𝐚 𝐠𝐢𝐫𝐥 𝐢𝐧 𝐜𝐨𝐧𝐭𝐫𝐚𝐬𝐭. this is GREENSCRUNCHY : an independent, highly selective, plot-based 𝐜𝐡𝐫𝐢𝐬𝐬𝐲 𝐜𝐮𝐧𝐧𝐢𝐧𝐠𝐡𝐚𝐦 sourced from netflix’s stranger things season 4. ¡suıʞʍɐɥ oʇ ǝɯoɔlǝʍ
𝐭𝐫𝐢𝐠𝐠𝐞𝐫𝐬 𝐭𝐨 𝐞𝐱𝐩𝐞𝐜𝐭 : disordered eating, mental illness, unreality, mental manipulation, psychological / physical / parental abuse, bodily injury, recreational drug usage, suicidal ideation, psychological horror, gore, body horror, and lots of death. PLEASE proceed at your own risk and take care of yourselves. 🧡
carrd. playlist. mixtape. starter call. memes.
KEEP YOUR CHIN UP & YOUR HEAD HIGH: // girls on the run | girl up | national organization for women | equality now | women employed | she’s the first | girls who code | writegirl | help women in mexico put an end to femicide | femicide in mexico carrd | malala fund | girls for a change | step up | polaris project | learning for justice | foodcorps | freedom united | support ukraine (us) | support ukraine (au) | pious projects | GAZA FUNDS //
also on the squad: godsdeal (max mayfield) bloodycheckers (mixed-media alice liddell)
first of all, thank you for being here and interested in this little chrissy blog. second, across the fandom the prevailing aus for chrissy seem to take place during the events of season 4. that is not the case for this portrayal’s main verse. chrissy remains dead for the entirety of the season, only reviving when robin/nancy/steve blast vecna. first killed, first revived.
as vecna emulates the lich of the same name from dnd lore and has noticeably displayed the bodies of chrissy, fred, and patrick in his mind space for max to stumble upon, which, coupled with the line “they’re not gone, eleven. they’re still with me,” provides some implication that the consciousnesses (or souls) of vecna’s victims still exist somewhere inside vecna or in a place of his choosing. this is only emphasized by his stealing of their eyes upon killing them, since “eyes are the windows to the soul”. especially powerful liches possess phylacteries, aka a protective central storage of power for their soul to draw upon when they need to regenerate. the three victims’ souls may very well have been stored in vecna’s “phylactery” mind space - his family’s deconstructed house - for that purpose. when vecna is attacked he is weakened to the point of potentially letting souls slip from his grasp. in a similar fashion that max can enter and exit, chrissy is released from the immediate bondage of vecna’s “phylactery” and able to slip through the cracks. although, unlike max, she isn’t released into the real world but the realm that vecna dwells in: the upside down. until she can find her way out, it’s there that she stays. in the real world, her buried body dissolves and her casket, when exhumed, is discovered to be empty.
long story short, all this can be found on my verses page and this drabble explaining how chrissy woke up. all this is to give chrissy her own unique story that both gives her a chance at agency, a solo story of survival, and manages to keep the timeline of s4 unchanged. thanks so much for reading!!!
she’s a ten but she absolutely loathes gone with the wind.
𝘿𝙀𝘼𝙍 𝙇𝙄𝙇𝙇𝙔 ( asteritm )
❛ hey! ❜ the door slams shut on her car with a little extra force than is necessary, but it’s beginning to look more and more like @greenscrunchy might need a little backup. most teenage boys are terrors, and she’s never been one to overlook a suspicious situation. ❛ i just dropped my brother off and i gotta take these boxes to the gym to set up for a class. ❜ smiling sharply at the small group, she moves smoothly to intercept anyone getting closer to the young woman, protective and unafraid. putting her back between the boys and chrissy, she gestures towards her car with a question in her eyes. are you okay? are you safe? ❛ do you have a second to help? i’m sure the boys have other things to do with their time, unless they’re with you. ❜ / sc.
high school was a wide open maw to hell from the outset. though, what had been infinitely more unsettling was the ease with which the teens of hawkins took to the new horrors like ducks to water. there was nothing like being a high-school mired teen to either straighten you out or send your wheels spinning. chrissy’s personal education hell was only relative. school was better than home but worse than peace and quiet or the company of a few of her squadmates, but still plenty survivable even when a solid third of the basketball team corners her in a bid to get some insight on jason’s plans for the upcoming semi-final game. just the same as weeks before, she has nothing to tell them, and same as before they can’t find it in themselves to believe her insistence that jason doesn’t even tell her what he’s and their coach are planning. whenever lucas sinclair and his kind freshman eyes aren’t present, the dogging gets a little more intense and a good deal less polite. then the wham of a station wagon door actually gives them a start. chrissy is primed for relief when lilly’s voice dances sharply through the air on the wings of irritation. a waterfall of brunette curls is a blessed sight when chrissy finally turns her back on the boys and skitters toward the young woman on light feet.
