Do you have any tips for doing nanowrimo for the first time? Or any tips in general?
I do actually. Kind of a lot of tips. But when I have a lot of things to say about something that people would need to take action on, I like to do bullet points to organize the information so it’s easier to digest.
So.
Bullet point time.
Start now. No I don’t mean starting the story. That’s the challenge, to write all the new words in November. I mean, start THINKING about your story. Start planning. Start brainstorming. Start character development. Start backstory. Start researching. Start your writing habit. Because writing at that level take training. You have to get INTO it. It’s far too hard to start writing a novel cold if you’re not used to writing.
Make An Outline. Okay. This is a choice. Not everyone likes outlines. In nanowrimo, we say there are two types; Planners who outline their novel and Pantsers who write by the seat of their pants. This can also be called “intuitive writers.” I think there’s a third, a combo of the two. Plantsers. I like that word because not only is it a combo of pantser and planner, it also has the word “plant” in it. So you plant your garden in a plan and then let it grow however it wants, intuitively. That’s me. Anyway. If you don’t want to plan an outline because you’re a pantser, take notes on your story. Do character interviews, research back story, get excited about tropes you want to use, write short stories about the characters, take notes and make lists about ideas you have.
Start a vision board for your story. I use pinterest. Here is an example of my vision board for one of my nano novels that has already been through three drafts, so...years. I’m REALLY into pinterest do no be intimidated. I’ve been doing it a long time. Keep track of characters, settings, ideas, research, advice. It gets a different version of my brain working on my story.
Sign up at the nanowrimo site. Choose a title, a genre, a location. Plan to attend events if you can. Okay, quarantine, but maybe digital events, i don’t know what they’re doing yet I haven’t checked. Go to the forums and engage in conversations about writing. Ask questions. Answer some. Buy some merch. Read the advice. Get involved in the community. Don’t let the community take over your writing time, but before nanowrimo? Perfect time to get involved.
Make room in your life for writing: Writing is a commitment. You have to show up to the page. You have to sit down and write. And it more or less has to be everyday, unless you’re planning on bingeing on only certain days... which is possible but harder. Plan out regular times where you will write. Carve out a schedule. It can be the whole weekend or it can be fifteen minutes here and there throughout the day. I am proof that you can write a novel in stolen fifteen minute increments. It takes TIME to write. Oh hey, while we’re on the subject, find out how long it takes you to write. How much can you write in 15 minutes? 30 minutes? an hour? How many of those time chunks will you need to get the words down. Don’t assume you write faster than you do.
Set up your writing space. A room, a corner, a laptop on your bed, a cafe, a library, a journal. Whatever it is. Make sure you have what you need and it is reasonably organized so that you can not worry about it. ALSO, get snacks and drinks set up so you can feed your body while you write.
Tell people in your life that you will be doing this. I know that may be hard, but telling people that you are committed to this project means you are being held accountable for your goal. It’s not just a wish. The more real you make it, the more likely you’ll reach it. You want them to know that you’ll be taking time to do this. But also, support helps. If you have no one irl to support you, find groups on line, if you don’t know where to look. go look at the forums on nanowrimo.org. You can find forums for age range, life stage, interests, genre, whatever.
It turns out these are all suggestions for how to get nanowrimo going BEFORE nanowrimo. I do believe that this is important. You need to work out your writing muscles before november. This is one of the things that can help you succeed. But I have other hints for how to get it done done while you’re doing it. I’m afraid for simplicity’s sake, that needs to be another post.
If you want to do nanowrimo... which I do suggest even if it turns out not to work for you, it helps to start earlier. Like running a marathon, you need to train to be able to go the distance. There are lots of thing to do that can get you there. These are only some of them.
Oh okay. I have one more thing. I’ve been keeping writing boards over on pinterest. I have boards both to brainstorm my novels and for writing advice.
nanowrimo pinterest board story ideas pinterest board character ideas SFF ideas Villain ideas The Writer’s Life
Feel free to plunder and pillage my writing boards. Repin whatever you want. That’s what it’s there for as well as my own inspiration.
