This beast here was going to be a part of my Inktober 2016 work, but then I decided that it would be cool to have a stippled background... which means that I finished it about three months after. Stippling is a pain in the ass my friends. I have recovered though. Just means that this piece was the entirety of my Inktober work, and more. I'm pretty satisfied with it though because of the crosshatching on the body of the beast that contrasts with the background stippling. He was actually inspired off of a little lamp that sits on my art desk. I was just looking for simple forms of inspirations and BAm, Light Beast.
A beastie I created for myself and partially for my IB art portfolio. As my first time working seriously in India Ink, I must say, it was quite an entertaining little beast. Hard to get used to holding the pens tho. They're so different from what I'm used to. Also, I just started working in Medibang Paint Pro, so if any of you have tips on how to crop an image, and how to create a watermark without having to make the watermark as a brush first (because there is a size limit to the brushes) I would greatly appreciate it. I plan on switching over to Photoshop soon, but as of this moment, Medibang is the free option so Imma stick to that for a while.
reblog this if your icon could kill a man
Titled: Toxic Tides
So I decided that I’m gonna do Inktober 2018 whether I like it or not, so here’s Day 1: Poisonous
Art © Me
Here ya go! With the New Year comes New Sketches and Drawings! Alrighty I decided that for missing out on posting for the past couple of weeks, I would do a larger mass post of my sketchbook works. Sorry for that! First post is an angry guy reaching for you, likely for your hand in order to eat it. Second is what i presume to be the ancestor of HTTYD’s Cloudjumper and third is a coral creature from some random place in my headworld.
A wip i have where im trying to better understand lighting and color. Also trying to kinda emulate the style of @rema-rin cause i adore how she uses a more flat colors to denote shadow instead of blending. Idk i just really love that style, where its kind of sketchier and has less rendering to it. Clean lines not in the linework but in the actual color itself.
I love how this beauty turned out. First time I was able to do just linework too without wanting to shade some bits. Gah I just love this piece so much, I wanna do another one like it already, even though it was kinda a pain figuring out how all of those veils should go. 10/10 would do again though. Who knows, I might just ink it and color it one day. I'm excited for the future!
Inktober 2018 Day 15
“Weak”
These are more words than a drawing, but it’s something I think a great deal about. I find the whole concept that men don’t cry is bullshit and weak. If a person cries in front of you, I see that as a huge strength, as they are willingly showing a weakness to another person. That takes immense strength to do..... not to mention crying is a literal way to dump excess emotions in the form of chemicals from the body.
Finally someone explains why to do something and not just what to do
I see this kinda advice passed around all the time here is the thing: shading with black will indeed look bad if you don’t know what you are doing. However, telling people not to do things without explaining why is terrible advice.
Shadows are the opposite of light, this includes in colour.
This means that if you have light in one colour, the shadow will be of the opposing hue, saturation, and value.
Unless the object is white, it has its own local colour - the object’s true colour, how it would appear if the light were pure white.
The colour of the light influences the local colour of the object. so if you had yourself a brown cube and a blue light, the colours would get bluer and pinker.
now the reason shadows do not tend to be black is because pure white light is hard to find in nature.
the closest you will get to pure white light is during a really overcast day and the sun is filtering through the clouds, but even then it’ll lean towards yellow so the shadows will be slightly blue.
During a clear day, the shadows will pick up a lot of bounce light from the blue sky and have a blue tinge. You can learn more about this in this tutorial: [http://artbyriana.deviantart.com/art/Why-shadows-aren-t-gray-321656856]
But! None of this means you are never allowed to use black.
realistically shadows will have a hint of a colour to them, but stylistically you might be going for, say, a film noir look and deep black shadows are needed for impact for example.
The more you know about how light works, the more informed decisions you can make about shading and the more options you have.
If someone tells you that you can’t do something, they’re wrong! you can do what you like!
yes, black is hard to use and if you just mix a colour with black it’ll get muddy, but thats easily resolved by choosing your colours manually - which ideally you want to do regardless bc the computer doesnt have your eyes & cant choose the colours you like
basically if someone gives you some art advice and says you can’t do something, they’re wrong! you can, you just might need to study a little to figure out how to make things work.
I mean for example, people will say you must make your composition follow the rule of thirds and never align centrally, but while the rule of thirds makes it easy to create visual interest, Mad Max Fury Road is a testament to the fact that central composition can and will work if you experiment.
there are no rules in art! there are theories based on reality, this has been a post on colour theory & light theory, but they exist to inform you, not to restrict you.
Do what you like! Trust your eyes, if you think something looks good, then great! If you don’t, then research & experiment until you do.
Also if you wanna learn more abt colour theory, I go into it in a lot more depth over yonder: http://helpfulharrie.tumblr.com/post/131822744966/ http://helpfulharrie.tumblr.com/post/131958395841/
I think feet are beautiful. Especially beastie foots. As a tidbit of info, the way I draw my feet has been greatly inspired by the way that BeastofOblivion draws her own feet, but I just want to let you all know that while I have been heavily inspired by her, I have spent years pouring over anatomy books and studying how the tendons in feet work so that I know for myself what I can do with the feet of my beasts and how to push and exaggerate their shapes. I make sure that I know what works and how I can play around with styles to reach something that I like for my own style. Self-study in anatomy is crucial to developing your own sense of style and what works for you, so while you may be influenced by someone, you can call your style your own because of your own knowledge.
So for all those who know next to nothing about me: I love bugs. Specifically preying mantis and dragonflies cause they are badasses. I’ve been feeling a little bit of art block lately with drawing humans and doing more experimentation into color and digital art, so I wanted to go back to my comfort zone for a bit. This is the result after looking at a whole bunch of “creepy crawlies” that I love so damn much. I will probably add some lazy colors to this at some point just cause I’m starting to somehow enjoy the struggle of it?? Nothing better than a little pain and suffering right? Click for better quality Art © Me
Main interactions/art/writing here. 25, bio grad student, he/him. AKA LowdInspo
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