Will Be Posting Some Drabbles I Wrote On My Old Blog Just To Keep As Writing Sample For Geto Now That

small musing but the way i write kogami he doesn't feel anything remotely romantic for akane, he simply respects her and the bond shared with her is that of a person who aside from makishima has managed to take a dive into his mind and figure out the inner machinations, though her approach is less damaging and there's mutual respect where with makishima there was violent impulses. anyway, kogami doesn't really have a preference and doesn't really think about romance in general, there's a lot going on in his head for it to be at the front of his mind.

@cursedfell

Sherliam can get married now, suck that ACD Estate

&. 𝐞𝐯𝐞𝐧 𝐦𝐨𝐫𝐞 𝐬𝐦𝐮𝐭 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.

(  another collection of smutty dialogue for you heathens (affectionate). please do not interact if you are under eighteen. feel free to edit and change how you seem fit. )

❛ i know my worth. and if you want me, you'll do as i say. ❜

❛ you don't want me here? then why does your body say otherwise? ❜

❛ oh? does that turn you on? ❜

❛ you look good on your knees like this. ❜

❛ i'm not jealous. you're just mine. ❜

❛ i need you. please. i'll be quick. ❜

❛ you used to hate me, and now you can't take your eyes off me. ❜

❛ you want me quiet? make me. ❜

❛ i know you have one more for me. come on, i'm not done yet. ❜

❛ fuck, that was so hot. ❜

❛ such a good boy/girl. making me feel this good. ❜

❛ go on. fuck yourself on my cock. ❜

❛ you have no idea how long i've thought about having you like this. ❜

❛ keep the noise down, baby. you're too loud. ❜

❛ you taste so fucking good. ❜

❛ they can't fuck you like i can. ❜

❛ fuck, i've missed you. ❜

❛ keep going. just like that. ❜

❛ they don't get to have you like this, but i do. ❜

❛ pretty good, huh? i told you i'd make you feel good. ❜

❛ you're mine. and don't you forget it. ❜

❛ i'm not gonna last long if you tighten up like that, sweetheart. ❜

❛ what, got nothing to say? no matter, i'll have you screaming in no time. ❜

❛ just a little more. you can take a little more, can't you? ❜

❛ getting close? don't worry, i'll take care of you. ❜

❛ what would they think if they could see you now, huh? ❜

❛ maybe i should put my dick in your mouth so you'll shut up. ❜

❛ maybe if i sit on your face, that'll shut you up. ❜

❛ look at how well you take me. even though it's been so long. ❜

❛ it's apparent in your eyes — you desire me. ❜

❛ don't stop. please, don't stop. ❜

❛ fucking doesn't involve this much talking normally. ❜

❛ you want this, don't you? want me all over you? inside you? ❜

❛ don't forget who you belong to. ❜

❛ if you want something, then you ask for it. ❜

❛ when was the last time someone fucked you? ❜

❛ i'll make us feel good. you'll love this. ❜

❛ how was that? satisfying enough for you? ❜

❛ oh no, i'm not finished with you yet. ❜

❛ what, afraid i might break you? ❜

❛ what, afraid you'll break me? ❜

❛ stop teasing and just put it in already. ❜

❛ fuck me harder. don't you want to make me feel good? ❜

❛ that's it, babygirl. ❜

❛ you want me to sit on your face? ❜

❛ i want this. let me have you like this. ❜

❛ now that you've given me what i want, i can give you what you need. ❜

❛ don't just stand there, you tease. come here and let me taste. ❜

❛ i want you like you used to have me. like we had nothing else to live for. ❜

❛ how do you want me — spread out on the bed or up against the wall? take your pick. i don't mind. ❜

right place, right time prompts.

so i got watching a ton of new tv shows lately, and it occurred to me that actually i do love it when characters are unexpectedly saved by someone who just happened to be exactly in the right place at precisely the correct moment, yk? and i failed to think of the right name, so the title of this list is entirely thanks to a very dear friend of mine who informed me! so here's a list, i hope you guys love it, DO NOT ADD TO THIS LIST OR EDIT IT!!! i like to edit them over time as new ideas come to me.

