OKAY ! So I’ve got quite a bit of plans for language learning this summer and I was thinking if I post it to tumblr then hopefully it’ll be more than just wishful thinking. SO without further ado, here are my plans.
finish Dracula by August 31 (6 pages per day minimum)
at least one hour of active learning a day (grammar practice, vocabulary, etc)
at least five new words each day
write 3,000+ word story
at least one hour of active learning a day (grammar practice, vocabulary, etc)
at least five new words each day
translate one poem/song/paragraph a week
at least one hour and a half of active learning a day (grammar practice, vocabulary, etc)
at least seven new words a day
I’m glad you asked, self. While reading books and listening to music is great for language learning, unless there are comprehension questions at the end, I would consider it passive learning. Here are some active learning exercises that are (hopefully) more interesting than just doing plain textbook drills.
write a sparknotes summary for each episode of a TV show or book you’re engaging with. Bonus points if show/book is in a different language than your summaries, because that requires you to interact with new vocabulary.
find x number of vocabulary terms then weave them into a story or poem. Doesn’t have to be long or complex
film or voice record yourself talking about a topic that means a lot to you, then note down what words and grammar you have yet to learn
1. Change is mostly limited to those situations in which the brain is in the mood for it.
If you are alert, on the ball, engaged, motivated, ready for action, the brain releases the neurochemicals necessary to enable brain change. When disengaged, inattentive, distracted, or doing something without thinking that requires no real effort, your neuroplastic switches are “off.”
2. The harder you try, the more you’re motivated, the more alert you are, and the better (or worse) the potential outcome, the bigger the brain change.
If you’re intensely focused on the task and really trying to master something for an important reason, the change experienced will be greater.
3. What actually changes in the brain are the strengths of the connections of neurons that are engaged together, moment by moment, in time.
The more something is practiced, the more connections are changed and made to include all elements of the experience (sensory info, movement, cognitive patterns). You can think of it like a “master controller” being formed for that particular behavior which allows it to be performed with remarkable facility and reliability over time.
4. Learning-driven changes in connections increase cell-to-cell cooperation which is crucial for increasing reliability.
Merzenich explains this by asking you to imagine the sound of a football stadium full of fans all clapping at random versus the same people clapping in unison. He explains, “The more powerfully coordinated your [nerve cell] teams are, the more powerful and more reliable their behavioral productions.”
5. The brain also strengthens its connections between teams of neurons representing separate moments of successive things that reliably occur in serial time.
This allows your brain to predict what happens next and have a continuous “associative flow.” Without this ability, your stream of consciousness would be reduced to “a series of separate, stagnating puddles,” explains Merzenich.
6. Initial changes are temporary.
Your brain first records the change, then determines whether it should make the change permanent or not. It only becomes permanent if your brain judges the experience to be fascinating or novel enough or if the behavioral outcome is important, good or bad.
7. The brain is changed by internal mental rehearsal in the same ways and involving precisely the same processes that control changes achieved through interactions with the external world.
According to Merzenich, “You don’t have to move an inch to drive positive plastic change in your brain. Your internal representations of things recalled from memory work just fine for progressive brain plasticity-based learning.”
8. Memory guides and controls most learning.
As you learn a new skill, your brain takes note of and remembers the good attempts, while discarding the not-so-good trys. Then, it recalls the last good pass, makes incremental adjustments, and progressively improves.
9. Every movement of learning provides a moment of opportunity for the brain to stabilize – and reduce the disruptive power of – potentially interfering backgrounds or “noise.”
Each time your brain strengthens a connection to advance your mastery of a skill, it also weakens other connections of neurons that weren’t used at that precise moment. This negative plastic brain change erases some of the irrelevant or interfering activity in the brain.
10. Brain plasticity is a two-way street; it is just as easy to generate negative changes as it is positive ones.
You have a “use it or lose it” brain. It’s almost as easy to drive changes that impair memory and physical and mental abilities as it is to improve these things. Merzenich says that older people are absolute masters at encouraging plastic brain change in the wrong direction.
This really does sum up every damn thing that my family members have done and continue to do so and claim they are absolutely right and need to be respected cause they are older. It's amazing (being sarcastic) how they completely depend on me physically and financially but have the nerve to spew all sorts of nasty nonsense, and yet I sit here and take it. What in the world is wrong with me! 🤦♀️🤦♀️
✔ subjectively sorted by Hits || alphabetically listed || as of 2021.10 (5868 works) ✔ 2020 in review : (daily) complete fics + (monthly) longest fics + list of all the fests ✔ most popular fics of other years
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messy, stressy and a lil depressy
Okay, so I'm kinda loving the thought of the Batfam having their signature fighting style or preferred combat system.
