Colour Or No Colour? Which Is Better?

Colour Or No Colour? Which Is Better?

Colour or no colour? Which is better?

More Posts from G00seg1raffe and Others

5 months ago

I am in love with this how have i never seen it before???

g00seg1raffe - chronic maladaptive procrastinator
g00seg1raffe - chronic maladaptive procrastinator
g00seg1raffe - chronic maladaptive procrastinator
g00seg1raffe - chronic maladaptive procrastinator
g00seg1raffe - chronic maladaptive procrastinator
g00seg1raffe - chronic maladaptive procrastinator
g00seg1raffe - chronic maladaptive procrastinator
g00seg1raffe - chronic maladaptive procrastinator
g00seg1raffe - chronic maladaptive procrastinator
g00seg1raffe - chronic maladaptive procrastinator
g00seg1raffe - chronic maladaptive procrastinator
g00seg1raffe - chronic maladaptive procrastinator
g00seg1raffe - chronic maladaptive procrastinator
g00seg1raffe - chronic maladaptive procrastinator
g00seg1raffe - chronic maladaptive procrastinator
g00seg1raffe - chronic maladaptive procrastinator
g00seg1raffe - chronic maladaptive procrastinator
2 weeks ago

@frenchkey gave me the prompt 'getting the blood out' last night and I turned it into CodyWan angst

He shouldn't have taken it. It wasn't his to take, and had been abandoned as unimportant. It was just cloth, after all; empty and useless and bloodstained.

Bloodstained. Because Obi... Because General Kenobi had helped a wounded soldier to their transport before the Sith had attacked, and the General had discarded his cloak in order to give chase. There was no reason for Cody to have retrieved it, and less reason to have kept it, rather than returning it to its rightful owner.

The bloodstains bothered him, though. It seemed... rude to return the cloak in its dirtied state. So he'd kept it.

The fabric was soft under his fingers, well worn and thick enough to provide protection from the elements for a wide range of human and near-human species.

For a wild moment, Cody felt the urge to slide the garment over his shoulders and feel the weight of it falling into place, to feel a sensation that was so familiar to his General. He gave himself a mental kick in the shebs to move on from the urge, rather than do something so ridiculous as try on a Jedi's robes.

Instead, he moved to the 'fresher, glad that, as Marshall Commander, he was afforded his own berth with attached cleaning facilities. He had everything needed at hand to remove blood from clothing, though he usually sent his blacks to the laundry rather than washing them himself, regardless of their state. It wasn't as though his blacks were any different from anyone else's, so he was hardly worried about them getting mixed up in the wash.

The cloak held onto the dried-in blood more stubbornly than Cody's blacks ever had, crafted more with the intent to be sturdy and long lasting than with consideration for the number of bodily fluids likely to soil the fabric. Still, Cody was patient, refusing to devolve into frustrated scrubbing and risk damaging the cloak.

It felt almost soothing to work the flakes of blood out of the weave, and while the harsh scent of chemicals stung at Cody's nose, he found great satisfaction in the results of his work.

He hung the garment up to dry, resolving to bring it to General Kenobi in the morning.

His berth seemed cold when he finally made it back, though Cody was sure that the cause was entirely emotional.

They'd been betrayed. The Jedi had turned on the Republic; tried to murder the Chancellor. He couldn't understand what would drive them to such an act. Obi-Wan had always spoken of a desire for peace, for an end to the war and senseless killing. Why would the Jedi - why would Obi-Wan - then try to undermine the Republic in such a way? Had it all been a lie from the start?

Who would fight for the clones, now that the Jedi had turned traitor? They'd been among the few to treat the clones as anything more than droids made of flesh and bone, and that made the betrayal sting deeper. How could Obi-Wan abandon them like that? How could he leave them to face a galaxy that saw them as unthinking, unfeeling tools? How could he leave Cody?

Buried at the very bottom of his footlocker, under his spare blacks and his dress greys, Cody withdrew a bundle of brown fabric, worn soft and still smelling faintly of tea and cleaning chemicals. He'd never had a chance to return the cloak, having been thrown into an ambush before the ship's night cycle was over, and then running from one engagement to the next until it had seemed far too awkward to reveal he'd had the cloak the entire time, and Obi-Wan had soon requisitioned a replacement, leaving Cody to hide the original away.

He should have thrown it away long ago. There was no good reason to have kept it at all, and yet...

The fabric felt warm as it settled around his shoulders, the scent of Obi-Wan's favourite tea mingling with the ozone smell off blasters and lightsabers. Cody's eyes began to burn, and he lowered himself to his cot, wrapping the voluminous folds of the cloak around himself like a youngling in a blanket, swaddled safely by a parent.

