I HAVE Been Sketching.

OMG I SAW THIS THE OTHER NIGHT ITS SO GOOD HES SOOO HAWTTTT LAWDDDD

just finished watching Thelma the Unicorn and. ohhh i'm not gonna lie to you guys, i need Vic Diamond 🙈💖

REBLOGGING CUS I WAS TALNING TO A FRIEND ABOUT THIS AND COULDNT FUCKING FIND IT AND IM SO HAPPY I DID BECAUSE ITS SO FUCKING BEAUTIFUL THANK YOU OP

metalocalypse au where everything is exactly the same except murderfaces tattoos are a tramp stamp and pubic tattoo instesd

AHHHHH THIS IS SO KA-YUTE‼️💕

This took me 3 days 😭

This is after Toki was rescued in the Doomstar Requiem but before the concert in the Doomstar Requiem (does that make sense?..)

I LOVE LOVE LOVE this random little artstyle I created inspired by the freak brothers and kilroy. Not sure if that's a tasteful thing to say. . .

Anyhow.

I'm still learning how to use layers and colours on ibispaint. My fingers are getting "muscular" now cus I use my phone to do digital lineart and colour in my doodlies.

Here are a couple versions including the og which got smudged cus i hit a blinker and spat on the paper while coughing my lungs out :(

Murderface is that kind of guy to say

"hey I need to tell you a schecret"

And he gets you to lean in really close to him, like really close, like he'll keep saying

"Closcher closcher"

And then burp in your ear or face and proceed to laugh about wasting your time. He's that kind of stink.

What do we think chat?

DICK KNUBBLER IS STILL ALIVE HES STILL ALIVE HES STILL ALIVE MY WIFE IS STILL ALIVE

HE IS ALIVE GUYS PLEASEEEEEEEEEEEEEE

Can't get this audio out of my head and they fit perfectly so.

Also Happy birthday jp!!

Wowiee even more of my demonia camel series!

Nathan would most certainly be camel 311 black vegan Suede. Yall already KNOW. He would ROCK these.

Ughrhrhhrhrhrh

Charles can ABSOLUTELY breakdance ifdgaf if that's not realistic or not. At somepoint that nga definitely knew how to.

"Guys, I can get down with it. I can get jiggy with it, perhaps ah you could say I'm busting it down, uh sexual style"

AMC Studio 30 Theatre - Houston, TX (1997)

"What the design attempts to do in the 110,000 sq. ft. space is simulate a movie studio backlot and the soundstage where guests become part of the action, and the experience "rekindles the magic and memory of movie going."

Elements from sound stages and studio road cases make up the central lobby space along with a guest service desk. Images of Hollywood's glamorous stars of the past add enchantment to the balcony walls. The space is divided into three themed areas that "transport guests into fantastic worlds of Animation, Action/Adventure and Cyberspace." The food concession stands within each area carries through the theme; "Fizz, Sizzle, Pop"; Wildebeest Feast"; and "Quantum Bits." The 30 auditoria are located off the soundstage lobby and within the various themed areas.

The architecture seems to come alive in the Animation area. The space is designed to resemble an animation cel: "flat, two-dimensional, cartoon-like graphics are outlined with black lines, filled with color and applied on an exaggerated scale." The Fizz, Sizzle, Pop concession's identity and blimp directional signs seem to float in a blue sky with flat, cut-out clouds. The setting for Action/ Adventure recalls a rainforest with heavy hanging leaves, bamboo and rock "carved" directional signs. The custom wall covering features petroglyphs of cave people carrying popcorn, megaphones and movie cameras. The fiber optic eyes peering from behind the leaves in the Wildebeest Feast stand change color. They also appear above rock outcroppings down the corridor. Patrons are invited to explore an abstract, futuristic world in Cyberspace where the floor and ceiling are the same color and brushed aluminum columns rise partway to the ceiling. To create the illusion of "endless space." custom light fixtures project beams of light along the walls and backlit graphic images have neon edges. Various colored lights and a high-tech fluorescent green/orange acrylic sign help to define the Quantum Bits concession area in Cyberspace."

Designed by Kiku Obata & Co.

Scanned from the book, Entertainment Destinations by Martin Pegler (2000)