My Translation Of Chapter 1 Of Mo Dao Zu Shi's Japanese Manga, Which Released Yesterday (the 17th Of

They’re scheming

Lately I found myself thinking about James/Miranda relationship as a reversed version of Orpheus and Eurydice’s story, especially towards the end of it. Not because these two stories match well (they do not) but just because I like making this kind of classical comparisons and I'm stuck from a bit on the fact that, right before her death, for the first time Miranda was the one to refuse the progress to look back at the past. 

After the loss of Thomas, James let himself slip into a darkness comparable to the underworld, a darkness which so often threatened to swallow him whole. He walked on a thin line between a reign of death and an island of life, and if that darkness was that reign, Miranda was his island. 

During their whole journey of processing their grief and climbing their way back to a life that could be called such, she was the one always trying to drag him towards the light. To her, the life that might have been waiting for them in the future was that light, while the past was the darkness, and not because she deemed it forgettable or unimportant, quite the contrary indeed, but because while she knew how to keep and remember the beauty of that past and the light of it, along with the sorrow, she knew perfectly well how different it was for James. How he could remember the beauty of it, of course, but also knew how to put it aside in favor of the rage and the guilt, his gaze clouded by the pain and the unacceptable shame. 

She said it herself: she didn't want to forget that past, not the bright side of it and neither the inescapable sadness of it, its tragedy being the spring of that very beauty, the ruins existing only because there was something precious to be ruined in the first place; and at the same time, what could the dark of it matter, the injustice, the grudge, when it condemned the both of them to never be able to see the light again? 

First time I heard their discussion in ep.VII after knowing the whole story, I wondered how could she ask something like that of him, to forget and pass over what they had done to him just to gain a liveable life, but recently I've actually been wondering : how could she not?

I'm not taking any side in this, as I recognize Miranda's thoughts to be the most reasonable ones as they often are but at the same time I can't say I wouldn't act as stubbornly and desperately as James did in that situation, they're just really different ways to conceive one’s own existence, influenced by their own problems and conditions and mind. All I'm saying is that Miranda was able to see the light even if just from a distance, she was able to hope that one day they would have been able to truly see it. James was never. 

He just lied to himself about the possibility of it. He had plans and tactics and strategies, but for how I see it, those were all desperate attempts to convince himself of the contrary. He couldn't, maybe because of his personality, maybe because he knew that his situation wasn't one that could ever allow him to found real light in that world, maybe just because he loved her less than how much he had loved Thomas, less than how much she loved him, but whichever was the reason, he couldn't afford to see the light after that abyss, and I think Miranda was the first to know that. The one who knew him like no other, the one who loved him like no other. She knew that without help he would have never really been able to reach the end of that dark state of being. And she tried. She tried to help him in so many ways, because she loved him, she really did, and because she had the damn right to claim at least a decent life for herself. 

And here we come to the end, to Charles town.

Charles town could have been her success. Charles town was James’ surrender. For the first time she glimpsed one real chance of having him back, she saw in him the real intention to leave all of that darkness behind, to follow her, not leaving the past behind, never, but learning to move forward, finally allowing her a chance for a new life together. 

He was actually ready to accept even that miserable condition Peter Ashe imposed on him in order to get rid of the darkness, to climb to the light -as short lived as that might have been, at this point- to give Miranda a better alternative than the ones he had been able to grant her up until that moment (as I think his whole Charles town plan was led by the purpose of doing something to save her): as useless as we all know that would have been, accepting that bargain has probably been the most selfless thing James has ever done, even if he did it also for himself in a tired, desperate and contorted way. 

But Charles town wasn't only this to Miranda. 

Charles town was the discovery of the betrayal, because I believe she understood it all the moment she first saw that clock, I'm sure of it. Charles town was her umptheen attempt and her umptheen sacrifice. 

I think that must have been to her a similar quest to the Maria Aleyne's one: respecting James by telling him the truth, something he deserves to know, even knowing how he will react to it, knowing how impossible it would become for him, then, to go on with his plan, granting him a one way ticket to that darkness, or keeping him in the dark, bearing alone the weight of that knowledge, accepting to live with the helplessness to remedy that fatal injustice, only in the hope to finally make him reach that light?  

Would Orpheus reveal Eurydike a truth which risked pushing her back into the underworld just because it might be right for her to know it?

Still, things had been different, more desperate, back to the Maria Aleyne. Now the chance to succeed was real. 

