Am Currently Obsessed With The Idea Of Annabeth Returning To Gotham And Becoming A Crime Boss Allied

why do i imagine the batfam finally meeting the league and then one of them going 'how the fuck do you have so many kids?' and little shit Jason goes 'well, when two people love each other very much...' and because Bruce doesn't wanna listen to this, he tiredly reminds Jason: 'you're adopted' which naturally means that Jason is going to dramatically pretend that this is the first time he's heard that and how could Bruce keep this from him, much to the horror of the league and the exasperation of Bruce

Kubo style Kon

It’s a nice day. That’s what Alex focuses on, and it’s something to hold onto.

It’s a nice day. Blue skies, no clouds, the sun high in the sky—but with a bit of a breeze, so that it’s not too hot.

It’s a nice day. Which is why it really is a shame that his day is ruined already. It’s 11AM—hasn’t even reached noon—and this is turning out to be a shitshow.

“Fire now! It will not be able to reform as quickly as the other!” Someone shouts in his comm. Agent W, probably. She was always one to see the little inconsistencies. To see how quickly one could heal in comparison to another.

He shoots. He does not miss. It falls from the sky, with its clear sky and cloudless expanse, and lays crumpled on the ground.

He does not approach. That will be someone else’s job; his is to aim, to shoot, and to not miss.

He never does.

A marksman is what he is, no dressing it up. He might wear the white clothes, have the same honorific, but at the end of the day, he is paid to shoot.

He looks at it with curiosity. Even from this far away, he can see the little twitches it makes, as though it’s being electrocuted in small, sharp increments. Death twitches, he’s heard them call.

He smirks to himself at the name; what an ironic phrase, to be a dead thing and to relive your final moments.

He cannot deny that he is curious about it; but really who wouldn’t be?

What a curious thing in that it was a monster masquerading as human. Acting like a human, moving as a human.

He turns away as someone starts to inch closer to it. There’s no need to listen to the pleading, not when it’s mimicry meant to lure.

It’s a nice day. A beautiful day, even. He should take Julia to the park—she’d be turning 8 soon, and he didn’t know when he might have to leave for a mission.

He turns away from the pleading-turned-screaming, and hums under his breath as he checks his rifle.

What a beautiful day.

Gods, it’d be impossible to properly pull off like how I’m picturing, but imagine a story entirely from the perspective of a GIW agent.

Like, put aside all your existing knowledge of what ghosts are really like and imagine entering the story with only their knowledge. As far as you are aware, the main character is correct about their beliefs. You have no reason to doubt them (yet).

You are part of a government branch tasked with fighting monsters. Every single one of them is immune to conventional weaponry and can have a wide array of superpowers.

And they’re intelligent, too. Not like how a person is intelligent though; they’re not sentient. Sure, they can mimic it, but it’s all an illusion. Under the surface, they’re still just mindless monsters. You can’t reason with them.

Oh and also, they could be anywhere. They can theoretically spring up from any time anyone dies, or can emerge from entirely unpredictable natural portals.

And regardless of if any actual ghosts are present, the very material that makes them up can contaminate humans too. Not just making them sick, that’d be one thing, but making them monstrous in similar ways. Even if you’ve gotten rid of the ghosts, the entire town might be too far gone already.

And then, of course, the actual plot progresses. The character actually interacts with the world, and all the little inconsistencies start to add up. Maybe the character eventually notices, or maybe it’s left as fridge horror as only the reader can realize the truth of the protagonist’s ongoing evil actions.

Though of course that concept does rely on the idea that the reader doesn’t know the truth going in, which is impossible for a fanfic since readers would already be familiar with canon. So in reality, it’d have to be dramatic irony instead of a creeping realization (which could still work but feels a bit less evocative IMO). Or maybe calling it an AU would work to distract people enough, but idk.

