Is It Weird That I Want Him To Slit My Throat While Fucking Me?

Is it weird that I want him to slit my throat while fucking me?

Is It Weird That I Want Him To Kill Me ???

is it weird that i want him to kill me ???

More Posts from Patrickispinky and Others

2 months ago

don't stop (thinking about tomorrow)

Don't Stop (thinking About Tomorrow)
Don't Stop (thinking About Tomorrow)
Don't Stop (thinking About Tomorrow)

wc: 2.3k

cw: live!reader who can see wally, fun little meet cute that freaks wally out, tw for two sentence mention of harry potter, set in 2023 but nothing with maddie happens, and as always i am writing with a plus size!reader in mind, but this one is gender neutral!reader as well so far

a/n at the end!

pt. 1 - pt. 2 - pt. 3 - pt. 4

masterlist

Don't Stop (thinking About Tomorrow)

He was never supposed to find out that you can see him. 

You could see all of them - the beatnik with the sour expression plastered on her face, the sweetheart in the jean jacket, even the blonde dude who’s always at the pottery wheel during your second period ceramics class.

You’d spent the last four years perfecting walking right past them, not looking up, not laughing at the jock’s jokes when you’re seated near them in the library.

Your ‘gifts’ are too confusing to explain, and even if you attempted to confide in someone about them, you know it would be too hard to believe.

It freaked your parents out when you were little - your comments about how Grandma talked to you long after her passing, how you waved to people on the street that nobody else could see. They never took you to be tested -  worried too much that you’d get taken away or put in psychiatric holding. 

So if you came home looking tired and drained, or sometimes, a little scared, your parents understood. 

When you started high school, you hadn’t expected there to be so many dead people. It was so weird, seeing people your age walking around stuck in the clothes representative of their times. 

You’d told your mom about the kids as you distinguished them from the living ones -  sadness in her eyes growing when you’d mentioned the lanky one in 80s athletic gear. She’d gotten her own Split River yearbook from the shelf, flipped to the memorial page and pointed at Wally. 

“Is that who you’re talking about?” 

You’d nodded, confirming her suspicions. She’d been in his graduating class, though not in his social circles. He’d been your stereotypical jock when he was alive, for all the pros and cons of it. King of the ragers thrown after games, not always a bully, but often a bystander. Gone too soon, but quickly forgotten in the grand scheme of things. 

For your safety, you’d agreed that you wouldn’t ever speak to any of the ghosts. Your mom had clocked the dreamy glaze in your eyes while looking at Wally’s picture, and while she couldn’t stop you from talking to him, she’d told you what you already knew. It wasn’t smart, and it wouldn’t end well. 

In your mind, letting any of them know that you could see them would be more cruel than just letting them go about their usual business. Even if you made contact, spoke to them - hung out with them - you were leaving after graduation, and they’d be alone again, without any contact with the living world. It seemed unfair; pointless. 

It’s not Wally’s fault he’s so fucking pretty. 

He moves about the school the same way you do - not looking at or paying attention to the people around him - because he has no reason to believe he can be seen. It’s worked out entirely in your favor thus far, because you can stare at Wally Clark for small periods of time without him noticing. On the occasion that he turns his head in your direction, a shift of your eyes to the right or left has him believing you’re just staring off into space. 

He’s so nice to look at. His slightly curled waves of black hair, gold chain gleaming under fluorescent lighting. There’s depth to him, too. When he’s around his friends, he’s energetic - bouncy, cracking jokes and patting people on the back too hard. When he’s alone, though, he seems calmer. More reserved. 

You get bolder with it, the staring, lulled into a sense of safety because you’re just another face in the ever-rotating crowd of high schoolers that pass through Split River. He’d seen forty generations of kids move on at this point, stuck as a fresh 18 year old with dreams and aspirations he’ll never be able to achieve. 

It must suck, having to stay behind and watch as other seniors get a chance to do what he never did. You wish you could comfort him, maybe even help him find a way to move on. It’s harder for the people who die traumatically. 

So much unfinished business and pent up emotions make it difficult to find the peace needed to pass onto the next plane. It’s easy to tell -there’s always a certain aura around the sad ones. Like the air around them is heavier, darker. 

You’re not complaining, though, as fucked as that may sound. Especially not when you’re lounging under a tree near the football field, not so subtly watching as a shirtless Wally picks up replicated footballs and throws them aimlessly in different directions. If you hadn’t been daydreaming about being able to talk to him, you would’ve noticed the ball soaring towards you. 

You look up, just in time for the phantom ball to hit the ground next to you, bouncing to land at your feet. Absent-mindedly - and almost jokingly - you kick it away from you, suddenly aware the ball was solid against your foot. In the time it takes you to realize you just interacted with a phantom football, it's faded away into the ground, and its sender is staring at you wide-eyed. 

There’s a beat of stillness, soundtracked by the cicadas and other teens on the field before you begin to move. 

You scramble to throw your shit into your bag, and speed walk back inside. 

“Holy shit? Wait! Hey, wait!” 

He follows you, because of course he does, and you try your best to ignore the panic and guilt rising in your throat. You just keep walking, hoping that he’ll give up. He doesn’t. 

“Can you slow down please? I know you can see me!” 

Wally catches up to you, jogging a few paces ahead to try to cut you off. You’ve never been this close to him - you have no idea if he’ll pass through you the way you’ve seen the other ghosts pass through living people before or if you'll make contact like you did moments ago with the ball he had thrown. 

It blows your cover even more than kicking the ball away, but when Wally goes to stand in front of you, you attempt to veer out of his path. And then he grabs you. Or, he tries to, anyway. He’s not fully solid, not enough to place a firm hold on you, but enough for you to genuinely feel it. 

His hand does go through you, but there’s resistance to it. It makes you shiver, the ice cold sensation of his palm trying to hold your shoulder but not being able to fully grip it. 

“What the fuck?” He looks down at his hands, then back towards you. 

He’s caught off guard enough for you to truly get away this time. Rest of the school day be damned, you make a break for it and throw yourself into your car. 

The stale air does nothing to help your nerves, your shaking hand turning the ignition to blast AC at yourself. You lean forward, resting your head on the steering wheel and try to breathe through it. This is bad. Like, really fucking bad. 

You don’t know much about him, but you seriously doubt that this is the kind of thing he’d just let go. 

You’re in it now, for better or for worse. 

You can’t tell your mom. It’s selfish, and misguided, and you hadn’t even said anything to him, but it was something. It was yours, and you don’t want to share. It makes the guilt worse, and your drive home is spent in dissociated silence. 

When you get home, your mom is in the kitchen, bouncing around to 80s music and chopping onions. The slam of the front door alerts her to your presence, and she pauses her music, concern etched in her features. 

“Hey, sweetheart. Everything okay? You’re home early.” 

You don’t want to lie. 

“Yeah, I’m alright. Just got a headache, that’s all. Thought I should come home and take a nap.” 

-

Spending a few days at home would probably be for the best - it would give you time to come up with some sort of plan on what to say to Wally. You have no idea what the best course of action is. He knows you can see him now. You can’t take that back and make him forget it, and you don’t even know if you’d want to. 

Instead, you barrel into school the next day, head down and earphones blasting music. Your eyes don’t leave the linoleum floor except to put your bag in your locker. The grumble of frustration and annoyance that leaves your body when three Tears for Fears songs play in succession draws the attention of other students in the hallway, but you pay them no mind. 

You don’t even make it to third period before you see him. 

Sitting in the corner of ceramics class, shaky hands denting an already uneven vase, the slam of the classroom door makes you jump - effectively destroying the soft clay cradled in your palms. 

“There you are! Dude, I've been looking all over for you.” He sidles up to you, plops down in the seat directly to your right, the heat of his gaze burning into the side of your face and making your cheeks hot. You sigh, squishing the clay down and shaking your head. 

“That’s fine, you don’t have to talk. I can talk for both of us. I can just talk, and talk, and talk, and-” 

Your hand shoots into the air, a frantic “Can I use the restroom please?” leaving your throat. 

It’s your worst nightmare and a dream come true, being alone with Wally. He walks next to you in the hallway, and when you pass the bathroom he pauses. 

“You’re not going in? I thought you needed to go.” He’s teasing, you know he is, but you still huff at him. 

You keep your pace, calling out behind you, “No, Wally, I don’t need to use the bathroom.” 

You don’t turn around to see it, but you can hear the slightly shocked giggle that leaves him. 

“Oh, c’mon, really?” 

He catches up to you, and when you crane your head to the side to make eye contact, he sucks in a little breath. It’s the first time you’ve actually looked into his eyes. It throws you off kilter a bit, and you feel the need to make up the difference with a quip. 

“What, you’re Moaning Myrtle now? You feel like talking and hanging around in public restrooms?” 

The laugh that leaves him surprises you, Your eyebrows raise, not expecting him to understand the reference. 

“Ms. Williams plays the movies during finals week like every year,” he shrugs, “I’m dead, not blind.” 

You’d taken your things with you - skipping the rest of your class to spend time with him, to answer the questions you know he wants to ask. You go back to the football field, under the same tree you’d been under when you kicked the football away from you. 

He’s waiting for you to speak, to help him understand what’s going on, but the words are caught in your throat, cheeks hot and skin itchy. Your hands fidget, picking dried clay from under your fingernails and flicking it onto the grass nearby. 

You look at him, trying to decide where to start. 

“I’m not really supposed to talk to you.”

“Why not?” He laughs then, shakes his head a little. “It’s because I’m dead, right? Do you have a problem with dead people?”

“No, I-” You start on the defensive, but soften when you see Wally’s smirk. He’s a little shit, you should've known. You roll your eyes, “You’re not supposed to know I can see you for your own sake. What good would it do? Hanging out with me for the next three months until I graduate and you can never see me again? It’s unfair.”

He looks away from you for a second, sly smile wiped off of his face, replaced with a sadness you hadn’t seen from him before. You reach out, trying to make contact, and your hand just meets the air. When he’d tried to grab you yesterday, he was slightly more solid than he is now. You don’t know why. 

