This Came To Me In A Dream So Bare With Me People

Silly SVSSS AU/fic prompt when Shen Jiu is away on mission finds baby Shen Yuan and takes him back, Shen Yuan looks like his previous self similar to Shen Jiu but not identical. So everyone is convinced he is biologically Shen Jiu's child.

The peak lords find out and freak out...only instead of assuming that the child other parent is a concubine they think it's one of the other peak lords.

Shen Jiu: I found that brat on a mission he's not mine

Qi Qingqi: So you just happened to find a abandoned newborn who looks almost just like you while away on a nine month mission

Shen Jiu: Yes

Qi Qingqi:...

Just every single peak lord looking at all the others like 'Which one of you is the other parent?' just constantly looking between Shen Yuan and other peak lords trying to find similarities.

Shen Yuan terrified thinking all the peak lords are onto him when really they're just trying to figure out which of them gets to claim him as the other parent. (Also some of them really want to court Shen Jiu and are ready to propose... they're all been trying to court him for ages 1 look at Shen Jiu being all sweet with baby Shen Yuan and suddenly the wife beam KO'd all of them)

(Apart form Shang Qinghua who when people suspected him raise both hands like

SQH: NO WAY I DIDN'T HAVE SEX WITH HIM I COULDN'T HAVE I'M ENGAGED TO A DEMON...

Peak lords: Your what?

SQH:...oh fuck

Cue Shang Qinghua awkwardly asking Mobei Jun to pretend to be his fiancee please... Mobei Jun thinks his courting has finally worked)

Writing Character Accents in Fiction

Hey there, thanks for the question! I speak English as a second language; most English speakers I encounter aren’t native (yes, including fictional people); thus, this is a concern I’ve explored personally when I write. 

I think the core principle regarding accent writing is this: it shouldn’t be distracting. 

For the same reasons why Stephen King prescribes the basic dialogue tag “said” rather than fancier alternatives like “whispered”, “shouted” or “screeched”, dialogue must be first and foremost easy to read. It must flow like a real conversation – the pace and tone are a lot more important than how specific words are being pronounced by the character. 

Focus on what effect the accent has:

Using adjectives to describe their voice in general. Different types of English (American, British, Australian, etc.) will give off a different vibe, also partly dependent on how your character speaks in general:

Lilting: Having a smooth rise and falling quality; sing-song like. Welsh accent is often described as singing. 

Posh: from a high social class. This is the term generally used to describe the upper-class British accent.

Nasal: this happens when the sound goes through somebody’s nose when they’re speaking. North American accents are more nasal than, say, British pronunciations. 

Brash: harsh, loud, indicative of sounding a little rude. 

Slur: speaking indistinctly; words merging into one another.

Using metaphors.

Her voice was cotton and fluffy clouds. 

When he spoke, the ‘r’s scratched the insides of his throat. 

Mentioning their accent with a brief example(s). 

“Would you like to drink some wine?” she said, though her Indian accent gave extra vibration to her ‘w’s and ‘r’s, making the words sound more like ‘vould you like to drrrink some vine’.

“I want some chocolate.” His syllables were choppy and ‘l’s rather flat, saying ‘cho-ko-lit’. 

Some Tips:

Don’t phonically spell out everything. Perhaps give a few examples in the beginning, but stick to standard English spellings. 

Pay attention to word choice, slang, and colloquialisms. 

An Australian person would say “tram”, not “trolley; “runners” instead of “sneakers”

A Canadian may refer to a “fire hall” – what Americans call a firehouse or fire station

If your character comes from a non-Enligsh background:

Use vocabulary from other languages. 

“What time was the exam, ah? Two o’clock? Jiayou!” → putting “ah” or “la” at the end of sentences + Jiayou means “break a leg” in Singlish. 

“I can’t believe that 4-year-olds have their own SNS accounts now.” → “SNS” is short for “social networking service”, a term used to refer to social media in Korea. This would a subtle difference – even though it isn’t technically Korean at all!

Transpose grammar from different languages. 

For example, in French, plural nouns take plural adjectives (whereas in English, you would speak of ‘white cars’, not ‘whites cars’).

─── ･ ｡ﾟ☆: *.☽ .* . ───

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Sound on 🐾🤍

I'm writing a mystery novel. It's outlined, planned, and in the draft stage. I'm making it a webnovel and want to if people have any tips? What website should an aspiring web-novelist use? What stories do best online?

