I Went Ahead And Made A Tier List. This One's Sorted By How Much I Can't Wait To Write Each Character's

doodle of the Girls while wifi was down

Sly Cooper characters as Hamilton lyrics

Sly: “When they died, they left no instructions; just a legacy to protect.”

Carmelita: “So this is what it feels like to match wits with someone at your level! What the hell is the catch?”

Bentley: “Let’s hatch a plot blacker than the kettle calling the pot!”

Murray: “Give me a position, show me where the ammunition is!”

Clockwerk: “Forever. And ever. And ever and ever and ever…”

Penelope: “I’m looking for a mind at work!”

Dimitri: “I came from afar just to say ‘Bonsoir’! Tell the king 'Casse toi’ - who is the best? C'est moi!”

Dr. M: “Your father’s a scoundrel, and so, it seems, are you.”

Tennessee Kid Cooper: “AndI'mnevergonnastopuntilImake'emdropandburn'emupandscattertheremains!”

Neyla: “Why do you assume you’re the smartest in the room? Soon that attitude may be your doom…”

General Tsao: “I’m a general! Whee!”

I’ve been watching Red vs Blue’s Tumblr fandom go absolutely hogwild, making fake memes for hypothetical seasons they might have gotten instead of the highly contentious and fandom-sundering follow-up from a different creator they did get

anyway, here are some fresh memes I made about 2012′s Sly 4: Time Is A Thief

Here’s your intermittent reminder that Penelope the mouse

is introduced as explicitly a better RC specialist than Bentley

a top-tier engineer and mechanic

so good at dogfighting than when she became a combat pilot “at a young age” she was instantly elevated to celebrity status

very convincing at pretending to be a different age and gender???

apparently wasn’t lying about being a trained boxer

can hack pretty good

easily matches and contends with Bentley’s intellect and could, therefore, plan heists pretty good

just fuckin picked up a sword and used it to murder a guy who had dedicated his life to being an old-timey pirate captain, and, by extension, swordfighting.

Penelope could kick the ass of the collective Cooper Gang at any point and the only reason she doesn’t is to be polite

Today’s mouse is Penelope from Sly Cooper!

“I feel like we tend to forget that even if the persona was fake, Penelope-as-the-Baron was still totally able to fight Sly on the side of a moving airplane without much effort and punch hard enough to throw him back. How the heck did she get kidnapped? I feel like she could have coldcocked Lefwee in three seconds, looted his wallet, and bailed.“

Confessed by: Anonymous

Writing Notes: Subplots

Subplot - a side story that runs parallel to the main plot.

It has a secondary strand of characters and events that can infuse important information into the main storyline.

Also known as a minor story, a subplot creates a richer, more complex narrative arc in novel writing and other storytelling mediums.

When crafting a narrative, a writer’s job is to create a compelling story.

One way to do that is through subplots—secondary storylines found in novels, plays, television shows, and movies.

In creative writing, a subplot can reveal more about secondary characters, create plot twists, and add another dimension to a story.

Most importantly, a good subplot raises the stakes for a main character.

An Example: Romeo and Juliet

William Shakespeare weaves several subplots throughout this tragic love story.

The backstory of the long-running feud between rival families, the Capulets and Montagues, creates the central conflict in the play—two young lovers from warring families desperate to find a way to be together.

The subplots involving the warring families create dramatic plot points that escalate the tension, like when Romeo’s best friend Mercutio is killed by Juliet’s cousin Tybalt.

4 Types of Subplots

When coming up with writing ideas to enhance your main plot, think of using one or more subplots. These could include any of the following:

Mirror subplot: A smaller-scale conflict mirrors the main character’s in order to teach them a valuable lesson or illuminate how to resolve the conflict.

Contrasting subplot: A secondary character faces similar circumstances and dilemmas as the main character but makes different decisions with the opposite outcome.

Complicating subplot: A secondary character makes matters worse for the main character.

Romantic subplot: The main character has a love interest, and this relationship complicates the main plot.

6 Tips for Writing Better Subplots

When you’re writing a book, always brainstorm the best subplot ideas that can deepen the tension and make your main character’s scenario more complex.

Try these tips when you craft your next narrative:

Ensure that your subplots play second fiddle.

A subplot exists to support your main storyline but should never overpower it.

Subplots should end before the main plot.

The exception to this rule is a romantic subplot, which often concludes in the final scene.

Give your subplots a narrative arc.

Subplots are stories, too.

Create a narrative framework for each, though on a smaller scale than your main plot.

Use this technique to tell a supporting character’s story that affects the protagonist’s actions.

You might even incorporate flashbacks as a subplot, mirroring a character’s journey with something that happened in their earlier days, like high school.

Write character-driven subplots.

Just like your main story, characters should drive the action in a subplot.

Create foils that can highlight qualities in your main character.

These characters will either help or hinder the protagonist in the story.

Try a new POV.