[ ALIBI ]: the sender provides a false alibi to protect the receiver from legal issues.

[ HAND ]: the sender suddenly arrives to grab the receiver's hand before they fall to their death

[ CAR ]: the sender arrives on scene as the impromptu getaway driver for the receiver (who hadn't been expecting it).

[ FATAL ]: the sender unwittingly arrives on scene when the receiver is being attacked, and to protect the receiver, they kill the assailant.

[ DISTRACT ]: the sender provides a diversion so the receiver can escape a dangerous situation.

[ OUT COLD ]: the sender knocks out an assailant before they can seriously wound the receiver.

[ DUNNO ]: the sender lies about the location of the receiver in order to protect them from pursuers.

[ FAKE ]: the sender, in a situation where they're forced to kill the receiver, only pretends to kill the receiver and takes their "dead" body away in the car.

[ SACRIFICE]: the sender sacrifices their life to ensure the receiver's survival.

[ BACK-UP ]: the sender arrives just in time to help the receiver in a fight.

[ EXCUSES ]: the sender provides an excuse for the receiver to stay at an event where they shouldn't be.

[ HIDDEN ]: the sender hides the receiver from pursuers.

[ SHELTER ]: the sender finds the unconscious receiver and brings them to a safe place.

[ HERO ]: the sender tackles the receiver out of the way of an attack.

[ RUN! ]: the sender tackles the attacker so the receiver can make a safe get-away.

[ FIGHT ]: the sender fights off the assailants so the receiver can flee to safety.

[ INTERCEPT ]: the sender unexpectedly emerges and stands between the receiver and a threat.

[ MISDIRECTION ]: the sender points a group of pursuers in the opposite direction to buy the receiver some time to hide.

[ SANCTUARY ]: the sender opens the door when the receiver knocks in search of help, and brings them into their home.

[ REPUTATION ]: the sender, being somewhat infamous in the area, arrives when the receiver is being hassled, causing the assailants to flee rather than risk the consequences of crossing them.

[ RECOGNIZE ]: the sender pretends to know the receiver in order to help them avoid unwanted attention.

[ AFAR ]: the sender incapacitates, distracts or kills an assailant from a distance to protect the receiver.

[ FRIENDS ]: the sender, unable to attend directly, sends friends over to protect the receiver when they encounter a threat.

[ NEGOTIATE ]: the sender intervenes in a tense situation and manages to smoothly persuade a potential threat to leave the receiver alone.

[ BRIBE ]: the sender gives a threat a significant amount of money to leave the receiver alone.

[ ANNOUNCE ]: the sender issues a declaration that the receiver is under their protection, assuring all potential attackers that any attempts will result in a brutal retaliation from them.

VERBAL PROMPTS:

" they're with me. "

" i was with them all night. "

" hey! these guys bothering you? "

" i wouldn't do that if i were you. "

" you must've really pissed those guys off, huh? "

" follow my lead... "

" don't worry. you're safe here. i won't let anyone hurt you. "

" you're lucky i found you when i did; those people were right down the street. "

" get in the car! now! "

" i'm gonna buy you as much time as i possibly can. make it count, okay? get out of here. now! "

" you can come out now. they're long gone. "

" nobody's going to hurt you like that again. "

i've been walking through a world gone blind . // @ Kogami !

playing clever, isn’t he?

it’s only for a moment - a minute twitch of his hand and a perk of his brow that gives away the absurdity of makishima’s words. blindness. blindness. kogami laughs, curt and listless as he meets makishima’s gaze impassively.