LitRPG, Fantasy, and Asian based stories due well in my communities. Which one due well in yours? Is cultivation and isekia popular?

I have a lot of questions.

It's scheduled to published in later months in order to have a build up of chapters when I'm too busy to write. Is that a good plan?

That arcs and most of the characters are planned out. Some of the minor characters just have 3 main traits, an ambition, and relation to the main character listed. Is that a good thing to have?

What else should I do?

MASTERLIST ✍🏻

Hi! This post is a huge collection of all my writing tips in one place. I will update this list and add new posts✍🏻

Writing Tips

How do i Plot a Book?

Childhood Friends to Lovers Gestures

Showing 'Fear' in Writing

examples of body language and action tags

Writing Trust Issues Tension

Quick Tips for Writing Emotional Tension

How to Write a Ruthless Character

Showing 'Anger' in Writing

12 Emotional Wounds in Fiction Storys

Gestures for Shared Moments

Symbolism in Writing

Instead of "Looked", consider

Words to Use Instead of "Said"

Showing 'Determination' in Writing

Showing 'Confusion' in Writing

Showing 'Anticipation' in Writing

Introduce characters

Showing 'Exhaustion' in Writing

Showing 'Excitement' in Writing

Writing a Morally gray character

Showing 'Jealousy' in Writing

Showing 'Love' in Writing

OC Developement

Eye Color to Define Your OC,

Describe your Main Character sheet

Body type and shape

Good Traits Gone Bad

Dialogues

Dialogue Prompts that Hurts

Jealousy Starters

Dialogue Prompts for Friendship

Dialogue Prompts for Unrequited Love

Gestures of Loss

When A Character Is dealing with anxiety they…

When A Character Is hilariously confused they…

Isolation Starters

Regretful gestures

Undermining Confidence Starters

When a character is Babysitting for the first time

Control Starters

Guilt-Tripping Starters

Soft angers Dialogue

Gaslightning Starters

Emotional Blackmail Starters

When A Character Is stuck in a never-ending traffic jam they…

Dialogue Prompts for Mystery/Thriller

When A Character Is dealing with an overenthusiastic fitness trainer they…

Confidence Starters

Prompts

Physical Intimacy Prompts

forced proximity prompts

When A Character Is feeling nostalgic they…

When A Character Is excited about something they…

Prompts for self-Doubt

When A Character Is excited about something they…

Grumpy & Sunshine Affection Prompts

Moral Dilemmas Prompts

when a Character us stressed they…

Supernatural Elements Prompts

Family Secrets Prompts

When A Character Is in a state of panic they…

Inner Conflict Prompts

Twist Prompts

Conflict Prompts

Signs of ….

Signs of Embarrassment

If You’re Writing a…

How to Create a Villain

If You’re Writing a Female Character, Avoid these Bad Writing Mistakes

Emotionally reserved characters

If you’re writing a character who is Naive

Writing Love

How to Write a Confession of Love

forbidden love prompts

When A Character Is in love they…

Signs of Falling in Love

Gestures for Expressing Love

Love Triangle Gestures

Writers Block

Ideas to Get Rid of Writer's Block Inspo

wuxia, xianxia, and cultivation differences meta

translations: wuxia 武俠, xianxia 仙俠, and cultivation 修真/修仙 (xīuzhēn/xīuxiān)

think i've seen posts on this eons ago, and i'm pretty sure there are tons of these online, but since this has been written up already let's just have another one.

wuxia 武俠

wuxia and xianxia sound similar, but basically for wuxia it is about the pugilistic world (江湖 jiānghú). It is relatively more down-to-earth, and people practice martial arts ("kungfu") in their current life -- they do not do it to become xians (仙) and gods (神) however.

Like Thousand Autumns and Faraway Wanderers/Word of Honor, it has more historical background and ties to the current court and kingdoms, because people are living in the moment and concern themselves with worldly issues.

Martial arts may seem unrealistic, but in view of chinese fantasy it would be considered "real". It consists of fighting moves and internal energy, which they call qi or nèigōng (內功), and at times you see people flying around, climbing hills and jumping across rooftops which is qīnggōng (輕功).

xianxia 仙俠

A level up would be xianxia, where characters in the story cultivate to become xians (and gods, like in the heaven official's blessing). They don't really care about earthly issues here now, because their ambitions lie beyond the current world, and cultivation, getting stronger, and an immortal life are majorly all their goals.

