I've Found It.

One very admirable trait of Yuuri is his determination to go through with an idea no matter how terrified he is if that brings him closer to his goal. We see this trait come into play over and over throughout the show. Often, this drives him to do something he has never done before but knows how to do in theory.

And then there's this:

Viktor has assigned Yuuri a short programme, but Yuuri has absolutely no clue how to perform it because he doesn't get Eros.

Yuuri has yet to learn what (unconditional) love is, too, but he is able grasp it on a subconscious level since he doesn't struggle to explain his interpretation of On Love: Agape

based on the level of understanding he is currently at.

However, Eros is a concept so foreign to him that his reaction to the music is just this:

He can't even put his associations in words (note his clueless tone). These two very different reactions to both arrangements reflect perfectly his own experience and his (current) understanding of "unconditional love" and "sexual love".

Yuuri is the kind of person who despite his anxiety boldly changes the composition of his programmes over and over because he's that desparate to win and this results in some badass moves like:

putting all the jumps of his SP into the second half just because he has stamina

turning the solo jump (3S) in his SP into a quad although he never landed a 4S in competition

going back to jump 3 quads in his FS instead of one

exchange the 4T in his FS against Viktor's signature move

and most prominently: jumps 4 quads so that his FS has the same difficulty as Viktor's

While all of these are daunting for Yuuri, they're doable because he knows how to execute these jumps and he knows he has the stamina to go through with it. The ultimate result boils down to timing, technique, and stamina. But skating to Eros is a major disaster for Yuuri because he delivers his best skating when he skates true to his feelings, and to make things even worse, the stakes are astronomical (they aren't, but that's what he thinks). How should he portray something he can't even feel? How is he supposed to win the Onsen on Ice with that, especially since he believes that losing Viktor as a coach is at stake? No wonder the poor boy outright freaks out at the thought.

Yuuri would have been happy skating to Agape because he has an innate basic understanding of unconditional love. However, he's completely blind to Eros and will need to rely on workarounds to deliver a somewhat decent performance--at least until he and Viktor know each other well enough for Yuuri to figure out how to seduce him with his skating.

And yet in that moment, Yuuri doesn't flinch because he wants Viktor to coach him. He wants to win the Grand Prix Final. He wants Viktor for himself and to eat katsudon with him. All these things embody a dream he has been pursuing for half his life, a dream that involves skating and Viktor, and for the first time in his life, this dream is within reach. He's not going to let a 15-year-old punk take that away from him, he's going to fight for it with all he has. Because even though Yuuri doesn't get Eros, he has eros and this eros is very possessive (and Viktor happens to like that a lot, but Yuuri doesn't know that yet).

Even when he's terrified does Yuuri keep pursuing his goals because he has this strong determination inside him that pushes him to great lengths to make his dreams reality. Nothing is too difficult not to try. Not even when he's supposed to portray with his skating something he neither feels nor has a concept of. He's terrified, he isn't ready for that, but he does it anyway. To me, that's an exceptional showcase of his bravery.

A little rant below:

I often see fans treat Yuuri like his anxiety and his determination combined turn him into an enigma of contradictions. Like he's two different personas. But these two traits don't contradict each other at all. That's called bravery and this bravery eventually starts bleeding into Yuuri's off-ice decisions like when he sends Viktor home to Makkachin although he needs Viktor by his side, or when he decides to quit his dream so that Viktor can continue pursuing his (that was a bullshit decision, but that's not the point).

Yuuri claims that he needs Viktor to believe in him and that because of Viktor's love he is stronger, and while it's true that Viktor is a positive influence, his presence in Yuuri's life only reinforces Yuuri's own innate strength.

So, the cancellation of Ice Adolescence inspired me to I finally finish my YOI fic The Seven Flowers of Autumn. If you like Victurri, flowers, beaches, blushes, pining, dating, Japanese customs, co-sleeping or sick fics, check it out. It's sweet and canon compliant. There's no drama or angst, just a closer look at Victor and Yuuri's everydayordinary and the changes in their relationship the September before the Chu-Shikoku-Kyushu Regional Championships.

