Masterpost: How To Write A Story?

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First half of chapter 1 under the cut;

Peter looked at me with wide eyes. He was breathing fast, jerkily, and by the time I processed what had happened, he was half-way to a full-blown panic attack. “April,” he gasped, breaths coming out sporadically, “April, what the fuck are we going to do?”

I was staring at my hands, eyes blank. They were flickering in and out of visibility, my mind and body apparently unable to decide if I should hide or not. The alleyway we were in - that we were deposited in - was dark, looming, and before I had realised it, my spider-sense had warned me of the person at the mouth of it. If I hadn’t been so out of it, if Peter hadn’t been occupied with his panic attack, we would’ve heard them long before they got there.

“Hey! Brats! Scram, get out of here! This is my turf and I’m not having you lot stay here!” He looked angry, and drunk, and ironically this is what got me out of my fugue state, what helped Peter calm down a little. Getting dropped into an unrecognisable alleyway had shaken us, but it seemed that drunk, angry people were always around, no matter what dimension you got dropped in.

That thought almost had me disassociating again, before I got a firm grip on myself. Get yourself into a place where you can panic properly first before you have a mental breakdown I thought.

A plan was what I needed, and even the bare bones of what I had calmed me down somewhat. I turned to Peter, who although had snapped out of his panic attack by virtue of the drunk, wasn’t faring well. “Peter. Hey, Pete. We need to move.” Grabbing his hands, I let just the bare bones of my strength leak through, helping to ground him in the moment.

I could imagine what he was thinking - what his mind must have conjured for him to look so broken. I cursed Dr. Strange for the hundredth time in my mind, if only for the fact that the magic that had thrown us here had us feeling like we had dematerialised into ash.

Yeah. I’m sure you know what memory Peter was reliving.  I hauled myself up, and still grabbing his hand, dragged him out of there.

We stumbled out of the alleyway, and into the main road - if you could call it that. It was dark, and the pollution was thick, but it couldn’t hide the gothic architecture or the grimy cityscape. The buildings loomed, dark shadows cast over the street. There were neon signs out every couple of buildings, but they flickered half-heartedly, the light dying intermittently. It was as though even the inanimate objects here were warning us to leave.

Peter was still shaking, his breaths uneven, and when I looked back at him he looked haunted. But I had the brief thought that at least he was moving - at least he wasn’t stuck in that seedy alley. More alert than I was before, my spider-sense tingled at the base of my head, a constant hum that never dimmed - warning me to not let down my guard.

My eyes flickered over the faces of people, their heads down. They walked like they were afraid of getting jumped, wary looks given to me before they hurried away. My thoughts were bitter as person after person looked at me, took a glance at Peter, and lowered their eyes before they walked off.

My faith in humanity died a little at that point.

I tightened my grip on Peter a little, trying to convey some semblance of reassurance. His tight hold on me tightened further, and I flashed him a quick smile when he looked at me. My smile was weak, fleeting, but it seemed to be enough to ground Peter a little more.

We kept walking, aimlessly, it felt but we needed to find somewhere to regroup. To think. It felt like hours, but was maybe only 45 minutes before Peter was tugging at me to stop.

“April, look.” I looked over to what he was pointing at - a small sign that was innocuous and easily passed over. ‘Narrows Shelter’ it read, and I looked over at the building. It looked - clean for a lack of description. It was by no means the Ritz, but it was a far cry better than what I’d seen so far in this depressing city. It wasn’t much but it was something.

I nodded at him, and we hurried over, hoping to find somewhere to sleep for the night. We walked through the doors, and the inside of the lobby matched the outside. The place was clean, and although it looked run-down, I knew that it was our best shot at the moment. Remembering the seedy bars that the neon signs advertised, I shivered a little and prayed that we got something right today.

The Universe owed us.

Wait.

That thought had me spiralling again, the thought that I was in a different dimension. A different UNIVERSE.

By the time I had checked back in, fingernail indents carved into my hands, I could hear the tail end of the conversation that Peter had with the receptionist.

“Room 3B. Keep your heads down and don’t cause trouble.” She sounded brusque, but not unkind.

I could feel a hysterical laugh bubble up at the back of my throat, threatening to come out. Us? Keep out of trouble?

Peter gave me a look, correctly identifying the look in my eye. I swallowed it down, thanked the lady, and we made our way to the back of the shelter. The room was small, with 2 small cots and a window that was so dirty it let in barely any light. But the room was clean, the beds looking not bad. It felt like a sanctuary compared to the streets outside.

