dfsfl;
My biggest tip for fanfic writers is this: if you get a character's mannerisms and speech pattern down, you can make them do pretty much whatever you want and it'll feel in character.
Logic: Characters, just like real people, are mallable. There is typically very little that's so truly, heinously out of character that you absolutely cannot make it work under any circumstance. In addition, most fans are also willing to accept characterization stretches if it makes the fic work. Yeah, we all know the villain and the hero wouldn't cuddle for warmth in canon. But if they did do that, how would they do it?
What counts is often not so much 'would the character do this?' and more 'if the character did do this, how would they do it?' If you get 'how' part right, your readers will probably be willing to buy the rest, because it will still feel like their favourite character. But if it doesn't feel like the character anymore, why are they even reading the fic?
Worry less about whether a character would do something, and more about how they'd sound while doing it.
So do you have any name ideas for Penelope and Carmelita's parents?
Carmelita? No.
I do have a name for Penelope’s father, but I’m not ready to reveal it yet.
Two underrated interactions between Murray and Sly, first from 2:
Sly: “You know how much I love messing with Carmelita.”
Murray: “Yeah…it’s weird.”
And in 3:
Sly: “-pry off that mask of Dark Earth and maybe we’ll get back the Carmelita we all know and love.”
Murray: “I do not love her!”
Usually it’s Sly sneaking some good natured jabs at his friends because he’s a sarcastic little shit, but those two moments are a rare glimpse at Murray’s perspective on Sly’s whole fucked up dynamic with Inspector Fox.
Firstly, that he thinks Sly’s a fucking weirdo about the whole thing, and secondly that it is very important for him that Sly knows that he’s the only one in the group who has this fucking hang up about Carmelita and to leave Murray the fuck out of it.
Murray is usually all about wanting Sly to think he’s cool cause he looks up to him, but those two times are a rare time of him just looking at his good friend Sly and going “dude what the hell is up with you…” because even a life long friendship is not immune to those moments where you just have to look at your friend and wonder just what the fuck is going on in their head…and deciding that you would really rather not dig that up.
Just another “Platonic OT3” scene of these guys living their “normal” lives post Sly 3.
"I know the bar is in hell (especially back in the early 2000's) but I'll always appreciate that Penelope was just allowed to be…a character. Sure she absolutely had some conventional love interest trappings but she was unambiguously brilliant to the point that she could outpace Bentley in some fields and was designed to be cute but not super sexualized. She's actually kinda scruffy (affectionate) in a way you don't see much with fictional women, she's got the battered overalls and messy hair and big clunky welder gloves and actually looks like she gets her hands dirty on the regular."
Confessed by: Anonymous
Sly4 AU where Penelope really was hypnotized and Bentley doesn't lose her.
i’m sorry i just I can’t deal with this game. Penelope was my favorite. :| Spoilers, I guess?
I wanted to make a cute Bento…
And then I made an order of thirty stickers of this baby boy.
Penelope miscalculates
Penelope: Who hurt you?
Bentley: What, you want a list?
Penelope: ...
Penelope, with her sword: Yeah, actually.