❝ yeah, of course i can help! ❞ hands are empty save for the eagerness to grab something and hold on, just for the small sense of firm reality it offers. chrissy grabs the nearest box from lilly’s backseat and hoists it to her waist. ❝ and thanks. for back there. it's fine....they just like to try interrogating me every few weeks about their captain’s new plays. i can’t convince them that i know as much as they do. even girlfriends don’t get privileges, i guess. ❞
𝔻𝔼𝔸ℝ 𝔹𝔸𝕐𝕆ℝ 𝕆ℂ𝔸𝕄ℙ𝕆 (athousandmilesandcounting)
Even before he looked up and saw who had spoken to him, their voice carried with it a disarming and unexpected kindness that he couldn’t help but smile at. When he got a look at the young girl’s aura, he was only surprised that the reality managed to surpass the expectation-as well as the deep sadness coiled around it.
Her question earned a small, sad smile that grew somewhat after a beat. “Got it in one. Thinkin’ about a real good someone in my less than awesome hours here. It’s real sweet of you to ask, my dude.”
immediately all chrissy’s tentative assumptions were blown far and wide by such a carefree cadence. she gently pressed her lips together so a laugh wouldn’t accidentally spill out. the amusement sourced more from her interest than his oddity, but considering the mood he might be in chrissy wasn’t keen on taking a chance.
❝ where are you from? is that where she is? ❞
less than awesome hours here. hawkins here or.....or hours on earth here? the realization that she could empathize with both tasted sour on the back of her tongue. he absolutely didn’t need to know that. ❝ it was just a question. but being alone missing someone is hard. i’m sorry. ❞
𝐋𝐈𝐒𝐓 𝟓 (𝐨𝐫 𝟏𝟎) 𝐒𝐎𝐍𝐆𝐒 𝐓𝐇𝐀𝐓 𝐈𝐍𝐒𝐏𝐈𝐑𝐄 𝐘𝐎𝐔 𝐓𝐎 𝐖𝐑𝐈𝐓𝐄 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐄.
1. mothers talk ∕ tears for fears 2. more than a feeling ∕ cinematic pop ft. cosette smith (originally by boston) 3. victoria’s secret ∕ jax 4. you picked off all the polish ∕ UTAH 5. kids + teens ∕ kyle dixon & michael stein 6. fields of coral ∕ vangelis 7. gloria ∕ laura branigan 8. here i go again ∕ whitesnake 9. i cheat the hangman ∕ the doobie brothers 10. the end ∕ the beatles
& 𝐋𝐈𝐒𝐓 𝟓 𝐐𝐔𝐎𝐓𝐄𝐒 𝐓𝐇𝐀𝐓 𝐈𝐍𝐒𝐏𝐈𝐑𝐄 𝐘𝐎𝐔 𝐓𝐎 𝐖𝐑𝐈𝐓𝐄 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐄.