Ice adolescence being cancelled is like the ultimate betrayal by mappa. Mappa's first BIG big hit, its magnum opus, was never jjk or csm or aot. It was Yuri on Ice. It's time they remember their roots, for those roots are gay.

I think we're all so devastated at the news of IceAdo's cancelation. It was an incredible anime not only because it was groundbreaking for the queer community in terms of quality, but also in terms of how intimately the relationship was depicted without being vulgar or explicit, which many other such anime depend on to gain an audience. The profound devotion Yuuri and Victor had towards each other and figure skating was palatable and it just sucked you in. A lot of times, it even felt like you were intruding on a private moment between them, especially as Yuuri got more comfortable around Victor and started being more open about his anxiety, which was also a focal point of the show, also masterfully depicted.

It was such a beautiful experience, that we wanted more of it, which is what we thought we were going to get. But for 8 years, we were strung along, our hope exploited, until finally, the cancelation, which we all realized, after a certain point, was coming.

The pain of not being able to sink in to the world of Yuuri!!! On Ice once more is very deep, because that kind of magic is something you just crave once it has entered your life, BUT!!!!

What I need us all to do is to keep reblogging, reposting, retweeting, signing petitions and just keep being loud about the impact Ice Adolescence could have had, as well as how YOI has affected us. As long as we don't loose speed, the relevant people WILL see that this fandom is very much still alive, still active AND STILL GROWING!

I know the movie has been scrapped, BUT I still think that the rights CAN be bought off MAPPA. If not for another attempt at Ice Adolescence, then a second season, which would also be incredible!

I don't know if this is even possible or if it's been done before in Japan, but I've seen it happen with the TV show "Lucifer", and I hope it can be accomplished here too. If not, LET'S SET A PRECEDENT TOGETHER! We have nothing to lose, but we could gain something beautiful!

So, please, everyone, don't stop liking, engaging with and reposting YOI-related content! We have to show that we are still dedicated and interested in this anime, and therefore PROFITABLE so they can potentially invest!

Also, because it's been 8 years, there are bound to be people who haven't heard of YOI, but would watch it, support it and talk about it if they knew about it's existence. Let's give this our all and do our best to get Victor, Yuuri and everyone else back on our screens!!! DON'T LOSE HOPE!

REBLOG THIS AND KEEP YURI ON ICE TRENDING SO WE CAN GET MORE PEOPLE INTERESTED AND AWARE!

MORE KUBO ART FROM AN AUTOGRAPH SESSION AT HER ART EXHIBIT!

PART 1 - PART 2 - PART 3 - PART 4  - PART 5

Source: Denkimouse, Soukatsu_,yumina_on_ice, misama992, hakui_ya, blueline500, 57mutuki, sumauragg, chokekeke, Kumatan_0815, manyase, irimone, baron1129, tr_miyi, miko_yoi, YOIkannaduki27, chinu0481, picoypig, warabinama, umeice12, 3u1229, nanbaca,  ricomatsu965, numashirokuro, mamamariboo, akapahua, mokatarou29kyuu, sabatora3cat, kohi1919, thursday435, nanbaca, haraherialldays, ricomatsu965, hkryoooo, saica__d, YOI_UK, ayumizo8822, warabinama, otaakanami, 0601yukiko, sakana_hitori, chinu0481, yuhuru, aobarin_, satoru_goods, mikity0330, aoiaoiaoi555, k_474_zzz, Yukyan1014, numashirokuro, anisonbar_ginga, and more.

All from twitter users and exhibit attendees sharing them, none mine.

One thing that has been bothering me a lot over the past few days is seeing all these RIP YOI, RIP IceAdo, Remember YOI etc. posts. As someone who discovered YOI later, I'm watching this unfold from the sidelines and I'm seriously worrying what this is going to do to the fandom. I understand that you are sad because the movie was cancelled, everyone has the right to be sad about such a thing, and I'm not trying to invalidate your pain. But, and I'm saying this with all kindness and my best intentions, and hell, I'm not even the first one saying this, but please hear me out:

YOI IS NOT DEAD.