And at first she made that difficult choice, which was selfish in a way, but definitely selfless in another, all at the same time.

And she did it because she loved him. 

She loved him so much that when she glimpsed, in that light, the prospect of losing him, she had to recognize that that light was -as James would have put it in the future- only their light, the light of a world the two of them couldn’t be part of anymore. 

She loved him so much that she had to look back. To the past, to him, because her James was still behind her, still in the dark, the only place where he was allowed to stay, and only that version of him was the one she truly loved. She loved the real James, with all his broken parts, not the one that could be seen under the lights of their lies. 

So she couldn't help giving up that false light, because she had wished for tranquility, a normal life -as probably anyone in her conditions would have done- but she was not disposed to give up the man she loved in order to gain that, as she hadn't been in the past, when the prospect of the future had been only dark and still she had not deserted the ones she loved. 

And when she turned back, this time trying to shield him from that light, the darkness at the pit ended up swallowing them both. 

Miranda died, and James was dragged back full force and imprisoned into the worst version of himself, the ruthless, autodestructive one. 

There are two versions of the story of Orpheus and Eurydice, and I think that the two of them taken together perfectly represent James’ reaction to her death and its circumstances.

In Virgilius’ one, Eurydice slightly resents Orpheus for his action, for his “folly” -as it is called- and (if we may call it that) for his selfish gesture of looking back, that she paid with her second chance to be alive. 

After Miranda's death, James dreams of her reminding him how he had resented her “because they were so close” and of course since that's a dream is what he knew he had felt. But that was…collateral to the condition he had been left stuck in. That was the childish resentment of having explicitly denied something he knew deep down he couldn't have. 

In Ovidius’ one instead Eurydice doesn't blame him because she can't resent being loved, and I think this is what James really felt. After all, looking straight at the truth of the situation and looking back at their shared history, I think there were no ways for him to actually, rationally resent her. (And in fact in his last dream about her she uses a past tense, “you resented me”, hinting that was something he had felt only in the moments when he was at his worst as when, always in the dream, he heard her apology).

Moreover, I think he perfectly understood the meaning of those last moments of hers, how important it was to her to make her voice be heard in that moment. In fact, despite the clear and growing doubt and rage (and worry) on his face while Peter and Miranda spoke, he didn't say a word, he let her speak, despite knowing the risks  and I think this is amazing and just proves how beautiful and respectful their relationship was, and that there were no way he could actually deem her responsible of their failure in that mission (doomed to failure since the beginning ‘cause of the truth).

What hurts even more about her death is the fact that it looks like they got closer to each other once again during that trip, as they hadn't probably been in years, and then…everything got lost forever.

She's so good! Wow!😍

The first of my black sails dolls is done!! Say hello to miss Eleanor Guthrie!

People like that are so hard to find, really. So many are good at speaking but very few are actually good at listening.

I think it's important to interact too, ask questions and show interest while someone talks about things they love, even if it's not your favourite kind of things, because you may find new interests you never thought about first of all, and then because it's a form of respect. If I'm interested in you as a person, I should be also interested in what you say, whatever that may be.

Just my thought about it.

It makes me happy when they listen

support fic writers! 

source: @ AgentMayViolet on Twitter! 

Go tell them how this woman (and her husband) shaped this man's whole world.

Independent multi-muse Black Sails blog, rules are pinned, verses, character info and more coming soon.

I’ll post another with all the links soon! 🖤 Please share.

Credit: @teachthekraken

I've been wondering about Urca de Lima's true story for a bit, and after reading some pirate history I thought it was the Hampton Court.

I'm greatful for this explanation, it's very interesting to me to know all these details about those magnificent ships they used to have (also, I'm not very skilled in history, so...if someone else offers their researches it's way better lol).

thank you!

The Man O'War

One of the mysteries of Black Sails is where the Spanish man o’war captured in season 1 vanishes to after Captain Flint and his crew return to Walrus…but another mystery is exactly WHAT is this ship. I’ve seen her referred to as a frigate, but now that I’ve captured a good screenshot (season 2, episode 4), that this is definitely no frigate.

The man o’war has three full gun decks. Counting gun ports, it looks like each has approximately fifteen guns, plus a short gun deck back aft near the main deck. This averages to 45-49 guns per broadside, which makes this grand bitch not just a ship of the line, but a first rate ship of the line. That's the age of sail equivalent of a battleship! Take a look at the gif below of the man o’war savaging Walrus and Ranger.

