Things You Don't Hear In The Cast Recording

So are we ready to admit the world is doomed yet <3

No cuz I'm not a little bitch

can't believe Bidenstar stepped down as leader of Americaclan

To my little slice of the Tumblr community: please help spread the word of the upcoming demonstration for science happening across the country. Science in the US is under attack by the current administration and the community will not take it lying down.

STAND UP FOR SCIENCE

STAND UP FOR SCIENCE

March 7, 2025. Washington DC and nationwide. Because science is for everyone.

In regards of the Trump government scraping all trans inclusion in its queer information portion of its websites I have made this thing. Spread the word. Don't let them pretend we never existed.

P.S: Don't like! Reblog! <3

EDIT: Well this got a lot of attention! I got a few users asking to print or repost my art and I am unimaginably grateful to everyone's interest, especially since it's a really simple drawing I made on a whim haha! Anyone who is looking to print these out to hang or hand out or repost on another platform is free to do so, although I ask you to credit me and let people know it's from my Tumblr profile! If anyone wishes to do anything else with my art or post and wants to clarify what I consent to then they can message me privately and I'll explain! <333 all my love to my queer siblings

EDIT: I made an LGBTQIA+ version with a focus on trans and intersex folks, it's on my pinned if you prefer this version of the acronym.

faith lehane + tumblr text post meme

What Would Have Happened If The Other Doctors Stepped on the "Boom" Land Mine

One: The land mine is diffused by the power of parental love much sooner. Splice and Mundy join the TARDIS team after he decides that Splice will be his next fill-in granddaughter.

Two: Plays the recorder instead of singing. Jamie attacks the ambulance with his knife as soon as it attaches the lines to the Doctor, and it's only Zoe that stops him from getting killed. The detonation happens much sooner because the Doctor gets antsy and plays with the fiddly bits.

Three: Expertly controls his blood pressure to stop a premature detonation. Tries to keep his companion far away, but they discover the land mine anyway. Takes the land mine with him after it is diffused to use for spare parts in the UNIT lab.

Four: "Harry, I'm standing on a land mine." Doesn't bother with a counterbalance and just stands on one foot for the whole episode. Snacks on some jelly babies while waiting for the right moment.

Five: Has an in depth conversation with Nyssa about how he is regulating his biology on a molecular level. They use a cricket ball from the TARDIS as a counterbalance, meaning that he never gets shot or targeted by the ambulance. One of his companions still ends up getting shot, at which point he falls over, immediately self destructs, and blows a giant hole in the planet.

Six: Gets far too irritated for his blood pressure to stay low. Could really do with some of Evelyn's cocoa right about now. The land mine blows up because he cannot calm down enough to disguise his presence.

Seven: A much longer conversation on how the Doctor is a complex space-time event. The countdown finishes, but the land mine doesn't blow because he had disarmed it at the beginning of the episode. The entire time, he was just pretending the land mine was live in order to teach his teenage companion a life lesson.

Eight: Forgets he's standing on a land mine and blows up. Gets into a passionate conversation with his companion about the war industry complex. Soliloquizes about life and death. Almost sacrifices himself in an inferno of self-loathing, but his companion saves the day.

War: His associates go back in time and extract him before he steps on the land mine. This new version of him continues fighting the Daleks while the time echo standing on the land mine is used to blow a hole in the nearby Dalek command ship.

Nine: Has flashbacks to the War while standing on the land mine but somehow manages to stabilize his blood pressure thanks to the presence of Rose and Jack. Jack manages to diffuse the bomb while he is on it thanks to his experience with Villengard tech.

Ten: "I'm sorry. I'm so, so sorry." Tries to convince his companion to evacuate as much of the population into the TARDIS as possible because they would be safe there. Almost lets himself blow up, but his companion forces him to find a way to survive.

Eleven: The mine blows up in about ten seconds because he can't stand still. The entire planet is blown to smithereens, but his friends are okay because he locked them in the TARDIS.

Twelve: Gets into mind games with Clara while she is trying to figure out what he is standing on. Clara tries to take his place, but he doesn't let her. Missy eventually shows up and disarms the land mine because she wants to be the one to kill him.

Thirteen: Only manages to stay still because the Fam calms her down. Is oddly stoic about the entire thing and disappears into the depths of the TARDIS for several days after it happens. She never brings it up again even though Yaz tries to get her to talk about it.

Fourteen: God damn it this guy is supposed to be retired. He's supposed to be having a break. He talks about how much he loves his companion and how so, so sorry he is that he can't fix this.

Fugitive: This is a normal Tuesday for her. Probably has some sort of anti-land mine device in one of her coat pockets.

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

“Why should rich people pay more” because fuck ‘em

“So you are okay for paying more when you have money” I am not excluded from ‘fuck ‘em’ when relevant

yellowfang, i wish you were here. my sister is dying.

ID in alt and under cut

ID: digital painting of Cinderpelt and Brightpaw from Warriors. They are two cats curled around each other. Brightpaw, a ginger-and-white cat, is badly injured with cobwebs as bandages around her face and other injuries. She is unconscious and lying on her side in a moss nest. Cinderpelt, a gray cat, is curled around her with her tail over Brightpaw's back, looking at her with concern. They are in a shaded den surrounded by autumnal ferns, with a pool of water in the corner, and a strip of bright sunlight illuminating their faces. end ID.