It did not die last Friday. And it doesn't die because there won't be a movie. No story in human history has ever died because someone decided it was over. Stories are forever. They live in the hearts of the people. And so has YOI been living in the hearts of its fans since October 6th 2016, and will continue to live there for as long as we want.

Whenever I type "Yuri On Ice" into the search field of any social network, web archive, or search engine, I see hundreds of thousands of hits, most of them fanworks. Please take a moment to think about what that means:

In the 7.5 years since YOI aired, fans have made tons of art, written fanfiction and metas, cosplayed YOI characters, created fan videos, crafted all kinds of fan-made merch, and so much more. You are the ones who brought into being an endless multiverse centred around an anime that is already larger than life. You have already created so much more YOI than Sayo, Kubo, MAPPA etc. could ever create even if they made one hundred movies. And even if every country in the world turns fascist and bans YOI, it will survive because fans will always find ways to preserve it and the power its message holds. Only stories that nobody no longer talks and cares about fade in oblivion.

You hold all the power to keep YOI alive, but, and this is probably the hardest pill to swallow, that also makes you the only ones who are able to kill YOI - be it by stopping to create or talk about it, or by shouting its death from the rooftops because you fancy yourself dramatic, or by turning the fandom into a hate-infested toxic hellscape, whichever will occur first.

And I honestly don't know which of these I fear most.

If you truly love YOI, please do your share and continue to keep it alive.

I hate you mappa genuinely. I adore him with all my heart, I wanted to hear and see his story

YOI meta: How episode 7 lays bare Viktor's strong compassion and his struggles with putting himself in someone else's shoes

Of all the events in episode 7, the kiss and the fight in the underground parking get most of the attention, but how often do we discuss the deep care Viktor exhibits for Yuuri in this episode and the difficulties he faces in the process?

Having learned the general aspects of supporting an athlete in competition in episode 5 (I discussed this at length here), Viktor now pays more attention to Yuuri's mood and actively supports him. However, there's a striking discrepancy between his compassion and his clumsy attempts to help Yuuri. Viktor has no prior experience with coaching, and he's not familiar with anxiety either, wherefore some difficulties are to be expected. However, his trial-and-error-informed handling of the situation implies general struggles with putting himself in someone else's shoes.

Let's go through this from the start:

Seeing Yuuri nervous and overtired the morning before the free skating worries Viktor. However, he neither understands Yuuri's feelings nor does he have a clue about what Yuuri is thinking. He thus resorts to his own experience to solve the problem: taking a nap. Note that, whereas this enables Yuuri to catch up on some sleep, it doesn't solve the underlying cause of his anxiety.

However, Viktor underestimates Yuuri's anxiety which renders his effort ineffective. At the warm-up, Yuuri is less than one hour away from his free skating, and his anxiety is getting worse. This forces Viktor to take more drastic action, for which he relies on past observations of Yuuri.

As a coach, Viktor has to weigh the risk of a panicky Yuuri messing up against a calmer but less prepared Yuuri messing up. Yuuri has reached a point where forbidding him to jump during the warm-up is worth a try despite the risk of sending him into the free skating poorly prepared. It's a very savage solution, though. Not that Viktor canonically is savage at times, but in a sport that heavily relies on muscle memory, this instruction borders recklessness. I wonder what Yakov would say to this.

Using observations, past experiences, and logic to empathise with and support someone is a common workaround for people with poor cognitive empathy. Viktor does this a lot, especially in this episode. His low cognitive empathy is also the reason for his canonical bluntness.

In my experience, this workaround leads to mixed results as observation and reason can only compensate for so much. The good news is that it becomes more effective with experience, even more so when one is aware of their issues with perspective-taking. Viktor is only 27 and he's smart and committed; he can totally improve this skill in the future.

Please note that struggling with cognitive empathy doesn't make someone a bad person. There are several empathy types which work together but manifest differently in people depending on personality/neurotype. The emotional empathy, which enables a person to share someone's emotional experience, is not affected by this. In Viktor's case, it works pretty normal as I will detail in the following.

Viktor has learned that a lecture is inappropriate when Yuuri disobeys his instructions (and it doesn't stop Yuuri from disobeying again). As Yuuri is visibly distraught, he thus tries to comfort Yuuri using another method common for poor cognitive empathy: He uses facts and makes it sound as if it's not a big deal. Spoiler: for someone with anxiety, it is.

