Perhaps... perhaps Sauron could have become anything he wanted to, anything at all, with all that power, but he chose to become a gigantic glowing red eye simply because he couldn't comprehend that it looked ominous, he thought it looked great, he wasn't intentionally trying to scare or intimidate anyone. He was just that divorced from reality, and nobody dared to tell him otherwise.
Kind of like bureaucracies and corporations that commission terrifying and oppressive Brutalist architecture think it looks "rather nice, actually," because their aesthetics are skewed that far away from how ordinary people see the world... so far that "oppressive," "looming," and "unsettling" seem like positive traits.
It says very clearly, right under the map:
That would be the joke.
Yes, it's their latitude transferred over to the West coast.
Cannot believe the number of people who are either freaking out or trying to dunk on this, because they think OP is claiming that's where these cities actually are.
It's just a geography joke.
Eastern cities on the west coast
Brave Exkaiser 勇者エクスカイザー (1990 – 1991) "There’s a Lot of Santas" dir. Shinji Takamatsu
I imagined a dyscalculic child, who isn't getting any help or support in learning math, nobody understands that they just don't get it...
Nobody understands that the child tries to solve math problems by making up stories about the numbers and operational symbols, fascinating, beautiful mythical or fairy-tale stories, and "drawing" the ending of the stories where the solutions should go.
Every math problem is a hypothetical situation involving stock characters, and the child believes they have to parse exactly what the situation is supposed to be, given the limited "shorthand" consisting of numbers and operational symbols and the arithmetical frameworks, and work out what the result would be.
And nobody, or almost nobody, ever gets to hear the stories.
This is not a god-emperor.
This is a god whose name is "Emperor."
Long-dead, he was the last ruler of a once-powerful empire whose cultural influence outlasted it.
Was he deified in his lifetime? We no longer know. But he is deified now.
While his memory lives on, his true name has been lost. At some point, the word "emperor" ceased to have meaning except when referring to him, therefore his name is now Emperor.
Offbeat TTRPG adventure arc:
An adventurer NPC, who is known far and wide as an incorrigible chaos gremlin, has obtained a Ring of Wishing, and nobody in the known world trusts them with it. The players' heroes are just some of many people who are trying to stop this person and get the Ring of Wishing away from them before they blows up the entire world with it.
Last year, @strange-aeons released a YouTube video about what she calls the Vanessaverse: the seemingly half-intentional alternate reality in which Netflix's Vanessa Hudgens Christmas movies are set. It is a deeply hilarious and fascinating video and you should watch it, if for no other reason that this long post will not make much sense otherwise.
Because, you see, I've been crack-theorizing about the Vanessaverse, and what I've come up with feels sound enough to share, at least on Tumblr.
I have two separate cracktheories, so let's establish some terminology and some common elements, first.
The Vanessaverse differs from our own in that much of Eastern Europe is controlled by an incredibly powerful, reality-warping entity that I call the Eldritch Master of Secular Christmas, or EMOSC for short. Who or what this entity is, and what its purpose is, differs between cracktheories. I call EMOSC's domain the Christmas Realm.
The Christmas Realm extends across southeastern Europe and possibly parts of western Asia. Outside this area, EMOSC's power to warp reality is severely limited. This is why Scotland and the US are (relatively) similar to the way they are in the real world. Montenero is a special case, it seems: an independent country on the fringe of EMOSC's influence, highly analogous to real-life Montenegro, and the location of choice for diplomats from the Vatican, or the rest of the world, to interact with EMOSC.
Native subjects of the Christmas Realm, however, and those around them, may be influenced by EMOSC wherever they are. This is one explanation for why seemingly unaffiliated protagonists and other characters wind up experiencing effects and narratives that should only occur within the Christmas Realm (but that commonly occur in highly sentimental straight-to-video movies). It's possible that EMOSC is able to psychically influence people whose ancestors came from the Christmas Realm, and those close to them.
So much for commonality. Let's get into the individual cracktheories about what's actually going on in these narratives.
Cracktheory 1: The characters of the Gaffer and the Crone are both aspects of the Eldritch Master of Secular Christmas, which manipulates its subjects according to strange and inscrutable whims, mostly revolving around matchmaking and the concept of secularized Christmas. Within the Christmas Realm, it is considered taboo to speak of Them or Their powers. Instead, one should pretend that events are entirely ordinary. It's possible that the Gaffer and the Crone are able to alter people's perceptions, so that they don't notice any contradictions. The latter would explain how the Gaffer and the Crone are able to create bizarre secular-Christmas situations ouside the Christmas Realm.
This version of EMOSC is fairly benign, actually, at least as far as we know. It seems to be managing Its own affairs, for the most part, occasionally calling a child of former subjects home, but little more. It seems to just like to mash the action figures together and make everything Christmassy.
In this theory, the self-referential Netflix Christmas movies are "based on a true story" or actually dramatized documentaries of some kind, made for an audience interested in EMOSC, but they respectfully obey the Christmas Realm's taboo and pretend EMOSC doesn't exist.
Cracktheory 2: EMOSC is, in fact, Vanessa Hudgens: a vast polydimensional, chrono-dynamic entity that can manifest a possibly infinite number of avatars of itself into multiple timelines broadly similar to our own. This is a more malevolent EMOSC, obsessed with stage-managing complex, WandaVision-like scenarios for its avatars and whoever catches its attention. It is even able to manifest avatars outside the Christmas Realm, although sometimes they end up looking a little less like EMOSC's chosen appearance as a human. The power and selfishness this implies makes this version of EMOSC seem like an incredibly dangerous entity to cross.
In this theory, the Gaffer and the Crone are avatars of a far older and more benevolent polydimensional entity, that is trying to contain Vanessa Hudgens and limit the damage It can cause to the Multiverse. This entity can't face EMOSC direcly, and has to resort to subterfuge and redirection in order to keep itself safe while still mitigating EMOSC's machinations. It seems to only be able to manifest one avatar at a time, although understanding how these entities interact with linear time is difficult for baseline humans.
Also in this theory, the self-referential Netflix Christmas movies are produced directly by EMOSC Itself, in furtherance of Its goals. They may actually have some sort of esoteric effect on baseline humans, but are also useful in reinforcing core Vanessa Hudgens characteristics on avatars that may be diverging from EMOSC's consciousness. It's also highly likely that they are EMOSC's way of creating an audience for the scenarios It likes to act out.
Pro tip:
@whyisthereacentaur Goat alert
a tender heart
I have thousands of shitposts, rants, and essays sitting in notebooks, left over from decades of not using social media or having many friends. Hold on tight.
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