“Yeah it is unfair,” He turns to face you again, brown eyes glassy and tear rimmed, “but you can see me, and that’s the most exciting thing that’s happened to me since I’ve been here.” 

Something in your chest stirs, and you know there’s no universe in which you would’ve been able to stay away from him. You’re worlds apart, or planes apart, but it doesn't seem to matter as much as you used to think it did. 

“I think it’s the most exciting thing that’s ever happened to me, too.” 

You spend the rest of the school day - without being caught, thankfully - in deep conversation. The shrill ring of the bell signaling the end of the day cuts you off in the middle of a sentence, and you stand from your place on the grass, dusting yourself off and gathering your things. 

The silence between you is comfortable now, as he walks you to your car. He can’t step off the curb - he’d explained the boundaries of the school to you, that he’d be thrown back to the field if tried to leave. You hover together, not wanting to part. 

“I’ll see you tomorrow? We can hang out more, I have study hall during 5th period.” You tuck a stray hair behind your ear, and he follows the movement with his eyes. 

“Yeah, see you tomorrow.” 

You blast your 80s playlist on the way home, while you’re in the shower, while you’re doing homework. 

Wally Clark is gonna be the death of you.  

Don't Stop (thinking About Tomorrow)

a/n: hiii i feel like this part was a little lackluster but !!!! i have a whole plan for what i want to do with this fic and i'm really excited about it. it should be four parts, but that's subject to change as i keep writing.

if you liked this and want to read more of my little stories, my masterlist is linked at the top! if you have ideas or just want to chat, my inbox is always open!

pls don't forget to like and reblog! love you mwah


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4 months ago
October Sun

October Sun

summary: Wally had lost his grip on reality. Even for a ghost, what had transpired in the theater had been messed up. What the fuck had happened? Where had you gone? Where had everyone gone? How had he ended up in a dirty, cramped cellar that had looked like something out of a horror movie? And who had been the people he'd been stuck with?

pairing: Wally Clark x fem!reader

warnings: manslaughter. depictions of lethal violence against a child. eventual smutty smut smut. mad spoilers. and obvious Canon divergence. very involved, very dense plot.

⏰we continue...🐾 we clocked in at 6818 words. for anyone triggered by violence or murder, especially involving children, the plot will still make sense if you choose to SKIP that scene. it begins in Act 3 when we return to Wally's POV. i have indicated that act with "‗‗‗‗🚩‗‗‗‗" to avoid confusion. if you wish to back-arrow out but would like a summary of events, please DM me and i'll happily catch you up in a gentler way 🧡

stay safe & bon reading, frens

___________________________💀

OCTOBER SUN pt.26

Question Three.

Why did the Monster seek revenge?

‗‗‗‗•‗‗‗‗

The supernatural wind hit Wally like a solid force, a blunt and brutal strike that propelled him backward, flung through the air, and spat through the farmhouse door. His back slammed against something hard and immovable, head cracking against the uneven surface. Grunting in pain, he fell forward, breath kicked out of him, barely catching himself before his face met the ground. He lay there for a few beats to allow a wave of nausea to settle before, on a shaky arm, he pushed himself up.

"Jesus Christ," He coughed, sitting back on his haunches, and closed his eyes to center himself. It took too many deep breaths before the throb at the back of his head receded and he felt stable again. In the absence of pain, Wally's other senses returned and he realized something was different. Wrong. The light too bright and the air too damp. He pressed the meat of his hands into his sockets, blinked rapidly, and then opened his eyes fully to take in his surroundings.

Dazed, he uttered, "Uh, okay..." and hoisted himself to his feet to look around.

He wasn't in the theater.

Exposed stone walls, low ceiling, packed dirt floor. Wally did a circuit of the space, as sparse as it was, and tried to find some clue as to where he'd ended up. A weathered work table sat against the wall to his right, its contents the typical accouterments one might find in a hobbyist's garage—drill, crowbar, hammer, welding torch. Totally normal. Except for the chemistry set assembled across the back of it.

"Weird," Wally muttered, fingers ghosting over the looping glass tubes and empty beakers. He picked up a beaker and sniffed, his face instantly twisting into an expression of disgust, "Gah!" He shoved the beaker back on the table, panting through his nose to expel the pungent odor. "Nasty."

Moving around, he saw a metal-framed shelf boasting three-deep rows of jars containing a variety of dried plants, all labeled—datura, rose, groundcherry, tobacco, mandragora, and more—and tightly sealed. That explained the reek from the beaker, Wally thought, cringing as it lingered in his nostrils. It was so bad he could almost taste it at the back of his throat. Heady and floral. Like licking soap.

Eventually, he came to a stop where he'd appeared, nothing else of interest in the space apart from a bare, stained mattress lying in the middle of the floor and a pile of wood under the staircase. Rising on his toes, he peered out one of the high windows, hoping to catch a glimpse of something familiar; a landmark or sign or anything. But there was nothing. Just trees and unpaved road and more trees.

As he sank back to the flats of his feet, the world around him flickered like film in an old VHS. Fast as a blink. Gone then there. Wally's eyes widened and he staggered a short distance, stunned that things had gone from milky daylight to dark and stormy in no time at all. As if the day had been sucked away as night forced its way in. And more shockingly, Wally wasn't alone anymore.

"Fuck. FUCK." Someone shouted. A deep, male voice that belonged to a man in uniform who was pacing a groove into the floor, gesturing wildly; hands gripping his head, beating the wall, tugging his military jacket. Agitated. Feral. Eyes blazing as he climbed the stairs, banged on the closed door at the top, kicked and punched it, "LET ME OUT!!" and then descended again.

Wally cleared his throat, cautious as he approached the man, "Erm...hi?" He started, hands raised like he was about to engage an angry lion. "Dude, are you okay?"

The man didn't acknowledge him. Didn't even seem to hear Wally. Which, sure, Wally was used to after decades of being ignored by the living, except that this man wasn't the living. Wally felt it in his bones the same way he always did. That lack of physical pressure that arced from living bodies. Yet, even when Wally stepped directly into the man's space to force his attention, the man didn't bat an eye. Continued cursing and lashing out at everything within reach. Everything but Wally.

"What the hell?" Wally murmured, peering at the man and then around the cellar. He tried again, waving his arms, getting right in the man's face, "Hellooo~?"

Nothing.

The man continued his rampage, grabbed the hammer off the worktable, and began to smash the jars on the shelf, yelling with every strike. They reset in seconds and he'd do it all over again. And again. And again.

"Cool." Wally swallowed, "That's cool," a tad more anxious than he had been moments before. Being dead and trapped and ignored by the majority of people he was surrounded by, he could handle. Being dead and trapped and completely invisible to everyone, including other ghosts? He didn't like that at all. He had to get out of here. Now.

Wally charged up the stairs two at a time, his breathing ragged as he began to panic. He grabbed the door handle and twisted to wrench the door open, only it seemed he needn't have bothered as someone on the other side was already on their way in. Wally reared back as the door was kicked open, stumbling a few steps down before he pressed himself against the wall to make room for that arc of physical presence that pushed outward from a living body.

When Wally glanced at the person, his mouth went dry; his eyes bulged; his heart stopped mid-tick. He hadn't felt this lost or confused since the first few minutes of his death.

"H-holy fucking Christ." Wally stammered, watching the man—who Wally was pretty fucking sure was still downstairs breaking shit—shove through the door, his steps laden under the weight of what he carried. Wait. Not what. Who. "Holy. Fucking. Christ." Wally repeated, syllables breathless and strained.

One body slung over the man's shoulder, the other, much smaller, tucked under his arm like a sack of potatoes. Both limp, unconscious, limbs loose and heads swaying with every encumbered movement. The man ranted, words punched out of him as he stomped down the stairs one heavy step at a time, briefly stopping to adjust the body on his shoulder before continuing.

"—and had I known, you useless little bitch, I would've taken care of it while he was still in the womb." The man spat at someone who'd remained upstairs, just out of sight. Almost regretfully, the man added under his breath, "Save us both from the pain of doing it like this."

Wally's attention snapped to the bottom of the steps when an identical voice shouted, "What the hell are you doing!?" And then, "Jesus," distressed, "they're just kids!!"

Twins? Wally questioned of the two men who were identical down to their military-issued boots. He followed Living Man down the stairs, watching as Living Man teetered slightly at the last step before correcting his stance. While the two men might've been mirror images of each other, Wally noted that Living Man moved differently than Dead Man. Dead Man was straight lines and authoritative strides. Living Man, on the other hand, was strangely graceful despite his bulk. Sort of...feminine.

Living Man scowled at Dead Man, biting out, "You have no idea what is really going on, you ignorant fool," as he moved further into the cellar, dropping the body tucked under his arm unceremoniously onto the mattress before trudging to the back wall. With more consideration, he lay the second body down, pillowing the head and placing the arms and legs in a comfortable position. He caressed a cheek, gaze softening as he muttered, "We'll get this all fixed, child." A shuddery breath, "I still need you, after all."

Wally frowned as he noted another difference. The way Living Man spoke felt unnatural in that voice. The care in each intonation, the antique vernacular. Dead Man didn't speak like that. He was rough, gritty; belly-deep pitch, and sawed off suffixes. A sensation of wrongness crept up Wally's spine as he thought about it. There were many weirdnesses setting off alarm bells in Wally's brain—the fact that Living Man, like you, could commune with the dead and that Living Man had apparently abducted two people and delivered them to a creepy cellar. But also...something Wally couldn't yet identify.

He shifted closer to Living Man and the body, the person, on the ground, leaning over to look at who Living Man had spoken to so apologetically. And, oh God, no, no way. How!? He sprung forward, dropped to his knees, immediately taking Living Man's place when he stood and walked away.

"Baby!"