Peter sank onto one of the cots, and I followed him, my hand still grasped firmly in his. “We’ll figure this out Pete. We always do.” I laid my head on his shoulder, and felt as he nodded above me.

“Yeah,” he sighed heavily, but I could hear some hesitation in his voice. “April what if we– what if we can’t find a way back?”

I stayed silent, doubt nagging at me. What platitudes could I say when that thought had been running in my mind?

I’d assumed that when I was able to find somewhere to rest – somewhere for my mind to shut down – that I’d have the panic attack I was pushing back. But I just … disassociated. I couldn’t compartmentalise what had happened and my body felt – floaty. I was in a haze, and I didn’t want to go back to the panic-filled haze that my mind had been in before.

I could just – relax. Let everything drop, if only for a minute, and if my hands were trembling, if my glassy eyes held tears, then I didn’t make note of it.

The shelter helped with that. It was quiet, the background sounds muted; footsteps, murmured conversations, the occasional cough. It was a lot louder to me than to the average person – and I think that was what had ultimately grounded me; the fact that my enhanced senses still worked in this hellhole, that I hadn’t lost my powers.

 I refused to think about what I could hear outside the shelter.

“We can think of a plan later, Pete,” I said eventually. I looked up at him, and I could see the exhaustion on him. “Let’s try to go to sleep first.”

He looked down at me, and his eyes softened with an emotion I couldn’t identify. “Ok April,” he said.

We settled into our respective cots, exhaustion laying us down like a heavy blanket. We lay there for a while, and drifted off after a bit. The last thing I could remember before I fell asleep was the dizzying relief I felt in the fact that Peter was with me. That the spell hadn’t careened out of order, and separated us.

what the actual fuck. do conspiracy theorists actually think like this??

We might have misunderstood Hogwarts Houses for years

I have a theory that the valued quality of each of the four Houses isn’t really about the personality of its students.

The valued quality of each of the four Houses has to do with how they perceive magic.

Stick with me a second: Hogwarts is a school to study magic. Magic as Hogwarts teaches it can be seen as many things: a natural talent, a gift, a weapon, etc.

So how you believe magic should be used will both reflect your personality and change how you handle that power.

“Their daring, nerve, and chivalry set Gryffindors apart,” Gryffindors perceive magic as a weapon. Gryffindors tend to excel in aggressive forms of magic, like offensive and defensive spells, and they are good at dueling. But a true Gryffindor knows that the power is a responsibility, and so they must always use their powers to stand up for what’s right. They are the sword of the righteous, which makes them as good at Defense Against the Dark Arts as they are at combat magic.

Hufflepuffs believe that magic is a gift and that the best gifts are to be given away. Hufflepuffs, “loyal and just,” would naturally abhor the idea of jealously guarding magic or using it to hurt someone else. So Hufflepuffs share their magic to benefit of Muggles, like the Fat Friar, to protect the overlooked, like Newt Scamander with his creatures, or to oppose those who would use magic to torment and bully, like the Hufflepuffs who stood with the DA and the battle of Hogwarts.

Slytherins are the opposite: they believe their magic is a treasure that they have been entrusted to protect. The Slytherin fascination with purity, with advantage, with cunning and secrecy–all of which were perverted by the Death Eaters–comes from the idea that people with magic in their veins have been given something special that it is their duty to protect at all costs. And perhaps they aren’t entirely wrong: power in the wrong hands can be dangerous. And power interfering at will with Muggle affairs is a gross presumption that could turn the course of history. Though the series shows some of the worst that Slytherin can be, “evil,” is not a natural Slytherin tendency. “Cautious,” is.

Ravenclaws believe that magic is an art form, one that is beautiful and should be appreciated and studied for its own sake. If “wit beyond measure is man’s greatest treasure,” then asking what magic is for is useless. It’s more important to immerse oneself in magic for its own sake. Ravenclaws push the boundaries of magic to see if they can, hence Hermione’s spell experiment on the DA coins being dubbed a Ravenclaw quality, but like Luna Lovegood in the pursuit of extraordinary creatures: they can also be content to plumb the depths of what already exists.

So while you can see where personalities will overlap over Houses, perhaps in Sorting we should be asking ourselves less what we think we are and more what we think we believe. 

If it's one thing the bats have learned to fear, it's smart people in Gotham. Practically every good lawyer, engineer, psychiatrist, and scientist have turned evil in the city. So when a student graduates as a double major valedictorian from Gotham U, they all take turns monitoring him to ensure another villain isn't in the making.

Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.

the most unrealistic thing about harry potter

is that no teacher ever called him James by accident, or that Ron never was called “Bill-, eh Charl-, no Per-, argh!”

THIS IS LITERALLY THE NEXT CHAPTER:

'Paperwork. Complain about paperwork. Introduce the TRAITOR!'

Guys, I'm re-reading the outline for one of my books (my favourite book, that I've been writing for YEARS), and this is so funny to me.

'She smiles a strained smile, and goes to bed. The next morning she makes a plan where she decides to pretend to have a Talent, in plants. This is not a good plan.'

I LOVE IT, I LOVE MY PAST SELF

DPxDC The Witch and The Ghost

On the subject that came up in my recent post, in my head, Sam and Danny are constantly having beef with each other. But never seriously.

The thing is, Danny has a lot of issues with a lot of things. He is not dead and not alive and then somehow both at the same time. He lives with parents who literally hunt him for sport, even if they are shit at it. His godfather is another can of worms that he refuses to touch entirely. On top of that, there's school, and occasional bullying, and hormones acting up, and ghost problems to deal with.

Which is why Danny is frustrated most of the time. He does a good job at keeping it at bay and not snapping at people for the tiniest inconveniences - partially, it's because he knows that his mild snapping can possibly leave the recipient frozen in a block of ice and humans are prone to hypothermia.

So, Danny is putting a lot of effort into staying reasonable and calm. And he is doing a good job at it!

And then, there's Sam. Sam is used to arguing with her parents at any given moment over literally anything. Sam is an activist who can and will insist on coming out victorious out of any fight she picks at, be it the choice of a salad dressing or discussion of global warming. Sam has opinions and is not afraid to share - more like enforce, actually - them. What's more, Sam is liminal, and she can withstand a lot more blunt ghostly force than any other human being.

Sam and Danny are friends, there's no doubt there. They love each other, they support each other, they will quite literally tear the world apart for each other.

They also argue about every fucking thing on earth. They fight over whose turn it is to pay for burgers every time they get them - which is at least thrice a week - and over the best phrase to teach a pet parrot, and the difference between 'affect' and 'effect' used in context. They put some discussions on pause just in order to find and provide research, and then they slap each other with piles of said research across the faces and get into a fist fight over water pollution.

Sam treats it as a fun activity and maybe a test run for her other fights and discussions with other people. She doesn't mind Danny's frustration and his occasional violence in the slightest, knowing perfectly well that he is no danger to her, and if she asks, he would stop at once.

Danny, on the other hand, gets a great outlet to vent and release all his pent-up emotional baggage. Sure, sometimes their fights get gruesome, and sometimes they hold grudges for days, and sometimes they can barely tolerate seeing each other because of it. But he also knows that in the end, they are friends, they are fraid, and he is safe with Sam no matter what he says or how offensive something sounds to her. Because in the end, it doesn't really matter to her. Not more than him.

Tucker is just very chill with both of them. He doesn't bother sticking with any of the sides of the arguments, switching between them or not taking part at all. He knows they are fine. He knows they just like fighting, for some weird reason. To be fair, he also picks an occasional fight or two with Sam just for the fun of it.

Gotham in general, and Batfam specifically (or Justice League, if you want) are so not prepared for the three of them when they move out of Amity. Especially if there's also Dani and/or Jazz thrown in the mix to spice things up. None of them truly bother to keep from using their powers, albeit mildly: some little hex and jinx here and there from Sam, a frozen patch on the pavement to make someone slip from Danny, some minor hacking from Tucker, a prank or two using the intangibility from Dani.

It leads to a lot of very confusing situations.

Like Batman showing up to the recent Riddler scheme to find two random teens loudly arguing over the answer to the puzzle while Riddler himself looks completely given up on getting their attention back to the important thing. The important thing being a bomb with a ticking timer on it.

Or Robin finding two siblings brawling on the rooftop, growling and screaming, rolling around and kicking their feet. He is not quick enough to catch them from falling off the edge of the three-story building, but when he peeks down, the siblings are still fighting down on the street, seemingly not even noticing the fall.

Or Red Hood having his guns miraculously stolen midfight because three kids have decided to have a sharpshooter competition with the goons acting as target practice. He honestly can't bring himself to mind, though, they really are great at hitting all the kneecaps within range. He is rather grateful they haven't included his own kneecaps in the heat of it. At least their responsible adult - a very pretty redhead - had apologized and returned his guns back.