“The longing for Paradise is man's longing not to be man.” he quotes, “it doesn’t make me happy that we agree on something like the stripping of man’s conviction in favor of automatized data processing.”

and of course it doesn’t. he’d left without so much as a warning to keep their guard on, after all, tossing aside his own connections for the pursuit of his own personal devil and though he isn’t precisely at Hell’s doorstep, his heart aches with sickness, hatred that’s boiled for too long, a necrosis of the heart. hoping he might see that batard’s face one more time before it all came crashing down, so he could bash it in, had suddenly turn into reality.

fuck makishima, honestly, for even bringing that up.

but it’s enough to rattle kogami’s nerves. he’s certain that he’d been searching for makishima’s face just a moment too long, desperate for a hint that remorse is foreign and that his ghostly silhouette framed in a polaroid hadn’t only existed in his darkest nightmares - the kind that haunt him at night, curled up under the sheets while sasayama’s memory breathes in the back of his mind. when the dark, oppressive silence leaves him with nothing to do but imagine blood - his, makishima’s blood - coating him like crimson rain. makishima’s eyes are clear, he notices, through the distance, through the gun’s lens and amplified only by nebulous contempt. clear and indifferent and offering more questions than answers.

kogami doesn’t lower his gun.

he’s grateful, suddenly, for the privacy that came after the chase, hiding from onlookers as though there was anything else to bury besides the corpse that he will soon make. he’s not killing time. but he doesn’t dare speak of how desperately he wanted, waited for this - how quickly his hunger was reignited when he saw makishima stumble, ragged breathing, blood-stained and snaking his way out into the empty landscape.

briefly, kogami wonders, if he’ll be disappointed in himself tomorrow, so quick to pull the trigger and shove a bullet into that pretty skull. he’s almost certain he would be as he reveled in the weight of metal in his palm, so different from how a dominator felt when his badge still meant something. the taste of gunpowder. the subtle scent of makishima’s blood in the breeze. the way his back is turned and facing him, brittle as a bird. it’s all and the same, the man in the photograph, the shadow in his memories, the man kneeling in front of him. the helping hand that skinned sasayama alive. kogami lets that consume him. he doesn’t want to think about what makishima wants. not here. not now.

“that’s all you have to say? unless you want to piss me off any more than you’ve done. then by all means, keep talking.”

@achroanimus

although geto is popular with people due to his looks and performative charisma, he isn't the type to sleep around or to even invite others to have intimacy with him. though he knows when others want it - mostly nonsorcerers who join the cult, his distaste towards them is so great that he rarely uses the attraction for his benefit more than necessary. he only offers enough benevolence to be sought for, needed, wanted, gives them a taste of salvation through the exorcism and nothing else. and with sorcerers like him it's not much different because depending on their personal views about the power distribution, geto will decide whether they're allies, a threat, a bump on the road or the likes. mostly they are just a bump on the road he doesn't need to take care special care of save for the ones associated with the college and those he keeps at an arms length not out of fear or shame but because they used to be his friends and colleagues at one point and he'd rather not spill their blood, unless they make him.

point is, he's not one to seek sexual relationships and is more on the receiving end of flirtation, which depending on his mood and necessities he will turn down or pretend they weren't there. rarely does he indulge in it, his inner turmoil always comes at night and he spends more time reminding himself that this is what he wanted, that everything has meaning, so his sexual appetite is kinda washed out.

headcanon from yesterday: yuki doesn't like gojo! they say that similar poles repel each other and in a sense she sees a lot of herself in him and can't help but keep him at bay. and funnily she liked geto, because she likes humans and she saw more empathy in him than she did on gojo, so it was a truly heartbreaking that the next time they met it was on opposing ends...

that being said, her dynamic with gojo is basically this:

( sms ) : you know how you totally adore me? (sasayama at kogami)

[sms] 21.39: and you know how to get on my nerves [sms] 21.39: that's not what i asked [sms] 21.40: what's the situation? get any read of the map? signal's bad over here.

@lustraveil // texting prompts.