Although you looked younger by a few years, he knew without a doubt that it was you. His stomach flipped, heart beating at triple speed in his chest, hands near your face as he tried in vain to rouse you. But his palms wouldn't touch. A thick halo of energy repelling his efforts. You looked pale, sick, a frail little thing drenched to the bone and Wally whimpered in dismay when he couldn't hold you. All he wanted in that moment was to scoop you up and run, to get you far away from whatever sinister plot was unfolding around him.

"Fuck." He choked, "Fuck, what did he do to you?!"

Then he smelled it on your rattled breath. Heady. Floral. Like licking soap.

At the bottom of the stairs, Living Man called up, "Hurry up! I didn't bring you here to sit idly in the kitchen, I brought you here to learn!" But Wally was too busy trying to figure out how to wake you up, how to help, he needed to help. Distantly, he heard faint footsteps descending, mild and even.

"What are you going to do to them?" Dead Man asked in a tone that edged on fear.

Living Man didn't respond, simply moved toward the mattress. Rather, a new voice answered Dead Man's question, a voice that made Wally's blood run cold. All-American, sweet as sugar, an amused hum before a statement that, on the surface was friendly, but beneath was cold and unaffected. "Isn't it obvious?" A pause. "She's going to kill them."

Time stopped. The world narrowed as Wally turned slowly to confirm the impossible. Standing primly at the end of the mattress with a darling dear smile on her face was someone Wally had seen every day since his death. Every day, that was, until last Friday.

"Janet..."

‗‗‗‗•‗‗‗‗

You froze when the man held out his hand, staring right at you with a soft, private smile that made your skin crawl. It didn't look right. A sharp, twisty curl to its corners. You didn't know what to do. Running seemed pointless. Never mind that you couldn't—fuck, please—make your feet move. Couldn't make your tongue work or your lungs expand or your heartbeat slow. The man's smile widened, uncanny and odd, and he shifted closer.

"Amelia," He said with a fond lilt.

Finally, you budged your foot a scant half-step back, muscles stiff with fear. In your periphery, you saw something reach toward the man's waiting hand and then a voice like birdsong replied, "Alastair," with equal fondness. Your attention snapped to the right, the fear abating somewhat, and took in a vision of a woman. About your mother's age, auburn hair pleated and pinned; eyes that sparkled with an attractive combination of mischief and mirth; and a pink petal smile that grew as she placed her delicate hand in Alastair's.

Beside her was a much older woman whose severe features shared a resemblance to Amelia's. Beneath her wrinkles, the roundness of her face was the same, and her eyes held that same youthful sparkle. However, unlike Amelia, and the other female guests, who were draped in tasseled frocks and strings of pearls, the woman wore a beautifully beaded floor-length gown, her hair fluffed and wrapped in matching Gibson Girl style.

"Anabelle," Alastair bowed in deference, plucking her gloved hand in his and bussing a kiss to her knuckles. "I'm so pleased you were able to join us."

Anabelle's only response was to nod her head and take back her hand. She swept her gaze to Amelia's and the two appeared to have an entire conversation with their eyes in the time it took you to process that, no, Alastair hadn't been looking at you, he'd been looking through you.

A blessing as much as a curse, you thought grimly, still uncertain as to where the hell you were and what the hell was going on. You watched in fascination as the crowd parted for Alastair and Amelia, their hands joined and raised as if they were stepping onto a ballroom floor, about to engage in a waltz. Anabelle glided along behind them at a close distance, hands clasped, eyes trained ahead, unflinching. Instinctively, you followed, observing how the crowd closed the space behind you and positioned themselves in an arc that faced a raised platform you hadn't noticed before. They moved in perfect synchronicity. A sci-fi hive mind that made a cold chill trickle through your veins.

When you turned again to creep along behind Alastair, Amelia, and Anabelle, your gaze snagged on what was at the center of the formation. Almost choked on your own saliva. Your brain seemed to malfunction as your eyes absorbed the image of three low stone altars set into the shape of a triquetra. On each altar—holy hell—lay a person. Two young women and a young man. Unbound, eyes closed, skin like porcelain. Serene in repose. If you had to guess, they couldn't have been much older than you, possibly even the same age, and all were strikingly beautiful.

Sacrifices. The reality hit you like a punch. Casting about, you began to understand exactly what was going on, Ajay's voice echoing in your head: "The Something-Something of Dagda."

The unconscious teenagers were dressed in ceremonial robes, green velvet with gold clasps at the waist, but were otherwise nude beneath. Their chests were exposed, ash smeared like ink down their sternums in the same triskele pattern you'd seen on the broaches in the portraits. There were other symbols across their collars, over their hearts, wrists, ankles, and foreheads. Similar to the bastardized symbols you'd been investigating with Ajay, except more elegantly drawn and with flourish.

You approached the young woman closest to you, blonde with a dusting of freckles across her nose, and crouched beside the altar to inspect her. When you leaned in, a bold, flowery smell tickled your nostrils. Heady. Familiar. Like Aurora's horrible tea but worse.

"Dearest friends," Amelia began, projecting her voice to be heard in the large space. She stood behind a podium on the platform, Alastair and Anabelle flanking her. Amelia's smile was gentle and kind as she regarded her congregation. "Tonight, you will bear witness to what we have all been working so hard toward." The crowd applauded, some of the men declaring hear hear! while the women tittered daintily. "Though not all of us could be here tonight, I am pleased with our number." She paused, expression softening, "After all, it takes the power of many to change the world, does it not?"

Again, applause which Amelia silenced with a faint gesture of her hands. "Before we get started—" Anabelle and Alastair turned on their heels in synch, striding to a ceremonial table at the back of the platform, each lifting a carafe of what appeared to be red wine before stepping down from the platform and starting to replenish the crowd's empty coupes. "—We drink to the Father who will deliver us into a new and glorious future."

Everyone waited patiently for Alastair and Anabelle to finish and resume their places on either side of Amelia with their own coupes in hand. Amelia raised one that had been set for her on the podium, stepping out in front of it to admire the crowd who mimicked her action in one hybrid motion.

"To youth and revival!" Amelia saluted and the group returned the claim in a boastful chorus.

You glanced around as everyone chugged their drinks in unison, the sound of indulgent slurping spooky in the large, echoey space. Alastair, Amelia, and Anabelle, however, didn't take more than a refined sip, watching on with secretive smiles as the crowd downed the wine and then placed their empty coupes on the floor at their feet. Dainty clinks against the marble and the shuffling of cloth all made as if by one person. Vaguely, you pondered if they'd learned the choreography like churchgoers learned at what intervals to stand and sit.

Amelia began to speak again, but you weren't listening. It was the usual culty drivel anyway: We're here to celebrate the Father's approval; we're going to live forever with His blessing, blah blah blah. Rather, you stepped onto the platform and moved toward the table at the back, wanting to get a better look at the items laid across it. The whole thing—steeped in pomp and circumstance—felt contrived. As if put on to give the crowd's devotion value. Shallow. False. Orchestrated. A script and a stage to give a convincing show.

You weren't sure where that thought came from, but the longer it lingered the more certain you were that you were right. The pieces on the table were neatly placed; the carafes equal distances from the centerpiece—a green silk cushion with a wooden box upon it—a couple of blunt daggers that, so far, you didn't see a use for; and an arrangement of tarot cards—the Juggler, the Lovers, the Wheel of Fortune, and the House of God. Major Arcana. Set out to look important but meaningless within the context of the ritual unfolding behind you.

Thump.

Your head shot up and you spun around, marching to the front of the platform to stand between Amelia and Anabelle.

Thump. Thump. Thump thump thump—

One by one, Amelia's flock collapsed, some clutching their throats, red eyes bulging, cheeks flushed, lips purple. Others simply fell like puppets whose strings were cut. Meanwhile, Alastair, Amelia, and Anabelle remained poised, monitoring the proceedings with mild expressions until each member of the crowd was a mass on the floor, their bodies forming a perfect arc. Although no one could see or hear or sense you, you took several steps back, away from the danger that had manifested; away from those you knew had to be responsible.

At her sides, Amelia turned her palms face-up, closing her fingers around Alastair and Anabelle's hands when they took hers. "Let's begin," She said in a tranquil tone, lifting her chin as she led Alastair and Anabelle in a chant. The words were soft around the syllables, drawn and pretty and entirely foreign. A language lost to time that was only resurrected for this purpose. You gasped as the bodies on the floor jerked and quivered, chests arching up to release amorphous balls of bright white-gold light that floated above the bodies they belonged to.

Not lights, you corrected, souls.

"Shit." You croaked, watching in horror and fascination as the souls swelled and bled into each other, forming a dome around the altars at their center. A breeze fluttered through the space, quickly turning into a wind and then a roaring gale like the one that had flung you out of the theater and into this nightmare. Amelia continued to chant, louder and louder as the gale found its strength, her knuckles white as she gripped Alastair and Anabelle's hands, the vein in her neck throbbing, eyes rolling back, shouting the spell into existence.

You raised your arms against the gale, shuffled further away, and crouched in front of the table, trying to glimpse what was happening through the building supernova ahead. The light grew more intense, bigger and brighter, and Amelia kept chanting, ferocious now, practically foaming at the mouth as she screamed above the powerful noise of the gale.

And then, as the roar increased, her voice diminished and together, Alastair, Amelia, and Anabelle took a step forward. And then another. Slow. Deliberate. Down the few platform steps, shedding their skins like old coats. Their bodies dropped in heaps on the platform behind them as they continued forward, unphased. Two more thoughtful steps, then the light embraced them.

Unlike how it had started, it ended abruptly. The light expanded to the edge of the arc of bodies as if trying to escape before popping like a balloon. Shattered into fine dust that glittered in the air, but turned to motes of dry ash when they reached the ground. The sudden silence was heavy, weighing down on your shoulders as you pushed yourself to your feet, short of breath in the aftermath.

Just as you climbed down from the platform, you heard a sharp inhale, followed by a second, followed by a third. Simultaneously, three pairs of eyes flew open. The colors in them waned, changed from one to another. Amber to blue. Hazel to blue. Brown to seafoam green. Features subtly shifted, freckles faded or appeared, lips pinked or paled, hairs leached new hues.

