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Frostchild, 2023

"You have it easy, Killua.

You're perfectly calm.

Since it means nothing to you..."

Primeval Renaissance, 2020-2021

Art by me.

WIP (Though I don’t really know what to do with it)

It was a very sunny day and I was in the school bus. For some reason, the bus followed a different path that day and I got a weird sensation out of the places we passed through. So this was made with the inspiration coming from that bus trip. 

Back in 2009, I was a 13 year old mad for Avatar. I made several series in which I designed outfits for the Gaang and proudly captured them bending.  11 years later, I returned to this same ambition with my current approaches. It is extremely satisfying to have them next to my old work. Not so much because they are technically more advanced, but rather because they show how I am still the same girl, in a little bit of a different way. 

I didn’t need you to catch me, baaaka! 

I was listening to Empire Ants as I was about to fall asleep, so an image suddenly and randomly flashed in my head. (When the music changes beginning from 2:12) 

You know, when you see a dream, even if it is meaningless you get really touched by it. So the same happened to me with this one and I felt like drawing what came to me. The image in my head was so blurry though. I had to make it concrete, which was tough. I'm not even sure if it was Noodle that I saw.

Anyway, I hope you like this speed painting.

Some sketches I did while I was working on my animated film project in 2018. I was testing for imagery that looks both realistic and abstract at the same time. It is that midpoint where you can still make out the forest, yet there is also enough ambiguity to let you see pure, organic shapes.

Aside from the first one, these didn't make it into the movie. With time constraints, I was unable to do as much as I liked.

This painting is quite small (smaller than A5 I believe) with miniature details, which you see enhanced here. I used tiny brushes to make it and applied the paint in many thin layers. I would have wished to show you the physical piece. Unlike big paintings, you need to hold this close to you and get closer and closer to see each detail. I love that.

I am immensely captivated by early Renaissance landscape art. How they paint each tree and rock, the bizarre architecture, the blue mountains far away, the silence and magic… It just feels like somewhere I know and very real. This is a painting that come about because of those feelings.

Sadly I still lack a name for it. Well, maybe...

Castle of Alchemists, 2020

They were always of the land and they were the land themselves.