𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍: Peter Maximoff ( X-men ) 𝐏𝐀𝐈𝐑𝐈𝐍𝐆: Peter Maximoff

X-Men: Apocalypse

I know you think you’ve lost everything. But you haven’t. You have me. You have Charles. You have more family than you know. You never had the chance to save your family before. But you do now. That’s what I’ve come here to tell you. And you?

I look forward to your new piece!! Will it be a Peter Maximoff one?

bestie all of my pieces will be peter maximoff or x-men themed trust me

You’re writing style is amazing <3 really love your word choice for the arcade piece and you have such a pretty way of putting sentences together

thank you so much! that's really sweet of you and means a lot. i'm really glad people are enjoying my writing so far and i hope to publish another today because i literally do not know how to stop lol

𝐓𝐈𝐀'𝐒 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓

peter maximoff x reader oneshots

peter maximoff headcanons

peter x reader oneshots in reading order tba below (once i write more)

about scribe (y/n)

peter x reader ask prompts

scribe ask prompts

peter x reader headcanons

𝐏𝐀𝐈𝐑𝐈𝐍𝐆: peter maximoff x reader 𝐒𝐔𝐌𝐌𝐀𝐑𝐘: you can’t sleep and neither can peter, but at least you both know exactly how to comfort one another. 𝐖𝐎𝐑𝐃 𝐂𝐎𝐔𝐍𝐓: 2.4k 𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒: 18+, fluff, peter and reader are early to mid twenties, british reader 𝐀𝐔𝐓𝐇𝐎𝐑'𝐒 𝐍𝐎𝐓𝐄𝐒: y/n is known by the mutant name “scribe” and is charles xavier’s niece.

It’s eleven-thirty, and you can’t sleep.

Your thoughts shift to your lessons in the morning; to how tired you’re going to be; to that iced coffee you’d had while getting your assignment done after class; about how that drink was definitely a bad idea considering how you’re lying awake now. It had tasted good then, and it had given you the energy you needed to fire out five thousand words in the span of a few hours… but now you regret it.

Sighing, you roll over. Your eyes glaze over the objects on the nightstand beside your bed. Your alarm clock, rectangular in size and wooden in material, glares at you. Eleven thirty six. Eleven thirty seven. The time seems to spiral, and you realise that you might as well do something with yourself if you’re awake.

You eye the books stacked on top of the alarm clock; you’d been reading one before and it had bored you half to death, so you can’t bring yourself to pick up any again. What else? What else?

Your gaze settles upon the picture frame on the dresser next to your nightstand, and you let out a sigh as you settle upon the silver-haired speedster within it. You’re next to him, a mere blur since he’d sneakily taken the camera from your hand and taken a picture with an expression that radiates cheekiness, but you’d liked the picture enough to keep it.

You’ve got a few more picture frames scattered around your room—photos of you with Scott, Jean, Jubilee and Kurt. Even some of Charles. You might not be close, but he is your uncle, after all. He’s still family.

And yet it’s Peter you keep your eyes on. It’s Peter's mischievous aura which calls to you across the room.

What would he be doing right now? He’s probably playing video games or practicing on one of his guitars. You’d been surprised to see him play well; you’d been surprised to see that he actually had the attention span it takes to successfully learn an instrument. You would know: your mother used to nag you about practicing the piano to perfection. Practice makes perfect, she’d always said, and yet she’d always left out how much energy it took to practice in the first place.

Is it too late to reach out to him? The two of you have a specific way of speaking to one another across distances by now, although even the thought of doing such a thing due to the time seems rude. Your mother had always told you that it was your duty to be polite, and your father had by example. You think you picked it up from him rather than her, but—

Don’t think of him right now. Don’t think of what happened. Don’t.

As if in an effort to push the memory of that night from your head, you move. You pull the drawer attached to your nightstand open to reveal a mess of junk inside, but what you need—and what you spy—is a pen and paper. You pull it from the drawer and slam the nightstand drawer shut quietly, and after, you get to work writing:

Are you up? Can I come over?

Your fingers buzz with azure energy as you feel your mutation working in your favour. A tiny portal of blue opens before you, one you could make larger if you wished but one which you keep small for now. It’s no larger than a letterbox would be, and the faint sound of music from the other side tells you that Peter is very much awake.

You slip the note through the portal, and then you leave it open as you wait.

When you receive no response for a solid fifteen seconds but can hear movement on the other side, you wonder if this was a mistake after all. It’s too late, you scold yourself, mentally preparing for rejection. Oh, god, this is going to be awkward. What if he—

An empty Twinkie box falls at your feet.

You blink at it, momentarily confused, and then you pick it up. You glance about the dessert’s display as you begin to turn the box over in your hands. Nothing on the front, but on the back—

Scrawled in pink glitter pen—probably his sister’s—, the box reads on the back: Yeah. Come through.