Your subplot might provide information that your main character is unaware of.

If your main plot is told in first person, try changing the point of view in the subplot to third person.

Figure out how to connect the subplot and the main plot.

There are numerous ways to use subplots.

A parallel subplot runs throughout the entirety of the story, showing different sides of the same plot.

This builds suspense as the reader waits for the two plots to collide (think The Fugitive).

You can also write small, isolated subplots.

Briefly introduce a character who drops in early on, then revisit their journey near the end of the story to shed light on the deeper meaning of your main plot.

Ramp up the tension with a subplot.

Propel your main story with information revealed in your side stories.

Subplots are a strong medium for foreshadowing events, so use them to drop hints and clues.

Source

As I may have already said, I'm a sucker for a good redemption arc.

I'm always on the hunt for more.

Bentley’s First Mission (Disco Demolitions) Appreciation Post

Sly: How’re you holding up out there in the field?

Bentley (obviously not fine voice): Fine, fine…I’m just fine.

One of my favorite Sly 2 missions is Disco Demoltions, because it’s at once adorable and just so funny. And BEAUTIFUL just look at the pretty colors and all the neat design details, like how the spiral in the middle of the dance floor is designed to look like Dmitri’s tail! But a Sly Cooper Trilogy level being Really Pretty is sorta just…that’s just how Sly Cooper Trilogy levels be

This mission is the first time you ever play as Bentley. But if you’re an 8-year-old who’s nervous about playing as Bentley–it’s his first real solo mission, so Bentley is also very nervous about playing as Bentley!

It takes place in a building Specifically Designed to make Bentley uncomfortable. If someone asked you “where would a nerdy awkward turtle feel like he Really Does Not Belong” the correct answer would be “the dance floor of a funky disco.” Like… imagine how much this mission’s tone would Not Work if it took place anywhere else…it wouldn’t be hilariously anxious/awkward if you were bombing Dmitri’s wine cellar. It HAS to be a disco dance floor 

Your goal is to bomb the pillars and shake the disco ball loose. But this nightclub isn’t guarded by the little guards, but by the Giant Scary Flashlight Guards™– who tiny Bentley stands no chance against in a fight. And because there’s basically nowhere to run you have to sleep-dart them before they catch you or you’re pretty much dead.

But if you miss a sleep-dart shot/misplace a bomb, the Giant Scary Guard™ will spot you… so the mission is always one tiny mistake away from disaster. If you have bad aim/have never done it before (like if you’re a kid playing the game for the first time) a Giant Scary Guard™ WILL catch you and you will have to frantically RUN and BOMB and RUN!!! It’s a series of nerve-wracking explosions and “I GOtta hURRY and BOMb him BEFORE HE WAKES UP” as Bentley’s gameplay animation looks utterly anxious and terrified….

But

But all the while that funky disco music is playing

So its like.

BLAM! BOMB EXPLOSION! (Guard shoots you, Bentley screams) *funky nightclub music goes ‘’Ooh-OOOOOOOOOOH”*

Thieves In Time Redux: Why Toad Town?

Check this post out for context.

You may be wondering why there's so much music from Paper Mario: The Origami King associated with this project. This was actually a decision I made quite recently.

For now, I'm only talking about Origami King's Toad Town.

I started work on Thieves In Time Redux long before Origami King ever existed. It was just a massive stroke of luck to see OK's Toad Town of all pieces work so well together with the progression of my little story. Or more specifically, a certain mouse girl's evolution into the true hero I know she can become.

Take Toad Town Ghost Town, for instance. It's assigned to Episode 1, the beginning of our heroes' time traveling adventure. Not only is it perfect for Feudal Japan, it's also perfect for the beginning of Penelope's character arc.

Might as well talk about each step in the music's progression. Toad Town - Red Streamer Removal is assigned to Episode 2. Perfect for a wild west town, is it not? Here, Penelope is beginning to understand the consequences of her actions, mainly through what happened to Sly and Carmelita.

My favorite, though, is Toad Town - Blue Streamer Removal. Assigned to Episode 3, that's when Penelope undergoes her change of heart. It happens after she gets placed on bed rest and needs the boys to take care of her.

Then there's the more heroic shift in tone that comes with Toad Town - Yellow Streamer Removal. In which our heroine successfully strikes down her own creations without being discovered as their creator.

Episode 5 gives us Toad Town - Purple Streamer Removal. Penelope's nearing the end of her character arc, and the boys are proud of her. Too bad Le Paradox outs her as his mole at the end of the episode.

Toad Town - Green Streamer Removal gives us the end of her character arc with Episode 6. After her journey across time, Penelope has changed for the better, she's been found out, and she's willing to take responsibility for what she's done.

How in the heck did freaking Toad Town manage to retell my entire fanfic so perfectly? Even I have no clue... But I'm so glad it turned out that way.

Long story short, I love how the music progresses to its final form.