All my writing boards start with “to write” or most of them do. There is “the writing life” and “kids and writing.” I have a lot of boards and a lot of pins.
also check out my writing board @rosy-writes i think at some point I’ll return this blog to a writing blog, but maybe i’ll keep rosywrites for my writing advice or something.
being a self-taught artist with no formal training is having done art seriously since you were a young teenager and only finding out that you’re supposed to do warm up sketches every time you’re about to work on serious art when you’re fuckin twenty-five
Foreshadowing - a warning or indication of a future event. In literature, it is when an author provides readers with hints or suggestions as to what will happen later in the story.
Foreshadowing can be used to create tension and set expectations as to how the story will play out. Can inspire reader emotions–suspense, unease, curiosity,
Types of Foreshadowing
Chekhov’s Gun The author states something that they want you to be aware of for the future - in the eponymous example, a gun hanging on the wall in an early chapter will be used later.
Prophecy A statement to character/ reader about what will happen in the future. Although sometimes unclear at first, they normally become true by the end.
Symbolism A more abstract way of foreshadowing, often shown through things like objects, animals, images and weather. Often foreshadows change in mood, luck or behaviour.
Flashback/Flashforward When the author needs the reader to know something that happened that doesn’t fit with the current timeline. Often there will be hints/clues for things that the writer wants you to remember/pick up on later.
Red Herring A type of foreshadowing that deliberately misleads the reader. False clues such as a character finding another suspicious, etc., may lead you to believe one thing when, in reality, they will have done nothing wrong
Tips and Tricks for Effective Foreshadowing!
Don’t foreshadow too obviously - signpost rather than state! Arouse suspicion, but keep them guessing!
If you make a promise, keep it!
The bigger the twist, the earlier it should be foreshadowed! Foreshadowing too soon is essentially a spoiler
Keep foreshadowing in moderation
Use beta-readers - sometimes our foreshadowing feels so obvious to us but it may not to other people who aren’t as close!
how to write the second draft
@writingwithacutlass on instagram
source: https://www.masterclass.com/articles/how-to-write-a-second-draft#why-do-you-need-a-second-draft
hello and welcome back to my page! this post was requested some time ago and i finally got around to making it. second drafts are arguably the hardest draft to write, since you are taking your jumbled mess of a first draft and rewriting it to be more cohesive and organized. although picking apart your novel is a painstaking process, it’s a necessary step that will improve your novel and make you a better writer in the process. here are five tips on how to write the second draft!
take a break, then return to your draft with fresh eyes
especially if this is your first novel, only start your second draft after you’ve had adequate time away from it. creating distance between you and personal work can give your mind time to reset and detach from particular ideas. certain story elements may feel necessary but don’t actually fit into the story, or your story may need something, but you’re not sure how to implement it. taking a break can help you view your writing from a previously unseen angle that can bring more refreshing ideas to the table and help you get through your second draft. take some distance from your writing to brainstorm new scenes.
understand your chaos
your first draft got your ideas down and, hopefully, created a loosely structured beginning, middle, and end. however, the first time you go through the whole thing, it will probably feel overwhelming—and it should. go into your first chapter knowing there will be big changes and improvements to be made. you’ll cut some things and add others, but don’t be afraid. if it starts to go off into a direction you’re not happy with, or if you have no idea how to continue forward from what you’ve rewritten, you can always reconfigure. that’s what second drafts are for.
break it up into separate goals
you don’t have to comb through your second draft beginning to end and address everything along the way. setting goals to address each element of your first draft, like working on emotional character arcs first, or solidifying the bare bones of your plot through each chapter can help you divide and conquer each necessary aspect of your story that needs to come together in a cohesive manner. once all these elements have been solidified individually, you can piece them together in a way that makes your second draft feel more manageable.
track your narrative
read through each plot point or chapter and see if the narrative tracks. make notes on anything that stands out to you or doesn’t feel as smooth. are events moving logically or sequentially into the next? are character goals clearly defined? does each new chapter feel connected to the last? it may be a rough version you’re going through, but these elements should be in place in order for you to analyze it accurately. your subplots should feel natural to the central story and characters you’ve created—they should just be added fodder to take up space. ensure there aren’t any redundant scenes or a repeat of information that doesn’t need to be explained again.
don’t proofread until the end
it’s tempting to go back and fix all your errors, but unless you’re in your third stage or fourth stage, this may end up being a waste of time. correcting typos and grammar should be saved for your final draft, as the entire writing process will entail rewriting, restructuring, and reorganizing until the moment you’re ready to publish.