While facts work great as a great reality check and are more effective than flowers of speech, Yuuri is already too far gone to feel comforted. Facts and logic only work in the early stages of an anxiety episode. From Yuuri's perspective, Viktor's cheerful tone suggests he doesn't take the situation seriously, even though quite the contrary is true. As a result, Yuuri sees his feelings dismissed and withdraws into himself as he spirals into a panic attack.

This image speaks volumes of the isolation Yuuri experiences in his anxiety as well as Viktor's compassion and lack of understanding as he turns away from the camera. This boy is deeply worried but has no fucking clue how to handle the situation as it's uncharted territory. As the free skating progresses, Viktor is under increasing pressure to get Yuuri into a headspace that allows him to skate clean. Again, he relies on logic to solve the situation. However, while removing Yuuri from the anxiety-inducing situation is helpful, it doesn't eliminate the source of his distress.

In Yuri!!!, characterisation is often narrated through minor characters. While Chris's lines express bitterness about losing Viktor as a rival, they also reveal Viktor's change from being 100% devoted to the ice to 100% devoted to Yuuri. And you can see how much he cares for Yuuri on his face.

However, Viktor's efforts continue to be ineffective, which at this point is no longer surprising. So, in the following, we see more clumsy attempts at calming Yuuri in the following:

This entire episode is a textbook example of Viktor gloriously failing at taking Yuuri's perspective. As the situation escalates and Viktor fails to reach Yuuri, he finally starts to analyse Yuuri's distress.

While Yuuri's anxiety dominates the plot, the depth of Viktor's care and compassion is told through small details like expressions and gestures like the tenderness with which he holds Yuuri's face as he covers his ears. Even more so than the scene in the mixed zone, this frame perfectly captures the discrepancy between Viktor's emotional and cognitive empathy.

With Yuuri's free skating approaching rapidly, the pressure to solve the situation is on Viktor, and the inevitable happens: he messes up completely.

I cannot stress enough how much Viktor sucks at perspective-taking. It's already hard for most people to understand anxiety disorder if they haven't experienced it themselves. But Viktor having such a hard time with perspective-taking is a general issue, and it runs like a thread through the entire series. One cannot overcome this by just trying hard enough as it's cause by a differently wired brain.

And so, here in the underground car park, Viktor's inability to put himself into Yuuri's shoes reaches a dramatic climax as he threatens Yuuri with resigning as his coach as a last resort.

While cutting into someone's panic attack by directing their anxiety at something else appears to be an effective emergency exit, it's one of the worst things you can do to a person with anxiety disorder as it creates a new demon in their head. Don't. Do. This. Ever. Yuuri might go into the free skating relieved, but he will agonise over Viktor returning to his home country throughout the next two episodes. As I said above, anxiety defies reason. (I'll write more about how Yuuri's anxiety works in another meta-post.)

Right here, it drives them even further apart, as represented by their physical distance.

Viktor could not be any farther away from understanding Yuuri. He has not a fucking clue what he's doing. He's just trying out what comes to his mind, and it backfires.

Ahh, I love him to pieces but I want to slap some sense into him! I solemnly swear that from now on, every time I agonise over my poor social skills, I will think of how Viktor fucked up in the underground parking and Yuuri forgave him.

Ironically, Viktor's trial & error approach finally succeeds. As Yuuri starts to cry, the underlying cause of his fear is finally unveiled.

Asking Yuuri right away would have avoided this escalation, but that's not how Viktor's brain operates. At least he is aware of his issues to somewhat extent.

To calm Yuuri, he comes up with something I guess is another default that worked in the past:

Nope. This is not how you introduce the subject to your boyfriend, Viktor! Not when he's upset. You could have just given him a hug, but the idea doesn't even cross your mind even though you seem to be a hugger by nature.

On the other hand, Yuuri didn't communicate his needs unprompted, but communication is key. You cannot expect a person with poor cognitive empathy to magically anticipate your needs and read your mind. It just doesn't work that way.