On the altars, the three teenagers sat up; stiff and labored.

Alive.

But no longer themselves.

‗‗‗‗•‗‗‗‗

Question Four.

What happens as a result of Frankenstein's ambitions?

‗‗‗‗🚩‗‗‗‗

Wally stared, stunned, as Janet strode to the top of the mattress and knelt as if about to pray, setting her hands modestly in her lap. She was exactly as Wally remembered her. Brown hair perfectly groomed, outfit tidy, blue eyes sharp against a sedate expression. She studied Living Man as he hovered above the small body he'd deposited on the mattress. It was a little boy, Wally realized, dread sinking into his bones. Adorable and pudgy, no older than six or seven. Tiny beneath Living Man's bulk.

"No!" Dead Man cried out, flinging himself at Living Man but tripping and dropping to the ground on his side before he could make contact.

Janet laughed, nails on a chalkboard, "Idiot. You're a ghost. You can't touch the living." A smarmy smile and then, "Even if it is your body."

Wally gawped. Because that wasn't possible. It couldn't be possible. People couldn't steal bodies like that...could they? And it couldn't be a ghost thing, definitely not. Wally couldn't get close enough to walk through a living person, never mind shove their soul out so he could wear their body like a meat suit. The only conclusion he could draw was it had to be magic, something you might know about—you you, the you he knew, safe and healthy back in the theater where Wally hoped to God you still were.

He glanced over his shoulder at you, on guard between you and the rest of the room as if it would do any good when Living Man decided to do whatever he planned to do with you. It didn't matter, Wally had to try. You looked one strong breeze away from crumbling to dust and he couldn't live with himself if he sat back and watched, a silent audience to a movie he never wanted to see.

"I'll get you out of here." He promised you, jaw tense, determined against all odds, "I don't know how, but, I swear, I'll figure it out."

Dead Man hollered in frustration, hit the ground with his fist before hauling himself upright to attack Living Man again. Failed. Tried three more times before he fell back on his ass, elbows on his knees, head hung in defeat. Throughout the commotion, Living Man hadn't so much as flinched, totally transfixed on the little boy beneath him, thumb stroking his cheek, eyes brimming with sorrow as he muttered, "You shouldn't have come back...you self-righteous bastard," the last word spat in a hush that Wally's ears almost hadn't picked up.

"He's just a kid." Dead Man implored, broken. "He hasn't even lived yet."

Living Man snorted, "That's where you're wrong, Christopher." Living Man turned his head to pin Dead Man—Christopher—with a dark stare. "You should know better given your family's connectedness."

Christopher growled, "I told you before, I don't know anything about that! We aren't magic! We're normal people!"

"Wrong again," Living Man rolled his eyes derisively, "Your family has been a thorn in my side since the earliest days of the Order. How else could I have taken your body so easily?"

Shaking his head, pressing his palms into his eyes, openly annoyed, "What fucking order? What do you even mean!?" Christopher dropped his hands, casting about, arms gesturing wide, "My grandfather was a beef farmer. My grandmother was a seamstress. My dad worked at the gravel pits. He was a loser and a drunk who beat my mom until she never woke up, what the fuck makes us so special!?"

"Your bloodline." Living Man stated, the hardness in him abating when he returned his gaze to the little boy. "It's funny, you know..." Living Man began conversationally, "I thought I'd taken care of all the loose ends last time. Turned out I was wrong and now I've spent the best parts of this life snuffing out every. single. one of them. all over again." He chuckled, dry and without humor, "You should be glad that I need your daughter or she'd be next." At the last part, Living Man shot Christopher a grin that would look at home on the Devil's face.

"You piece of shit," Christopher hissed, "You'll never lay a hand on her!"

"You won't be around to stop us." Janet chimed in blithely, leaning forward to put her hands on the little boy's shoulders as Living Man instructed her to. She seemed surprised that she could touch him, giving Living Man a brief look of amazement.

"They're the same," Living Man explained. "It's part of their connectedness. Death ushered them into the world and left a piece of himself within them." Living Man continued, fitting his big hand around the little boy's small neck, not tight, but with intention.

"You can't hurt him," Christopher pleaded, "He's six, he doesn't know anything. He can't do anything!"

Janet piped in, voice thick with undisguised condescension, "The thing about souls, Chris-to-pher," A lovely smile, "Is that they're infinite." She deferred to Living Man, "Right?"

Living Man appeared reluctant to agree, like Janet was a fly he couldn't swat, bothersome, eager for approval. "Yes. And, regrettably for dear Aiden, his knows too much, whether or not he remembers." Living Man sighed, burdened, "You are already too powerful, child. I cannot risk letting this go on any longer..." His hand began to tighten around Aiden's throat. "May God forgive me..."

Wally spurred into action, pivoting to lean over you, "Hey, hey, come on sweetheart, you've gotta get up. Please....fuck, please, get up!" He remembered what Living Man had said, that you were still part of some bigger plan, but Wally didn't trust it, gritted his teeth and squeezed his eyes shut when he heard Aiden start to protest, clearly coming to when his lungs couldn't take in enough oxygen.

"Stop!" Wally shouted, tears rolling down his cheeks (when had he started crying?), his hands over his ears to muffle the sound of Aiden's gasps, choking, begging for his big sister—"S-sissy May..." Please no, please no, "I'm so sorry, kid, I'm so sorry." Make it stop. Make it stop. Make it stop, stop, stop. Wally hacked a feeble whine, a kicked dog of a sound, hating himself, hating the world, because he couldn't do a damn thing to make it "STOP!"

When Wally cried out, a pulse of energy burst through the room, emanating from Aiden's tiny body. Below Wally, your eyes shot open and you inhaled as if sucking in that first breath after being held under water. You heaved and coughed, rolling over to leverage yourself upright on your arm. You were disoriented and muzzy, movements drunk.

"Ai-Aiden?" Your head hurt and your limbs were wet-paper weak, mouth tasting like soap. You had no idea where you were. The last thing you remembered was the back seat of Christopher's car; accepting a juice box after handing one to Aiden and helping Aiden puncture his with the straw. "Aiden, what's...?" You squinted your eyes to hone your vision and then screamed when you grasped what was happening, "AIDEN!"

Janet shrieked, "She's awake!" just as you launched yourself at Living Man, tackling him like a linebacker.

Commanding Janet, Living Man released Aiden, "Hold him down! Don't let him go!" to fend you off. It didn't take much, you weren't strong enough against his mass and still weak from whatever you'd been dosed with. A mouse against a bear. Aiden sobbed, Janet kept her hands firmly on him so he couldn't crawl away, and Living Man managed to push you off with little to no effort. One punch and you muddled backwards several steps to crumple onto the cold, packed dirt.

"You can't stop her!" Janet sneered at you, "You're just a twig!"

On the other side of the mattress, Christopher rose, snarling under his breath, "But I can."

Seconds. That's how fast everything happened. Wally barely had time to jump out of the way (not that it would've mattered) as Christopher rushed you, propelled himself forward, fueled by adrenaline and anger, and hurled himself at you. No. Into you. Your ghost lurched out of your body, stammering into the wall behind you where you sank to the ground, eyes as wide and frightened as Wally's.

Living Man yelled at Janet, "You stupid girl! You didn't make it strong enough! You didn't listen!"

"I did exactly what you told me!" Janet insisted, struggling to keep Aiden in place as he writhed and jerked, wailing to be released, pleading for his Sissy May, for his mommy, for home, he wanted to go home, snotty and tear-stained and so, so small.

Without hesitation, Living Man seized his tiny neck again and squeezed with renewed vengeance. "You have to die, you bastard. You made me do this! It's your own fault!" And Janet held down his arms when he tried to claw Living Man's wrists, gagging, gasping, apologizing for something he thought he'd done to cause this, wanting desperately for it to end.

In your body, Christopher swayed on your feet, the sensation of going from massive, military-built to preteen featherweight dizzying. But he still had his strength, he knew that, to his very core he knew that and Wally could tell Christopher knew that without having it said aloud because his eyes—your eyes—bled to hazel, the same color as Christopher's, as Living Man's. Wally knee-walked closer to you, to your ghost. You were wobbly, fragile as a fawn, calling Aiden's name over and over as you wept.

Christopher turned your head to look at you and then—Wally's breath caught—he looked directly at Wally. In the eye. No questions, no uncertainty, no confusion. Just a firm order. "Don't let her see." And he sprinted forward. Wally didn't second guess it. He shifted his body to shield you from whatever the fuck was about to happen, his chest tight, a lump in his throat that strangled his words as he said them.

"Don't look, sweetheart," He choked, vision starting to blur as he was forced to watch you in agony, helpless to save Aiden. Remarkably, when you caved to your knees, reaching toward the nightmare unraveling behind Wally, you and he made contact. "God, f-fuck," Wally stuttered, catching you, grabbing your head, and pressing your face into his chest. "Don't look, I've got you, I'm here." Every word felt like cinder in his mouth. Meaningless. Empty. Because a little boy who meant so much to you was dying and all Wally could do was hold you as it happened. "I'm sorry," He whimpered, "I'm so sorry."

And then Wally heard Janet shout, "Amelia!" in warning, followed by a bloodcurdling squelch.

Wally chanced a look over his shoulder. Christopher in your body had a crowbar in his hands, raised to deliver another strike, stance set, face twisted in rage, and something else...something like grief. It's his body, Wally thought despondently. May God have mercy. Christopher kicked Living Man onto his back on the other side of the mattress, Living Man groaning and disoriented. Janet was hysterical, scurrying into a corner to hide.

"You piece of shit," Christopher bit out as he positioned himself above Living Man, one foot on either side of Living Man's ribs. "You will never. use me. again." And he swung the crowbar with the strength of a grown man, the forked tip stabbing Living Man's temple. Again. Again. Again. Over and over until Living Man's face—Christopher's face—was caved in, a pulpy mess of sinew, blood, and bone.