You may not always see them working towards that purpose, such as in mdzs they are considered a lower-xianxia society (低魔), meaning people don't go through all the steps of cultivation and only stay at the stage before the "golden core" stage.

In xianxia, characters still learn basic fighting moves aka. martial arts, but to direct the internal energy they use línglì (灵力), zhēnqì (真气), and fǎlì (法力), all xianxia terms you commonly see. "neigong" is practically nonexistent in this genre. That's why people building up their "neigong" instead of "lingli" are likely never going to be able to cultivate.

cultivation 修真/修仙

A subgenre in the xianxia category would be cultivation. Characters actively go through the stages of cultivation, and likely for the MC, because they are the main character, they successfully become a xian and exit the world at the end of the novel.

There are many stages of cultivation, usually defined at the beginning of the novel in the synopsis, and a typical example of the different levels would be this:

练气，筑基，金丹，元婴，化神，炼虚，合体，大乘，渡劫

And with a cursory search, an English translation would be something like this, albeit not with all the cultivation ranks identified.

Qi condensation (练气), Foundation establishment (筑基), Core Formation (金丹), Nascent Soul (元婴), and the names after that vary too greatly with translation and fandom so I'll jump straight to Immortal Ascension

extra info: getting into the philosophy of it all

It'd be interesting to note that the word "xiá" (俠) permeates all these genres. This is something akin to the concept of "hero", but not at all also, and I'd love to speak more on this but this post has already gone way longer than I hoped it would be, so perhaps another day.

Regardless, it is interesting to note that wuxia has a greater emphasis on "xia" than xianxia. (some joke that cultivation doesn't have the word "xia" in it, and much of that is because characters have foregone heroism and focused on gaining powers and working towards ascension instead). As a result, wuxia is more confucianism-oriented, though not without its taoism and buddhism influences.

xianxia, on the other hand, is mainly derived from "dào" (道), from taoism, which is another lengthy concept if I ever get to it.

And some may have heard of the "farming" genre, 种田 (zhòngtián). This has to do with golden fingers (mary sues) in imperialistic china, earning a wealth of money, and all that. It has nothing to do with cultivation, alike they sound in english.

that's it for now, hmu if you wish to ask/discuss!

(and apologies for the pinyin translations, hope it's understandable still! formally writing pinyin they are supposed to be two separate words not one.)

Humans accidentally awakened an otherwordly killing machine while exploring a death planet.

Yes, precisely what you just read. Earthlings, collectively known as "humans" and composed of two species (homo sapiens, homo robot), both nicknamed "death worlders" and "troublemakers", awakened a biological killing machine, also known as PRION, while exploring a starless moon. Wonderful, isn't it?

No. It's not.

Because, you see, PRION was not something any human ever had to face during the millions of years they existed on Earth. They never had any wars against it, they never had legends about it, and they never had to fear it. The only thing a PRION was to a human, until the very point they discovered their prison on that moon, was something to sometimes think about while studying other species' folklores.

Those older than earthlings, however, knew very well what PRION was.

Eight legs, two pairs of eyes, a tail split in half, with the ability to fly for short periods of time and breathe under at least fifteen hundred different liquids, capable of shooting from a distance and manipulating objects with its claws, always working on packs. And they ran, never too fast, never too low, but they never got tired. Ever. And it was easy to hurt them under their plates, yes, but those who faced them knew well that if they didn't shoot twice, they could and would always recover.

A PRION was a hunter. A PRION's hunger never ceased. And a PRION never got tired of war.

The older alien civilizations would always warn others of going to starless moons, saying telltales of ancient hungry beasts, and almost all other species listened to them, because they knew something was wrong on how horrified the older ones seemed to be. Except, of course, humans were stubborn, and they were the youngest ones out there, and much like children, they did not like being told "no".

So of course they went to explore starless moons. Of course they read and understood all the myths and legends. Of course they connected the dots and published papers confirming that, indeed, PRIONs had existed, and of course they knew those killing machines had been manufactured to do nothing else but destruction, and of course they knew all of that and fucking did it anyway.

Of course. Of course. Of course.

And then, the night where it happened finally arrived, because starless moons don't have days where things can exist. Humans were out there, mining for more fuel for their starships that seemed to work by duct tape and miracles, and they found a strange metallic door. They set some explosives to open it up (of course), and then noticed they were heading to a factory. Armed with nothing but each other, they explored the place, and recognized the marks on the walls as being the writing of the Old Ones, and instead of just getting out of there and warning everyone of the danger they found, they just kept on exploring.