Unfortunately, the Stammi Vicino reference is lost in the Crunchyroll subs, but that's what Yuuri says to make Viktor understand.

Note how close they are again, while people in the corridor are blurred. The creators did an amazing job at letting images speak for the characters.

I doubt asking Yakov would have helped. Not only because Yakov would have used the situation to dismiss Viktor once more as a coach but because Yakov's method is unsuitable for a student suffering from anxiety. However, as Yakov is one of Viktor's to-go-to defaults, he naturally considers the option.

Imagine this scene but with Yuuri. Just nope.

Now back to the aftermath of Viktor messing up and saving Yuuri from going into his free skating with a panic attack by accident rather than design. While Yuuri is relieved of his anxiety, the situation is still awkward as he and Viktor had no time to make up or process the fight.

This small gesture of reassurance is so important as it gives them both closure that enables them to enjoy the free skating. I regard the tissue as a token of peace (I mean it even contains his DNA).

Ultimately, Viktor's trial & error approach to calming Yuuri succeeds. Yuuri, albeit rightfully annoyed, understands the intention and recognises Viktor's affection and compassion in his clumsy attempts to support him, which culminates in him reciprocating his affection by jumping Viktor's signature move.

Does low cognitive empathy make Viktor a bad coach? Certainly not. Viktor is very passionate about the task and his high emotional empathy and his natural drive to support Yuuri with all his heart speak for themselves. Like everyone, he needs to grow into his role and make it work for him. In Yuuri, he has someone who calls him out on his bullshit gives him immediate feedback he can use to improve.

Episode 7 is a major learning experience for Viktor in understanding Yuuri and supporting him in a distressing situation. And as Yuuri can see beyond Viktor's flaws, it brings them closer together.

A side note on harmful mischaracterisation

High/normal emotional but low cognitive empathy is a trait of autism albeit not necessarily limited to it, which is one of the reasons many autistic fans of Yuri!!! including me identify with Viktor. (I have a theory that the creators accidentally gave him a bunch of autistic traits when they applied the socially awkward genius trope, which generates autistic-coded characters per default. I discussed these traits and why autism is a valid interpretation in response to another post that brought up the subject.)

Whether or not Viktor is autistic, his struggles with perspective-taking are so obvious I consider them canon. I suspect this spurred fan theories from Viktor having ulterior motives for becoming Yuuri's coach to labelling him as downright evil. It explains takes like "Viktor became Yuuri's coach because he was bored and doesn't care about coaching at all until some arbitrary point mid-season where he suddenly falls in love with Yuuri". While I believe that everyone is entitled to their own headcanon and can change characters for their fics in whatever way they like, labelling his behaviour as uncaring, ill-intent or assuming a hidden agenda and calling it canon or at least a valid interpretation not only mischaracterises Viktor but hurts and demonises autistics and other people dealing with this issue. So please for the love of god and the YOI creators keep that in mind!

If you enjoy my meta posts, please consider giving my blog a follow or checking out my works on AO3(link in bio). You will find the results of my meta musings in there!

who and where? — let's talk KCD3

disclaimer: this post is a continuation of my previous KCD3 posts on speculation of the events and lore that i'd like to see explored in the next installment(s) of the KCD story. these are only speculations born of my own biased narrative and hopeful bastardizations of real events. this is not representative of ALL the real historical persons and events as there is either info missing on them, they were altered by WH for the sake of the game or i'm plain wrong. PS: i am not a historian. i just like history.

PART: 1 2 3 4 5 _____________________

the part i've been looking forward to the most!

in this post, i'll be going over the most likely locations that will appear in KCD3 according to the real historical timeline and i'll be supporting these speculations with things that were hinted at in KCD2. and we'll be using some real historical maps!

the who:

the main antagonists i believe we will be seeing in KCD3 are the following:

Heinrich III von Rosenberg

Sigismund of Luxembourg (again)

Albrecht IV of Austria (?)

Erik

the new allies we might meet are the following:

Jan Sokol of Lamberg

Matěj Vůdce (Matthew the Leader)

King Wenceslaus IV

the where

the main locations i believe were most hinted at in KCD2 were the following:

Podiebrad

Kolin

Znojmo (Znojmo castle)

Prague (partial?)

