May I add, I always found weird equalling the RCM with (what I assume is) the American police system, because such an analogy undermines the colonial aspect that pervades the writing of Disco Elysium. The RCM serves as a police body, of course, but it is still in its foundation a Citizens Militia, an (ostensibly) local organization that emerges in the category 5 catasthrope that is the occupation of Revachol by foreign forces. The RCM is formed because no one, (and could be argued, as is done in Disco Elysium!!! not even the RCM itself), can restore a modicum of order in Revachol. It is not a police body that emerges out of a state machinery with the highest security expenditure in the world.
I’ve always disliked the ACAB in the context of DE discourse because I feel it obfuscates motivations of characters like Kim, who voluntarily choose to join the RCM. A man who wears bomber jackets relics of a revolutionary past, yet sympathizes with moralist rhethoric. Kim is not only proudly Revacholian, he also believes in the RCM despite its multiple shortcomings. At the same time Kim suffers more than most the chauvinistic discrimination that usually pervades police bodies. Such contradictory allegiances only make sense in the context of the colonial condition of Kim and of the city of Revachol.
“ACAB”, “the only happy ending should be leaving the RMC”, “you’re a terrible person if you draw/write these characters enjoying the sort of corrupt cop stuff that they canonically do in-game” discourse is killing meeee
God forbid you don’t performatively remind everyone that you do hate cops, actually; and god forbid that you don’t find that True Healing and Happiness for them can only be achieved by leaving the force.
Metas could be written about how Kim and Harry are actually deeply flawed people who enjoy wielding some form of authority in a way that they actually feel best working as cops
(is it healthy? no. is it Good™? no. Is it true to their character? this is where media interpretation comes in)
Metas could be written about how that doesn’t mean ACAB isn’t real, that just means they’re the kind of shitheads (that we, the players, still love) who enjoy being cops
Metas could be written questioning the amount they’d have to change to adapt to a life as civilians, how much and what kind of a push they’d need to go for it, if it’s change they could even manage, if they could financially survive it, if they could find fulfillment in any other career, at their age
But no. Why waste time on that instead of easy slogans. I mean, we like them, these characters, and we don’t want to feel guilty for liking them, because what does it say about us, then, that we like flawed cops?
(nothing it says nothing it says we played a good nuanced extremely well-written game that skillfully made us like the sort of character whose past actions include sequestering some woman and beating a dude into disability. that’s what it says. i’d even argue that discomfort is part of the point)
taking your own advice is so hard. it’s “make bad art” this and “kill your perfectionism” that until i sit down with an idea i like. the i have to execute it perfectly Or Else
“As soon as you begin to ask the question, Who loves me? you are completely screwed, because the next question is How Much? and then it is hundreds of hours later, and you are still hunched over your flowcharts and abacus, trying to decide if you have gotten enough. This is the loneliest job in the world: to be an accountant of the heart. It is late at night. You are by yourself, and all around you, you can hear the sounds of people moving in and out of love, pushing the turnstiles, putting their coins in the slots, paying the price which is asked, which constantly changes. No one knows why.”
— Tony Hoagland, “The Loneliest Job in the World”
[person 500 years ago knitting a sock] O Sister Margaret, regale me again with the tale of Vicar Wesley's scandalous elopement with the baker's daughter!
[me today knitting a sock] O Youtuber Hbomberguy, regale me again with the tale of SHERLOCK IS GARBAGE, AND HERE'S WHY
The Terror (2018 - 2019) developed by David Kajganich
Yellowjackets (2021 - ) crated by Ashley Lyle & Bart Nickerson
Society of the Snow (2023) directed by J. A. Bayona
y’all i’m on cloud 9
the increase in cringe in this hellsite as a response to twitter refugees has me in a chokehold, but honestly shooting ourselves in the foot as a defense mechanism is just so on brand for tumblr
taking a drivers test in 45 minutes very nervy
people fighting tooth and nail to make the human body a pristine, frozen thing when it is in fact ever-changing and often gross by nature… where is the affection. the respect. let that thing breathe