quickly: a collection of dark and surreal tales from the twistedly creative minds of a handful of latin american writers (carved bone animals portend a family annihilation / serial killer fan clubs / leaked sextape leads to loss / mirage in the mountain mist / parasitic hauntings / alien thoughts / a living man’s dying flesh / giant rabbits / giant vultures / compassion at a price).
A decent collection of stories. My favorites were THAT SUMMER IN THE DARK by MARIANA ENRIQUEZ, author of OUR SHARE OF NIGHT (two serial killer-obsessed girlfriends are stunned when one of their neighbors kills his family), SOROCHE by MÓNICA OJEDA (a woman struggles with crippling shame after her husband leaks their extremely explicit sex tape), and THE HOUSE OF COMPASSION by CAMILA SOSA VILLADA (a gender-defying sex worker becomes entangled with a convent of nuns with a secret). I’d liked to have liked more of them.
★ ★ ★
quickly: diary of a young woman preparing herself for the collapse of american democracy and discovering a new faith in the process (god is change! / every neighborhood has its walls / r*pe, murder, cannibalism / burn the witch! / narcotics in utero / empathy is a weakness / bad cops / landslides, drought, fire, and famine / eat the rich, then the middle class, then the poor too / fascism dressed as christianity / no one can read, but everyone has a gun / pyromania in pill form / little fires everywhere / waiting for the end to come / survival of the most prepared / slavery sponsored by capitalism (just like old times) / survive, at all costs / heaven is in the stars)
The year is 2024. The climate has finally changed liked they’ve been warning us for years. The trickle-down economy has failed everyone but the rich, like we knew it would. Society has failed everyone but the 1%. Water costs more than gasoline, and food to feed one person for two weeks may cost you thousands of dollars. The government will kick you out of your home, and then arrest you for being homeless. Slavery has been reinvented by venture capitalists, and co-signed by a neo-confederate president. Don’t think about running off to another state or another country. You’ll probably never make it past the highly militarized state borders without being, r*ped, tortured, slain, or eaten.
This is a stark depiction of what happens when humanity collapses under the weight of capitalism… OEB is not shy about the violence of a dying world.
At the center of this story is Lauren Olamina, a young black girl who has taken a critical look at the world she is coming of age in and deduces that The End is near. The religion, philosophy, and morality of her parent’s generations have failed her. She believes our collective destiny as a species was never to be stationed here on Earth forever. We were meant to spread across the Universe. To fulfill that destiny, humanity must undergo the difficult task of maturation. Our petty wars, religious debates, and moral shortcomings are the traits of an immature species. Only a mature species can build the communities and pool the resources necessary to leave a dying Earth and spread beyond our Solar System to build something greater. All Lauren has to do is survive long enough through America’s downfall to be able to convince the rest of the world of Earthseed’s philosophy.
★ ★ ★ ★ ★ An outstanding survival guide, if read as the author intended.
"Everyone in the world was programmed by the place they were born, hemmed in by their beliefs, but you had to at least try to grow your own brain. Otherwise, you might as well be living on a reservation, worshiping a bunch of bogus gods."
Scott Westerfeld, Pretties
quick synopsis: a newly unemployed marketing assistant stumbles into a job at a tech start-up for time-traveling research. (young guy living in the city / brothers who don’t get along / parental trauma / apartments and office buildings high in the sky / sketchy CEO’s with too much ego / racist and stereotypical 80’s tv / using tech from the future to fix the past).
This three-part story sits among the likes of ARRIVAL or DEVS… a sci-fi drama where the main character doesn’t figure out what is happening until it has already happened. The writing uses some interesting techniques like intertwining timelines, and narrating the story to a fictional 80’s TV character ‘Raider’. However, it takes forever for the story to gear up, and the drama outweighs the science fiction. The sci-fi (the time-traveling element), is clouded in mystery and is difficult to discern. It happens, but no one talks about it until the end in an underwhelming final exposition. After watching Arrival and DEVS, I saw the ending coming. The story makes it to its destination, but the journey is neither fulfilling nor breathtaking. I can see this souped up with special effects and turned into a Netflix movie… but as a story, it lacks the finesse required to balance drama and science fiction.
★ ★ ★
quickly: a collection of stories that showcase the natural and supernatural horrors of living on the margins of society (women who write / men who are monsters / love turning into hate / the sons of witches / children hidden in dark places / old, rotting, wasted houses / sleeping ghosts awakened / obsessions with the dead / corruption, greed, oppression, and abuse).