In Wally's arms, you cried. You cried like the world had ended. Like love didn't exist. Like all you'd ever feel again is hollow and hurt. His arms tightened around you as he rocked you, wet sniffles and a broken heart, shushing you softly. "It'll be okay, you'll be okay." He didn't think it would be. Didn't know how you'd survived this, how you had a life after this with laughter and friendship and trust.

If murdering a ghost was possible, Wally would've killed Janet. He wasn't sure if his ability to touch you extended to her—she certainly hadn't indicated that she'd seen him—but if he could, he'd beat her into oblivion. Because she'd been here, she'd participated. Wally had always had a sense about her; that she was twisted and ugly beneath the America's Sweetheart mask she'd worn around Split River High's dead.

In a voice that grated Wally's nerves, "Wh-what have you done!?" Janet panicked and scrambled toward the mangled corpse on her hands and knees. "You've ruined everything!"

Christopher tossed the crowbar aside, giving Janet a mean look as he voiced Wally's thoughts, "If I could kill you too, I would." And then, he turned on your heel and marched with purpose toward the worktable. In one swipe, he sent the chemistry set to the ground where it shattered. Next, he toppled the shelf and stomped on the jars that didn't break on impact. Finally, he stumbled back to you and Wally. He—you—was covered in blood, hair stringy and matted with it, skin stained red, speckles and smears across your face and hands and soaked into your clothes. Wally would never be able to unsee that image.

The cellar was eerily silent apart from Janet's sniveling and your weak sobs.

"I'm sorry, kid." Christopher lamented, placing a hand on your shoulder. He looked at Wally and said quietly, "You have to let her go now."

Wally swallowed, "You can see me?" as if that mattered right now.

Christopher snorted as if it was somehow funny, "It's him," he nodded to indicate behind him. "You're here but not here. I'm here but not here. A loop he dragged you into. A cry for help."

"I don't understand," Wally said, further securing his arms around you, unwilling to let you go.

"You will," Christopher assured, and then it was like he switched, got back into character, an actor on a film set redoing his lines when the director called action. "You have to let me in, kid." He told you, gentle, parental, taking your spectral face in your own physical palms. "You have to let me in so I can get out."

You didn't even protest. Simply closed your eyes and evened your breathing; embraced your physical body like a friend and melted back into it while Christopher slumped out.

Wally attempted to take your hand and give you some comfort, but, as it'd been before, he couldn't get a grip, unable to touch you, repelled by that thick halo of living energy.

Christopher crouched in front of you, blocking your view of the mattress, of Janet who was scooping flesh and brain back into the gored face of Christopher's body as if she could piece it back together, a sick cat with her dramatic wails. "I need you to do something for me, kid," Christopher said, pausing for a moment, expression apologetic, "There's something in my pocket. I...I need it to find it's way to my daughter."

You nodded, but it was clear you were only half there. Your eyes were glassy, gaze distant. Christopher didn't seem to mind as he continued, "Please, tell my daughter I'm sorry." His voice sounded pained. "Tell her...Tell Maddie I love her," and you nodded as if you understood. As if the request was as normal as pass the salt.

Before Wally could react to what he'd heard, his wrists and ankles were suddenly restrained, pitch black shadow clutching him and yanking him back through the farmhouse door before it slammed closed and vanished.

‗‗‗‗•‗‗‗‗

"It worked!" The boy declared, excited, admiring his new hands with a lopsided grin.

You couldn't know for certain who was who, but it didn't take a genius to deduce that the boy was likely Alastair. The girls, however, were impossible to distinguish, both moving with the grace of a grown woman of high social status. Neither seemed as taken by their new skins as Alastair; another day, another body to wear.

"We need to finish the ritual," One of the girls said primly, brown curls getting lighter with every moment that passed. The girl glided to the platform, up the steps, and to the table at the back. She stood at the box on the cushion. Opened the lid and retrieved whatever was inside, concealing the object in the folds of her robe.

Meanwhile, the other girl padded to the podium and fetched three glass vials from the cupboard in its reservoir. Corked. Filled with clear liquid.

Alastair cocked his head as he watched the girl at the podium come to him. "What else is there to do?" He asked, brow furrowing when she handed him a vial.

"We have to bind our souls to our new vessels," She smiled prettily. "Drink up."

Trusting the instruction, Alastair uncorked his vial and poured the contents into his mouth. You glanced between the girls, but neither one followed suit, merely observing Alastair as if he were a monkey performing tricks in a big top. They shared a look similar to the one you'd seen Amelia and Anabelle share earlier; a whole conversation passing between them. Alastair didn't notice, swishing the liquid in his mouth before swallowing, frowning at the vial.

"I thought their souls were what bound us to the bodies." He said after a few beats.

The girl who'd gone to the box shook her head. "Oh, no," She said, speaking as one would to a child, "That was merely to cast the lambs from their flesh."

It sounded like a lie, you thought, peering between the girls.

The first girl lifted her hand to cradle Alastair's soft jaw, "There you go, good boy," She praised when he started to look dazed.

"What's happening?" He breathed, strained.

The girl regarded him sympathetically, "You truly were marvelous, Ali." She sighed, "But mama thinks it best that you don't come with us." Amelia. It had to be.

Alastair swayed on his feet, "I don't understand," and if he could muster concern or shock or anything more than groggy confusion, you were sure he'd make a run for it.

The other girl—Anabelle—spoke, stepping into Alastair's space and presenting him with the object she'd removed from the box. A shiny silver revolver. She pressed it into his hand, curled his fingers where they needed to go, her smile somehow simultaneously wicked and gentle. "We couldn't have succeeded without your connections, Lord Belgrave, and, for that, I thank you." Anabelle took Amelia's hand to lead her away, "However, my daughter is correct. You are a loose thread that needs snipping."

Alastair began to shake, scraping together a sentiment to Amelia, "But...I loved you."

Pitying, Amelia answered, "I know."

Anabelle lifted her chin, authoritative and commanding, voice smooth as she directed Alastair to, "Put the gun to your head." Which he obeyed, the metal rattling as he put the barrel to his temple, the action obviously made against his will.

"Please," He urged, "I could help you. I know more like them."

Amelia exhaled sharply and reminded him, "But they don't know you."

"Enough," Anabelle said, forcing Alastair's attention back to her.

Again, Alastair begged for his life, "Please, I don't want to die like this."

"You don't have a choice," Anabelle said, and then, "Now be a good boy and pull the trigger."

One thin, shallow breath.

Two.

Three.

BANG.

And you were snatched back through the farmhouse door.

💀___________________________

PART TWENTY-FIVE - PART TWENTY-SEVEN

note: unedited. written at midnight. you know the drill: i will most likely come back to tinker at the bits i think need fixing 😅

this chapter was written to Daylight (Cinematic) by David Kushner (Act 3). parts of Act 3 had also been inspired by Devil Devil by Milck, specifically the violence that unfolds when Christopher Nears attacks Living Man. the last act was written to Outta My Head by The Eagle Rock Gospel Singers. if anyone is interested in an October Sun playlist, it will be released upon completion of the story (i.e.: after PART 27)🥲🥀

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ABOUT THE TAGLIST: y'all know, it ain't a thing around here anymore due to the overuse of ritual magic, some demon-summoning, and an unfortunate sacrifice that resulted in more technical issues than tumblr could handle 🔮🗡️ if you'd like to be kept up-to-date, please FOLLOW ME and TURN ON NOTIFICATIONS. we have fun here (•¯ ∀ ¯•)


Tags
2 months ago
Alphabet Soup

Alphabet Soup

summary: prompt fill. the journey of a clandestine love affair at several stages because Wally Clark craves what he can't have and refuses to keep his hands to himself. and you live for it.

pairing: grey!Wally Clark x fem!reader

warnings: smut. AU - modern setting. romanticized toxic behavior. cheating. egregious use of the word 'baby'.

bon reading, frens

___________________________🧿

Alphabet Soup - G

G is for all the good, great, god-praising methods Wally weaponizes to distract you from the details outside the arrangement between you and him. Like Janet, for example, and the arrangement Wally has with her. The one he insists isn't more than a mutual (non-physical, non-emotional) ploy to secure their positions as Split River High royalty. It's true, after all, that Wally couldn't give two fucks about her. But their gamble paid off and Wally's riding the gravy train through senior year, so it isn't something he can just end because it makes you grumpy to be a secret.

"C'mon, baby," He says, caging you in, big hands on either side of you on the kitchen counter. You reached for a glass and Wally took advantage while you didn't notice his proximity after demanding he never come near you again. His lips graze your neck, his breath ghosting your skin—a tingle up your spine—and he guides you to face him. "Don't push me away," He implores, featherlight fingers sneaking under the hem of your shirt, "You're the only good thing I have, baby. I need you."

Part of him hates how true that's starting to become. How he can't think of anything else except your laugh, your touch, your scent, your eyes, your lips, your perfect, sweet pussy. Wally's breath catches then stammers out, face so close to yours, a narrow thread between your body and his. His fingers breeze from your hips to the underside of your tits, his gaze holding yours like something precious.

"I'm never letting you go, baby," Brushes a strand of hair behind your ear, flicks his tongue against your bottom lip, "You're mine." And he's greedy as fuck with his things. Selfish. Possessive. Doesn't let anyone within a mile radius of what's his unless he's supervising. He takes your wrist and guides it to the front of his sweatpants, sets your palm firmly on the outline of his hardening cock, "You're the only thing that gets me like this..." His other hand trails down down down, fingertips brushing under the waistband of your sleep shorts as he releases and insists pressure against the back of your hand to grind himself in to.

You're as intoxicated by him as he is you, and Wally knows it. Sees it in how your pupils blow; hears it in how your breath catches; feels it in how fucking wet you are for him from a few delicate strokes of his fingers.

"That's my good girl," He praises, voice chocolatey and low, when you set the glass down and place your hands on his body. "Let daddy show you how good I treat what's mine..." Your whimper is like music to his ears.

