suicidal; 

-International suicide hotlines (1)  (2)

-Preventing suicide. 

-Reasons to stay alive.

-Dealing with suicidal thoughts and feelings.

-Coping with suicidal ideation.  

 Schizophrenia;

-All about schizophrenia.  

-Helping a person with schizophrenia.  

-Understanding and dealing with schizophrenia.  

-Delusions and hallucinations.  

OCD;

-Managing your OCD at home. 

-Overcoming OCD.

-How to cope with OCD. 

-Strategies for dealing with the anxious moments. 

Borderline personality disorder; 

-Helping someone with BPD. 

-All about personality disorders.

-Treatment for BPD.

Abuse; 

-Healthy relationships VS abusive relationships. 

-Emotional abuse

-Overcoming sexual abuse. 

-Hotlines services. 

-5 ways to escape an abusive relationship. 

-Domestic violence support. 

-Signs of an abusive relationship. 

-What do to if you’re in an abusive relationship. 

-Surviving abuse. 

-What you can do if you’re sexual harassed. 

-Sexual assault support.

-What to do if you’ve been sexually assaulted or abused. 

 Bullying;

-How to stand up against bullying.

-How to protect yourself when it comes to cyber bullying.

-How to help stop people bullying you. 

 Loss and grief; 

-How to cope with a suicide of a loved one.

-Grieving for a stranger. 

-Common reactions to death. 

-Working through grief.

(Other loss and grief)

-Moving away from friends and family. 

-Coping with a breakup.

 Getting help; 

-Seeking help early. 

-All about psychological treatments. 

-Types of help.

-All about age and confidentiality. 

Things you need to remember; 

- Don’t stress about being fixed because you’re not broken.

-Remember to remind yourself of your accomplishments. Tell yourself that you’re proud of yourself, even if you’re not. 

- This is temporary. You won’t always feel like this. 

-You are not alone. 

-You are enough. 

-You are important. 

-You are worth it. 

-You are strong. 

-You are not a failure, 

-Good people exist. 

-Reaching out shows strength. 

-Breathe. 

-Don’t listen to the thoughts that are not helping you. 

-Give yourself credit. 

-Don’t be ashamed of your emotions, for the good or bad ones. 

-Treat yourself the same way as you would treat a good friend. 

-Focus on the things you can change. 

-Let go of toxic people. 

-You don’t need to hide, you’re allowed to feel the way you do. 

-Try not to beat yourself up. 

-Something is always happening, you don’t want to miss out on what’s going to happen next. 

-You are not a bother.

-Your existence is more than your appearance. 

-You are smart. 

-You are loved. 

-You are wanted. 

-You are needed. 

-Better days are coming. 

-Just because your past is dark, doesn’t mean your future isn’t bright. 

-You have more potential than you think. 

- Your value doesn’t decrease based on someone’s inability to see your worth.

Please remember to look after yourself and know that you are more than worth it and you deserve to be happy. Keep smiling butterflies x

Reblog to make him lose another 200 billion, like to make him lose 1 billion

refseek.com

www.worldcat.org/

link.springer.com

http://bioline.org.br/

repec.org

science.gov

pdfdrive.com