NO ONE knows how to use thou/thee/thy/thine and i need to see that change if ur going to keep making “talking like a medieval peasant” jokes. /lh
They play the same roles as I/me/my/mine. In modern english, we use “you” for both the subject and the direct object/object of preposition/etc, so it’s difficult to compare “thou” to “you”.
So the trick is this: if you are trying to turn something Olde, first turn every “you” into first-person and then replace it like so:
“I” → “thou”
“Me” → “thee”
“My” → “thy”
“Mine” → “thine”
Let’s suppose we had the sentences “You have a cow. He gave it to you. It is your cow. The cow is yours”.
We could first imagine it in the first person-
“I have a cow. He gave it to me. It is my cow. The cow is mine”.
And then replace it-
“Thou hast a cow. He gave it to thee. It is thy cow. The cow is thine.”
New Raya and the Last Dragon trailer? New cultural influences breakdown! Please note that this breakdown comes from a SEA who comes specifically from a Filipino background. Most, if not all, of the below information will be from that lens.
Seaport/night market
The scene above looks to be heavily influenced by many on the sea towns you see in SEA. Most notably, Vietnam. However, there are many towns like these all over the SEA region. The lights and lanterns give it a night market feel, which is a concept that is seen throughout Asia in general.
We see Raya’s hat which seems to be influenced by a Philippine salakot, but it is possible that it has influences from other SEA cultures. The architecture is akin to the weather that you typically see in the region which is more humid than East Asia, and more rooted in the sea. More things here are made from bamboo and there are nipa roofs.
Ignoring the blurry con baby, let’s take a look at the clothing. In this scene we see colorful golden zig zag patterns which you typically see more to the southern part of SEA, but there are similar patterns throughout. Here, the skirts and clothing seems to have much influence from Malaysia, Indonesia, and the southern islands of the Philippines.
Oh what a scene! This is such a great view of what a typical SEA rural fishing town might look like: on the water, with houses and stores even on the water. There are narrow boats and coracles with baskets of food of all kinds of fruits and vegetables that people row around. You can see the nipa roofs really well from here, and might I add–a great looking bamboo bridge.
I have no idea how I caught this but just wanted to point out that these fruits that Raya cuts up look to be either lychees or rambutan which are found in SEA as well.
Taking a moment to paste in this still from Entertainment in the same scene to note the fish in the basket to the left and the green star-shaped lantern that really gave me Philippine parol vibes. All the lanterns in the sea town look to either be made from paper or from capiz shells and dyed different colors.
Lands and architecture
The grand looking building on top of this island looks to be influenced by architecture from Brunei. Specifically, the dome shapes. A better shot below:
The building in the middle of this island is obviously an exaggerated, fantastical version of what it was influenced by which looks to be a mix between Cambodian and Thai. All that gold…very typical of many countries in SEA. I’d also love to point out the rice terraces!!! Love them! While rice is a staple throughout Asia, it’s so nice to see it represented here. It kind of reminds me of a miniature version of the Banaue rice terraces in the northern mountain region of the Philippines.
It’s also nice to see that some of the lands seem to be influenced by the tropical, humid climates of much of SEA. The palms and the thick forests are typical in much of the region.
Oh the rice fields. Raya and Sisu are standing here on one. We can see the mountainous background, reminiscent of the northern Philippines, the rain which just looks so typical that I’m kind of impressed by this particular setting.
Other cultural touches
At first glance, you might think this looks like a lotus flower, but I think it’s actually either a plumeria or a jasmine flower. Both are abundant in the region, and just imagining the fragrant smell of a jasmine flower here fits more as a story set in SEA and not in East Asia.
This is not an opinion post, so I won’t state my opinions on the final (non-statue) design of the dragon, but I can analyze what it’s most likely based after.
Unlike dragons in East Asia, SEA are often depicted with a long horn at the front. This is most prominent in Thai depictions. In many countries of the region, this dragon is called a naga. While a naga is also in South Asian mythology, they are a bit different here. Naga are so important within SEA cultures that we have multiple places (and a river) named after them all over SEA and particularly a few times in the Philippines.
What I can tell you is mostly the Philippine version, but a naga is a serpentine creature that lives deep in the ocean, and are often associated with water. Sometimes they are depicted as having the upper half of a woman. A more famous naga (or a naga-influenced dragon), is Bakunawa–the great sea dragon that devours the moon and causes eclipses. It is said that Bakunawa is a naga, and sometimes the names are interchanged.
In the southern islands of the Philippines, depictions of naga are seen carved throughout buildings, particularly on roofs. A typical dance movement where you keep your hands curved and your fingers bent toward yourself is called “naga hands” and is supposed to be reminiscent of a naga’s graceful claws.
Highlighting here how cool it is to see that this is indeed a water dragon which is consistent with a naga. It’s also nice to note that it shapeshifts with water. Naga are supposed to have influence over earthquakes, the sea, rainfall, storms, and the like. They can also sometimes shapeshift into humans.
Remember what I said about naga influencing rainfall?