A breathtaking collection of short horror stories that will give you chills and break your heart. Each story can fit in the palm of your hand, and they are delightfully short and punchy. Remember ‘Scary Stories to Tell In The Dark’? This is that book but written by an amazingly poetic Ecuadorian woman. I was beginning to think I was immune to horror in literature form. I’ve been searching for a thriller that actually thrills, and María did so much more than that. Some of the stories are about the horrors of other people, some are about supernatural horrors, and others are about the horrors of the mind. All of them question patriarchy, capitalism, white supremacy, and inhumanity. Picked it up, and finished it without putting it down. Looking forward to more from María.
★ ★ ★ ★ ★
quickly: a girl accepts a ride home with the man who may have killed her best friend (cinephile meets serial killer / girl snap out of it dammit! / grandma’s got a gun / smells like teen spirit and BS in here / red flag after red flag after red flag / secret code phrases / psychological blackouts / your boyfriend’s back and it’s gonna be trouble / this ain’t hollywood baby).
Charlie is a college girl suffering from PTSD after her dorm mate is brutally murdered by a serial killer. She feels like it’s her fault for leaving her friend alone that night. Unable to cope with the stress of reality, she lapses into delusional hollywood fantasies whenever things get too tough. Despite her best judgments, she accepts a ride from a guy pretending to be a college student. He lures her to his car, and now, paranoid and stressed, she can’t decide which reality she is in, long enough to form an escape plan.
Anytime the story starts with the protagonist pouring a bottle of pills down the drain, you know you’re in for some MESS! The first Riley Sager book I read, THE MIDDLE OF THE NIGHT, was close to a Stephen King style middle america horror. This story was closer to an R. L. Stine Fear Street book. Quick, fun, a little pulpy, and full of cheap but thrilling twists and turns.
★ ★ ★
“...each person, each human organism, possessed a point of least resistance, a weakest point, this was the famous Achilles' heel, and it was like the law of the pearl: just as in a mollusk the grain of sand that chafes it is neutralized by mother-of-pearl, ultimately forming a jewel that we find valuable, so all the developmental lines of our psyche will arrange themselves around this weakest spot. Each anomaly stimulates a particular mental activity, a particular development, and collects it around itself. We are shaped not by what is strong within us but by the anomaly, by whatever is weak and not accepted.”
Olga Tokarczuk, The Empusium
comfy culty cozy library haul for fall:
THROUGH THE NIGHT LIKE A SNAKE (LATIN AMERICAN HORROR STORIES) by VARIOUS AUTHORS
A FEW RULES FOR PREDICTING THE FUTURE (ESSAY) by OCTAVIA E. BUTLER
PARABLE OF THE TALENTS by OCTAVIA E. BUTLER
THE GATHERING DARK (FOLK HORROR ANTHOLOGY) edited by TORI BOVALINO
THE SALT GROWS HEAVY by CASSANDRA KHAW
BLACK OBSERVATORY (POEMS) by CHRISTOPHER BREAN MURRAY
PARABLE OF THE SOWER (GRAPHIC NOVEL) by OCTAVIA E. BUTLER*
*read Parable of the Sower earlier this year, ★ ★ ★ ★ ★!! The story is even more poignant, now that her predictions have come true. Rereading this in graphic novel form before I move on to the sequel, Parable of the Talents!
quickly: a new friend wakes a teenage girl up to the not-so-pretty world she is living in (new face, who dis! / pretty privilege / mandatory plastic surgery / pranks and tricks as a lifestyle / journeys over the river and through the woods / solar powered hoverboards / dehydrated foodstuffs / engineered plastic and nanotech glues / ecofriendly totalitarianism / the deep deep state / underground facilities / government programming / citizen deprogramming / backstabbing the backstabbers).
Rereading since originally reading it back in 2007. First book of 2024!
Vintage clothing is cool, but what will we do when our entire society and way of life becomes vintage? What if, in an effort to rid society of its ills (war, illness, violence, etc.) we developed a medical procedure that made everyone the same and dulled our sensibilities? Scott Westerfeld isn’t a master wordsmith with a poet’s pen, but that’s not what we came here for anyway. We came for the well-constructed futuristic dystopian universe jam-packed with unimaginable avant-garde technology and the social dilemmas that erupt when humanity and technology collide. There are hoverboards that work by magnetism, medical procedures that can regrow all the skin on your body and reshape your entire bone structure, and surveillance so precise it practically knows what you are thinking.
At the center of all of this is Tally, a fifteen-year-old girl who wants exactly what everyone else in her world has been programmed to want: to be pretty. While she is awaiting the government-facilitated procedure that will make her “the standard” and initiate her into young adult society, she meets a new friend who is also nearing the time of her pretty procedure. Her new friend is a radical, transfixed by the idea of a land faraway called “The Smoke”, where many of the Uglies have been escaping to evade the overseeing technological eyes of their government… a government so secret that some don’t believe it even exists. As Tally is exposed to life outside The Cities, she becomes the focal point of a massive movement of rebellion. This was a fun, wild hoverboard ride through a very futuristic world that felt very grounded in today’s times.
