My story’s antagonist: I’m not just a bitch…
I’m a bitch with a backstory
The question: what are you thinking about?
My answer:
headcanons for my characters
or
something really existential to the point that it disturbs the average person, including myself
Sometimes it’s both!
If you like D&D, but only want to listen to it (podcast), and want to support small creators, I’d recommend listening to Death By Dice on Spotify or Apple Podcasts (or other places).
It’s a podcast run by a group of teenage friends retelling their campaign adventures in less than thirty minutes an episode while learning about the player, their character, and the world the characters live in.
There are currently seven episodes (one per player). The campaign’s Dungeon Master, Rufus, hosts each episode with a different player, where we learn about little about each character, player, and how they deal with what Rufus throws at them during the sessions.
Very entertaining, would recommend listening and rating
If anyone asks me what I’m writing, I will say nothing. But in a conversation that I can use to talk about my writing, I will take that opportunity.
Me talking to myself
yes, I talk to myself in the second person. I will also use the fourth person collective on occasion.
“Why can’t I write what I want to today?”
maybe because what you want to write is a cohesive story and you would mostly be staring at that damn taunting, blinking line of a cursor on the Google Doc
“I want to write chronologically!” too bad, you’re thinking of a random scene that’s over halfway through the story. I don’t make the rules
“Why can’t I write the main plot?”
because I said so. Now go back to writing about what happened hundreds of years before the main plot to explain the tension between the two sides
“What’s this character’s name again?”
Think of a new one. You know what it is, and it causes the Tiffany Problem. Think of a new one, you fucking idiot
Something I love about writing fantasy that includes multiple nations/kingdoms/cultures is the small character interactions between people from different places
An example from my own work is the way two people from different kingdoms drink tea. One puts the leaves in the cup and pours the hot water over it, and the other steeps the leaves in the pot. The one who has the leaves in the cup always explained it as “if someone doesn’t want tea, they can have hot water instead.” And the other kind of just, watches thinking, “this is odd, but it’s genius”
So yeah, cultural differences lead to fun character interactions
(I deal with this irl through teaching my white friends how to eat Asian food)
why is it that I have a document for random scenes that appear at some point, and the first one is a character having a crisis over a dead person? to be fair, they watched the person die, and then have to tell that person’s family about their death, but why is that the first scene in the document?
happy Thursday the 20th
EPIC: The Musical is a fucking bomb. Seriously, it’s good
but also, listening to it all the way through is not helpful in trying to remember the songs, especially when the brain switches up the lyrics
My brain went: “Let’s see where you’ve been! When does a man become a meteor?” And I’m like “No, it doesn’t work that way.” And the visual in my head is Mr. Jalapeño shoving MICO then the cast rowing during the livestream of the cast listening to it
… dammit.
reblog if you’re a writer who feels guilt whenever they’re not writing and being productive, so I know I’m not the only one lol
Writer, Queer, Artist, they/he, MinorToo. Many. God. Damn. FandomsI post on Mondays (mostly)
42 posts