Okay but why aren’t more people talking about that fact that it’s literally so helpful to put together a playlist based on whatever you’re writing?
It can help for multiple reasons; ones for me would be:
It helps me outline where the story is going
It makes it feel a little more official; like I’ve got my head in the game and there’s no point in turning back now
It gives me a little sense of accomplishment
It gives me something to listen to while writing that’s less likely to distract me; and if it does, the lyrics will only help me imagine the story more
Like- 10000/10 so helpful 100% recommended this, especially if you have attention span issues or if you end up giving up on something if dopamine takes too long to come from it
I planned on making this a private post just to help me find all the links and wonderful help made by these wonderful people but it can be helpful for other too to have it all in one place.
But if the creators of these would like me to take down/private the post please let me know and I will, no problem ^^
dumplingsjinson's Dialogue promts[They're great with so many different dynamics]:
possibly one of the most hilarious exchanges on doctor who
when i started writing, i had no idea how publishing worked and i had a lot of misconceptions about it. but i just signed my first literary agent so i thought i’d share what my experience has been getting to this point, in case it helps anyone else with their own publication goals. i’m also including financial details, like submission fees and income, because “i could never afford to pursue writing as a career” is something that kept me from taking the idea seriously.
for context, i write mostly literary fiction and i’m on the academic/scholarly writing path. this process looks a lot different for other genres.
i didn’t write this in my pretty nonfiction narrative voice; it’s really just the bare-bones facts of how it went down, how long it took, how many words i wrote (both fanfiction and original fiction), and how much it all cost.
Afficher davantage
How do you write scenery. I always having trouble writing a place where the characters is. Like do I have be specific around the surrounding or just say where it is.
You should always do some level of description of the setting of a scene. If it's an area the reader can easily envision, either because you've already described it in a previous scene or because it's a common place like a school or grocery store, you only need to include a few relevant details. Here are posts from my description and world building master lists that may help:
The 3 Fundamental Truths of Description (5 Tips for Cutting Back) How to Make Your Description More Vivid Adding Description to Your Writing Five Things to Help You Describe Fictional Locations
I hope that helps!
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things people do in real world dialogue:
• laugh at their own jokes
• don’t finish/say complete sentences
• interrupt a line of thought with a sudden new one
• say ‘uh’ between words when unsure
• accidentally blend multiple words together, and may start the sentence over again
• repeat filler words such as ‘like’ ‘literally’ ‘really’ ‘anyways’ and ‘i think’
• begin and/or end sentences with phrases such as ‘eh’ and ‘you know’, and may make those phrases into question form to get another’s input
• repeat words/phrases when in an excited state
• words fizzle out upon realizing no one is listening
• repeat themselves when others don’t understand what they’re saying, as well as to get their point across
• reply nonverbally such as hand gestures, facial expressions, random noises, movement, and even silence
I was very fortunate to major in Creative Writing when I went to college. It was a great experience, but I remember being so nervous when I walked into my first class as a freshman.
I'd been writing stories since elementary school, so I worried that this first class would teach me something wildly different than what I knew about writing. Maybe there was some secret formula to creating characters or mental exercises that immediately dissolved writer's block that you could only learn from a professor.
When my first class ended, I was shocked.
The first thing you learn in a university-level creative writing class?
Read more than you write.
It's that simple. I thought my professor had lost his mind, but the many others that followed always echoed the advice.
The advice then saved my ability to write when I was getting through each day during some of the hardest times of my life.
Pick up the good books. The great books. The terrible books that make you quit reading them because they're so bad.
They will all make your writing stronger.
You'll learn how to write fantastic characters, weave plot lines, and paint worlds with words. You'll also learn what you don't like in someone's writing so you can avoid it in your own.
Even during the periods when I wrote nothing at all, reading kept that love for writing alive in my heart.
It's the best way to reconnect with that passion if you've lost it and the greatest way to develop that skill.
Read more than you write.
Your storylines and characters will thank you later.