I can absolutely imagine Jason as a boxer; Heavy hitting, fast feet, quick movements, very deeply rooted in his street fighting? Yes, yes, just yes; Jason is a big guy, but he's fast like a mouse and punches like ten men. He learned to box from Catherine
I feel like Dick wanted to put his agility and acrobatic training to good use when he first started as Robin, so the best fighting style foe that would be Muay Thai; It's a precision based boxing style in Thailand. Lots of leg, arms, elbows, oh my! I think Hapkido would fit him well too
Gonna say Kung Fu for Tim simply because it's so inclusive that everyone can learn it, and I feel like maybe he felt a bit insecure about his height at first? But Alfred doesn't polish to be clean, he polishes to Sparkle. Cue Kung Fu Panda montage
Gotta go with Krav Maga for Damian; It's practically one big potluck of kicking ass techniques. It's also the first style he PICKS by himself, and it's very special to him
BRAZILIAN JIU JITSU FOR CASS. HANDS DOWN. ABSOLUTE UNIT. also best fighter in the family. Fight me. Most advantaged, too. Girl is a human Xerox
that’s the key.
gotta stay focused.
queen of expressions, nobara
This is a compiled list of some of my favorite pieces of short horror fiction, ranging from classics to modern-day horror, and includes links to where the full story can be read for free. Please be aware that any of these stories may contain subject matter you find disturbing, offensive, or otherwise distressing. Exercise caution when reading. Image art is from Scarecrow: Year One.
PSYCHOLOGICAL: tense, dread-inducing horror that preys upon the human psyche and aims to frighten on a mental or emotional level.
“The Frolic” by Thomas Ligotti, 1989
“Button, Button” by Richard Matheson, 1970
“89.1 FM” by Jimmy Juliano, 2015
“The Yellow Wallpaper” by Charlotte Perkins Gilman, 1892
“Death at 421 Stockholm Street“ by C.K. Walker, 2016
“The Ones Who Walk Away from Omelas” by Ursula K. Le Guin, 1973
“An Empty Prison” by Matt Dymerski, 2018
“A Suspicious Gift” by Algernon Blackwood, 1906
CURSED: stories concerning characters afflicted with a curse, either by procuring a plagued object or as punishment for their own nefarious actions.
“How Spoilers Bleed” by Clive Barker, 1991
“A Warning to the Curious” by M.R. James, 1925
“each thing i show you is a piece of my death” by Stephen J. Barringer and Gemma Files, 2010
“The Road Virus Heads North” by Stephen King, 1999
“Ring Once for Death” by Robert Arthur, 1954
“The Mary Hillenbrand Cassette“ by Jimmy Juliano, 2016
“The Monkey’s Paw” by W.W. Jacobs, 1902
MONSTERS: tales of ghouls, creeps, and everything in between.
“The Curse of Yig” by H.P. Lovecraft and Zealia Bishop, 1929
“The Oddkids” by S.M. Piper, 2015
“Nightmare at 20,000 Feet” by Richard Matheson
“The Graveyard Rats” by Henry Kuttner, 1936
“Tall Man” by C.K. Walker, 2016
“The Quest for Blank Claveringi“ by Patricia Highsmith, 1967
“The Showers” by Dylan Sindelar, 2012
CLASSICS: terrifying fiction written by innovators of literary horror.
“The Tell-Tale Heart” by Edgar Allan Poe, 1843
“The Interlopers” by Saki, 1919
“The Statement of Randolph Carter“ by H.P. Lovecraft, 1920
“The Damned Thing” by Ambrose Pierce, 1893
“The Legend of Sleepy Hollow” by Washington Irving, 1820
“August Heat” by W.F. Harvey, 1910
“The Black Cat” by Edgar Allan Poe, 1843
SUPERNATURAL: stories varying from spooky to sober, featuring lurking specters, wandering souls, and those haunted by ghosts and grief.
“Nora’s Visitor” by Russell R. James, 2011
“The Pale Man” by Julius Long, 1934
“A Collapse of Horses” by Brian Evenson, 2013
“The Jigsaw Puzzle” by J.B. Stamper, 1977
“The Mayor Will Make A Brief Statement and then Take Questions” by David Nickle, 2013
“The Night Wire” by H.F. Arnold, 1926
“Postcards from Natalie” by Carrie Laben, 2016
UNSETTLING: fiction that explores particularly disturbing topics, such as mutilation, violence, and body horror. Not recommended for readers who may be offended or upset by graphic content.
“Survivor Type” by Stephen King, 1982
“I’m On My Deathbed So I’m Coming Clean…” by M.J. Pack, 2018
“In the Hills, the Cities” by Clive Barker, 1984
“The New Fish” by T.W. Grim, 2013
“The Screwfly Solution” by Racoona Sheldon, 1977
“In the Darkness of the Fields” by Ho_Jun, 2015
“The October Game” by Ray Bradbury, 1948
“I Have No Mouth, and I Must Scream” by Harlan Ellison, 1967
HAPPY READING, HORROR FANS!
I've started hitting the gym again
“Just keep showing up. Most people quit.”
— Unknown