And then we have the shape-shifting into a human!
Raya’s sword is a wavy blade called a kris blade. Found throughout many countries in SEA, the one I am most familiar with is the Philippine one. From what I know of it, they are blades that are wavy because when they pierce someone, it is more painful when they are withdrawn.
Her fighting style is also influenced by Philippine martial arts. Notably arnis and escrima. They are fighting techniques that rely on shifting your opponent’s weight around, using their force against them. They also have a lot of quick footwork and practitioners are usually skilled with weapons such as swords and kali sticks. (Fun fact: I’ve heard some people say that the footwork from arnis may have influenced the quick steps of the national dance of the Philippines, tinikling.) To see more on that, check out the first teaser trailer where she uses kali sticks, and my first analysis. That analysis also goes into the clothing influences.
THE GOLD. Gold is so, so important in SEA. This was a big glaring problem after seeing the first teaser trailer…there was not enough gold! Here, we can see that there is in fact, gold. The architecture here looks like a mix of different things, but I’m seeing perhaps…Thai?
And here we have Tuk Tuk who is probably named after a tuk-tuk–a motorbike with a side carriage like a rickshaw–seen in SEA. “Tuk-tuk” is what this rickshaw is called in Thailand. In the Philippines it’s simply known as a tricycle. They are vehicles for hire, which is kind of funny since Raya rides Tuk Tuk.
Also of note, Tuk Tuk the animal is a giant pangolin. While I don’t know of any this size, they are found in SEA as well as other parts of the world.
Tuk Tuk looks like he’s eating a pink pomelo (grapefruit)? Not entirely sure, but that would fit the mold if he was in the Philippines. For some reason, grapefruit seems to be a popular fruit item.
That’s all I got! If you come from another SEA culture or noticed any other things (or things that I got wrong), feel free to add to this post!
Send a character + one or more of these question!
1. Why do you like or dislike this character?
2. Favorite canon thing about this character?
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4. If you could put this character in any other media, be it a book, a movie, anything, what would you put them in?
5. What's the first song that comes to mind when you think about them?
6. What's something you have in common with this character?
7. What's something the fandom does when it comes to this character that you like?
8. What's something the fandom does when it comes to this character that you despise?
9. Could you be roommates with this character?
10. Could you be best friends with this character?
11. Would you date this character?
12. What's a headcanon you have for this character?
13. What's an emoji, an emoticon and/or any symbol that reminds you of this character or you think the character would use a lot?
14. Assign a fashion aesthetic to this character.
15. What's your favorite ship for this character? (Doesn't matter if it's canon or not.)
16. What's your least favorite ship for this character?
17. What's a ship for this character you don't hate but it's not your favorite that you're fine with?
18. How about a relationship they have in canon with another character that you admire?
19. How about a relationship they have in canon that you don't like?
20. Which other character is the ideal best friend for this character, the amount of screentime they share doesn't matter?
21. If you're a fic writer and have written for this character, what's your favorite thing to do when you're writing for this character? What's something you don't like?
22. If you're a fic reader, what's something you like in fics when it comes to ths character? Something you don't like?
23. Favorite picture of this character?
24. What other character from another fandom of yours that reminds you of them?
25. What was your first impression of this character? How about now?
26. FREEBIE QUESTION!!
"There's no hope for the future." And that's how they felt during the Atomic Age, during the World Wars, during the Enlightenment Revolutions, during thr plagues, during the Viking raids, during the fall of Rome.
Yet, we persisted.
It’s been long enough since I worked at the hideously mismanaged nanotech startup that I’ve started romanticizing it. Like, yes the hydrogen explosion was scary and I’m entirely too familiar with the odor of decaborane, and yes the CEO and CTO got in a fistfight in the conference room, but nothing makes you feel alive like turning chunks of graphite on an ancient manual lathe with inadequate respiratory PPE.
Hey, you reblogged that AI post and I was surprised to see something so mean on your blog. "If you cant write unassisted, fuck you, youre a disgrace to the community." Is that really something you want on your blog?
Just in case this isn't a spam message:
Posting AI-generated content to a platform intended to be an archive for writers is not appropriate use of the platform. On a platform intended for human creation, it is rude and inappropriate to clog search results with AI-produced content which often plagiarizes the work of human authors.
Use of generative AI is also horrible for our environment, leading to massive waste of fossil fuel energy and water. We should not be doing damage to our planet for the sake of generating (robot-produced, often plagiarized) fiction, especially when the joy of fiction comes from the creation and emotion of real people.
Rather than giving a prompt to a generative AI, people should consider attempting to write their own work, or asking another writer from the fandom if they would be interested in writing it. Anyone who is capable of typing a prompt into ChatGPT is capable of writing a story. The first attempts may not be amazing, but that is true of any skill, and anyone can improve with time and practice - and while ChatGPT may give you big returns in your time, it doesn't give you practice, growth, or creativity, which is where the joy of writing should come from.
english: coconut oil
french: :)
english: oh boy
french: oil of the nut of the coco