Hey! So I’m a fairly new ambulatory wheelchair user with EDS writing about a character who is also an ambulatory wheelchair user. I feel like I keep using the same words over and over to portray movement though (rolled, propelled, “pushed themself,” etc) so I would love to hear if you have any more ideas for alternatives! I’ll take as many as you’ve got!
Thank you!!!
Hello dearest asker!
This is the list that we have provided over time plus others:
Moved/Moves
Went
Wheeled
Rolled
Pushed
Sped/Spun
Propelled
Pulled (by a service animal etc)
Maneuvered
Turn/Turned
Scoot/scooted
Travel/traveled
Rock/rocked
Drove
Crossed
Cut
Stroll/Strolled
Navigated
Drift/Drifted
Swung/swinged
Popped ("Popped up their wheels/chair" to get over a surface etc)
Tip/tipped (Tipped themselves over something etc)
Advanced
Migrate/migrated
Inched
Zoomed
Rushed
Hurried
Raced
Skid
Ram/Rammed
Roamed
Shift/Shifted
Slid (In rainy or icy weather)
Followed
Circled
And a lot of many other verbs that would take me a long time to list! Consider what type of wheelchair the person has, as mention Here. And also how the person moves or places their hands can be another detail to include.
If the actual definition of the verb doesn't involve the specific actions of one or two lower extremities (ex. walk, run, stepped, trot, stride) then it's otherwise good to use! Other words like Moseyed, sauntered, paced, I think depends on the writer. A particularly mischievous character may saunter of a manner in their wheelchair. And a character who is nervous would pace—although possibly tiring—back and forth. And Moseyed, well, I just particularly like this word—but, a character could mosey on by in a certain fashion. Happy writing!
(last ask about verb terminology on wheelchairs per this post we made about it)
~ Mod Virus 🌸
I’ve been watching Red vs Blue’s Tumblr fandom go absolutely hogwild, making fake memes for hypothetical seasons they might have gotten instead of the highly contentious and fandom-sundering follow-up from a different creator they did get
anyway, here are some fresh memes I made about 2012′s Sly 4: Time Is A Thief
Here's how I fixed Thieves In Time...
Anyway, these changes are only the tip of the iceberg...
I know making Penelope the main protagonist is a bold move, but I can't see this story going any other way. Yes, this also means making her fully playable as well.
Here's how I've been dividing my time so far...
Intro Cutscene: %100 finished
Sly: %97 finished
Bentley: %47 finished
Penelope: %64 finished
Murray: %25 finished
Final (running into Carmelita): %35 finished
The hardest parts are overhauling Bentley's segment and writing an entirely new segment for Penelope.
I'm also pretty bad at writing action and fight scenes right now. Murray might have to wait a while.
And in hindsight, so will the part where our four heroes floor it into a time portal.
That means I'm roughly %61 done with the tutorial. Give or take a few points.
And here's what I've been focusing on...
I don't know. You tell me how to write anything that goes on in that geisha house. And Rioichi's dialogue.
My solution is to find stuff for Penelope to do in the background so I don't have to worry about anything Rioichi does. And it's perfect because at this point in the story, Penelope's not exactly going to be a team player yet.
I don't dislike Rioichi. I just don't want to write for him.
Bentley facing Jean Bison in Sly 2: (nervously trying to avoid confrontation) sorry i wasn’t trying to escape, i just dropped my glasses, pleasedon’tkillme
Bentley facing Muggshot in Sly 3: YOU’RE A SEWAGE-EATING MEATHEAD AND YOUR MOTHER WAS A TUB OF JUNK! FIGHT ME! YOU COWARD!!!!!!
This happens during the events of Jail Break (Episode 2).
And the best part? Penelope not only gets what she wants, she also gets to see a dark future for herself and Bentley through what happened to Sly and Carmelita.
The boys are confined separately unlike canon so Penelope and Carmelita can individually save their boyfriends. Tennessee, meanwhile, gets stuck with saving Murray.
But who should the villain responsible be? Sir Raleigh, of course. He escapes from prison, kidnaps our heroine, and has her impersonated as part of a revenge plot.
How does he know to target her? Was he hired by someone? We don't find out until later...
And the impostor herself... She can get under Penelope's skin, taunting her every time they meet. She's holding that history of betrayal over the real one's head. And if any of the boys are around, she can get very crafty with her words without revealing a thing, amplifying our heroine's guilt.
With that, we'd have both a villainous Robo-Penelope and a heroic Penelope at the same time; the latter of whom now wants to redeem herself.
Let's also have our heroine engage in increasingly reckless behavior, especially after her reveal of betrayal. She'll think that risking her life is the only way to atone for her treachery. Don't worry; she won't actually wind up dead.
Forgot to mention. For this to work, Penelope would definitely need to have second thoughts either during blimp development or during her confinement as a kidnapping victim.
I want to believe Penelope was kidnapped and impersonated. She still designed the blimp. Her impostor (an evil robot) did everything else. Even her motive was fabricated.
Here's something that could happen in Sly 5.
When the boys (Sly, Bentley, and Murray) eventually find out and take her back, she's going to be a guilt-ridden mess hell-bent on destroying her impostor and her creator for breaking Bentley's heart and making everyone hate her, with several measures of self-loathing for nearly doing the same thing herself.
The reunion scene would need to happen early in the episode in which this story takes place, during the second mission, and no later. That way, the player can get used to her being fully playable for the first time ever before the boss fight.
All three boys, while elated to have Penelope back, will quickly notice that something is seriously wrong with her. They think her impostor did everything, including designing the blimp. When they ask her what's wrong, she refuses to elaborate.
Bentley is especially concerned, but incredibly proud of his reinstated girlfriend for her enduring loyalty.
Cue Penelope pulling her weight several times over during her return episode and defeating her impostor, only to be consumed by all the guilt and confess to none other than Bentley about her treachery by the end. The only thing she doesn't reveal is her motive, saying it doesn't matter because what she did was wrong.
And because I love a good, happy ending, she will be forgiven. As for Sly and Murray's reactions? I'll leave that for you to decide. Would Sly drive himself crazy over not knowing her motive? I think he might.
I realize she will need a very sympathetic motive for this idea to work.