You grin lazily as you set the box down on your bed and extend the portal with your fingers like you’re prying open a heavy door. The orange light from Peter’s basement slips through and becomes one with the light of your dorm, which is yellow and warm with your room’s wooden accented walls and flooring. And as you slip through the portal and your bare feet touch the soft tartan carpet of his room, you let the portal shut with a soft shum behind you—

But Peter Maximoff does not look his best. In fact, he looks downright miserable.

His eyes are red as if he’s been crying, his hair is messy—messier than usual, at least—and he’s wearing a band tee and some tartan pajama bottoms that look intended for comfort rather than style. You were about to say hey, but you stop in your tracks. You tilt your head as you look at him.

Peter is still. It’s strange, especially since he’s usually so eccentric. He blurts out, “What?”

You frown, momentarily stuck for what to say. “Nothing,” you respond, but it doesn’t seem right.

Peter stares at you. You stare at him. You’re both quite similar, so it strikes you then that you both know that you’re each not telling each other something.

“You okay?” You ask, suspicion clear in your tone.

Peter shrugs nonchalantly. It’s a rigid movement. “Yeah,” he says, far too confidently to be true. “Why wouldn’t I be?”

You narrow your eyes on him. His tone of voice has all but solidified your suspicions. “Okay, first of all,” you say, crossing the small space of the room between you and the sofa, “you use a very distinctive tone when you lie.” You settle down on the sofa as you cross your legs under you. “Second, your eyes are really red. Have you been—?”

“No.”

Crying, you were about to ask, but he cut you off. You narrow your eyes again.

Peter sighs and averts his gaze, running a hand through his hair. “Tonight’s just… not a good night.”

You press your lips together as sympathy wells in your eyes. “Why not?”

“Can’t sleep.”

“That makes two of us."

Peter inhales deeply, and before you know it, he’s sitting on the sofa next to you. You’re used to how fast he moves by now. Something warms your heart in the way he sits with his body angled towards you. Like he’s opening himself up to you.

“Wanna stay here tonight?” He asks.

You glance at the other end of the sofa and then back to him. You’re reminded of how he took the sofa to sleep on that night after you guys got caught in the rain. “Here?”

Peter’s brows rise. “Is my basement not fancy enough for you?”

You know he’s joking even despite the lack of humour in his tone, and you let out a small huff of laughter as you flash him a lazy smile. You sit back on the sofa, reaching out your hand to intertwine it with his. Things between you are still blooming after your first date, but you both feel comfortable enough to do this. Peter’s fingers wrap around yours as he starts drawing patterns on the back of your hand with his free one.

“I just mean,” you murmur, just loud enough to be heard over the backdrop of quiet music, “won’t your mom mind?”

“She didn’t mind when you stayed over last time.”

Your lips quirk upwards in gentle amusement. “That time you slept on the couch. This time I was thinking, I mean, if you want to, then maybe—”

“Oh,” Peter murmurs. His head lifts upwards in a sort of understanding motion. “Yeah, I mean… ah, I can deal with whatever safe sex talk she wants to give me in the morning.”

Your cheeks flush red. “I didn’t mean that. I just meant maybe we could…” Oh, god, embarrassment— “cuddle.”

Peter grins. “Cuddle, huh?” He pauses, until— “Okay,” he murmurs, reaching an arm around the back of the couch to wrap around you. “I guess I could be down for cuddling.”

You snicker softly as you lean into his touch, your head resting against his shoulder. “Do you want to tell me why you looked so upset when I arrived?”

Peter tenses. “It wasn’t because of you, if that’s what you were thinking.”

“Mm,” you murmur, “I think I’m confident enough in our relationship to know that your reaction when seeing me is generally excitement rather than the dread that accompanies sad under eyes and red markings around them.”

He pauses for a few seconds before he lets out a long breath of defeat. “That obvious, huh?”

“Mm,” you murmur, looking up at him. “A little.”

His lips twist to the side as he lowers his gaze. “I was thinking about my dad.”

It’s your turn to pause now, looking up at him in a way you didn’t before. You assess every detail of his body again: the way his shoulders slump, the way his head hangs low, the way his hair falls in the way of his view and his eyes are heavy with something you haven’t seen in him before. He’s usually so full of life.

Is this what he’s hiding deep down?

“Tell me about it,” you say softly.

Peter grimaces. “It’s a long story, and the stupid thing is it’s mostly my fault.”

Frowning, you sit up and face him. “I don’t believe that.”

