As enjoyable as the anime adaptation may be, I urge everyone to read the light novel itself!! The anime glossed over many, many important scenes which are plenty enjoyable, but one thing I feel the novel captures a lot better are Oda’s thoughts, which definitely help you understand his (slightly odd) way of thinking. Here’s just a few of the many scenes you’d have missed out on if you only watch the anime:
Prologue + Chapter 1
How Dazai injured himself on tofu.
Dazai’s cooking and his miraculous soups.
Oda’s extremely detailed breakfast routine.
Dazai’s interaction with Hirotsu.
Dazai making an order for coffee and his highly sweet tooth.
The shooter was around three meters away from Dazai, compared to the anime which was near point blank (even I could have shot Dazai at that distance without training, please.) Also, Odasaku’s thoughts about Dazai’s expression. In comparison, he’s a lot more vocal about asking Dazai to stop talking after having his hand forced.
Chapter 2
The fight with the kids.
Odasaku’s vacuum cleaner passage about Dazai. Well worth the read.
Ango commenting that Dazai and Oda stink of rotten tsukudani.
Chapter 3
At one point, Akutagawa had Gide tied up. Also, he punched him.
Oda and Gide’s first meeting, in which Oda describes Gide as handsome.
Gide has grey eyes.
Dazai proposes to arrange Gide and Odasaku’s wedding.
Odasaku’s inner thoughts when the Buraiha trio break up are also well worth a read.
Chapter 4
The chase scene when Odasaku goes for the orphans. This was moved to episode 15, but keeping this would have been more dramatic imo.
The utter resignation in Odasaku’s thoughts are much, much grimmer in the novel. Also, Odasaku picks up smoking again.
His fight with the Mimic soldiers was cut short. Just a little, though.
Odasaku smiles when he fights Gide.
Their pose is described as miraculous.
The singularity of abilities is better explained in the novel.
Odasaku’s past is slightly less glossed over/implied.
Gide tells Odasaku to say hello to the children for him.
The cigarettes. Also, Odasaku’s last words were about his true love, curry rice.
Epilogue
Only one scene was animated. Everything else is pretty important imo.
the best thing about creating is you get to create :) unfortunately the worst thing about creating is that you have to.. create
"Maybe from today onwards, I'll be better".
(I don’t like putting watermarks so, PLEASE, if you want to post these gifs somewhere GIVE CREDITS! Also, don’t use them in edits/videos. Thanks~)
the fact that we only have “herculean task” and “sisyphean task” feels so limiting. so here’s a few more tasks for your repertoire
icarian task: when you have a task you know you’re going to fail at anyways, so why not have some fun with it before it all comes crashing down
cassandrean task: when you have to deal with people you KNOW won’t listen to you, despite having accurate information, and having to watch them fumble about when you told them the solution from the start (most often witnessed in customer service)
feel free to chime in i ran out of ideas much faster than i anticipated
Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:
1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.
2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.
3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.
4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.
5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.
6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.
7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.
8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.
9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.
10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.
These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.
Happy writing!
what do you mean i can’t read every book, study every academic subject, taste every food, live in every city in every country, visit every museum, listen to every single song ever produced, learn every language, meet every interesting person, memorize every particle of knowledge to ever exist ???
Your username in my notifs traumatized me
I'm very proud of this achievement
Body
descriptors; ample, athletic, barrel-chested, beefy, blocky, bony, brawny, buff, burly, chubby, chiseled, coltish, curvy, fat, fit, herculean, hulking, lanky, lean, long, long-legged, lush, medium build, muscular, narrow, overweight, plump, pot-bellied, pudgy, round, skeletal, skinny, slender, slim, stocky, strong, stout, strong, taut, toned, wide.
Eyebrows
descriptors; bushy, dark, faint, furry, long, plucked, raised, seductive, shaved, short, sleek, sparse, thin, unruly.
shape; arched, diagonal, peaked, round, s-shaped, straight.
Ears
shape; attached lobe, broad lobe, narrow, pointed, round, square, sticking-out.