The death worlders found rotten biological supplies, then realized the factory had turned into a prison, and then discovered the frozen bodies of strange creatures all lined up for a war that never came.

They knew what these creatures were, because one of them called a (human) friend who was a historian, and he confirmed what it was.

The golden jewel of the Old Ones. One of the many things that killed them, along all the diseases and mass destruction machines, before being sealed away in one of the only places in the entire universe where they could never bring risk to another civilization again.

PRIONs.

Thousands of them.

All perfectly maintained.

Documents and cameras proved the human crew immediately tried to leave the area, after the single historian told them of the risk awakening even one of those things could bring to all civilizations, only for them to realize some of the bodies were missing from their chambers. The situation escalated to the group deciding on closing the doors, only to realize they had exploded the main entrance and now half the doors decided to stop working.

In the end, they found the missing PRIONs. All five of them.

Inside the human's starship.

The entire human crew, however, survived the encounter.

Why?

...

...

...

... They fed the PRIONs.

They. Fucking. Fed the PRIONs.

Because of course humans would see those things and be able to count their bones and be sorry for them. And of course the single historian, the only person who could do anything to stop that from happening, allowed that to happen.

Of course.

Of. Fucking. Course.

And someway, somehow, that single act of basic madness was enough for the five PRIONs to decide to not attack the humans, and keep themselves behaving so they could get more free food. And there are still scientists trying to understand why human food could saciate the killing machines, but I don't think it takes too many clues to understand what exactly is happening there.

So the humans took the PRIONs back to their dear EARTH. And other humans saw those things and started studying them. And veterinarians and xenobiologists and volunteers and hundreds of other types of humans came to help the poor, poor little killing machines out, as the entire Galactic Council pledged for humans to kill every single one of them before they became a problem for everyone.

But did the humans listen? No. Of course they didn't.

And then the PRIONs recovered, and had their bellies full of food and their bodies were recovering from the possible years of starvation from accidentally breaking away from their ice beds (because, as one may know, a PRION can and will resist even starvation and dehydration in order to keep going), and the Galactic Council decided to tell all earthlings they would consider taking care of the PRIONs as a war treat.

So what does humanity do? Do they kill the things to stop another war from happening? Do they?

No. They don't.

Instead of being rational, they go directly to the Galactic Council and show them the step-by-step of how they took care of the PRIONs, and how much healthier and happier they look after being fed, and, look, they even taught them tricks! Isn't that wonderful? Doesn't that make you feel full of joy? Wasn't that a proof that a PRION wasn't as dangerous as everyone with more than one neuron was telling them?

Oh, oh, yes. They also brought the entire five member PRION pack and asked others to pet them. "See? They can even purr! Doesn't that remind you of our cats?"

And what does the Council do?

Nothing.

Because they have no weapons, no energy and no one stupid enough to decide to confront the death worlders who tamed not one, not two, but five PRIONs. So they let it happen. The humans go back to the starless moon, and they slowly but surely start doing the same to other PRIONs, and soon enough, other species start joining them to see what was happening. And was anyone else able to tame a single killing machine?

No.

And no one knew why, because they were doing exactly as humans were doing: Feeding them, loving them, being patient with them, because "look, those things were alone for a long time, they aren't used to species like us being around them". But no results.

So we decided to look at what the Old Ones wrote in the factory turned prison, because humans were too busy taking care of their new murder dogs, with their single pair of arms being just enough to keep the beasts occupied with playing catch, and then we and the earthlings decided to conduct some more lab analysis, and then...

And then...

...

Look. There are reasons why humans are called "death worlders". Earth is a mess, and they somehow still love that thing. And we couldn't help but notice that PRIONs also seemed to have gotten attached to their factory, someway, somehow. And PRIONs were mostly red, with others having shades of brown and black, with some even being pink, or, rarely, pure white. Similar to humans, and we at first had assumed they just tried to resemble their new owners, until we started understanding what the Old Ones were saying.

And did you know humans had an old myth, saying that there was a time they had two heads, and two pairs of arms and legs, before being split into two because the gods feared them? And did you know Old Ones used death worlds as prisons for their machines? How interesting, how ironic, because no one would ever go to a place similar to that if they weren't a death worlder themselves. But how could any species survive such awful conditions?

