I Just Know It In My Heart Ok

Hey! I'd love to hear your opinion on two things of the Halloween Mystic Messenger screen

First of all what do you think of Rika in the Dirndl (germans traditional women clothing) I think she looks quite snazzy, the colors are unusual on her but she looks gorgeous either way

Second of all, do you think Rika is Hänsel, Gretel, or the witch cause I am not sure. Like for the role she plays in the game, the witch would make a lot of sense, but she only gets out of her house after the children started eating her house, so I doubt it. And I forgot who was the one wanting to eat the house first of the siblings so I don't know 😭 I tried gaining understanding by looking at MC's clothes. But I have no idea what she is wearing, so I am at a loss and would love to hear your take on it!

Sending lots of love, dear <33

Hi! Thank you so much for such a in-depth ask, it was a ton of fun to sit and muse with my thoughts and ideas on Rika's birthday CG we got.

So, first of all, I gotta agree with you there: that's definitely a form of dirndl she's wearing! The designs look awfully similar for it to be a mere coincidence to me. These dresses can come in so different designs so it's a very versatile type of clothing to work with. Here are some examples of what I mean:

And here's Rika's dress up close for comparison:

Personally, I adore dirndls and their rustic yet elegant look. Never knew the specific term for such a dress, but now I do! It's not a sophisticated dress per se, but the simple beauty it brings out makes me super happy. If you think about it, it does fit Rika quite well. While she certainly loves to dress up every once in a while, her day-to-day style is quite modest in its nature. She's not wearing any dark colors in this cg, but it's not the pure white dress we saw on her two years ago either. To be honest, this color palette of green and blue on her makes me smile. It's not black or white, there's no darkness or light. At least, not in a way that would get your attention right away. She's not trying to embody the darkness or the light here. Instead, it's such a peaceful and soothing combination of colors, and I think it fits her very well. I also really like the yellow apron she's wearing! Is it, possibly, a callback to the dress we see on her in the game and the past she's trying to forget, only for it to remain by her side in one shape or another? Who knows, but it's a fun theory. Though, it should be noted that her outfit is still done in a cold color palette. It's certainly a way more colourful look on her than we're used to seeing, but in spite of all that, there's a certain type of deep melancholy surrounding her, even with a gentle smile brightening up her features.

Okay, now that we're done with her dress, let's talk symbolism! I'm gonna put up the whole CG now:

I'll be completely honest and say that it's been a while since I've read Hänsel and Gretel, so I had to quickly reread it to get a good feel of the story. It's very easy to assume that Rika's the witch leading MC away with the alluring promise of endless sweetness, only to trap them the moment they let their guard down. After all, the castle of Magenta sure does fit the sweet and inviting exterior of the witch's candy house pretty well. At first, it seems like a dream come true to the hungry and tired children, up until the very moment they finally get inside and see the ugliness hidden within these candy walls. That's what I thought of at first too! But, after rereading this story for your ask, I actually got another idea all together.

See, in the story, Gretel was wearing an apron. Not sure if she was wearing it from the very beginning, or after they finally freed themselves from the witch's clutches, but it's definitely there! And what do we see Rika wearing? That's right! An apron. Furthermore, I decided to look into the way Gretel is portrayed visually. To my surprise, she's often seen dressed in a classic dirndl. Which is actually not that surprising, since this story was published in 19th century in Germany, but hey, I didn't know that before :D Gretel was also the one leading Hänsel to the candy house, if I'm remembering it correctly.

So yes! Everything actually points to Rika being Gretel instead of a witch. Which means that MC is definitely Hänsel. This opens up a whole other possibility from a narrative standpoint. I wonder who the witch is then, though... But, I must admit, I REALLY like the idea of Rika initially helping the witch, albeit reluctantly and through her own tears, only to eventually find enough courage inside herself to break free and trick her, saving MC with her own hands. It's a nice parallel, considering that Hänsel (MC) was initially the one leaving pebbles and breadcrumbs to make sure that they'll return back home safe and sound. MC was also the one caring for Rika and promising her that everything will turn out okay.

Though, Rika still very much could be the witch, and I'm just looking way too deeply into this '^^ But, I must admit, I like the idea of her being Gretel much better. I want her to be happy!