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so let's start with the who!

so far in the story, king Wenceslaus IV has merely been a name without a face, unlike Sigismund who not only got screen time in KCD1 & KCD2, but also a significant role in the main quest (and in the credits). meanwhile, Wenceslaus has been pushed off screen as we fight for the very same king. which, i guess, was an authentic experience for the people of Bohemia at the time as well.

however, it was in november of 1403. that king Wenceslaus was freed from Vienna with help from none other than our John II of Liechtenstein. i believe that this might be a cutscene we will be seeing likely in the prologue of KCD3 rather than a playable quest due to the fact that Vienna is so far. i believe that if they choose to make this a non-playable cutscene then it would allow the game to advance onto 1404. and its relevant events.

now, i fully believe that we will be seeing Dry Devil, aka Hynek of Kunštát again if the game will indeed be playable in 1404. the reason for that is that there is a relevant event that occurs in the town of Znojmo, or more precisely, Znojmo castle. in 1404. king Sigismund along with Albrecht IV of Austria lead a siege against Hynek and Jan Sokol of Lamberg in Znojmo castle, during which Albrecht was allegedly poisoned and died of dysentery which spread throughout the camp, and even Sigismund was apparently at the death's door.

anyone else see a perfect chance for the involvement of our professional bastard meddler? not only that, but the geography of the area looks very fun. i also believe this would be a convenient event to cover in the game as it's historically pretty vague which would allow WH to have more liberty while writing it.

the next person on our list is Heinrich III von Rosenberg. yes, those Rosenbergs. that name has been present ever since KCD1, if you remember the knight Ulrich of Passau sent to investigate the forging of silver coins in Sasau monastery on behalf of the Rosenbergs.

in the next installment, in KCD2 Rosenbergs get mentioned again. they were the most powerful members of the League of Lords (and one of the founders) and the biggest opposition to then king Wenceslaus IV.

in fact, i believe we saw Heinrich III von Rosenberg himself in one of the KCD2 trailers, seen with Erik and Markvart Von Aulitz in what i presume is Malešov, but he is not there during Henry's infiltration into Malešov in the game.

i believe the Rosenberg crest is etched into the inner elbow of Heinrich's couters. (trailer)

so why is he so important to the sequel(s)?

besides the fact that he was one of king Wenceslaus' biggest enemies, we can also see his banner flying among Sigismund's army during the sacking of Skalitz.

i very kindly circled the banners for you. source: KCD1

you'd honestly think Henry would have a bigger incentive to go after this guy rather than Von Bergow.

there is also an unconfirmed but still very interesting theory that Jan Žižka served Rosenbergs under a false name during a brief period, which makes his efforts of destroying Rosenberg assets starting in 1406.* very funny. i say 1406. only because that was the first time he started appearing in the Rosenberg's black book (acta negra maleficorum) of the Rosenberg estate as an accused bandit. this means his hostilities against Rosenbergs could have started as early as 1404. for the sake of the narrative convenience (wink wink nudge nudge WH?). jokes aside, the lands surrounding Trocnov, Žižka's home, were often under pressure from Rosenberg estates, so i could see his incentives against Rosenbergs easily starting before 1406. because of that regardless of the convenience of the narrative.

whew!

and if you recall the scene where Istvan Toth is sending Erik on his merry way to Malešov, you can hear him mentioning Senitz (Senice).

source: KCD2

i was briefly debating which Senitz/Senice he was talking about, but i took the liberty of visualizing the route from Trosky to Malešov for your viewing pleasure and found one Senice along the route.

(note: this is a modern route using modern roads as per google maps info because i do not have access to a more detailed map of 1400s central Bohemia. it is only an approximate of Erik's route at the time but i think it still gives you a good sense of his path. 90km/56mi.)

so that was another Rosenberg mention. i think it's safe to say that we will be encountering Heinrich III von Rosenberg in the next game.