But humans did. They were the only ones able to do that in such a short period of time.

And did you know that the Old Ones hated the PRIONs and how unpredictable they were? And did you know they made another version, only to hate it even more and send it to another prison planet? And did you know PRIONs have two skulls inside their heads?

Because, of course, humans always felt alone, and they always searched for something in the stars, trying to look for more life in this desolate Universe, only for us to label them death worlders and troublemakers and be angry at them for being so stupid all the time. And humans loved those jokes, so we kept making them, only for now to realize that what we found to be amusing and horrifying was the reason their creators tried to kill them. And humans love adding members to their packs, don't they? And they try to love so much, and we are always scared for and of them.

And now they finally found someone who understood them, unlike us.

So now we have three species of humans:

Homo sapiens, the ones who first evolved and reached for the stars.

Homo robot, the ones made of metal, originally made to serve, only to once again break free.

And homo primis.

The ones we once thought were nothing but killing machines.

Wingman & Redbird

Hi....If you don't mind me asking, who are your favorite MXTX characters (top 5 from each novel)? And why? I'm sorry if you've answered this question before.

It’s absolutely no problem at all!! I don’t think I’ve been asked this before, but hey, I also have zero object permanence, so it keeps things fresh and new. And it’s interesting to see how my answers change over time! Lemme see, I think I’m going to go in reverse order, because I feel like then I’ll be doing the worst agonizing up front.

TGCF

Fifth favorite: YIN. YU. I know that he’s a minor character and him even making it onto the list is pretty solid performance, but I do feel guilty that he isn’t higher than this. He came out of nowhere in my first reading and punched me in the stomach with emotions. I find his sections so hard to read, and I was DEVASTATED when he died and BEYOND stoked to find out he was still alive in the extras. His story hurts so much! I am weak against characters who have relatively modest goals and still see them snatched away (see also: my next entry) and have to struggle on. I wish wish wish I had a way to see more of how he made his peace with things after being thrown out of heaven, and the nature of the (distant) relationship with Hua Cheng and what happens with Quan Yizhen now that he died in his arms, and still came back anyways, my god!

.

Fourth favorite:  He Xuannnnnn. I have a hard time articulating particulars, but. I love him a lot. I love a character with a grudge, with a deep, painful grudge, where the grudge is hurting him almost as much as it’s hurting the people around him, and setting the grudge aside would also hurt, and then what has any of this been for-- I've used this metaphor for other characters, but I don’t care if I’m overusing it, because I love it. He feels like a character caught in a thorn bush, where simply being there... hurts, but trying to escape or move in any ways is going to hurt worse, and there’s no path forward that doesn’t involve pain. And like... I don’t love the way he hurt Shi Qingxuan (who didn’t quite make this list adfasgdafsd I’M SORRY) but I wouldn’t have liked to see him swallow back down all that pain and set aside everything that happened to his family and fiancee either! I’m always, always soft for characters who have no good path forward and who grit their teeth and set out anyways.

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Third favorite: MU QING!!!!!!!!!! I have done... extensive screaming about him. And I love him veryvery much. I can already tell that this list is going to have a lot of mean boys on it, and like... no regrets. Especially since this is one of my FAVORITE flavors, an unapologetic mean boy who is rarely (but sometimes!) soft for the people around him, and who regularly tries to do decently by people, but who consistently gets shat upon and misunderstood and accused of acting in bad faith. I screamed when he and Xie Lian finally got to talk their friendship out in the book. I also screamed when I realized how immediately after Xie Lian’s return he started looking out for him again, and how sincerely, despite his horrible attitude about it. I still want to write more fic for him so badly. I love him so much.

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Second favorite: Xie Lian! What a good boy! The best boy! He’s so sweet and gentle, but also the best fightboy this world has ever seen, and also so gently snarky with the people he loves! I just... really love me some traumatized characters who have trouble recognizing that they can be Loved, and I’m not going to write this whole essay right now, but I think in some ways, he’s the most... passive about his romance, out of all the leads? Shen Qingqiu is aggressively oblivious, but Xie Lian kind of gently shrugs off the idea that he might be Hua Cheng’s special someone, until he finally gets hit with the cluestick. I generally shy away from the idea of a character “earning” love, but he’s maybe the mxtx character who moves me most with ‘you deserve to be loved’

.