Perhaps, Mika is the witch here. She's the one that first planted the idea for Mint Eye in Rika's head and she's the one telling her what to do for a short while. Mika playing the role of a witch that lured Rika and MC into her candy house only to force Rika to do her bidding does kinda fit the story. Maybe she locked MC up, because they were trying to warn Rika not to listen to her. I always loved the idea of MC knowing Rika before the start of the game, and how that would change up the narrative all together. I'd say that the father they return to in the end of the story is V, since he was the one genuinely caring for the kids, however his kind heart still did not stop him from unknowingly leading them to their doom. It does fit him quite well, I think. He's a good man doing his best and failing in the process, like we all do sometimes. Though, I have no idea who should be the evil mother... She's the one that quite literally abandoned Hänsel and Gretel in the middle of a forest, so... I don't know. I could go for a literal route and choose Rika's mother, but it's still feels kinda iffy and on the nose for it to make sense.

I wanted to share some songs I associate with SC (･◡･) !!

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hello a thought for you. mysme but ib au. that is all. i say this cuz mary kinda looks like rika.

I've thought that for years. Mary is Rika, Garry is V, and Ib is MC. I just strongly gesture at the game and its art. Mary and Rika share a lot of traits in how they desire to be loved. Garry is an artist who struggles. He struggles with his sense of self. Is that not V? Ib is the one who is fortunate enough to stumble into the art gallery and encounter them alongside all these other mysterious paintings. Tragic. I love this darn game and its flower motifs.

Normal Basil conversation

(No dialogue ver. and og meme below)

kith

Oh a fellow Rika lover! Any thoughts on her as a whole? Everyone views her differently and she's certainly a very complex character with lots of layers to her (another reason why she's one of my faves!). Maybe how would you interpret her own happy ending?

Hello, fellow Rika lover!!

I'll put my thoughts under a "read more", partially because I fear this will get lengthy and partially because I know Rika is a sensitive subject for many people!

Also putting a TW for SA and general abuse!

Honestly, I find Rika to be an extremely relatable character, at least from my perspective. She's a good (albeit exaggerated) example of what can happen if people who need help are abandoned.

A rough background is never justification for crime, but it can help explain it. This is a girl whose earliest memories are in an orphanage, who only had one person she could rely on. When she was stripped away from Mika, she at least thought she would have a happy, loving family.

Instead she lived a life where abuse came at her from all angles. Emotional and psychological abuse by her mother, physical and sexual abuse from the priest. She was treated like she was worthless--no, worse. She was treated like she was evil, a scourge upon the earth, devilspawn that would plague everything she touched.

She didn't want to be evil. She genuinely wanted to be a good girl and just have someone love her and be proud of her. But she turned to that "devil" that everyone made her out to be as a defense mechanism. If it kept her safe... how could it be a devil?

She genuinely strove to be a good person. She took in Sally, a stray, because she saw her own loneliness and neglect in that dog. She did originally want to use charity to help others. She went to a different church from the one she grew up attending, so that she could have a fresh life where nobody would judge her from the second she arrived, and she could actually help out.

The problem is that she still was missing that love. By the time she met V, she was... 18, if I recall correctly? 18 years of being unloved. By then she figured she had to be someone else, put on a mask in order to be liked, let alone loved.

And V was her sun. V, who could capture beauty and warmth in photos that Rika could have only dreamed of. She saw light and love and passion in his work. Truly, Rika at her core is a romantic, because V was genuinely surprised to hear her explanations and theories of his photos. He was the one who said, "Huh. It wasn't that deep for me, but part of the charm of art is that it means something different to everyone who sees it. I'd love to hear more about your beautiful, romantic visions of my pieces."

She saw his sunlight and wanted it for herself. But just having the sun in her arms wasn't enough. When V started calling Rika his sun, too... she wanted to become the sun. Because she saw the sun as a mother who gave a warm embrace to all of her children on earth. Rika had never known that warmth, and she needed it. Physically, mentally, emotionally.

Of course, we all saw how everything spiraled when Mika was dying, when Sally died, when Rika turned into a black hole that began to suck up the sun. V didn't--and couldn't--give her what she needed, and she snapped.

Candidly, I don't think that's too unrealistic. Growing up in an environment of abuse, and reaching out desperately to be loved but everything keeps falling apart around you. She went into survival mode, and that meant relying on her "devil." The darkness inside her protected her, and she couldn't give up on it entirely when it had saved her time and again. She didn't want to give into dark desires, but she felt that she had to. She genuinely wanted to be the sun.