Janet's at the nail salon, your mom and stepdad are out for the day, only due back for supper, and Wally was explicitly told to make himself at home while he waited for Janet to return. Something he intends to do with the added bonus of proving how important you've become to him.

Gluttonous, savage, he grabs you under the thighs and carries you to the kitchen table, sets you down only to spin you around and bend you over it. Dropping to his knees, Wally takes your shorts and panties with him before he eats you out from behind, hands groping your ass, tongue-fucking you until your juices dribble down his chin. And, God, there is nothing better than this.

After he fucks you until you're dizzy and spent; after Janet gets home and finds him innocently on the couch (alone) on his phone; after he spends the evening charming your mom and stepdad; after all that, he parks around the corner and texts you:

I miss your taste already, baby. You gonna spread those sexy legs of yours and give me more? xx

Break up with Janet and I'll think about it,,,

He doesn't text you back, doesn't bother since he's at your window in record time, face between your thighs, reminding you exactly what being a brat and getting fussy will get you.

And, shit, Wally smirks against your pussy, was that the game all along?

🧿___________________________

MASTERLIST

also available on AO3!

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


Tags
2 months ago
Tongue Twister

Tongue Twister

summary: a PWP drabble highlighting Wally Clark's addiction to eating your pussy like a man possessed.

pairing: Wally Clark x fem!reader

warnings: smut. oral sex (cunnilingus).

bon reading, frens

___________________________🔷

Fuck. God. Wally's starving for it. Can practically taste it through your panties as he nuzzles his face against you, his eyes rolling back, lips parting as he pants like a fucking dog for it.

He forgot his History homework, football practice ran late, Simon needed a ride. It was all in all a stressful day, and then Wally was on his way home like a good boy when the craving struck. T-boned his limbic system and made him rabid for it. For you.

He didn't give you a chance. No politesse; no greeting; no indication whatsoever that this was where today's drop-in was going. At least Wally called (when he was already at your front door, licking his chops as he fantasized about tasting you). It felt like it was years and not the handful of hours it was since he last had you, the itch steadily barreling toward fucking rampage.

As soon as you answered the door, he crowded you back inside to the couch; shoved you seated and stripped you from the waist down without a word. Dropped to his knees at the altar, large hands spread your legs, and now there he is, making out with your pussy through thin cotton, moaning like the position is reversed.

"Baby," He whines, fingers hooked in the elastic of your panties, "Please, let me—" He gently sucks your clit through the fabric, tongues through the imprint of your folds, "Please, let me taste you, baby. I can't—" He cuts himself off with a hungry groan as he peels your panties down and off your legs.

Oh fuck, the weak little moan you release makes his head spin and his cock throb, and in an instant, he pulls you to the floor with him. You straddle his waist as he kisses you senseless, his hands on your thighs directing you upward.

"Want you to sit on my face, baby, come on," His tone begging, his eyes heavy-lidded and hot, so soulfully sweet that you can't say no. Wally rambles as you adjust, pussy hovering over his mouth, and oh God yes, he's so close to getting what he wants. "I need it so bad, I can't get enough, I need to taste you, baby..."

His big hands slide up your thighs to grip your ass, squeezing to encourage you to settle your weight on his face. He can take it, just let him, fuck, please, just let him. Once he has you where he needs you, he inhales deeply, groans in pleasure when your scent fills his nostrils. His cock throbs again, aching for you, for this. He wants you more than food, water, oxygen. More than anything.

Wally closes his eyes, fingers digging into your flesh, and he finally leans in. Presses his tongue flat against your slit and inhales again. He tastes your soft lips, kisses you gently, and chokes out a needy whimper. Fuck, you're so wet for him. And you taste so fucking good; heavenly nectar, sweet ambrosia, it's all he ever wants to taste again.

His brain melts completely when you start to grind against his mouth, and, yeah, that's it baby, just like that, take what you want. Those pretty sighs and tight whines that spill out of you make his cock twitch in his jeans and he humps the air, so fucking desperate to alleviate the ache, but unwilling to do anything about it until he's satisfied you. He grips your ass more firmly, holding you down as his tongue darts in and out, probes as deep as he can get it.

Wally wants to say your name, but all he can manage like this is a long, feverish groan; blissed-out gibberish that he spells on your clit with the pointed tip of his tongue before returning to kiss your pussy deeply, lovingly, with restless obsession.

You taste so damn good that he can't think. He groans into you again, his tongue moving in and out, teasing and exploring as he tries to get deeper. His hands knead your ass in a possessive, wanting grasp, like he's eager to keep you there above him, like he never wants this to end. He needs you so fucking badly now and always.

"Wally, oh fuck, you're gonna make me come..." And he can feel how close you are, your thighs trembling as you rub your pussy against his mouth. Every shiver and shake accentuated by a sweet moan or whimper that goes straight to his cock. He wants more of those sounds. Every single one of them.

He quiets, low moans replaced by heavy breathing as he works you toward the edge. He's so hard just from this; craving your touch, yearning for it, his lust consuming any hope of rational thought. He presses a little harder, tongue moving faster and more desperately, wanting to please you as much as he can. Wanting you to fucking use him as much as he needs you to.

"Please, Wally, I'm so close!"

F u u u c k, that plea, that tone, triggers him; makes him plunge his tongue deeper as he presses you down and holds you still. The sounds you make and the way you react to his ministrations—God, he promises to be so fucking good for the rest of his life so long as he always has this. It's almost enough to make him come in his jeans. He needs to hear you fall apart. Needs to be the reason it happens. And he knows just how to do it.

Wally pulls his tongue out of you long enough to say, "Come for me, baby, let me have it, please." Doesn't give you a chance to respond before he leans in again, tongue flicking your clit, lips and teeth grazing over it. A deep moan of pure longing escapes him as he sucks and swirls his tongue over your clit, his breathing ragged, cheeks flushed, oh God, he needs you to fucking soak his mouth and chin.

Finally, yes, baby, he laps up your sweet juices when you come, sobbing in pleasure as he drinks it all down. Slurps and groans greedily, tongue working you until you plead for him to stop, too much, I can't—Jesus, he loves having the evidence of how he makes you feel on his face.

"Mmm, thank you," He sighs as he pats your hip, signaling for you to rise so he's able to shift positions. Wally sits up, gathers you in his arms, and licks his lips, the inside of his jeans wet where his come stained the denim. He looks down at you with a lopsided, sated grin, his eyes still at half-mast.

"Feel better?" You ask through a hazy smile.

"Much better." He murmurs. Rubs his hands up and down your legs as he gazes at you like a 5-star buffet.

🔷___________________________

also on AO3!

if you enjoyed this, you may also enjoy Alphabet Soup.

smut. the journey of a clandestine love affair at several non-linear stages because Wally Clark craves what he can't have and refuses to keep his hands to himself. and you live for it.(Janet and Wally are dating to increase their social value. meanwhile, Wally wants to get closer to her step-sister. you.)


Tags
2 weeks ago
Control Freak

Control Freak

summary: prompt fill. Wally needs to be in control at all times, or else the world is going to end. unless he's with you, the only person who can step in and take over without his brain screaming at him. (request)

pairing: Wally Clark x fem!reader

warnings: smut lite. flashfic. Wally Clark is brat. consensual mindfuckery. sub-adjacent!Wally Clark. possessive mentality. Wally Clark has control issues.

bon reading, frens

___________________________🍑

Control Freak

Wally is always in control.

Running the show. Calling the shots. Cool and confident in the driver's seat.

Friend group can't make a decision? Wally spearheads a whole itinerary. Mama can't tell the neighbor that their new hedges encroach on the Clarks' side of the property line? Wally plasters on his best smile and convinces Mr. Griffiths to take action.

MVP of the football team; Coach's favorite player to come along in a decade. Enmeshed with student council to the point that they listen to his ideas without question. Teachers adore him, peers want to be him. Hell, Bud Binns trusts Wally enough to let him close the auto repair shop on his own, acting manager when Bud can't be on the floor.

Wally's image is the perfect combination of natural and intentional—a little bit of charm, a lot of matching auras—to ensure he gets what he wants from the world, and it works.

He's not oblivious. He knows it's an anxiety thing. The reins need to be tight for him to feel safe, solid, secure as he moves through each day. In the past, he tried loosening up a little and learned he's just not built to relax how his nervous system needs him to. Because if he does, everything breaks.

So, Wally stays completely. utterly. in control.

...

......

.........

Except with you.

Standing on the other side of the gym, talking to Some Guy as you help Claire hand out cupcakes for her campaign to be Homecoming Queen. And Some Guy is smiling at you like you're the center of his universe, all straight teeth and crinkled eyes, and Wally hates him instantly. Faster than instantly. Wally's waited to hate him since Some Guy was born, and that hate activates on sight.

Wally festers at Rodney's table, unable to drum up the magnetism that Rodney recruited Wally for to get those sweet votes to be elected Homecoming King. A girl tries to chat to him, lovely and shy and almost in awe of him—just what he likes—but he can't focus. Hardly hears himself as he answers her questions.

Did he just agree to something?

Hopefully not.

His gaze keeps drifting back to you every second. You and Some Guy. Laughing with each other. His hand on your shoulder, your demeanor totally open and friendly, and why are you entertaining that kind of interaction with someone who isn't Wally, huh?

You hand Some Guy a cupcake, tell him something Wally interprets as flirty, and then Some Guy waltzes away with a blush that Wally wants to wipe off Some Guy's face with his fist.

You're not supposed to do that.

You must feel Wally's eyes on you, because you turn your head, placid, and catch his eye. Stare for a moment before a slow, easy smile spreads on your pretty pink lips, giving Wally an obvious elevator look before cutting your appraisal short to address the next potential voter.

Unbothered. Unaware that Wally is this close to losing his shit where he stands because he can't do a damn thing about it.

