Blocked Because Your Interpretation Of That Character Doesn’t Match The Way They Act In My Bedtime

stop talking about the USA. I have heard enough about that wretched place

"I'm sorry, Falin."

not now sweetie, mommy is watching how the massive girlbossification of female characters has led to the belief that weak and vulnerable female characters are badly written characters because apparently every woman needs to be outspoken and witty and snarky and brave in order to be considered “complex” and have any value in a piece of media!!

the picrew of dorian gray

Elizabeth 🤍🤺

Simon Leclerc

[Season 8, Episode 7: Day Forty-Seven, 14:41]

sorryyyyyy but I can't get over jealous Keith here, like it's so obvious. He's not even looking at Allura or any of the others ToT

it's me and the four people on ao3 who understand my favorite character in the exact same way against the world

so I got into grad school today with my shitty 2.8 gpa and the moral of the story is reblog those good luck posts for the love of god

The Subtle Horror of Evangelion

What keeps us all hooked to Eva time and time again? You get through your initial, confused watch of either Evangelion endgame, probably sometime in your adolescence wondering what the hell it is you just watched. The original source material is suffused with unsettling imagery, and sometimes too-close-for-comfort shorts. It’s so much to process that one watch is never enough. The imagery isn’t enough, however, because the mid-to-late-90s series comes with things you’ll pick up the more you focus on certain characters’ struggles or the interesting world-building. They arise little by little with every re-watch, adding onto what interested you in Eva to begin with.

There’s always that little voice asking you “What it is that really draws me here?”

Oh. The horrors.

The tragedy of it all.  

These things never leave you the second you bear witness to them, whether you become aware of them or not. You’re disturbed over it, a tad worried, no doubt, but you’re strangely hooked.

Horror works better on limitation, it’s why found footage capturing pale, ghastly, monstrosities of the deep wood will always stand as exponentially terrifying. While most all of us have taken cracks at Eva’s budget at some point, that’s what really drives these terrors home. Its low budget nature made it work.

Evangelion has commentary which forces a viewer to reflect. Most no one enjoys that. It’s the fear, however, that has its audience come back. Evangelion’s reflection alone isn’t what gives Eva it’s charm decades after its run. It’s the little things, most everyone misses, the anxieties, the terrors, all of it. Most of those things, fly over a lot of fans’ heads.

Buckle up, there’s a lot to go through…. (warning for mentions of abuse, body horror, means of suicide, nudity, blood, and gore)

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