Ryuko Drawings By Kill La Kill Character Designer And Chief Animation Director Sushio, Featured In His

Ryuko Drawings By Kill La Kill Character Designer And Chief Animation Director Sushio, Featured In His
Ryuko Drawings By Kill La Kill Character Designer And Chief Animation Director Sushio, Featured In His
Ryuko Drawings By Kill La Kill Character Designer And Chief Animation Director Sushio, Featured In His
Ryuko Drawings By Kill La Kill Character Designer And Chief Animation Director Sushio, Featured In His
Ryuko Drawings By Kill La Kill Character Designer And Chief Animation Director Sushio, Featured In His
Ryuko Drawings By Kill La Kill Character Designer And Chief Animation Director Sushio, Featured In His
Ryuko Drawings By Kill La Kill Character Designer And Chief Animation Director Sushio, Featured In His

Ryuko drawings by Kill la Kill character designer and chief animation director Sushio, featured in his full-colored artbook “LOVE LOVE KLKL”.

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Credit Goes To ソフトモード From Pixiv

Credit goes to ソフトモード from pixiv


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らくがき
らくがき
らくがき
らくがき
らくがき

らくがき


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10 years ago
Update From Tan Jiu, Translated By Yaoi-BLCD. IF YOU USE OUR TRANSLATIONS YOU MUST CREDIT BACK TO THE
Update From Tan Jiu, Translated By Yaoi-BLCD. IF YOU USE OUR TRANSLATIONS YOU MUST CREDIT BACK TO THE
Update From Tan Jiu, Translated By Yaoi-BLCD. IF YOU USE OUR TRANSLATIONS YOU MUST CREDIT BACK TO THE
Update From Tan Jiu, Translated By Yaoi-BLCD. IF YOU USE OUR TRANSLATIONS YOU MUST CREDIT BACK TO THE
Update From Tan Jiu, Translated By Yaoi-BLCD. IF YOU USE OUR TRANSLATIONS YOU MUST CREDIT BACK TO THE
Update From Tan Jiu, Translated By Yaoi-BLCD. IF YOU USE OUR TRANSLATIONS YOU MUST CREDIT BACK TO THE
Update From Tan Jiu, Translated By Yaoi-BLCD. IF YOU USE OUR TRANSLATIONS YOU MUST CREDIT BACK TO THE
Update From Tan Jiu, Translated By Yaoi-BLCD. IF YOU USE OUR TRANSLATIONS YOU MUST CREDIT BACK TO THE
Update From Tan Jiu, Translated By Yaoi-BLCD. IF YOU USE OUR TRANSLATIONS YOU MUST CREDIT BACK TO THE
Update From Tan Jiu, Translated By Yaoi-BLCD. IF YOU USE OUR TRANSLATIONS YOU MUST CREDIT BACK TO THE

update from Tan Jiu, translated by Yaoi-BLCD. IF YOU USE OUR TRANSLATIONS YOU MUST CREDIT BACK TO THE ORIGINAL AUTHOR!!!!!! (TAN JIU). DO NOT USE FOR ANY PRINT/ PUBLICATIONS/ FOR PROFIT REASONS WITHOUT PERMISSION FROM THE AUTHOR!!!!!!!!!!!

Previously: 1// 2// 3// 4// 5// 6// 7// 8// 9// 10// 11// 12//13// 14// 15// 16, 17, 18// 19// 20// 21// 22// 23// 24, 25// 26// 27// 28// 29// 30// 31// 32// 33, 34//35// 36// 37// 38// 39// 40// 41// 42// 43// 44// 45// 46// 47// 48// 49//50// 51//52// 53// 54


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BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That

BK: I modified this bird’s-eye view that Lauren had painted for the spirit energy explosion, but that sequence already had a really nice rhythm to it, so we left it alone and figured we could just share the painting in the art book. You can see how much work went into the three lighting setups that transition in a matter of seconds in a single shot! Animation is no picnic. I wanted the new portal to open up to a part of the spirit world we had not seen yet. Christine and I referenced bizarre iceberg formations for the mountains, baobabs for the trees, and aquatic plants for the field of flowers. Lauren and I researched pictures of aquariums lit by black lights for the otherworldly color scheme. It all came together to make a location that was pretty, yet a bit unsettling, which I think is an appropriate vibe for this postbattle conversation. Background designs by William Nanqing Niu and Christine Bian. Paintings by Bryan Konietzko, Melissa King, and Lauren Zurcher. [x]


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Its Your Blood Thats Red Like Roses
Its Your Blood Thats Red Like Roses
Its Your Blood Thats Red Like Roses

its your blood thats red like roses


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(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞
(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞
(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞
(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞
(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞

(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞(╭☞•́⍛•̀)╭☞

Which is your favorite character in Ghibli’ films?

personally, all of them are my true love ahahahaha <3<3<3<3


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