Peter lets out a humourless laugh that might be bitter if he showed a hint of anger, but he doesn’t. “It’s true. The only time I’ve ever been too slow and it’s in finding the most…”

He trails off, pulling his arm away from around you so that they both now rest in his lap. He continues, “It’s a mess.”

“Start from the beginning."

So he explains, if not vaguely: about trying to find his father, about finding a house empty and police arriving on the scene. Peter had fled at the sight of them, and—

“His name’s Magneto,” he admits. “Erik Lehnsherr. You’ve probably… seen him on TV or something."

Suddenly, it all adds up. You weren’t at school to see what happened with Apocalypse, but you’ve heard about it from your friend group. Peter doesn’t talk about it very much, and now you know why; had he been part of that whole adventure because of his father? He hadn’t been involved with Xavier’s School before, that much you know.

You suck in a breath. Okay, Y/N, push the fact that his dad’s a known terrorist aside— “Does he know?”

Peter shakes his head. “Nah. I had the chance to tell him and I didn’t. I screwed it up. And now I’m right back where I was before all of it, because I have no clue where he is and no way of telling him the truth. I couldn’t even do it for Wanda.”

“Hey,” you murmur, your fingers moving to cup his cheeks. “Fight or flight, right? It’s normal. To see him right in front of you—to have to muster up the courage to tell him? Knowing what a change that would be for you? Peter, that’s normal.”

Peter’s eyes well with softness as he listens to you, gazes upon you, and you think you’ve never seen him look so vulnerable as he lowers his head to your shoulder. He takes in a shaky breath; wraps his arms around you; pulls you into his lap—

“Thanks,” he murmurs into your shirt. It’s not his shirt this time; you’re wearing a pyjama set that consists of blue silk shorts and a top. “Not sure I believe you, but thanks, Y/N.”

“Is there anything I can do to make you believe me?”

Peter takes a deep breath. “Aside from mind control? Not sure.”

You press your lips together and begin to stroke his hair. “To be honest,” you murmur, “I’m not sure I’d believe you if you tried to tell me something similar about my father, either.”

Peter lets out a choked laugh. “Maybe that’s why we work together.”

Your lips curve upwards, still stroking his hair. His face is still buried in your shoulder. “Maybe,” you whisper, pressing a soft kiss to his head.

Peter shifts so that he’s leaning against the back of the sofa and you’re in his lap again. You turn so that you’re straddling his waist, but your fingers find his jaw to cup the skin there. Your thumb brushes soothingly against his skin.

“You mean a lot to me,” Peter murmurs, staring up at you. It’s almost as if the music in the room has stopped; it’s almost as if the two of you are the only souls left in existence. His brows are slightly raised and there is awe in his voice as he says, “I don’t really believe you’re real half the time.”

You let out a soft laugh. “Definitely real, Peter. Definitely here.”

“Yeah,” he says, his tone riddled with amusement, “and here of all places. You could be anywhere. You’re like, perfect and—”

“Ssh,” you murmur, pressing a finger to his lips. “I don’t want to be anywhere but here with you.”

Peter tilts his head up towards you, a silent request for consent, and you kiss him in answer.

He wraps his arms around your waist as he deepens the kiss, your tongue slipping out to meet his own. He makes a low, guttural noise between pleasure and content at the feeling of it, and your free hand clutches at his shirt as your other hand remains at his jaw.

You spend the rest of the evening like that, whether it's on the sofa or in his bed, but in those moments together there’s nothing carnal about it. Your touches are soft and comforting rather than lustful and yearning, and as much as you’ve thought about him that way before, you know that now’s not the time.

Tonight, you both need this. Tonight, your sole purpose is to be there for one another.

“And for the record,” Peter murmurs between kisses, his words random and uncalculated, “I think your tragic backstory’s way worse than mine.”

𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍: peter maximoff ( x-men )

peter maximoff lives at home with his mother because his mother isn’t exactly great at taking care of his little sister. he knows he’s not the prime candidate for renting or even owning his own place — his mom still does his laundry, he can barely take care of himself, and being a kleptomaniac doesn't help paying the bills unless you know a fence — which peter doesn't. but whenever he thinks about moving out, it’s always the wellbeing of his little sister that stops him from doing so. yeah, he could have friends and the people that he’s come to see as family surrounding him if he moved into the x-mansion, but who would make sure his little sister doesn’t turn out like him? whether it’s keeping her away from his mother’s second-hand smoke, making sure she brushes her teeth or does her homework, peter doesn’t want his absence to be the reason his little sister’s life goes rapidly downhill.

nobody’s told him that her wellbeing isn’t his responsibility yet.

Request for what it would be like watching the Olympics with Peter Maximoff?

It's so funny you mention this....

OKAY SO!

I think Peter is annoyed by the Olympics, since mutants are banned from competing. You put on the Olympics and he is basically vibrating on the couch next to you.