★ ★ ★ ★
more thoughts: SPOILERS!
Thoughts are italicized, spoilers are not:
Some personal context… I originally read the entire Uglies trilogy one summer in 2007. I had a boxed set that included UGLIES, PRETTIES, and SPECIALS. EXTRAS hadn’t come out yet, and I’ve never read it. I vividly remember the 3 book set with the high-fashion editorial style covers. My original copies were lost in what I call “The Flood”, which took a great number of pieces in my literary collection to a moldy watery grave. I found a pic of them on Amazon though.
These covers are SO MUCH better than the current blank generic covers they have in stores and libraries. I plan on rereading the entire series and finshing with a first read of the last book, EXTRAS.
This book made me feel like it was 2007 again, and that I could throw this book down at any moment, step outside, and find my friends waiting for me to go along on one of our adventures playing in the woods that connected our backyards.
The book starts with Tally pulling a trick by sneaking into the highly monitored New Pretty Town to visit an old friend. Tally is a young, simple, coming-of-age girl who thinks just like everyone around her… life is useless until you turn 16 and the government turns you pretty, and then life is great. Until 16, nothing matters and no one takes you seriously. Uglies, as people are lovingly called pre-operation, are expected to be wild, uncontrollable, trouble-making good for nothings. This is why all of their pranks are referred to as ugly tricks, or simply tricks. When you’re a pretty, you don’t have time for such trickery.
The Uglies live in dorms that are bland and interchangeable. The Pretties live in a glamorous city within a city, where life is a party with a formal dress code. Then eventually Pretties undergo a second operation to become a “Middle Pretty” where they move out to the suburbs to have “Littlies”, before turning into “Crumblies” and are moved further to the edges of society. Of course, all this turns out to be well-thought-out propoganda
Tally makes a new friend, Shay, after her old best friend Peris reaches Pretty age and undergoes the operation. He moves to New Pretty Town immediately after, as is customary, leaving Ugly life behind. After busting into New Pretty Town to see how much Peris has changed, she decides it is best to just wait until she has her own operation to see him again. Her time spent with the rebellious and adventurous Shay increases.
Shay teaches Tally how to hack her hoverboard, sneak out of The City, and tells her about The Smoke. A place where people live as ‘Uglies’ by choice, opting out of having the operation to become pretty. Shay teaches Tally the way to the rusting city ruins where Uglies meet up to find the mysterious David who will someday lead those willing to make the journey to The Smoke.
Tally can’t comprehend life lived as an Ugly, and doesn’t understand why anyone would want to forgo the operation to become Pretty. This is why she can’t tell Shay YES, when Shay asks Tally to run away to the smoke with her before her operation. Tally ends up making the journey anyway, alone, after she is manipulated by Special Circumstances (a secret underground division of the government) into betraying her friend and everyone at The Smoke.
Life in The Smoke opens her eyes to the real world that has been hidden from her. Her desire to be pretty wanes, and disappears after bonding with the other residents. She falls in love with David and plans to stay. After accidentally triggering the tracking device given to her by Special Circumstances, Tally leads SC directly to The Smoke. It is swiftly destroyed and all the Smokies are detained. (Cue big breakout scene where Tally escapes custody, tracks down the detainees, and frees them.)
After all the hell she’s raised, Tally ends up developing a plan to help right some of her wrongs, but you’ll have to make it through to the end to see what that may be.
The rest is for you to read on your own!
I’ve read some of the reviews on Goodreads that criticize Tally’s character as being too vain, dumb, selfish, etc. This makes me wonder if the readers with those opinions understood the circumstances of the world that Tally was a part of. Everyone was vain, dumb, and selfish. No one wanted to look under the veneer of their society because there was no reason to. Everything was taken care of. The people in this world were programmed to think that the past was a monstrous barbaric place and that all the world’s problems were solved by the development of ’the Cities’ and the Pretty operation.
I’ve also read some reviews that criticize the fact that Tally’s love interest David is what inspires her to make her big decision to leave the cities for good. I think that is a poor summarization of this character’s journey. After having to make the long journey to The Smoke by herself, Tally endured a process of disillusionment that separated her from her life in The City. She had gone from a place where everything was planned, every move was monitored, and the threat of world catastrophe was linked to how ugly or pretty citizens were. She had never been in real danger until she made her journey to The Smoke. She had never met anyone older than 16 who was not “pretty” until she arrived at the camp, The Smoke. David was just one of the reasons she made her decisions, not the sole reason. In fact, Tally’s journey begins and ends with her trying to save her girl-friend Shay.