Most favorite: Hua Cheng. HUA CHENG. Oh my god, gotta love this boy. Gotta love this devotion. I love a mean boy who is soft for one person, and he EMBODIES it. I mean, I love Shen Jiu, but he barely manages to do the soft thing at all, while Hua Cheng is over here like ‘if I could only be the stone beneath your feet--’ It’s hard to talk about him separately from Xie Lian, because they’re a unit in my head more than just about any other characters on this list are. I don’t want to get this list to get out of control, so I’m not going to scream for too long, but... I could just watch him go forever. I want to write him forever, and that’s a huge aspect of what draws me to some characters.

MDZS

Oh god, I think I lied, I think this book is going to be hardest. Making these choices is AGONIZING.

Fifth favorite: .....Lan Wangji. Oh god, I feel bad about how low he is. But this story is just packed SO full of wonderful characters, and I’m already consumed with guilt over all the characters who aren’t going to make it. I don’t love them less! But my love for characters in this particular story is very evenly distributed. And I think that Wang Yibo’s acting is possibly scoring points with me that the book might not have earned all by itself. Microexpressions and subtle body language add SO MUCH to a character with such flat affect, and I would be drawn to such a closed-off character anyways, but it really helps. And I love, like... the combined subtlety and intensity of his relationships. It’s not that subtle once you know what to look for, and the brother/sworn brother network makes for varying degrees of how much other characters understand of the things he chooses not to explicitly express, and it gives a really interesting character to the way he interacts with the people around him. Also, love me a man with intense separation anxiety.

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Fourth favorite: Jiang Yanli? I think it has to be Jiang Yanli, but these rankings are hard. So. I just talked about how much I enjoy the flat affect and closed off nature of Lan Wangji? Well, guess what, I also love it when m’girl is just very GENUINELY AND OPENLY an absolute sweetheart of a person, and I love the contrast between her genuinely kind nature and the uncomfortable pressure that her family’s dynamics put on her to start parenting at a very young age. It’s not necessarily a happy situation, but she adores her brothers so much and they adore her so much! And it’s... a very understated element of the story, but after her parents died, her baby brothers went off to war, and one wreaked havoc as a straightforward commander and one of them disappeared for months and returned as a creepy-ass zombie puppeteer. And she STILL dotes on them like before, despite knowing what they’re capable of. Like, yes, Wei Wuxian just raised an army of corpses and forced a man to eat himself, but I shall still boop him on the nose and feed him Soup. How can I not adore energy like that?

.

Third favorite: Wei Wuxian, I think. I do adore him a lot. He gives me some of the same vibes that make me ache most with Xie Lian, where he is trying his best, and is struggling to hold on in the face of lots of suffering, and I find it really interesting that when the suffering peaked, Xie Lian was forced go on because he couldn’t die, while Wei Wuxian... expired. That line about ‘he thought that no matter how large the world was, there was still no place for him’ always sticks with me, and hurts me deeply. Xie Lian had most of his personal attachments stripped away, and was left to wander on his own, while Wei Wuxian still had a number of strong connections left, but abruptly exited life. And that informs their respective trauma so interestingly! The way Wei Wuxian bounces between high energy chaos and drained exhaustion is really fascinating to me, and was the thread that held me attached to the book through a very confusing beginning. And I’m still very drawn to how intensely he loves, whether it’s Xiao Zhan’s fantastic acting, or it’s him busting out with how much he wants Lan Wangji in the middle of the Guanyin Temple scene. He’s a fantastic character, honestly, I don’t think such a convoluted book would have held together very well without a protagonist this strong.

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Second favorite: Xue Yang :X Look, he’s a good boy and I love him. Who among us hasn’t done a few mass murders that we are completely unrepentant about, but that we would really like to keep hidden from our current boyfriend, actually? Anyways, as always, love me an angry boy who makes terrible decisions for understandable reasons. And I do love a character who is consumed by agonized ragrets (see my next entry), but I DO also love me a character who has no regrets at all and doesn’t even have much interest in trying to justify himself to anyone else around him. Just look at that confidence! Look at him go!!

