It Was A Fun To Make These Images. For Kenzo, Getting A Similar Feel Wasn't Easy.

Doom : Rip and Tear The Live Action Movie Poster

 I made a live-action movie poster for DOOM.

 It was thought that the process of coordinating the description between the symbolic form of the original DoomGuy in the game and the details suitable for realistic movies would be quite difficult. But I was able to finish this work easily, because I found a good LoRA that someone had made.

 The image resource of DoomGuy in the game seems to have quite short arms, which continued to apply to the results. I tried to offset this with a few prompts, but when I lowered the weight, I had a problem moving away from DoomGuy shape. I just decided to supplement this in Photoshop.

FAUAP : KR2-UFOLRG73

 This photo, taken in Seoul in 1973, offers a view of the city's bustling downtown and residential complexes. Hovering in the sky is a UAP, appearing to be in motion and captured from a close distance, presumably from a hill. The photographer's identity remains unknown.

 What makes the photo stand out is the enigmatic green light seen on a distant ridge. This light, often reported at locations separate from the UAP sightings, is notably present in this picture as well. Whether this light results from the UAP's interaction with the ground or from some form of detection remains speculative.

 Captured around midday, the UAP displays a distinct disc shape. The upper part is visibly solid, while the lower part shows a grooved design along the disc. Within the grooves, an element that appears to emit something can be seen. At the base, landing gear, potentially used for touchdown, is visible.

 From the motion blur in the photograph, it can be inferred that the photographer had to move the camera to keep the UAP within the frame. This detail, along with the unique characteristics of the UAP and the mysterious green light, add layers of intrigue to this piece of historical photographic evidence.

FAUAP : PH7-MUFO9F97

 The photograph, taken in the late 90s, depicts a scene within a military unit in the Philippines. The locale, densely populated by trees, makes sky views limited. A massive UAP floats stably in the air, its size dominating the image. Below the UAP, a pipeline-like structure extends, connecting to a station on the ground, lending the scene an appearance of a refueling operation.  Given the elevated viewpoint of the photograph, one might surmise that the image was taken by someone aboard the UAP. This assumption lends credibility to the theory that this UAP could be of human design.  The UAP's structure appears reminiscent of a type of Japanese bread, topped with a small spherical dome at the bottom that could potentially serve as an observational window to the ground. Small antennas, extending from the structure, further lend to its man-made appearance.  Given the clandestine setting and lack of additional information, the photograph opens up a wide array of speculations and interpretations.

The Forgotten Vision of the Electro-dynamic Human Harnessing Apparatus (EHHA)

This piece unravels the often overlooked aspect of Nikola Tesla's pioneering works, the early designs of an Exoskeleton suit, revealing how this vision from the 1890s fell into obscurity yet subtly influenced the path of human augmentation technologies today.

 In the later part of the 19th century, the name Nikola Tesla was synonymous with bold innovations, dazzling demonstrations, and, most importantly, a future shaped by a novel understanding of electricity and electromagnetism. However, a lesser-known aspect of Tesla's expansive body of work was his early designs for an Exoskeleton suit, which he worked on in the year 1893.  Tesla, a man with an extraordinary vision, recognized the potential in the field of human enhancement technology. He foresaw a future where humans could achieve extraordinary physical feats through a fusion of technology and biology. He drew up blueprints for an electromagnetic powered exoskeleton suit. He called it the "Electro-dynamic Human Harnessing Apparatus" or EHHA.  In Tesla's own words, "The EHHA is an application of my studies into the nature of electrical and magnetic fields, a machine designed to enhance the natural abilities of a man." The concept behind the EHHA was a suit powered by a compact electrical generator, the same alternating current (AC) system that Tesla had championed and which would soon power the world. The suit was designed to provide increased strength and speed, along with enhanced durability, to the wearer.  However, Tesla's vision was far ahead of his time. The technology required to build such a suit simply did not exist in the 1890s. The miniaturization of power sources, the development of lightweight yet durable materials, and the computing capabilities to manage such a system were all beyond the capabilities of the period.  Also, the world's focus was drawn to his pioneering work in electrical distribution and radio wave technology, which had more immediate applications and monetary potential. Thus, the EHHA was deemed as an impractical fantasy and was soon overshadowed by his other groundbreaking inventions.

 Over the years, the EHHA's designs were relegated to the back pages of Tesla's expansive body of work. His more immediately practical inventions like the AC motor and radio technology took center stage, while his more speculative and futuristic designs fell into obscurity. Tesla's death in 1943 further pushed the concept of the EHHA into the realm of forgotten ideas.  However, the idea of exoskeleton suits was not completely abandoned. They resurfaced again during the late 20th century, with advances in miniaturization, battery technology, and artificial intelligence making it more feasible. Despite the early designs being forgotten, Tesla's vision of a human-augmenting exoskeleton suit, in many ways, prophesied the path of technological development.  Today, as we look at the emerging technologies in the fields of wearable robotics and human augmentation, it is fascinating to think that the seeds for these ideas were planted by Nikola Tesla over a century ago. Although his initial design for the EHHA was lost in the pages of history, its spirit lives on in every piece of technology that seeks to augment human potential.