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and now the allies!

i believe Dry Devil and John II of Liechstenstein will be making an appearance again, and alongside them most likely Jan Sokol of Lamberg.

there hasn't been much proof that suggests we will be seeing him in a sequel, but i don't believe his KCD codex entry mentioning Znojmo in 1404. is a coincidence.

and again, there is the mention of Rosenbergs. i believe that KCD3 will either include the events of 1404. OR it will contain the events of 1404. and timeskip into 1409. because that was when Jan Sokol of Lamberg, Matěj Vůdce and Racek Kobyla waged a guerilla campaign against the Rosenberg family on behalf of king Wenceslaus IV. two pretty relevant periods, i'd say.

as for Matěj Vůdce, aka Matthew the Leader; people have been speculating that the Matthew we encounter as Henry while recruiting Dry Devil's old band is the Matthew. or just another Matthew. i couldn't find the exact year when Jan Žižka met Matthew before the more commonly cited 1409. so i can't say for sure. (however, i'd like to think that a figure that important wouldn't be an easily killable NPC.)

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and now let's go into the where's!

i promise this section will be shorter and more illustrated than the previous one. reminder of the locations i listed;

Podiebrad

Kolín

Znojmo (Znojmo castle)

Prague (partial?) (Wenceslaus event only Prague map?)

i obviously listed Podiebrad (Poděbrady) as that is the location mentioned multiple times in KCD2. Rosa Ruthard mentions her and her family (Ruthards) travelling there at the end of KCD2, and i believe this is where Hans Capon's wedding will be held as well considering Podiebrad was an estate given to the Kunstadts (by Charles IV, Wenceslaus' father), and considering the fact that Botschek and of course Jitka are of Kunstadt, it makes sense.

i also believe Kolín will be there, probably less important but as a potential place where we will be able to meet Samuel again. historically, Sigismund did indeed order an attack on Jews of Kuttenberg and they did settle in Kolin.

the distance between Podiebrad and Kolin is also quite short.

as for Znojmo, it is located some 170km (105mi) away from Rattay which might seem like too far, but here's a reminder on how far Trosky is from Rattay in comparison!

the distance between Rattay and Trosky is 103km (64 mi)

and finally, here is the distance between Rattay and Podiebrad + Kolin.

when you compare it to Trosky and its surrounding area, Podiebrad and Kolin are a lot closer in comparison. i even speculate that Hans' wedding might happen on his way back from Trosky to Rattay, hence why Hanush was so insistent on hurrying Hans up and why Hans was so insistent on staying in the Devil's Den longer with Henry.

and lastly; Prague.

i am still very much on the fence about Prague, mainly because trying to recreate a city of that size in-game would be a Herculean task. not impossible, but very hard. i mention Prague because after stopping in Kuttenberg, that is where king Wenceslaus IV returns to once he escapes Vienna in 1403.

and there could be a lot said about Kuttenberg and that arc in itself (like Hans, Henry and co. meeting the king in Kuttenberg while they're still chilling in the Devil's Den) but i thought i'd rather talk about Prague.

Prague, even in 1403./1404. was already approx. 5-6 times bigger than Kutternberg. which is a Lot. I've already linked this map in a previous post, but here's a reminder on what a reconstructed map of Prague in 1419. looks like;

my frankenprague map. source from this lovely website!

on the other hand it's an insane project that would be lauded for decades if executed successfully because who the hell wouldn't want a walkable map of 1419. Prague ?!

thus i believe that Prague might also become only a cutscene or only a very small part of it would be playable for reasons yet unknown to me.

⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯

okay, that's all for now. i had to cut this post down in size, can you believe it. but i really wanted to make a sort of an Everything post for the possible directions KCD3 might take because i was seeing way, way too many people guessing that the next KCD game will be set in 1419. my brothers and sisters in christ, there are so many important events to cover just from 1404. to 1416., i cannot imagine going straight into the Hussite wars without establishing Henry as a radical on the side of the people through various banditry related events and addressing the collective harem of Bohemian revolutionaries accumulated throughout both of the game's story first. i know a lot of us are here for the tragedy of Hansry in 1419., but i promise you there are many happy years between now and then in the meantime. enjoy them! (and learn more about 15th century Bohemia!)

“See you next level” -me when I lie