1. “all parents damage their children. it cannot be helped. youth, like pristine glass, absorbs the prints of its handlers. some parents smudge, others crack, a few shatter childhoods completely into jagged little pieces, beyond repair.” — mitch albom, the five people you meet in heaven
2. “i must get my soul back from you; i am killing my flesh without it.” / “the silence depressed me. it wasn’t the silence of silence. it was my own silence.” — sylvia plath, the unabridged journals / the bell jar
3. “i have a strict policy that no one cries alone in my presence.” — dolly parton
4. “when did your childhood end? how badly did you get hurt, when you did, when you were this little, when you were this wee little hurtable thing, nothing but big eyes, a heart, a few hundred words? isn't it wonderful how we never recover?" — will eno, thom pain (based on nothing)
5. In my beginning is my end. In succession Houses rise and fall, crumble, are extended, Are removed, destroyed, restored, or in their place Is an open field, or a factory, or a by-pass. Old stone to new building, old timber to new fires, Old fires to ashes, and ashes to the earth [...] I said to my soul, be still, and let the dark come upon you Which shall be the darkness of God. As, in a theatre, The lights are extinguished, for the scene to be changed With a hollow rumble of wings, with a movement of darkness on darkness, And we know that the hills and the trees, the distant panorama And the bold imposing facade are all being rolled away— [...] I said to my soul, be still, and wait without hope For hope would be hope for the wrong thing; wait without love, For love would be love of the wrong thing; there is yet faith But the faith and the love and the hope are all in the waiting. [...] So the darkness shall be the light, and the stillness the dancing. Whisper of running streams, and winter lightning. The wild thyme unseen and the wild strawberry, The laughter in the garden, echoed ecstasy Not lost, but requiring, pointing to the agony Of death and birth. You say I am repeating Something I have said before. I shall say it again. — t.s. eliot, east coker
𝐭𝐚𝐠𝐠𝐞𝐝 𝐛𝐲: @quietresistance then @hellmartyr xD love you both dearly
𝐭𝐚𝐠𝐠𝐢𝐧𝐠: @darkestshadeofgrey or @athousandmilesandcounting or BOTH / @manaborn / @starsinshadows (steve) / @firelightfables (billy or eddie) / @knowseverythingaboutyou / @vihilum ( tommy or nance! ) / @dvarapala / @shadowedvales / @sihnon / @sawbcnes / @asteritm / @masterwcrk / @hostica / @katesgotabow / @wheeling / @cleryc / @wihlliams / @flaeyed / @telekinsis or @barhd / @alwaysrevvedup / @flayerlinked / @partysheart or @rebelcliche / @mikewheelertm / @temporarywiin (jessica or ashton!) / @trashm0uth / @finalhorrors (stephanie or eddie k.)
they should never put this in the kitchen, chrissy thought through her hazy bubble cloud of wine cooler and winter break-fueled good mood. it was almost a languid sort of cheer that had hit her this late in the evening; she rarely stayed this late at parties but the smiles in every direction passively persuaded her to let the night drag on further and further until everyone would inevitably become a half-drunk and sleepy mess of laughter and jokes that never quite landed yet sounded hilarious regardless. but she’d forgotten about the trademark seasonal trap the party host had hung in a kitchen entryway, beyond which the siren song of a sofa crooned chrissy’s name. ....right - she’d been meaning to watch out for the mistletoe earlier. and missed her cue to glance up before nearly sliding past nancy right under it — until she noticed nancy’s movement grind to a halt, too. stupid little plant thing.
before her already alcohol-pinked cheeks could bloom any darker, chrissy giggled with all the air she had left in her lungs. oh, this would be easy, actually. no problems here.
❝ oops, i guess! merry christmas break, nancy. ❞ there was no needing to think her plan through twice before swinging an arm about nancy’s shoulders and giving her a smack square on the cheek. perfect. ❝ that counts, right? since we’re under here, i think we should make the rules. ❞
— a 🌿 for @rebelcliche
i need everyone to know that this is how chrissy reacts to hearing live metal for the first time.
𝘿𝙀𝘼𝙍 𝙈𝙎. 𝙎𝙐𝙈𝙈𝙀𝙍𝙎 (blueminke)
@greenscrunchy / chrissy & kacey !
SHE’S THE LAST ONE IN THE CLASSROOM, which isn’t too far out of the norm, carefully placing her belongings into her purse - pencils, pens, wallet, car keys… she swings the bag’s strap over her shoulder as she’s preparing to head out for the day. It’s then that the door to the science classroom peeks open, causing her head to reel to the entryway. OH, CHRISSY… Painted lips curl into a pleasant smile as she stands up from her desk chair to approach the young woman. She knows that it’s been more than difficult for the poor girl to readjust to her life in Hawkins after everything that’s happened, but in the very least, she’s happy to be supportive. “Are you okay, honey?”
chrissy still heard the bats. no matter that she was in the right-side-up now, demobat screeches hid beneath the otherwise inoffensive chirping of nearby birds. the stratified sound grated against nerves in her spinal cord more frigidly than avian silhouettes on a powerline after watching the birds for the first time. hitchcock, for all his mangled and twisty brilliance, could never have fabricated a fear that clung close as breath itself.