Prompt:

high quality, masterpiece, 1940s \(style\), real photo, old photo, torn photo, damaged photo, crumpled picture, greyscale, jpeg artifacts, lowres, low quality, rf1exo, exoskeleton, machinery, rf1, <lora:RetroFuture_rf1_V1_Soft:0.2>, <lora:Exoskeleton_ex1_V1_Soft:1>

Negative prompt: 

(semi-realistic, cgi, 3d, render, sketch, cartoon, drawing, anime, mutated hands and fingers:1.4),

Steps: 25, 

Sampler: Euler a, 

CFG scale: 6, 

Seed: 1663020950, 

Size: 384x512, 

Model hash: e6415c4892, 

Model: realisticVisionV20_v20, 

Denoising strength: 0.45, 

Clip skip: 2, 

ENSD: 31337, 

Hires upscale: 1.5, 

Hires upscaler: Latent, 

Eta: 0.2

 I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.

 When I was a child, the concept of being an artificial person itself felt strange, and it felt very scary to have numbers on their names.

 I actually barely remember the process of her pairing up with Curirin. I was attending an academy at the time, so I couldn't remember the contents in between. I think I'll have to watch it again someday. In the process of turning us humans into humans, I think reading comics and manga well also plays a pretty important role. Much of our childhood memories are cartoons, manga, and animations.

 I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.

 This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.

 I think Bulma has shown a versatile and capable woman image in Dragon Ball series. The technologies she uses, such as miniature capsules (Hoi Poi Capsules) and Dragon Ball Tracker, were extraordinary, and it was a great pleasure to see them work in animation.

 And Bulma was one of the first characters to introduce me to the concept of "pretty woman" at the time. Let's stop discussing whether this is okay. We'll find out about this one day anyway and find it ourselves. Animation just moved it up a few months to a year. Ha Ha.

FAUAP : AR5-ZEE-N959

 This photograph, captured in September 1995, depicts a rural scene in northern Europe. Visible in the distance are several farm buildings. A small forest is present closer to the viewer, while mountains appear on either side of the scene. The picture was taken using a Kodak Ektar 100 film.  What distinguishes this image from a typical landscape photograph is the presence of an unidentified aerial phenomenon (UAP) in the sky above the scene. The UAP appears stationary and is of a discernible, aerodynamic shape. It is set against a clear sky, with an array of light rays extending from or towards it.  Some observers have speculated that the rays could be the result of a trick of the light or some form of photographic manipulation, such as the use of glass plates or paint. However, these theories are questionable given the properties of the photograph.  The Kodak Ektar 100 film used is renowned for its fine grain and high-resolution output. Any form of manipulation would likely have caused inconsistencies in resolution, which are not evident in the image.  Therefore, based on the evidence in the photograph, it appears that neither the UAP nor the mysterious light rays are the result of photographic trickery. This adds a level of mystery and intrigue to the photograph and invites further examination and interpretation.

 I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.

 This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.

 Frieza remains one of the most terrifying villain in my memory. I rarely saw Dragon Ball Z on the air to attend the academy on time, but I don't know if this Frieza, who appeared in his spare time, was a man or a woman, and I was really scared to see a huge force coming out of his fingers.

 And as we'll find out later, Frieza is obviously a villain, but he's quite gentle and funny. Decades later, many people were reevaluating Frieza (such as using honorifics for subordinates and enemies)  It is hoped that in order for today's growing children to be able to see Dragon Ball again, one day they will have to expand to other media or remake it.

 I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.

 This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.

 Kuririn is known as the strongest Earthman. Nevertheless, I remember that it was painted as a human symbol of trying and overcoming despite clear limitations.

 I think Kuririn is the main character who preached the importance of effort to children. There are many natural geniuses like alien, Goku in the world, but they have shown that even with ordinary skills like Kuririn, they can stand shoulder to shoulder.

 above all else. He won the heart of Android 18, and married her. What does this say? Having a good wife, more than anything else, means a true winner in life.

FARAS-1947 : 

Extraterrestrial Spacesuit Recovered from Roswell UFO Incident Debris

July 28, 1947

 Approximately four weeks following the UFO crash incident in Roswell in June 1947, a local farmer, Mac Politz, discovered what is presumed to be an extraterrestrial spacesuit on his property. FARAS-1947 report presents a detailed description and specification analysis of the discovered spacesuit.

 The spacesuit appears to be made of a composite material, with a particularly noticeable rounded visor. On each side of the helmet, there are plugs, presumably for connecting auxiliary devices. These might have been used to expand the functionalities of the spacesuit or to operate individual equipment.  On the interior hood of the visor, at the forehead section, there is a symbol that resembles a logo. This could potentially be an identification mark of the extraterrestrial civilization that manufactured the suit.  On the front of the suit, symbols similar to the alphabets 'O' and 'X' are drawn. While these could potentially be interpreted as the language of the extraterrestrials. It is hoped that the meaning can be grasped through the interpretation of the semiotic structure found in spacesuits and other recovered items.  Another notable aspect is the third sleeve emerging from the left side of the suit. This sleeve is presumed to be for an auxiliary arm, suggesting that the extraterrestrials could perform various tasks more efficiently.

Specification Analysis :

 The visor shows signs of wear and tear, indicating that the extraterrestrials used this spacesuit for a considerable period of time. This evidences the superior durability of the suit and is representative of the advanced technological capabilities of the extraterrestrials.

 The spacesuit itself provides basic protection, including thermal regulation and pressure maintenance. However, auxiliary components that would have been originally attached to the plugs on either side of the helmet are currently absent. It is inferred that these components would have performed a variety of functions, though it remains speculative without the actual components for examination.

 The extraterrestrial spacesuit demonstrates not only high technological capabilities and sophisticated design but also offers a unique insight into our understanding of extraterrestrial life and its advanced civilization. Further studies are necessary to fully comprehend the potential implications of this discovery.

 It has been treated as essential data for the design and establishment of the Apollo program and is believed to have been leaked through the PTAC(Promptyper Archive Company) involved during the planning period.