I won’t go into too much more detail about the story. It was just a fun read, an adventure, a journey, all those things. So glad to have re-read it, and so glad it held up after all these years. There are plenty of high-speed chases, thrilling escapes, and ingenious hi-jinks to keep you turning the page. And if you’re a tumblr kid like me, there are loads of nostalgia in reading this book again all these years later. It’s wild to think that this never made it to the big screen or as a series on someone’s streaming service.
quickly: a troop of young teenage boy scouts are left to their own dangerous devices after their scoutmaster is killed by a mysterious virus (boys who are just like their fathers / strange men in the night / a young devil in disguise / insatiable appetites / bad weather out at sea / guts, guts, guts, and guts / the lifecycle of worms / the stank of peer pressure and performative masculinity / the government and all of its branches).
I was expecting some unsung masterpiece of horror but came upon a campfire story instead. Not a bad campfire story! Blood, gore, sabotage, and the fleshiness of parasitic creatures… but this won’t keep me up a night. Fun though, like something caught between a Goosebumps book and a Fear Street book. I wish the writing for the kids had been better. Their vernacular seemed outdated, like kids who grew up in the 80s. (I paused reading at Chapter 10 to check the date of publication.) Also, some of their topics of discussion seemed outrageous (how often did you discuss or think about what your parenting style would be for your children, AT FOURTEEN?) Up the age of the kids from middle school to high school or college, and so much more of the story would seem fitting.
★ ★ ★
quickly: a father tries everything in his earthly and unearthly power to prevent his son from inheriting a legacy of horror (abuse from the one who loves you most / blessed curses and buried secrets / bisexuality so powerful it’s omnisexual and omnipotent / chalk circles and pits of bones / closed doors opening / evil grandparents with old money / haunted houses with locked rooms / like father, like son / Lord of Doors, Signs, and Symbols / missing limbs and missing mothers / people lost in the darkness / something dark in the woods).
The story begins with a young Gaspar being spirited away by his migraine-stricken father Juan, and it follows him through his adolescence, as his father tries to keep him safe from their own evil family—by any means necessary. These people are not Disney© evil by the way, these families that include Juan’s in-laws, known as The Order, are vicious, kidnapping, human trafficking plutocrats. They practice a philosophy of magic where darkness begets darkness, and in that darker darkness they reign. They cage children, abduct and torture strangers, and will even spill their own blood to conjure chaos. Unfortunately for The Order however, their ability to render magic from their dark deeds is almost useless without a medium.
★★★★★ Fantastic horror.
This was a book I read in March of 2024 after seeing it on a list from @bloodmaarked!
To Juan’s disappointment, his young son is showing signs of becoming a powerful medium at a young age, making him susceptible to the deplorable whims of The Order. To keep young Gaspar protected, he must also keep Gaspar ignorant to the powerful magic and sorcery flowing through his blood. As so often happens in families filled with trauma and secrets, the repression of Gaspar’s powers will cause him to be an overly sensitive and deeply emotionally wounded child who has a habit of walking backward into the traps his father works ceaselessly to keep him unaware of.
In time, it will be revealed to Gaspar that Juan is a Great and tortured medium; the vessel of a dark, powerful, and ruthless force known by many as The Darkness. The Darkness is an old god, often presenting itself as a massive black cloud of energy, and makes its power known through tragedy, bloodshed, foreknowledge, and the locking and unlocking of doors to other realms. This ‘demented’ and ‘savage’ force blesses whatever it curses and can mark its followers by wounding them with its golden talons. If you were to reach into this black cloud, you’d pull your arm back to find that your hand has been cleanly amputated and cauterized. Eaten. You may also wake up the next day, marked, with the ability to unlock locked things, or sense people before they appear.
Meanwhile, until Juan’s truth is revealed to his son, Gaspar must learn to grow up with two versions of his dad. One version of Juan is the kind, serious, wise teacher. The other Juan, the dark version, is irrational, voracious, bloodthirsty, and almost evil. Though Gaspar has no knowledge of the powerful magic that flows within him and his father, he has an uncanny understanding that there is something lying beneath the surface of the waking world of reality. Sometimes he even finds himself opening doors no one else can open. No one but Juan.
By the time Gaspar reaches adulthood, he grows up to be just like his father… exceptionally powerful, stunningly beautiful, and outrageously unpredictable (maybe even a little bi too). The final phase of Juan’s elaborate plan to destroy The Order is set into motion by his death, leaving it up to fate, Gaspar, and those who love Juan and his son, to hopefully and finally, close the door to evil for good.
This is sophisticated, detailed, high-level horror, with excellent dialogue and conversation about family, community, lineage, capital, sex, grief, despair, power, and action—and by action I mean forming a well thought out plan and doing what it takes to see your plan through.
life's archive... of meaningless reviews and praises and criticisms across the vast landscape of digital, aural, and written media during this brief short span of incredibly dense time. ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★
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