Eyes
colour; albino, blue (azure, baby blue, caribbean blue, cobalt, ice blue, light blue, midnight, ocean blue, sky blue, steel blue, storm blue,) brown (amber, dark brown, chestnut, chocolate, ebony, gold, hazel, honey, light brown, mocha, pale gold, sable, sepia, teakwood, topaz, whiskey,) gray (concrete gray, marble, misty gray, raincloud, satin gray, smoky, sterling, sugar gray), green (aquamarine, emerald, evergreen, forest green, jade green, leaf green, olive, moss green, sea green, teal, vale).
descriptors; bedroom, bright, cat-like, dull, glittering, red-rimmed, sharp, small, squinty, sunken, sparkling, teary.
positioning/shape; almond, close-set, cross, deep-set, downturned, heavy-lidded, hooded, monolid, round, slanted, upturned, wide-set.
Face
descriptors; angular, cat-like, hallow, sculpted, sharp, wolfish.
shape; chubby, diamond, heart-shaped, long, narrow, oblong, oval, rectangle, round, square, thin, triangle.
Facial Hair
beard; chin curtain, classic, circle, ducktail, dutch, french fork, garibaldi, goatee, hipster, neckbeard, old dutch, spade, stubble, verdi, winter.
clean-shaven
moustache; anchor, brush, english, fu manchu, handlebar, hooked, horseshoe, imperial, lampshade, mistletoe, pencil, toothbrush, walrus.
sideburns; chin strap, mutton chops.
Hair
colour; blonde (ash blonde, golden blonde, beige, honey, platinum blonde, reddish blonde, strawberry-blonde, sunflower blonde,) brown (amber, butterscotch, caramel, champagne, cool brown, golden brown, chocolate, cinnamon, mahogany,) red (apricot, auburn, copper, ginger, titain-haired,), black (expresso, inky-black, jet black, raven, soft black) grey (charcoal gray, salt-and-pepper, silver, steel gray,), white (bleached, snow-white).
descriptors; bedhead, dull, dry, fine, full, layered, limp, messy, neat, oily, shaggy, shinny, slick, smooth, spiky, tangled, thick, thin, thinning, tousled, wispy, wild, windblown.
length; ankle length, bald, buzzed, collar length, ear length, floor length, hip length, mid-back length, neck length, shaved, shoulder length, waist length.
type; beach waves, bushy, curly, frizzy, natural, permed, puffy, ringlets, spiral, straight, thick, thin, wavy.
Hands; calloused, clammy, delicate, elegant, large, plump, rough, small, smooth, square, sturdy, strong.
Fingernails; acrylic, bitten, chipped, curved, claw-like, dirty, fake, grimy, long, manicured, painted, peeling, pointed, ragged, short, uneven.
Fingers; arthritic, cold, elegant, fat, greasy, knobby, slender, stubby.
Lips/Mouth
colour (lipstick); brown (caramel, coffee, nude, nutmeg,) pink (deep rose, fuchsia, magenta, pale peach, raspberry, rose, ) purple (black cherry, plum, violet, wine,) red (deep red, ruby.)
descriptors; chapped, cracked, dry, full, glossy, lush, narrow, pierced, scabby, small, soft, split, swollen, thin, uneven, wide, wrinkled.
shape; bottom-heavy, bow-turned, cupid’s bow, downturned, oval, pouty, rosebud, sharp, top-heavy.
Nose
descriptors; broad, broken, crooked, dainty, droopy, hooked, long, narrow, pointed, raised, round, short, strong, stubby, thin, turned-up, wide.
shape; button, flared, grecian, hawk, roman.
Skin
descriptors; blemished, bruised, chalky, clear, dewy, dimpled, dirty, dry, flaky, flawless, freckled, glowing, hairy, itchy, lined, oily, pimply, rashy, rough, sagging, satiny, scarred, scratched, smooth, splotchy, spotted, tattooed, uneven, wrinkly.
complexion; black, bronzed, brown, dark, fair, ivory, light, medium, olive, pale, peach, porcelain, rosy, tan, white.
“fuck you, my child is fine-”
Ma'am, your child is a writer
writer | character analysis| poems | opinion ✮ digital brain dumpster ✮
174 posts