(Frankly, if she was a frigate, I don't think Flint would've worried much; Walrus has the throw weight of a sixth rate frigate and would've stood a good chance; with Ranger along, they would've been just fine and no one should've panicked.)

So, what ship is this? The Urca de Lima was a real ship, though Urca was only a nickname for Santissima Trinidad, and she was part of a combination of two flotillas that made up the 1715 Treasure Fleet. This fleet consisted of eleven ships, of which at least two were ships of the line.

The first was ex-Hampton Court, a British built third rate ship of the line of 70 guns that was captured by the French then sold to the Spanish. Sources say that she was renamed Nuestra Señora del Carmen, but contemporary sources such as the governor of Jamacia, Archibald Hamilton indicate that this was a separate ship and the flagship of the second part of the fleet. (More on that in a moment.)

The second confirmed ship of the line was the French Griffon, which was the one and only survivor. (Cool fact: the captain of this ship was also likely the informant who gave Hamilton his information).

The third ship is the mystery ship that brought up the rear of the formation. This ship is harder to place, and was either a different "massive war galleon" or Nuestra Señora del Rosario, a third ship of the line. This may have been a third rate or fourth rate ship of the line, but sources make it very hard to tell. Given that the wrecks that have been found have never been positively identified, it's even harder to determine which ship was which.

Back to Black Sails. Historical evidence says that there wasn't a first rate ship of the line in the 1715 Treasure Fleet, but the show does also indicate that the Urca was traveling alone, so a bit of dramatic license says that we've got a first rater along for the ride. It's far from outside the realm of possibility, given the contemporary evidence that the Spanish definitely did use ships of the line as escorts for treasure ships.

I think it's safe to say that the ship isn't Hampton Court, however. An ex-British officer like James Flint would 100% recognize Hampton Court, who would've been captured (1707) after he left England but was a distinctly British design. Additionally, the characters continuously refer to her as a Spanish man o'war, which indicates she's Spanish-built.

Spanish-built ships of the line with three decks have 94 guns or greater. Until 1700ish, they frequently were referred to as galleons, a term that faded out of use and was replaced by navíos. If I'm going to be a real history nerd, Spain didn't really have a three deck ship of the line in this era; they'd scrapped the only one they had in 1705, Nuestra Señora de la Concepción y las Animas. But prior to scrapping, this ship was sent to the colonies to harass settlers around Panama, so she was on the right side of the world in the early 18th century.

Historically speaking, Nuestra Señora de la Concepción y las Animas (Our Lady of the Conception and of Souls) is the best candidate for the Man O'War in Black Sails.

In-universe speaking, that big bitch is a three deck, first rate ship of the line of somewhere between 94-100 guns, just based on the number of gun ports and the mincemeat she makes of two ships at the same time. Why did she vanish? Probably because it'd be hard as hell for anyone to beat Flint if you let him keep that ship, and Woodes Rodgers would've had a much harder time taking Nassau when she was protected by a ship of the line.

Have you seen this post before? Probably a close cousin of it. Dimwit me deleted my tumblr and had to remake it.

Additional sources:

1715 Treasure Fleet Information

Ship resting places, armament, and educated guesswork

Archibald Hamilton's information

This is the last thing Flint says to Miranda in a private conversation and I think is one of the most revealing things about Flint as a character he directly states.

Flint was created to be ephemeral and that explains where his fear of being perceived as the villain comes from. Up to this point, what James has been doing is compartmentalizing the actions and feelings of his two versions: McGraw and Flint. And since his intention has always been to get rid of Flint because he is not who he believes himself to be, he can't stand the thought of people only taking into account what the latter has done.

But it's inevitable, James McGraw and James Flint move in completely different circles, they are known to different people. Only one person has lived with both of them: Miranda. She is the anchor to his past life, the one who reminds him that no matter how many years he has been called Flint, he was McGraw before and he still is.

So that's why what is about to happen at that dinner has huge implications for him that will turn him into what he was so afraid of becoming.

Besides how incredibly real this seem, Flint's gaze in the third one absolutely kills me. This scene was so beautiful and so in line with this conflicted character after what had happened with Miranda...I love it. And also the closeness he and Eleanor show to have here... Great scene. And these drawings just catch so well its deepness and its emotional power.

Really awesome, congrats to the incredible artist🖤🖤