Spoiler absolutely loves it when, right as she is about to get caught in Poison Ivy's trap, two teens show up to simultaneously wrestle with the mad greenery with their bare hands and lecture Ivy on the imprint she is leaving on the ecosystem of Gotham.

However, Red Robin absolutely hates that someone keeps getting through all of his firewalls just to leave a few cheeky comments on his recent case files. It doesn't matter that they leave some valuable intel and provide a good conclusion as well, it's the principle of the thing.

All in all, Danny and Sam are the unstoppable force meeting the immovable object, but they trade and switch places constantly and they are most definitely enjoying themselves while at it.

Everyone else, though? That depends on the circumstances.

In Defense of Marinette

I like Marinette. While there are many valid criticisms of her writing, the same can be said for literally every other character and she's actually doing pretty well given that she's the main character. After all, in a show where consistent characterization is an ongoing issue, the one with the most screen time will probably be the one who's the biggest victim of the issue.

This is heavily exacerbated by the rule that supposedly governs Miraculous. Namely that, in each story, Marinette must make a mistake. Or, at least, so says the head writer:

I really do not care what this guy says on Twitter or anywhere else. I only care about what's in the show because, if you have to go outside the text to understand the text, then you have no idea how to tell a good story.

However, unlike many of the tweets that I've seen, this one isn't some BS bit of lore. It's a writing rule and it has substantial backing in the text. It's extremely rare to have an episode where Marinette comes out smelling like roses and that's a problem because Miraculous has over 100 episodes. In other words, to follow this rule, the writers have to come up with over 100 ways for Marinette to be wrong so of course she's going to come across poorly. Why would you do this to your main character?

It's extremely common for kids shows to have a "lesson of the day" element to them. Someone always needs to learn something, but I've never seen a show misunderstand the assignment so badly. Learning a lesson is not the same as doing something wrong.

It's been a while since I watched the 2010 version of My Little Pony, but it really leaned into that whole "lesson of the day" thing and it actually knew what it was doing, so I'm going to talk about it briefly to discuss things that Miraculous should have done.

The first thing to note is that MLP had an unambiguous main character - Twilight Sparkle - but Twilight was not the one who learned all of the lessons. She had a pet dragon and a crew of five friends who would, occasionally, be the ones to learn the lesson because there were lots of lessons that simply didn't fit Twilight's character. Instead of warping Twilight to make the idea work (cough cough Ikari Gozen cough), the writers just let someone else have the spotlight for a bit.

This is an excellent way to build out your cast and Miraculous had plenty of opportunities to do it. For example, Lila should not have been Marinette's issue. The fact that Lila hates Marinette could have certainly stuck around, but the one who takes her down and learns to investigate her sources? That should have been Alya. A liar is the perfect enemy for an investigative journalist, but a poor enemy for someone who shines as a battlefield commander and overthinks when she's given too much time.

Another way that MLP would teach lessons was to have someone other than Twilight or the main crew cause the issue that they then had to deal with. This leads to one of the best moments in children's television:

And, frankly? Marinette deserves a moment like this. That poor girl has been through hell and is never allowed to make the right call when it really matters. The show will even completely rewrite its lore to make her fail (see: Strike Back). That is such an awful thing to do to your lead! Shows about female empowerment should include women feeling powerful and, no, Lila and Chloe don't count!

Also, the show is literally about Gabriel taking advantage of people who are upset. You don't need to have Marinette make a mistake to shoehorn in a life lesson. Akumas are life lesson fodder and season 1 actually seemed to get this. I'm not sure why they switched gears to "Marinette is the star and, therefore, must always be wrong."

The final way that MLP taught lessons was to have Twilight do something wrong because having your main character do something wrong is a totally valid way to teach lessons. It just shouldn't be your only way because you know who is always wrong in children's media?

Villains.

They wrote Marinette like a villain.

And a large part of the fandom hates her for it because of course they do.

You're not supposed to like villains.

ughhh there’s this ONE post on tumblr i’m looking for:

- It was DPXDC

- It was about Danny “haunting” the Bats

- Jason had this doll (Danny) since before he died

- He starts saying some very weird things that lead to the other Bats thinking that he’s committing domestic abuse (he’s not)

- examples include: chaining up Danny in a cupboard

- Alfred (or Bruce?) clear it up.

- Tim takes a photo near the end of it, and you can see Danny (as a real person, not a doll) in the photo and everyone booking it out of there.