Penelope’s Proposal

BENTLEY & PENELOPE: AFTER LEFWEE’S DEFEAT

I have to keep drawing dramatic/kissy scenes of the LeFwee battle’s aftermath. Because someone has to make up for the fact that Sanzaru decided to take Penelope’s Crowing Moment of Romantic Badassery and sh!t all over it.

Let me spell out the first act of this episode. This would consist of the first two missions.

Our three heroes tail a certain "mouse" to a place called Conquest Island. They find out she's found a new boss: Sir Raleigh, who escaped from prison a while ago. The boys don't know what their plan is, but they're going to stop it.

It's Bentley who tails this "mouse" into Raleigh's fortress, only to make a shocking discovery. He's been following a robot this entire time!

Raleigh, thinking he's already won, brings out the real Penelope to gloat to her. Turns out she's been kidnapped and impersonated.

And that impostor? Turns out it was her our heroes fought back in Medieval England. It was her who broke up with Bentley. And her who built that blimp for Le Paradox. The real Penelope is innocent.

It also turns out Raleigh has an entire Robo-Cooper Gang at the ready, and he's hoping to have everyone eventually kidnapped and turned against each other.

The villainous frog basically goes "Your name's been thoroughly ruined! Those friends of yours hate you! Why not work for me?"

Only to be told to stuff it. The real Penelope says she only wants to work for one person; that being Sly Cooper. She also hasn't forgiven her impostor for breaking Bentley's heart. She says these things knowing full well she might never be allowed back in the Cooper Gang.

Bentley, who witnessed this entire scene, orders an immediate rescue mission. When the boys find her, Penelope is terrified (thinking they're here to kill her), but she does agree to go with them after a tearful reunion.

After having Penelope reinstated, our heroes swear revenge against Raleigh for what he did to her. Bentley also takes her back.

Penelope has her life back, but... something is seriously wrong with her. And she's not talking about it.

Second act coming soon.

I want to believe Penelope was kidnapped and impersonated. She still designed the blimp. Her impostor (an evil robot) did everything else. Even her motive was fabricated.

Here's something that could happen in Sly 5.

When the boys (Sly, Bentley, and Murray) eventually find out and take her back, she's going to be a guilt-ridden mess hell-bent on destroying her impostor and her creator for breaking Bentley's heart and making everyone hate her, with several measures of self-loathing for nearly doing the same thing herself.

The reunion scene would need to happen early in the episode in which this story takes place, during the second mission, and no later. That way, the player can get used to her being fully playable for the first time ever before the boss fight.

All three boys, while elated to have Penelope back, will quickly notice that something is seriously wrong with her. They think her impostor did everything, including designing the blimp. When they ask her what's wrong, she refuses to elaborate.

Bentley is especially concerned, but incredibly proud of his reinstated girlfriend for her enduring loyalty.

Cue Penelope pulling her weight several times over during her return episode and defeating her impostor, only to be consumed by all the guilt and confess to none other than Bentley about her treachery by the end. The only thing she doesn't reveal is her motive, saying it doesn't matter because what she did was wrong.

And because I love a good, happy ending, she will be forgiven. She's already spent the entire episode proving herself in spades. As for Sly and Murray's reactions? I'll leave that for you to decide. Would Sly drive himself crazy over not knowing her motive? I think he might.

I realize she will need a very sympathetic motive for this idea to work.

Some Tips for writing internal conflict

Wanting Two Things at Once Imagine your character really wants to chase after something big, like a dream school, a major opportunity, or maybe even moving to a new city. But at the same time, they’re terrified of leaving behind everything they’ve ever known. Or maybe they’re in a relationship that’s holding them back, but they can’t bring themselves to let go. Show them getting pulled in two directions, torn between their ambition and their fear of losing the people or places that ground them.

Right vs. Wrong Sometimes, your character will know deep down what the right choice is, but it’s the most difficult one to make. Like, maybe they see someone getting bullied and know they should stand up, but doing so could make them a target. Or maybe they have to decide between helping a friend and doing something that could ruin their own future. These moral dilemmas create intense internal conflict because it forces them to question who they are and what they stand for.

Doubting Themselves We all have moments where we wonder if we’re enough, smart enough, strong enough, brave enough. Let your character wrestle with that same doubt. Maybe they’re the kid who has always been told they’re special, but now they’re in a place where everyone is just as good, and they start to wonder if they even belong. Or maybe they’ve been through something tough, and they’re not sure if they can bounce back. These moments of insecurity make your character feel human, like they’re trying to figure it all out, just like everyone else.

Dreams vs. Fears Show your character dreaming big but getting frozen by their own fears. It’s like wanting to ask someone out but being terrified of rejection, or wanting to move away for college but being scared to leave home. Let them imagine all the things that could go wrong , that moment when fear makes them doubt if they should even try. But also show their desire burning just as strong, making it impossible to ignore. That’s the heart of internal conflict: they’re stuck between wanting something so bad and being afraid of what it’ll cost to go after it.

