Technoblade: I Fear Nothing

it's such a bummer that losing control of your emotions only makes the entire situation worse in really embarrassing personal ways. losing control of my emotions should give me pyrokinesis.

Skeppy: *gets a girlfriend*

Every skephalo shipper: I CANT POG THROUGH THE PAIN

THE LION KING (1994) I Scar as voiced by Jeremy Irons

Reblog to make it die faster

It took 2 minutes for people to post on ao3 being down

👏👏👏

Another AO3 thing I’m curious about, how do yall decide if something is good enough to read? Usually I follow a rule of 1 kudos for every 10 hits. One because it’s easy math and two it’s yet to fail me. Thoughts? Do you just go for it and pray it’s good?

How about an allsan au where almoat everyman he meets absolutely fumbles for him when they spend only 5 minutes with him, he ofcourse is oblivious (hes not even bi in denial he's just stupid)

It starts ofcourse with zoro seeing him hold up a marine by the throat, Gin and Luffy being given food out of kindness and nothing else, Ace, crocodile being impressed by the mr prince tricks and so on so on

Also lots of men flirt with him on island but are quickly chased away by a glare and a sword to the throat or a guy wrapping around the pretty boy demanding food (or the good old possessive hat placement)

You decide the end couple but the whole of blue fumble for Sanji fr fr

Give this man all the simps.

Zoro choking on his drink as watches Sanji lift a marine by the throat which makes Usopp and Nami giggle at him. Gin falling for him as he eats the best food he's ever had in his whole fucking life that's keeping him from starving to death. Luffy falls in love with the way he talks about the All Blue and cares about his job and others. He's so fucking kind.

Ace falls for the guy who takes care of the others and doesn't let guests work, who spoils the handful of a little brother he has. Sir Crocodile who thinks the blond is cute and clever, who set up chances for his captain to save the crew and then him. Koza who sees how well he's taken care of his princess and the help he's given to take back Alabasta. He still insists on helping to serve and cook and Cobra is giving Koza knowing looks that make him flush and avert his eyes from the king and the cook.

Maybe it's after the time skip, after Dressrosa when Barto is literally drooling over the 'ONLY ALIVE' poster that Law is flustered and asking Luffy and Zoro about the cook. They're staring at him as Robin is giggling to herself because they are possessive. Both of them. It's the Monster Trio. Sanji is oblivious. Both of them are grumbling about Sanji not seeing their obvious interest but it's Sanji. If someone doesn't hit him over the head with a four by four he's not going to take the hint. Ask all of Tashigi's men from Punk Hazard who were crying at the cook not taking their advances. Okay maybe he just needs to be beaten with said four by four. Pedro straight up sacrifices himself for Sanji and Sanji only feels bad he's dead and that his life ended coming to get him.

You got the rest of the North Blue Boys who are obsessing over Stealth Black and Law feels like throwing up if it wouldn't insult the cook, he's so fucking excited. Luffy is over the fucking moon to see it in action. Yamato looking at Sanji from across the party and Luffy asks him what's up and he's just like Law with the whole 'the cook' thing. MARCO KNOWS better, he knows how to make an impression so at one point he's just talking to Sanji and Sanji keeps looking between Marco and whatever he thinks he needs to be doing so Marco just lightly grabs Sanji's chin and says it's rude to not focus on the person you're talking with. Sanji is so red and stuttering as Luffy wraps a rubber arm around Sanji screaming for meat as Sanji is ripped from in front of Marco to like the other side of the room.

Maybe it would end with zolusan or whatever the ship is called. Zoro asks if they have to do what Marco did after all the flirting he and Luffy have been doing for all of their sailing together and Sanji just being confused at what they're talking about.

I watched a few movie reviews on Nezha 2 and one of them on two white guys (iirc) doing a podcast on their surface thoughts on the movie kinda threw me off as one of them said 'one thing that was off-putting to me was a lot of onscreen crying' or something like that. Which is super off-putting to me actually.

I mean what do you mean? Your little brother or mother or wife just died in front of your eyes what do you mean you should not cry and it's not a natural response? Ao Bing cried into his dad at the start as he felt so awful for letting his dad down and his buddy nearly died if he didn't intervene. Ne Zha cried so hard when he saw his parents again because he really thought they were gone. Both kids are three years old for the love of God. And Shen Gong Bao is a literal family man he has a soft spot for his little brother of course when he died trying to escape he had to cry so much and to be honest, I've watched videos of how the animation team spent a long time animating and planning the crying scene for him to ensure it's perfect. The creative team has spent so long to ensure every detail to actually ensure the whole story and every shot and scene will have a lasting emotional impact to touch the audience.

And another thing that's also respectable is how the team and the story in general is very committed to fleshing out the characters and ensuring they are all very relevant to the plot and have their own personal stories in a sequel, which is not often seen nowadays given how hard it is to make a better sequel (but that's another story and post I digress, but anyway-)

What I'm trying to say is that we all need more stories of boys openly crying. The only other movies off the top of my head I can think that has boys openly crying are maybe Coco, or Luca and maybe HTTYD, and I feel Nezha 2 has done a great job in showing the different sides of healthy masculinity, in how it's okay for boys to ugly cry and for dads to be tough on the exterior while also being very caring and gentle to their own sons, and for close brotherhood bonds being a soft side of characters. And it also dispels a stereotype in how Asians are often stoic and not as emotional as westerners, as while a lot of Chinese and Asians are quite stoic, there are plenty of people who see themselves in Ao Bing and Ne Zha and etc.

And I also saw a post earlier on how Ne Zha and Ao Bing defy societal rules and societal expectations respectively, with Ao Bing doing so by being outwardly feminine in looks and being elegant while precise and aggressive in his attacks and still being able to be confident in his self, while Ne Zha has been insecure in his own looks until the end. And personally I feel the movie is a great place for kids and boys especially to learn that masculinity can be anything they can define, like how one can be more confident like Ao Bing even when he's not traditionally masculine, while knowing it's okay to be insecure and that they can overcome judgements in society.

And with their friendship and loyalty to each other (and possibly *cough* *gay* *it's ok if you don't ship them*), it also teaches boys that male friendships can be very close knit where they can be vulnerable to one another, like how Nezha soon learnt to be vulnerable around Ao Bing and how Ao Bing learnt to follow his heart through Ne Zha's influence. Boys can learn from one another and become emotionally stronger together like it's not just a girls thing yay-

So yeah this is another long ramble but tldr again:

Nezha 2 is a fantastic movie on healthy masculinity and we need more movies like this for boys especially to learn that expressing strong emotions are very healthy and essential in being a person. And we need to punch toxic masculinity to death the way Lu Tong and He Tong did at the end to the bald bitch so-

My husband (ao3) has gone to war (it's down and we don't know why) and I don't know when I will see him again (I don't really know guys 😭😭)