rich sunlight washed into ms. summers’ classroom with all the syrupy golden ease of late afternoon, bouncing cheerfully against zeus’s terrarium. the corn snake lounged on a rock feature close to the glass wall, tongue tasting the air now and again. but suddenly the snake’s head turned toward chrissy still at her desk. creature and human locked eyes for a moment, transfixed, until the snake opened his mouth and hissed that time was up.
the words seemed to come from miles away. chrissy still jumped and surrendered to a moment of spiky adrenaline which forcibly brought her wandering mind back to attention. it wasn’t zeus at all but ms. summers closing out class discussion. chrissy blinked wildly and organized her assignment folders, stuffed her backpack, and walked out like a zombie in a fog.
that was yesterday.
today the smell of smoke follows her everywhere like it’s trapped in her nostrils. she waves at her friends with a weaker arm than last month even though graduation creeps ever closer. her grades are getting better by centimeters. except life, existence still doesn’t feel grounded when she keeps the truth of the upside down held so close. and it is the truth. but how real is the truth when almost no one knows?
❝ trying. ❞ pathetic. chrissy can do so much better than whispering from the crack in the door. ❝ today was okay. i’m going to my friend’s house later to help with cleaning up the last of the rubble on their street. ❞ one shoulder has ticked up as she tries to pour her discomfort somewhere else. ❝ i just....i wondered if i could ask you something? about the earthquake. and....why i got lost. because there’s parts of what happened that scare me. ❞ please, her brain begs as chrissy finally dares to look her kind, pink-cheeked teacher straight in the eye. please don’t think i’m crazy.
chrissy’s favorite of the freshman is max, followed very closely by jane and will.
her favorite of the hellfire club is lucas, then dustin. lucas is also the sole member of the basketball team that she truly enjoys and feels comfortable around.
her favorite of corroded coffin is jeff.
she will cop to absolutely none of this and will swear passionately and often that she loves everyone the most.
( lady erica applejack is in a category of her own. so is eddie. )
chrissy appreciates the cheer squad very much, but nancy and robin become sources of great admiration and hope. her best friend tracy graduated in ‘85 and the hole she left behind was considerable. it’s nice to meet two girls who understand the horrors of the upside down and still have their heads on straight. nancy and robin are chrissy’s favorite seniors and she will tell them so.
𝘿𝙀𝘼𝙍 𝘾𝙃𝙄𝙀𝙁 𝙃𝙊𝙋𝙋𝙀𝙍 (fatherscurse)
❛ i’m tired of dying. ❜ - &. 𝐝𝐚𝐫𝐤 𝐚𝐧𝐝 𝐚𝐧𝐠𝐬𝐭𝐲 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.
he almost has to laugh. he feels like he’s died plenty of times over in the last eight months. the last couple of years, really. it was sad, a pang in his chest letting him know it wasn’t funny. but, of course, jim being jim, he does laugh. “ yeah. jesus. me too, kid. but hey. i got you now, no matter what, yeah? you’re not dyin’ this time. ”
feat. @greenscrunchy
years ago laura cunningham nipped the act of chrissy allowing her head to loll back lazily in the bud. an indicator of terrible posture, she announced, and chrissy would never appear polite or put together with her neck flopping about like a chicken’s. sit up straight, feet crossed, hands in lap. like an obedient princess.
right now, chrissy is obeying none of those pointers and looking not the least bit like a princess. her body hurts and every angled limb is an attempt to soften the ache that have come to dwell in all her hollows. both legs are bent slightly to the side and her spine has begun imitating the curvature of her seat back. the greatest offender of all, her neck, has allowed her head to wander, its weight now resting on the back of her chair. as of yet, hopper has yet to call her unladylike or sloppy. just “kid”. the simplicity is balm to her lingering frightened confusion.
❝ thank you. ❞ she wishes she could hear her own voice better but it’s drowned out by heartbeat drumming even in her own ears. ❝ i guess you have experience with that now. or everyone does and i guess i was the last to know. ❞ she twitches. ❝ i’m sorry. you’ve had to do this for....how many kids? ❞
𝐭𝐡𝐞 𝐯𝐚𝐧𝐢𝐬𝐡𝐢𝐧𝐠 𝐨𝐟 𝐂𝐇𝐑𝐈𝐒𝐒𝐘 𝐂𝐔𝐍𝐍𝐈𝐍𝐆𝐇𝐀𝐌 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐚𝐜𝐭𝐬. 𝘢 𝘱𝘶𝘤𝘬 𝘱𝘳𝘰𝘥𝘶𝘤𝘵𝘪𝘰𝘯.
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