In Defense of Marinette

I like Marinette. While there are many valid criticisms of her writing, the same can be said for literally every other character and she's actually doing pretty well given that she's the main character. After all, in a show where consistent characterization is an ongoing issue, the one with the most screen time will probably be the one who's the biggest victim of the issue.

This is heavily exacerbated by the rule that supposedly governs Miraculous. Namely that, in each story, Marinette must make a mistake. Or, at least, so says the head writer:

I really do not care what this guy says on Twitter or anywhere else. I only care about what's in the show because, if you have to go outside the text to understand the text, then you have no idea how to tell a good story.

However, unlike many of the tweets that I've seen, this one isn't some BS bit of lore. It's a writing rule and it has substantial backing in the text. It's extremely rare to have an episode where Marinette comes out smelling like roses and that's a problem because Miraculous has over 100 episodes. In other words, to follow this rule, the writers have to come up with over 100 ways for Marinette to be wrong so of course she's going to come across poorly. Why would you do this to your main character?

It's extremely common for kids shows to have a "lesson of the day" element to them. Someone always needs to learn something, but I've never seen a show misunderstand the assignment so badly. Learning a lesson is not the same as doing something wrong.

It's been a while since I watched the 2010 version of My Little Pony, but it really leaned into that whole "lesson of the day" thing and it actually knew what it was doing, so I'm going to talk about it briefly to discuss things that Miraculous should have done.

The first thing to note is that MLP had an unambiguous main character - Twilight Sparkle - but Twilight was not the one who learned all of the lessons. She had a pet dragon and a crew of five friends who would, occasionally, be the ones to learn the lesson because there were lots of lessons that simply didn't fit Twilight's character. Instead of warping Twilight to make the idea work (cough cough Ikari Gozen cough), the writers just let someone else have the spotlight for a bit.

This is an excellent way to build out your cast and Miraculous had plenty of opportunities to do it. For example, Lila should not have been Marinette's issue. The fact that Lila hates Marinette could have certainly stuck around, but the one who takes her down and learns to investigate her sources? That should have been Alya. A liar is the perfect enemy for an investigative journalist, but a poor enemy for someone who shines as a battlefield commander and overthinks when she's given too much time.

Another way that MLP would teach lessons was to have someone other than Twilight or the main crew cause the issue that they then had to deal with. This leads to one of the best moments in children's television:

And, frankly? Marinette deserves a moment like this. That poor girl has been through hell and is never allowed to make the right call when it really matters. The show will even completely rewrite its lore to make her fail (see: Strike Back). That is such an awful thing to do to your lead! Shows about female empowerment should include women feeling powerful and, no, Lila and Chloe don't count!

Also, the show is literally about Gabriel taking advantage of people who are upset. You don't need to have Marinette make a mistake to shoehorn in a life lesson. Akumas are life lesson fodder and season 1 actually seemed to get this. I'm not sure why they switched gears to "Marinette is the star and, therefore, must always be wrong."

The final way that MLP taught lessons was to have Twilight do something wrong because having your main character do something wrong is a totally valid way to teach lessons. It just shouldn't be your only way because you know who is always wrong in children's media?

Villains.

They wrote Marinette like a villain.

And a large part of the fandom hates her for it because of course they do.

You're not supposed to like villains.

Not that anybody asked, but I think it's important to understand how shame and guilt actually work before you try to use it for good.

It's a necessary emotion. There are reasons we have it. It makes everything so. much. worse. when you use it wrong.

Shame and guilt are DE-motivators. They are meant to stop behavior, not promote it. You cannot, ever, in any meaningful way, guilt someone into doing good. You can only shame them into not doing bad.

Let's say you're a parent and your kid is having issues.

Swearing in class? Shame could work. You want them to stop it. Keep it in proportion*, and it might help. *(KEEP IT IN PROPORTION!!!)

Not doing their homework? NO! STOP! NO NOT DO THAT! EVER! EVER! EVER! You want them to start to do their homework. Shaming them will have to opposite effect! You have demotivated them! They will double down on NOT doing it. Not because they are being oppositional, but because that's what shame does!