"The least they could do is give us our own category or something."

When any Olympic champion is referred to as the "fastest man/woman/person alive" he gets very grumpy and starts pointing to himself.

"Babe, it's not that important."

"I am literally faster than the speed of sound! I AM THE FASTEST MAN ALIVE!"

When you are watching events that don't involve running, it's slightly better. Then Peter can actually appreciate the talent and dedication.

He would get deeply invested in the sport, even if he knew nothing about it before watching the event.

"Oh my God! Babe! I think he's going to try for the quad axel. BABE ARE YOU SEEING THIS!?"

He would always root for the underdog. Always.

By the time the medals ceremony happens you are too wrapped up to pay any attention to him

When the winner of the 100 meter dash is about to receive the gold medal, all hell breaks lose.

"Oh! It seems the gold medal is gonem Folks we have no idea what just happened. You are watching this live with me. The gold medal just disappeared in thin air. I have no explanation for this."

"Oh my God, Pete-" you look over next to you and see your boyfriend sitting there nonchalantly with a gold medal around his neck.

Peter looks at you and says with a deadpan face: "I don't know what you expected from me."

*The world literally ending*

My Brain Picking A New Character To Hyperfixate on:

do you have any headcanons about how peter and the reader bonded when she first came to xavier's school? will we get to see more of that? :)

okay but YES:

charles asks peter to show you around the school because you're both similar ages, jean is in classes all day, and although peter doesn't stay at the mansion, he knows it like the back of his hand already.

charles also thinks you BOTH need friends. he's literally matchmaking platonically.

things between you both are awkward as he shows you around. you're still settling in and peter doesn't know you yet, but you ask him where the nearest arcade is and that's when you find out you both hold a conversation really easily. peter has nothing else to do, so he shows you around town and you two even play a game or two at the arcade.

while spending time with him, you grow less tense. you actually smile for the first time in a while. you typically take a little while to open up to anyone, but peter's high energy fast tracks this. you're kind of terrified of how fast you're growing to like him, especially since you already find him attractive.

you eventually befriend scott, jean, kurt and jubilee too, but it's nothing in comparison to the friendship you have with peter. you seem very similar and very different all at once.

just as you think you understand something about peter, like how he seems to cover up any potential sadness with humour and never seems serious, he changes it up on you. he's confusing and it both irritates and fascinates you. example: he'll be funny with you one moment and then serious when you open up. jokes turn to 'oh, shit, i'm sorry' in a solemn tone. it's a quick back and forth of emotional states.

despite the fact that you often wonder if he's out of your league, you can't make yourself stop wondering whether he might be feeling the same things you are... like something is building between the both of you. jokes on you, because he doesn't wonder whether you're out of his league—he knows you are.

the two of you aren't usually the ones to spend every day hanging out with someone. peter usually spends his time alone in his basement (not out of choice), and you like to spend your time on your own (that is, in fact, a choice). even so, you seem to be hanging out with one another a lot.

he opens up to you and it makes you feel like he trusts you.

he's the first person you open up to about what happened with your father back in england. the accident. the reason you came here.

after that deep discussion, things between you are different. it's like there's a tension between you both, and it's something unsaid: you care about each other. a lot.

peter can't ever seem to keep still, and one day when he stretches out across the floor of your dorm, you follow him to the floor. you rest your head on his chest, your heart beating like mad, and he wraps an arm around you. you've never been held like that before. you're both silent as you wonder whether this is something 'just friends' do.

over the weeks that you spend in one another's presence, people at the mansion seems to pick up on the fact that there's something blossoming between you two. everyone seems to notice it but yourselves.

your first unofficial date that isn't a date is him sneaking you both into the movies. at the end, it's pouring down with rain, but you ask him not to speed you both home as rain is your favourite weather. you can feel the energy building in you as you both make your way back to peter's house.

by the time you get home you're both drenched and he gives you a spare t-shirt and shorts to wear. it's late and peter gives you the bed.

his mom finds you there in the morning when she comes down to do the laundry and gives peter a warning look; she thinks you two had sex. embarrassed, you leave soon after. but that night when peter smells you on his sheets, he knows he has to ask you out.

he asks various people for advice before he asks you, all with varying information. in the end, he decides an arcade date is best... right back where you started. dinner after is an option, but this would feel natural for the both of you.

you don't hesitate to respond when he asks you out, and you think you probably should've taken longer to say yes.

Are you going to write anything other then the scribe reader? IS it a series

do you mean reader x other characters or peter x reader that isn't scribe? scribe will always feature in my peter x reader fics as that's the oc i've built up. i have a non ship related thing in the drafts including scott summers though. if you send in reader x other character requests i may do those if i have the inspo!