And I think that's something people miss in Another Story. In casual & deep, she's too far gone. But Another Story, she still has a tiny fragment of hope of being able to love and be loved. That's why she's so desperate to form her "happy family", and why she goes off the wall when Ray disobeys her. She doesn't know how a mother is supposed to love. She never had that love. It's not good, it's not excusable, and it's not pretty.

But it's all she knew.

Rika is someone who had more masks than she had names (and she had three of those). She never was able to just exist as herself, always trying to fit a mold someone made for her (i.e. her mother), or to become someone else who lived a life she wanted (i.e. V). She lost herself along the way.

I think she genuinely loved the RFA, and to a certain extent did believe she could "save" them. She advertised Mint Eye as a haven for other outcasts, as a place where those who'd been scorned by the rest of the world could find solace and love. She had to become their sun, their Savior.

But Rika never had anybody to save her.

Now, common critiques are that she should've gone to therapy longer. And let me tell you, if you have a bad therapist? You don't want to go back. There is nothing more emotionally taxing than pouring out your heart and fears and insecurities and troubles to a stranger. Sometimes you get lucky, and you get someone who's patient and understanding and willing to work with you.

Sometimes you get a horrible person who invalidates your feelings, talks over you, and flat-out tells you, "You're too unstable for me to handle. Go get on medication then come back to me." (Speaking from experience, here.)

And that hurts! Having someone spit on the very essence of your soul! Picking yourself back up to find another therapist and pray things go better is... it's one of the toughest things a person can do. I can't blame Rika if she had a terrible therapist.

Plenty of people like to blame V, and let's be honest, he has his faults too. He couldn't give Rika the love she needed because he was so focused on fixing her. No, seriously, he went, "I can fix her. I can help her." But he's someone else whose intentions were pure. He saw how his father abandoned his mother, and he never wanted to do that. He saw a woman in need, and he thought of his mother. He had to help her. His conscience told him to, and he didn't want another ghost on his hands. He's self-sacrificing to a fault, and he's also insanely stubborn. He decided he'd follow her to hell and back to save her. It wasn't love, it was obsession, and he didn't realize that until it was too late. It was a moral fixation.

They both needed help. They weren't right for each other. But they clung to each other and fed off each other, and that's why V has a tragic end in every route but his own. Rika doesn't even get that.

So, I don't condone Rika's actions. But I can say that it's easy to see how someone with pure intentions and a will to do good... can lose themselves in a world that is so vile and full of malice, hate, despair, and suffering. I see Rika, and I see my own struggles to stay afloat in a world that wants me dead, as a queer Jewish AFAB person living in Florida. I see my own struggles with narcissistic parents and how I'm constantly second-guessing my thoughts and feelings. But I digress.

Anyway, a happy ending for Rika? Cottagecore lesbian. I'm not even kidding. Gosh, she's so lesbian-coded. Don't get me started. Nope, I'm starting, but I'll keep it brief.

Basically, oppressive Catholic upbringing telling her she's a devil who's going to hell no matter what and she has to take the abuse if she wants to be saved. She clings to the first person who shows remotely any interest in her well-being and thinks it's love. Rika is a lesbian who had to suppress her feelings or else damn herself further, and she clung to a man in a serious case of compulsory heterosexuality because he was kind to her and she was not accustomed to that. Look at the V bad ending where she seduces MC. She has way more chemistry with MC than she ever did with V. That's a comphet lesbian with gender envy of her ex, your honor.

Let her live in a cottage in the woods, far from the hustle & bustle of the city. Let her live alone with a woman where they bake pies and cross-stitch and read and just exist peacefully. Get her another puppy. She needs peace, fresh air, and grass.

Screenshots to show that I'm not just pulling my Rika analysis out of thin air, lol.

She's extremely insecure and has horrible fear of abandonment. But she was failed at so many levels: the orphanage, the church, V, therapy.

I want nothing more than to see Rika be happy.

This unlocked my inner Madakana analysis brain because they're the character opposites. Foils even. They're the same deep down in always wanting, only being together via that wanting and always effecting the other. (The 3rd part and relationship are so meteor impact)

back from the dead ^^ i’ve got a lot of things i’m working on but have this for now. . .

time skip

a persona 4 velvet attendant!protag comic from 2 years ago! id enjoy seeing yosuke being the next wildcard and growing into the leader role he so admired

forgive the awkward dialogue i am not a good writer