You can't guilt people into building better habits, being more successful, or getting more involved. That requires encouragement. You need to motivate for that stuff!

If you want it in a simple phrase:

You can shame someone out of being a bad person, but you can't shame them into being a good person.

Adrien The Liar

wait. don’t go. I promise this isn’t salt. I have not been hacked. It’s me.

Hear me out.

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NEVER MIND IM JUST AN IDIOT

what on earth is going on w AO3

MASTERLIST ✍🏻

Hi! This post is a huge collection of all my writing tips in one place. I will update this list daily and add new posts

Writing Tips

How do i Plot a Book?

Childhood Friends to Lovers Gestures

Showing 'Fear' in Writing

examples of body language and action tags

Writing Trust Issues Tension

Quick Tips for Writing Emotional Tension

How to Write a Ruthless Character

Showing 'Anger' in Writing

12 Emotional Wounds in Fiction Storys

Gestures for Shared Moments

Symbolism in Writing

Instead of "Looked", consider

Words to Use Instead of "Said"

Showing 'Determination' in Writing

Showing 'Confusion' in Writing

Showing 'Anticipation' in Writing

Introduce characters

Showing 'Exhaustion' in Writing

Showing 'Excitement' in Writing

Writing a Morally gray character

Showing 'Jealousy' in Writing

Showing 'Love' in Writing

OC Developement

Eye Color to Define Your OC,

Describe your Main Character sheet

Body type and shape

Good Traits Gone Bad

Dialogues

Dialogue Prompts that Hurts

Jealousy Starters

Dialogue Prompts for Friendship

Dialogue Prompts for Unrequited Love

Gestures of Loss

When A Character Is dealing with anxiety they…

When A Character Is hilariously confused they…

Isolation Starters

Regretful gestures

Undermining Confidence Starters

When a character is Babysitting for the first time

Control Starters

Guilt-Tripping Starters

Soft angers Dialogue

Gaslightning Starters

Emotional Blackmail Starters

When A Character Is stuck in a never-ending traffic jam they…

Dialogue Prompts for Mystery/Thriller

When A Character Is dealing with an overenthusiastic fitness trainer they…

Confidence Starters

Prompts

Physical Intimacy Prompts

forced proximity prompts

When A Character Is feeling nostalgic they…

When A Character Is excited about something they…

Prompts for self-Doubt

When A Character Is excited about something they…

Grumpy & Sunshine Affection Prompts

Moral Dilemmas Prompts

when a Character us stressed they…

Supernatural Elements Prompts

Family Secrets Prompts

When A Character Is in a state of panic they…

Inner Conflict Prompts

Twist Prompts

Conflict Prompts

Signs of ….

Signs of Embarrassment

If You’re Writing a…

How to Create a Villain

If You’re Writing a Female Character, Avoid these Bad Writing Mistakes

Emotionally reserved characters

If you’re writing a character who is Naive

Writing Love

How to Write a Confession of Love

forbidden love prompts

When A Character Is in love they…

Signs of Falling in Love

Gestures for Expressing Love

Love Triangle Gestures

Writers Block

Ideas to Get Rid of Writer's Block Inspo

Something i haven't seen yet in Peter in gotahm fics (wink wink)

Batman, holding a phat envelope out to spider-man: here, this week's pay

Spider-man, skeptically: with all do respect, I don't do this to get paid

Batman: I fund the justice league, who do you think signs off their checks?

This was supposed to be convincing.

Spider-man, entirely aghast: the justice league is a corporate scam too??

Batman, clearly struggling: no, it's—

Spider-man, swinging away, yelling about "not being put under uncle Sam's thumb":

Slow clapping erupts from behind Batman. He turns dramatically to reveal Red Hood laughing his ass off.

god the way i L O V E @mysterycyclone's dark matter on ao3. It's a masterpeice. a work of A R T. ohmigod i will have to bind this once it'ts finisged omggg the love i have for it cannot be comprehended