Beliefs Being Challenged As your character grows, the world will start challenging their beliefs. Maybe they grew up in a family that drilled certain values into them, and now they’re meeting people who see things differently. Or maybe they’re experiencing something new, and it’s changing their perspective. It’s like when you think you have everything figured out, and then life throws something at you that makes you go, "Wait, maybe I’ve been wrong this whole time." This kind of internal conflict is powerful because it forces the character to question who they’ve always been.

Keeping Secrets If your character is hiding something, like a mistake they made, feelings they’re afraid to admit, or a truth they don’t want to face, that secret becomes a huge part of their internal conflict. The fear of being found out or of dealing with the consequences can create a constant pressure in their mind. Maybe they’re scared they’ll lose their friends if the truth comes out, or maybe they’re dealing with guilt they can’t shake. The tension comes from their battle to keep it hidden while knowing they can’t keep it locked away forever.

Pressure from Everyone Your character might feel like they’re trapped between what they want for themselves and what everyone else wants from them. It could be pressure from parents, who have their whole future planned out, or pressure from friends to fit in or follow the crowd. Maybe your character wants to be true to themselves, but they’re scared of disappointing people or standing out too much. This kind of internal conflict is super relatable because, at some point, everyone feels like they’re stuck between living for themselves and living for others.

Fear of Failing Sometimes the biggest obstacle isn’t the external challenge but the internal fear of failure. Your character might have big dreams, but they’re paralyzed by the thought of messing up. Whether it’s competing in a sport, performing on stage, or just trying something new, the fear of not being good enough can be overwhelming. Maybe they’re afraid that if they fail, everyone will see them differently, or worse, that they’ll see themselves differently. The internal conflict comes from their desire to succeed battling against their crippling fear of failure.

Bentley’s First Mission (Disco Demolitions) Appreciation Post

Sly: How’re you holding up out there in the field?

Bentley (obviously not fine voice): Fine, fine…I’m just fine.

One of my favorite Sly 2 missions is Disco Demoltions, because it’s at once adorable and just so funny. And BEAUTIFUL just look at the pretty colors and all the neat design details, like how the spiral in the middle of the dance floor is designed to look like Dmitri’s tail! But a Sly Cooper Trilogy level being Really Pretty is sorta just…that’s just how Sly Cooper Trilogy levels be

This mission is the first time you ever play as Bentley. But if you’re an 8-year-old who’s nervous about playing as Bentley–it’s his first real solo mission, so Bentley is also very nervous about playing as Bentley!

It takes place in a building Specifically Designed to make Bentley uncomfortable. If someone asked you “where would a nerdy awkward turtle feel like he Really Does Not Belong” the correct answer would be “the dance floor of a funky disco.” Like… imagine how much this mission’s tone would Not Work if it took place anywhere else…it wouldn’t be hilariously anxious/awkward if you were bombing Dmitri’s wine cellar. It HAS to be a disco dance floor 

Your goal is to bomb the pillars and shake the disco ball loose. But this nightclub isn’t guarded by the little guards, but by the Giant Scary Flashlight Guards™– who tiny Bentley stands no chance against in a fight. And because there’s basically nowhere to run you have to sleep-dart them before they catch you or you’re pretty much dead.

But if you miss a sleep-dart shot/misplace a bomb, the Giant Scary Guard™ will spot you… so the mission is always one tiny mistake away from disaster. If you have bad aim/have never done it before (like if you’re a kid playing the game for the first time) a Giant Scary Guard™ WILL catch you and you will have to frantically RUN and BOMB and RUN!!! It’s a series of nerve-wracking explosions and “I GOtta hURRY and BOMb him BEFORE HE WAKES UP” as Bentley’s gameplay animation looks utterly anxious and terrified….

But

But all the while that funky disco music is playing

So its like.

BLAM! BOMB EXPLOSION! (Guard shoots you, Bentley screams) *funky nightclub music goes ‘’Ooh-OOOOOOOOOOH”*

Nobody touches that turtle… but me!

25 Days of Sly Gifs — Requested by Sagittasluminis [3/25]

The background colors were a pain in the ass but here is the mouse girl! I ironically have to yet draw any of the male characters in Sly Cooper but it's not my fault Penelope is so fun to draw.

Sly 3: the evolution of Penelope

Thieves In Time Redux Meme #15

Seriously, fans? Why does Sly get to have all the fun?

I know having Penelope go that hard is a bold move, but come on. If she started this whole mess, and feels a need to correct her mistakes, shouldn't she end it herself?

We can even have her feel like she has to do it alone, or else her attempt to atone for what she did won't count.

But because I'm not a monster, let's also have the rest of the playable cast join her so they can kick some skunk tail!

And for good measure, Penelope also gets to finish Le Paradox off. Complete with a speech on what she learned about friendship.

Of course, she will have to be told her attempt did count. And that she nailed it. And no, Sly will not be lost in time.

Thieves In Time Redux: Full Story Previews

A few months back, I posted a few previews of my full Thieves In Time rewrite on DeviantArt. I thought I'd repost them here.

All of them are set during Episode 0. You know, the museum heist.

I can't wait to fully explore these relationships that Thieves In Time vanilla completely ruined...

Preview #1: Link

Preview #2: Link

Preview #3: Link

Preview #4: Link

Penelope in a Black Baron-ish outfit