who else went down the marauders to trc to aftg pipeline or was that just me
something about adam parrish believing he’s unknowable, that no one truly knows or understands him not even his closest friends
something about adam parrish being ronan’s second secret, quite literally a core piece of who ronan is
You don’t like the way your hair sits? Take mine, I will shear it off without a second thought.
Take my eyes so you may see through them just how beautiful you are.
Take my lungs, that you should never gasp for air.
You’re not comfortable in your skin? Take mine, I will strip it from my body just to see you smile.
My heart is already yours, it has been beating to the sound of your name ever since I first heard it uttered. Take it, it is more yours than it ever was mine.
Take my muscles. May they make you strong enough to never need another.
I will give and give of myself until I am nothing but a meager pile of brittle and broken bones.
Take them. May they be of more use to you than I ever could have been.
It's a beautiful world we live in bc we're getting to see canon drawings of the monmouth bathroom fridge
Remember when we read The Raven Boys for the first time and we were like “Oh this is the punk guy who listens to hardcore electronic music and gets drunk a lot and does super dangerous street racing, he must be so aloof and apathetic and tough” and then Ronan hit us with the raven daughter he doesn’t want to hear swear words and the listening to baby mouse heartbeats and the dreaming up a mystical forest which loved his friends as much as he did and the speaking fluent Latin and the dreaming up hand cream for his friend who he was obsessively crushing on and the calling said crush an OBJECT OF HIS WORSHIP and the heart full of love?
Fakest idgaf-er in the world by far
Anyone who sobbed their way through the last episode of the Haunting of Bly Manor deserves financial compensation
(and probably therapy)
fall but in a sleeping kings and doomed romances and living dreams kind of way
The parallels in Adrianne Lenker’s album Songs never fails to destroy me. For example,
“I don’t want to be the owner of your fantasy, so just want to be a part of your family” (anything)
“And your dearest fantasy, is to grow a baby in me. I could be a good mother, and I want to be your wife” (not a lot, just forever)
The first song, anything, is gentle, it’s intimate. It shows the quiet parts of Adrianne’s relationship, her longing to stay and belong with her lover. Throughout the whole song she speaks of the intimacy of relationships and how this is what she was craving. She wasn’t this version of herself that her lover fantasizes about, and she never really will be. She just wants to be a part of her family, to be her wife.
The second song, seems to take place during or after the breakup. Adrianne has gone past the soft, quiet grieving that we see in the other song. Instead, she is taken over by desperation. She misses Indigo and what they had. She is willing to do anything to get it back. She mentions again this fantasy of Indigo’s that we see in anything. Adrianne doesn’t necessarily want a family or to be a mother, but Indigo does and perhaps this is the only way to get her back. We see her offer up a bargain. Let us go back to what we had, and i’ll be this version you wanted. I could be a good mother. She doesn’t want to be, but she will because she wants to be Indigo’s wife.
There is something just so inately sad about the use of the word could in this instance, the depths of her grief and desperation.
something I like about Blue Sargent is that she’s so believably seventeen years old. she misses her mom and yearns to keep her friendships and also to pursue her future and grow. she insults her cousin to her face but loves and is very protective of her. she wears fingerless gloves to cemeteries to look cool even though she knows trying to look cool will bite her in the ass, she monologues about how if she opens her pink switchblade she’s sure she’ll cut herself as a sensible teen but also monologues about how she looves the idea of herself as a badass with a switchblade, and then she does indeed open it and cut herself and connects it to her emotional hurt. she’s both self-conscious and confident, and highly pretentious. She’s a one thousand year old condescending brat who wishes she was surrounded by fellow one thousand year old condescending brats at all times. she’s impulsive and idealistic and empathetic and sensible and stubborn and judgemental and curious and compassionate and playful and fiercely loving. she’s a fanciful sensible thing, she’s good but she’s not nice, she’s brave because she’s full of fear. I love her
sofia (they/them)dead wizards and a morbid longing for the picturesque
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