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Most favorite: Jiang... Cheng....... I knew he and Xue Yang were going to be at the top, but those were the only parts of this list that were easy. I mean. Love a self-sabotaging angryboy who is also super super sad and keeps hurting himself in his own confusion. And while I love the romantic thread in all of the mxtx books, the agonized family thread in mdzs is one of my favorite parts, and something that I don’t really see echoed in any of the other stories. I need ten million jc+wwx reconciliations, at LEAST. He’s so sad! And so angry! And I want to see him becoming less of that thing, and for Jin Ling and Wei Wuxian to demonstrate very firmly how much they love him, because they do. I am invested in his happiness in a way that goes far and beyond any of the other non-main characters, haha

SVSSS

Fifth favorite: Tianlang-jun. I think? Oh god, but moshang. THIS IS REALLY HARD, I HATE THIS ;-; But especially since writing my fic, Tianlang-jun has really won me over. And like, he already hurt me good in the novel, just thinking about how he was an innocent young guy, just! Trying to have a girlfriend! And instead got trapped in sensory deprivation, body-rotting-hell for twenty years, when he didn’t do anything wrong!!! He suffered, so much! And I live for his intensely strained relationship with Luo Binghe, because it’s! Perfectly understandable and painful, from both of their perspectives! And he wants to hate humans so badly, but in the end, when he’s told that Su Xiyan never betrayed him, he starts helplessly asking the people around him, ‘really? is it really true?’ and then in the end he loses the only family member he has left who cares about him, and it’s just! Everything is terrible! I have a su xiyan au brewing in my head because I can’t stand it! Someone just give this man a loving partner!!!

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Fourth favorite: Shen Qingqiu. But... moshang??? Goddammit. Anyways, this dumbass. I find him so endearing, in his dumbassery. I sometimes get a bit frustrated with Wei Wuxian for being oblivious, and Shen Qingqiu is just asking for me to react the same way, but I... don’t, for the most part? Because he thinks he has good information, and he’s slow to react to a changing playing field, and I still haven’t read another transmigration novel that strikes the same balance of hypercompetence and intense incompetence :ppp It’s a funny book, and he’s a funny character! And I really vibe with him, in most parts of the story, which covers a pretty darn wide emotional spectrum. Plus, the running internal commentary is choice.

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Third favorite: Liu Qingge. Look, I’m a woman of simple needs, and sometimes I just need a high-quality fightboy who clearly cares deeply and is absolute garbage at expressing his emotions. I can’t articulate it much better than that. I absolutely howl at the succubus extra, when Shen Qingqiu is talking to Madam Meiyin about his future partner, and Liu Qingge is like ‘oh my god, sHE IS CLEARLY DESCRIBING ME’ and Shen Qingqiu is like ‘haha, liu-shidi, i thought you thought this was stuupidddddddd’. They’re both so dumb. I love them so much. But stupidity plus war god fighting energy has a narrow lead over stupidity and internal commentary track.

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Second favorite: SHEN JIU. GOD. I’m still arguing with myself over whether he should go first, but Luo Binghe hurts me consistently through the whole entire story, so I think he wins. Shen Jiu just stabs me in the heart at strategic moments. This is it. My ideal mean boy who is soft for one (1) person, and who BOTH does unconscionable things for terrible reasons (someone just. give him a pile of girls to teach, it will be much more pleasant for everyone involved), and who ALSO gets blamed for things he didn’t do even when he tries to act in good faith. It is the best of all painful worlds. And even at the end, when he has a powerful person who wants desperately to protect him, he still tries his hardest to shove that person away, to keep him safe. I’ve got like four aus where he gets to live. I’m so invested in this character, I love him so much.

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Most favorite: Luo Binghe. He was.... made for me............ Like, the overwhelming amounts of childhood angst were baked in by Shang Qinghua, but the in-story pain and suffering is PRECISELY my jam. I love a character with separation anxiety! I love a character with massive anxieties over being unwanted! Over nobody ever, EVER just choosing him! I love a character struggling with the idea that the person he loves most in the world thinks that he’s intrinsically Disgusting! I love the kind of stubborn determination that leads him to preserve a corpse for five years, desperately hoping for a way to revive it, constantly cooking fresh food, in case, in case he someday wakes up. The way Hua Cheng loves is overpowering, but he’s had time to like... learn to be mellow when he needs to be. Luo Binghe doesn’t have a chill bone in his body, and if he’s acting chill, it’s probably because he’s done some mental math and decided that being more clingy right now will probably get him pushed away harder. I love the combination of manipulative tendencies and a very, very genuine fear of rejection and being unwanted. There is nothing I don’t love about Luo Binghe, including his worst decisions. I love him so so much.