No one knows about this arrangement between you and him (your prerogative). Not yet, anyway, so as much as he wants to, he can't charge over there and make you understand that that smile and those eyes are for Wally only.

It takes insurmountable effort to stay put at Rodney's table and pretend everything is normal for the next forty-five minutes, but Wally does it. Somehow. Fraying at the edges, steadily losing his mind as he watches the litany of conventionally attractive dudes rope you and Claire and Chloe into conversation.

About what? Pompoms and rom coms? What are you talking about to Some Guy 2.0 that has you giggling like that?!

As soon as Rodney dismisses him, Wally's off, slicing across the gym on a mission.

You don't acknowledge him when he steps over the threshold of your personal space, still discussing tomorrow's cheer practice with Claire, easy-breezy and aloof, as if Wally can wait; his time—his sanity—doesn't matter. Winding him up until he's so tightly coiled he could spring into orbit.

Finally, you greet him with a smile, eyes knowing as they travel up the length of him again from shoes to sockets. You don't speak, just tilt your head in the direction of the door as you gather your bag. A quick hug for Chloe, a wave to Claire, and you swan to the exit, Wally hot at your heels.

You stay a step ahead of him, hips swaying, smiling at acquaintances in the hall. Meanwhile, Wally's losing it by the second, the top of his head about to blow off, he's so frustrated. And you just. Don't. Notice.

Pleated skirt bouncing, legs on display, waist beckoning Wally's hands to grab hold bruise, mark your skin to make sure everyone fucking knows you're off the market. Totally disregarding that you told Wally you don't want to advertise anything too soon; want to enjoy the bubble while it lasts; want to be selfish with him.

Can't hurt to leave a mark or two anyway. Who'll know it's the impression of Wally's teeth on your throat?

You lead Wally to his car, wait patiently for him to open the door for you, staring at your phone as you slide into the seat and get comfortable.

The longer you don't speak, the more Wally's blood begins to feel electrified, shooting signals to his brain that everything is wrong and he needs to fix it.

This isn't how he planned his day.

When he tries to instigate conversation, you answer with a hum or a slanted smile. Wally white-knuckles the steering wheel the whole way to your house, his gaze intense as he watches the road and thinks obsessively about how to get you to say something, anything.

As soon as he pulls up to the curb, you're out, flouncing toward the walkway that leads to your front door. Wally watches you stop halfway and turn to look over your shoulder, gaze sharp when it lands on him.

"Let's go," And it's a command that Wally's entire being is persuaded to obey, a trained mongrel jumping at the snap of your fingers.

He practically falls out of his car, tripping over his feet as he hurries behind you. Up the front steps, through the door, and into your quiet house. He doesn't know where your parents are, if someone's home, or if you and he are actually alone.

Still barely acknowledging him, you head to your room, once again stopping when Wally lingers at the bottom of the stairs, fidgeting and uncertain. You jerk your head to the side to indicate he should follow, and so he does, taking the stairs two at a time.

You gesture toward your bed where he takes a seat; spine straight, eyes tracking you while you close the door and deposit your backpack on your desk chair. Pull your hair out of its tie, toe off your shoes, humming to yourself as you go, as if you don't have an audience that's desperate for your attention.

After less than a minute of trying to sit still and accept your pace, Wally's face crumples. Eyes pleading, lips slightly twisted, hands wringing in his lap. He releases the smallest whimper, a tiny noise that fills the room, and finally gets the acknowledgement he's tweaking for.

You pivot on the spot by your desk and stare at him, considering. After a brief moment, your features soften. Eyes just for him. Smile just for him. You just for him. No one around to interrupt or distract or dissuade.

He almost sobs in relief when you get close enough for him to touch, fitting yourself between his legs. One hand on his shoulder, the other combing through his hair.

"What's wrong, baby?" You ask like you don't know. Like you aren't single-handedly responsible for why he's suddenly shaking apart in your presence.

His hands clench in his lap as he regards you, begging to reach out but too afraid you'll deny him.

"You need some attention, don't you?" You run your hand from his hair to his jaw as you lean in closer, brushing the tip of your nose against his. "Tell me."

Wally exhales sharply and nods, his voice caught in his chest.

You take pity on him. Lift one of his hands to place it on your waist. The other you guide under your skirt and encourage him to squeeze your ass cheek.

"You can touch me," You tell him, soft and kind, lips grazing his as you speak. "You don't need my permission, baby."

But he does, that's the thing.

As much as Wally wants, he can't just take. Not with you. His brain recoils at the idea, hate hate hating it more than anything. More than Some Guy and Some Guy 2.0, and how they looked at you like you were dinner.

Thinking of doing something to you without you telling him it's okay, that he's good, that he's pleasing you by obeying your every command, sets Wally's teeth on edge.

Wally whines when he feels your warm, supple flesh under his hands, thoughts instantly coming to a standstill. His lids get heavy, breathing deep, willing his fingerprints to fuse to your skin as he kneads your ass. Really absorbs how you feel and lets it soothe him.

The tension bleeds from his muscles.

The world falls away.

And Wally feels secure and solid for the first time since he joined Rodney in the gym to network Homecoming Court votes.

He exhales, long and rough, lifting his chin to gaze up at you through his lashes. A thick swallow, and then, "I need you. Please."

"Is that it, beautiful boy?" You trace his lower lip with your thumb, dipping in for a quick, biting kiss before pulling away to hear his answer.

"Please," Wally chokes out, sounding pathetic and not giving a single shit about it.

He feels his cock stir in his jeans. The intensity in your eyes coupled with finally, fucking finally, being able to feel your soft skin under his hands making his body react like he's still thirteen and an opportune breeze gets him hard.

You lean back, eyes never leaving his, smile morphing into something wicked, deliberate, as you lift your skirt and hook your thumbs into your panties. He's completely rapt, high-pitched white noise muffling every sound outside the narrow space between you and him.

He chokes, weak, and begins to tremble when you start to peel your panties off in a show that makes Wally's mouth go dry. You take another step back so he can see more of you, and unzip your skirt to let it puddle at your feet, stepping gracefully out of it with a smirk.

Fuck, you don't even have to touch Wally, and he gets goosebumps. Body so sensitive already that one accidental twitch will set him off.

"How do you want me?"

The question makes him whine. No, absolutely not, don't make him choose, please don't, he can't—

"Shh, hey, I've got you." You assure him, tone kind, and then you're ordering him to, "Show me that fat cock, baby. Let me see how much you want me."

Wally does as he's told, undoes his fly and shoves his jeans down and off one ankle, forgoing the other just to get you in his lap faster.

"Please," He begs, voice pitched high and needy, "Please, I need it so bad, baby, I'm so messed up, please."

You bite the corner of your lip, expression hot and dark, and then climb into his lap in feline motions. Shirt pushed up to show off your tits because you know Wally can't get enough of them when you ride him.

You let him stew for another moment, hips a fraction too far from where he aches, nipping and licking a trail of fire from his pulse point to his ear. Building the anticipation and driving Wally insane. He groans, hands clenching your thighs, reedy little sounds of need spilling from his throat.

"Tell me, baby," You murmur, rising to your knees and taking him in hand to line him up, "Tell me what you want."

"You," He says without hesitation, the word a breath, and he's so fucking desperate now, knows he won't last long, will blow his load too soon because he's fucking worthless like that, but you won't judge him, he's safe with you, "Please, God, I need it, please."

No more teasing. You drop and take him deep in one slick move, pussy so hot, so tight, Wally's eyes roll back and he sobs in relief. He doesn't move because if he does, he really will come before he's even registered the sweet, velvety bliss of being inside you.

His fingers dig into your thighs, your ass, your hips. Moans and keens and fucking kitten mewls pulled out of him as you ride him like a mechanical bull, fucking him to the brink, praising him for how good his cock is, how perfect, how only he can make you feel this way, just him, no one but him, and, Jesus Christ, oh God, yes, yes, yes, "I'm gonna come!"

And that's it, Wally's hips spasm, his back arches, jaw dropping as he cries out in ecstasy, thanking you profusely for letting him have this, letting him have you, holy fuck.

The static crests over him as he comes down. Restlessness replaced with peace. His body is loose, warm, content beneath your weight when he lies back and takes you with him. He can't stop his hands from roaming your back, needing to feel you in the afterglow, to know that you're real, this is real, he's here with you, and everything is better now.

"Thank you," He whispers into your hair as you nuzzle into his neck.

You hum, and he can feel your smile on his skin, "Of course, baby boy. You know I'd do anything for you." And then you lift your head, "Even after you've been a brat all day."

Wally pouts, "I wasn't."

You raise a brow.

His pout deepens. "You were ignoring me."

You huff, chuckling and shaking your head, "I wasn't ignoring you, I was busy." You correct. "You were being a naughty distraction when I was trying to help Claire."

Wally's chest puffs out, proud because, heh, he was distracting you when, the whole time, he thought you were deliberately trying to get under his skin by refusing to even look at him. And then he sobers, pout returning.

"You were flirting with those guys."

"I was doing Claire a favor," You correct, sitting up just enough to look him in the eye, palm cradling his jaw, thumb tracing the arch of his cheek. Soothing, sweet, everything he needs right now.

"I didn't like it." He admits as he averts his eyes. Ashamed and embarrassed and vulnerable in a way he only lets himself get with you.

You don't say anything for a moment, and Wally worries that he's done something wrong by confessing that. Should he be okay with it? Is he allowed to be jealous? Has he fucked up and now you're going to leave him because he can't get his shit together and act like a man?

He feels your lips on his, and his thoughts come to an abrupt halt, brakes screeching. His hands tighten on your hips as he releases a sigh, that relief, that solid-secure-safe feeling, washing through him again.

"I don't care about anyone but you, baby boy," You murmur, and press your forehead to his. And you're so sincere, Wally can hear it, that he wants to cry.

"Really?" God, does he have to sound so fucking pathetic?

But you don't let him ruminate, cut through the self-deprecation with a soft, "Really, Wally. You're perfect. Everything I need and more."