Obi-Wan was gone.

Cody had killed him.

Traitor or not, Cody had killed the first and only natborn to call him a friend. Obi-Wan was his friend, and he'd betrayed everything they had fought for, everything they had sacrificed and bled for, and so Cody had been made to do the unthinkable.

Lifting one overlong sleeve to his mouth to muffle his sobs, Cody fell apart, tears soaking the fabric in a matter of moments as he shook with the force of his grief. Obi-Wan was dead, and Cody had killed him, and now he would never have a chance to beg for answers, never know why Obi-Wan had chosen to betray the Republic.

He fell asleep still wrapped in the cloak, unable to bring himself to forgo the comfort of one last embrace from the man he'd called his friend.


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3 months ago
The cover page for a digital comic. A trailhead information board stands in a lush green forest, with a trail map, and two signs pinned to the wood. The text on the signs read: "BY BECKETT JONES" and "THE TRAVELER'S WARNING."
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a work boot, a leather-bound journal, a compass, and a colorful rock bracelet. 

The first panel is a Forest Service gate on a dirt road, slightly ajar. The road goes out of sight into leafy green shadows. There is one wooden sign nailed to a tree, and two white and green signs secured to the gate. The text on these signs reads:
"TRAVELER, STOP! 
IF YOU TAKE THIS ROAD YOU WILL BE 
FUNDAMENTALLY CHANGED
FOR BETTER OR WORSE."

The second panel is a crumbling concrete barrier in gray, driving rain. There are evergreen trees in the background. There is a hand symbol pointing to the right engraved into the barrier, and text that reads:
"YOU WILL RETURN FROM 
THIS JOURNEY 
IRRECOVERABLY ALTERED 
IN WAYS" 

 The third panel is a waterfall with conifer trees, behind a glossy red sign with "no swimming" symbols. White text on the sign reads:
"YOU CANNOT COMPREHEND 
BEFORE YOU UNDERGO 
THIS TRANSFORMATION."
Two comic panels on an off-white background. An espresso machine portafilter is pictured in the negative space in the page. 

The first panel is of a red rock slot canyon, with a rushing green river at the base. A rusted yellow sign stands in the water, with a flash flood symbol and text that reads:
"NO ONE ON EARTH 
WILL UNDERSTAND THE 
METAMORPHOSIS"

The second panel is a wooden sign hanging from the eaves of a roof, in front of a snow mountain scene. Stars twinkle in the night sky. Warm red text on the sign reads:
"EXCEPT THOSE WHO EXPERIENCED IT 
WITH YOU. THE PEOPLE WHO LOVE YOU." There is an arrow symbol and two foamy mugs also depicted on the sign.
Two comic panels on an off-white background. Objects depicted in the negative space of the page include a key ring, a pocketknife, a stuffed toy mountain bluebird, and a bandana. 

The first panel is a road with a center stripe in a sagebrush plain, with big orange clouds in the sky. A coyote slinks across the road. A big green highway sign with white arrows reads:
"MAY CEASE TO TRULY KNOW YOU. 
WALKING BACKWARDS 
WILL NOT HELP YOU"

The second panel is of a high alpine wildflower meadow, with a glaciated Mount Tahoma in the background. A wooden stake reads:
"WALKING FORWARDS" 
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a headlamp, a trowel, and a plant sprig in a ziplock bag. 

The first panel is a wildfire sunset above a barbed wire fence, surrounded by blooming fireweed and evergreens. An orange wildfire hazard sign reads: 
"IS INEVITABLE 
YOU CANNOT STAND STILL" 
A gray jay sits on the top of the sign, eyeing the viewer. 

The second panel shows a dilapidated wooden shack, covered in moss and white and orange mushrooms. Evergreens and leafy undergrowth surround the structure, and a Pacific gray tree frog sits on a leaf in the foreground. Text carved into the wood reads: 
"YOU MAY NO LONGER RECOGNIZE 
YOUR HOME" 

The third panel is a chinook salmon run in a green forest. Underwater reeds flow on the river. A white sign nailed to a tree trunk, with water symbols and text that reads:
"IT CANNOT STAND STILL
EITHER."
Three comic panels on an off-white background. Objects depicted in the negative space of the page including an ammonite fossil on a leather cord, a green nalgene, a peach, and a pulaski. 

The first panel shows a gray ocean storm, with waves crashing against big, dark rocks. A tsunami hazard zone sign reads:
"IF YOU SURVIVE THIS" 

The second panel shows a round orange bouy floating in a sea illuminated by bioluminescent plankton. Stars glitter overhead. Text on the bouy reads: 
"YOU WILL BECOME PART  OF A WORLD"

The third panel shows a pair of dolphins in the water, adjacent to a white boat. A red sticker on the gunwhale reads:
"THAT DOES NOT YET EXIST"
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a pair of sunglasses and a machete. 

The first panel shows a dessicated Greater Frigatebird cradled in the branches of naupaka shrubs on a sandy shoreline. Pink flagging has been tied to a branch, and black handwriting reads:
"IF YOU DIE HERE"

The second panel shows a blacktip reef shark swimming on a coral reef. And underwater sign affixed to steel chain shows a skull and crossbones, and text that reads:
"YOU WILL COME BACK"

The third panel is a GPS unit held up to the sky, showing a GPS track and text that reads "WRONG." Seabirds fly overhead. 
Three comic panels on an off-white background. Objects shown the negative space of the page are a snickerdoodle cookie and bright flowers threaded on a string. 

The first panel shows a pair of hands holding a sooty tern with a radio tag. Another pair of hands write in a notebook, and handwritten text on the page reads:
"TRAVELER
YOU HAVE BEEN WARNED" 

The second panel shows the leg of the sooty tern, which has been fitted with a birdband. 

The third panel is a pair of fingers holding the birdband so that engraved text faces the viewer. The text reads "AND NOW YOU MUST GO." 

A short comic I made about my experiences as a seasonal worker, and the way places change you.

Prints & PDF

5 months ago

Y'all the worldbuilding is getting intense rn, I'm having so many thoughts, because Elrond is a mosaic of dozens of different people, so many facets and multitudes, and different people see different things in him. People see his starry grey eyes and dark hair and hear his Voice and think of Lúthien, think of Maglor. They see his braids and attribute it to Turgon’s preference for traditional styles rather than that well-known Fëanorian obsession. His gracious courtly manners are from Melian or Idril, though clearly taught by Maedhros, who learned from Finwë. His skills and wisdom and bearing are clearly passed down from any or all of the 20+ different kings, queens, lords and princesses he is associated with. He dances like Lúthien and Idril. He is as courageous as Fingon and Beren and Eärendil, as fierce in battle as Fingolfin and Maedhros and, Eru forbid, Fëanor. He speaks archaic Quenya, just like the Gondolindrim, if only one ignores the Fëanorian accent. His giggle is Elwing’s, birdlike and odd; his laugh is rich and merry like Finwë’s; that half-despairing chuckle is Beren’s; the endearingly awkward titter is Finarfin’s; the exhilarated whoop is Fingon’s; the manic mid-battle cackle is Fëanor through and through. He fights left-handed like Eärendil and Maedhros, plays the harp right-handed like Fingon and Finrod and Maglor; he can write with either hand, producing a spindly scrawl with his left (so like Maedhros, so like Elwing) and authoritative calligraphy with his right (so like Fëanor, so like Thingol). His eyes are the chasm of the heavens - he gets that from Melian - but did Maeglin not also inherit his piercing gaze from Aredhel? He has his father’s jaw and his mother’s hair, or was it Turgon’’s jaw and Finwë’s hair, or maybe those angular bones came from fair Nimloth and the little flick of a curl at his temple from Beren. In certain lights he’s the spitting image of Thingol - or was it Fingolfin? The tilt of his wrist is as bird-like and fragile as Dior’s, as graceful and deliberate as Idril’s. His cheeks dimple when he smiles, just like Fingon, and his eyes crease when his face softens with fondness, just like Tuor, who looks little like Haleth but in moments like this. When he’s concentrating, the furrow of his brow is Thingol’s and the lip between his teeth is Beren’s, who took after Bëor. That eyebrow raise brings to mind 15 different people, all of them dead. One may look at Elrond and see a lost loved one in his profile, until the light shifts just slightly and he becomes the one who killed them, before he turns his head just so and suddenly looks like a complete stranger. Elrond is a Silmaril of ghosts, each facet a memory, love and terror and awe and joy and grief reflected and refracted upon one another again and again, radiant, hypnotic, infinite.


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2 months ago

perfection

501st as bizarre t shirts

501st As Bizarre T Shirts
501st As Bizarre T Shirts

tag yourself im little miss fully developed frontal lobe

5 months ago

Fellas I have committed an oopsie

I in my ignorance assumed

That the train on the right platform at the right time would be the right train

Wrong!

I got on board sat down for a nap and now I am in Oxford?????


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g00seg1raffe - chronic maladaptive procrastinator
chronic maladaptive procrastinator

It starts with lotr let's see how this goes... random useless thoughts I must share with strangers on the internet or I will go insane

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