His body goes lax beneath you, sinking into your mattress like pudding, and he gives you a smile. Warm and happy and completely smitten.

Quiet, afraid to disturb the atmosphere, "You're everything I need, too."

Wally is always in control. Until he's with you. His safe space where he can let go without feeling like everything is going to break, because you know exactly how to hold him together.

🍑___________fin.____________

also on AO3!

Order Up! MASTERLIST

if you enjoyed this, you may also enjoy Anxiety.

sub!Wally smut lite. Wally isn't clingy. he isn't. honest. but something about your aura makes him nervous, and suddenly he's all hands everywhere and babbling where he's normally calm, cool, collected, and he needs you to get his head back on right.


Tags
10 months ago
Neutrality Is Complicity. Your Silence Is So Loud. CEASEFIRE NOW‼️ 🍉🗣️🍉🗣️

Neutrality is complicity. Your silence is so loud. CEASEFIRE NOW‼️ 🍉🗣️🍉🗣️

1 month ago
Punctuation.

Punctuation.

summary: prompt fill. it's that dreaded time of the month and you're miserable. thankfully, you have the most thoughtful, adorable boyfriend in Wally Clark, and he isn't going to let you suffer alone. (request)

pairing: Wally Clark x fem!reader

warnings: fluff. drabble. period fic. feelgood. cuddles and romance.

bon reading, frens

___________________________❣️

Punctuation.

You groan, rolling out of bed with a pained expression. Hand on your belly and lower back aching, and everything sucks so why is someone at the door bothering you now!? Ugh.

It's gruesome Day 2, the worst of the seven. You haven't had the energy to bathe or eat or, Jesus, sleep because, apparently, God hates you and when your body is in agony, sleep isn't required. Stay awake, stare at the ceiling, cry at videos of adorable old men loving their wives, and live with it.

All part of being a woman, your grandmother says without sympathy. As if your body going to war with itself should be dismissed and you should just control and manage and ignore. Yeah, fuck that to hell and back, thanks.

With a frustrated whimper, you pull the front door open and scowl at the figure on your doorstep.

"Hey, baby."

And that scowl melts into a pout—lower lip jutted all the way out, brow knitted, eyes glittering with affected emotion. You slump forward, arms lax at your sides, and whine pitifully into Wally's chest.

One of his big hands cups the back of your head, and at the same time, you feel his lips press into your hair. You hear the rustle of plastic; smell the aroma of your favorite fast food place, and peek out of the corner of your eye to see the two bags Wally's holding. Stuffed full to bursting. Just for you.

Again, you press out a weak whimper and burrow deeper into him, body against his, face hidden in his collar.

"I'm smelly and gross and everything hurts." You complain.

He chuckles, kisses your head again before encouraging you to lean back so he can look at you.

"You're a goddess, baby, shut up." He tells you like you should know that by now. "Come on, let me make it a little better."

You shuffle back inside, stop suddenly, and stand there with your arms around your middle when another sharp cut of period cramps hits like electrocution. As the wave descends, Wally—who must've deposited the bags somewhere—gathers you in his arms and carries you, bridal-style, upstairs.

"I'm not a damsel in distress," You grouch because you can.

"You're right," Wally says, tone deceptively neutral, "You're a little dragon in distress."

You scowl up at him, but he simply grins back, boyish and bright and sparkly-eyed. He deposits you on your unmade bed, tucks you back in, and kisses your forehead. Nuzzles his nose against yours before leaning back to gaze at you. Soft. Sweet. Stupid, you grouse, since you're matted in last night's sweat and greasy and he shouldn't be looking at you like that when you're a mess, it makes every time he calls you cute or pretty feel like a lie, is he a liar—

"You're spiraling, baby, I can hear it from out here." Wally chuckles quietly, booping the tip of your nose and then cradling your jaw. He strokes your cheek softly with his thumb, back and forth, soothing, "Stay here, I'll be back in a few minutes, okay?"

Defiant. "No." But he rolls his eyes playfully and tucks you more tightly into your bed. Pecks kisses all over you face until you giggle and relent, relaxing into the warm cocoon to settle while he wanders off and does whatever it is he came over to do.

Your parents are out of town for the weekend, so you've been left to suffer alone. Something you told Wally last night when the headache came out of nowhere, and suddenly there was a crime scene in your underwear.

Right in the bin. Along with the new leggings you just bought last week with Claire, since you cannot be bothered to do a whole cold-wash cycle for a stain that ghastly.

Ten minutes later, and you're dozing. Wally comes in, gently rouses you with more kisses and soft pets to your hair, words whispered against your skin as he rolls you onto your back.

"You wanna walk, or you want me to carry you?" He asks, to which you raise your arms and blink big cow-eyes at him.

Hey, if he's going to be accommodating, let it happen, right? You're in no position to argue, anyway, face pinching in pain when another roll of cramps rises in your belly and lower back simultaneously.

"I hate my body," You whimper, face tucked into his neck, "I hate everything." Except, "Not you, you're okay."

Wally laughs, "Thanks, baby."

He sets you down on the vanity, slowly peels off your layers, not at all disgusted or shy or embarrassed when he helps you out of your underwear. As if it's totally normal. Just, whoop, bundles up the pad and drops it in the bin beside the sink, helping you into the warm bubble bath he ran for you before he collects your dirty clothes and disappears to put them in your hamper.

It takes awhile, but eventually he comes back, and Wally's carrying a bottle of painkillers and what looks like a fancy bottle of the bodywash you finished last week. You perk up, lifting your upper body out of the water. He manifests a water bottle—pulled from his deep back pocket—and hands you a couple of pills along with it.

"Here, take these. The lady said they're way better than what you've been taking."

You want to cry. So you do. Tears fat and wet, lashes starred, blubbering through a mouthful of water as you swallow the painkillers. By now, you're not even surprised when he strips down to nothing and adjusts you so he can slip into the bath behind you. Long legs on either side of you, hands gentle on your hips, lips planting little kisses across the slope of your shoulder, up your neck to your ear.

"You wanna wash your hair now or later?"

"Now." You murmur, sinking into him.

It's a process that involves the detachable faucet, draining the bath a little, and then letting it fill again after the conditioner is rinsed, and Wally does it all while chatting to you about what he got up to last night with Rodney and Ajay. Breezy and cheerful and not even an iota of annoyance when you paw at him to let you slosh into his lap so he can wash your back while you cling to him like a koala.

He's not even hard which makes you feel insecure way too fast, the feeling sharp and burning and you start to tear up again, because what do you mean your boyfriend isn't attracted to you when you're wet and soapy and naked!?

But he reassures, "Baby, you're the hottest thing on earth, and I was hard five minutes ago, but I've been repeating fucking football stats in my head because you're in pain and I love you."

"Fine." You grumble, and, yeah, you believe it. Wally doesn't lie to make you feel better ever, so you kind of have to.

Bath done, he dries you off—quick and efficient as time is of the essence. He brought in clean underwear and gets you a fresh pad from the drawer by the toilet, turns around when you ask him not to look while you assemble yourself.

Then he's back, hands rubbing body butter into your muscles before he so much as pulls on his boxer-briefs. You're my priority, pretty girl, he murmurs, following you back to your bedroom to get dressed.

Your bedroom that is tidy, bed outfitted in clean sheets—you can hear the washer going downstairs—and he even brought over that massive band shirt he's had since he was a chubby freshman. You know, the one you often steal because it smells like him.

When you ram into him for a hug, Wally laughs, delighted to have made your day a little better.

"Alright, baby, do you wanna do bed or living room?"

"Living room," You decide, feeling more human, and wanting to let your room air out a bit.

He takes you by the hand, letting you walk under your own power now that the painkillers have kicked in and your muscles don't feel so stiff. Down the stairs to the fucking nest he made on the living room floor. The couch is pulled apart, cushions joined under a fitted sheet, pillows and blankets from the guest room piled on top. Beside it, the coffee table is laden with a combination of your favorite snacks and his, as well as the takeout you smelled earlier.

There's even tea. In a pot. Under a cozy. A new mug sitting beside it with a bright pink rose leaning against it.

Your lower lip wobbles. He doesn't give you a second to break down, merely swoops you into his arms again, steps onto the makeshift bed, crosses his legs, and drops onto his bum with you securely in his lap.

"Nope," He commands, "You're supposed to be worshipped, baby, it's the law. You can make life. And that means you need to be pampered."

"But you—"

"Love and cherish you?" Wally interrupts with a goofy grin, "Yeah, you're right. I do. So, suck it up and let me love you."

Releasing a heavy, almost grouchy sigh, you resign. He releases you so you can find a comfortable position; between his legs, his back against the bottom of the couch. You pick at your takeout order in your lap while he lists the names of your favorite comfort movies.

"Ever After," You announce once he's rattled it off. "And then Bridget Jones."

"You got it, baby girl," He smacks a silly, sloppy kiss to your cheek, pushing your whole body to the side.

Giggling, "Watch my food!" You scold, but Wally keeps smiling at you, eyes tender and filled with affection.

"I promise to get you more if I spill anything, okay?"

That pleases you enough to share a fry with him, feeding it to him when he opens his mouth for it.

"But that's it, the rest is mine."

He holds one hand up in surrender, "I'm not gonna argue," while he uses his other hand to massage your hip.

Wally spends the rest of the day coddling and doting on you, at your beck and call before you even ask for anything. Up to get you more painkillers when the first round wears off. Offering a back rub, fetching the hot water bottle, holding your hand when you feel suffocated in the house and sniffle that you want to go for a walk around the block.

No complaints. No judgment. Just unconditional thereness and support. And ice cream. Lots of ice cream...

❣️___________fin.____________

also on AO3!

if you enjoyed this, you may also enjoy Wally Clark Headcanons - 3.

an affectionate, fluffy little glimpse into our favorite ghost's mind when he's completely obsessing over you.


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patrickispinky - Patrick
Patrick

bi, I like horror and art, I write sometimes when I feel like it, she/her, 18

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