These Are So Beautiful! Also All The Other Ones, But These Last Five Are My Favourite!

Death's beloveds

Just one moment of peace.

Part of this was just me wanting a bit of an extra challenge as an art project to take my mind of things, part of it was digging through my bottomless reference folder for something completely different and getting stuck with an idea about Flint and his horse? And, really, the need for small comforts, I guess.

Anyway. I like the idea of him being secretly fond of that horse, of giving it some ridiculous name that nobody would get but Thomas (although Miranda probably does, and just pretends she doesn’t). And of him taking comfort in the warmth and solid presence of another living creature, of him allowing to let the mask slip and be gentle for a moment. It’s a simple comfort, and one I can see him craving when he has so little comfort left.

He is here! I can't😭😭😭😍😍😍

I'm SO excited about this, why am I not hearing people screaming everywhere for it?

Meet the Vampire Lestat ft. Sam Reid | Interview with the Vampire x

This was meant to be a quick warm up, but it turned into a comic that I’ve wanted to draw for a while. This is something that is extremely important to me, and I appreciate it if you read it.

A while ago, I heard a story that broke my heart. A family went a cat shelter to adopt. The daughter fell in love with a 3-legged cat. The father straight up said “absolutely not”. Because he was missing a leg. That cat was that close to having a family that loved him, but the missing leg held him back. Why?!

Many people have the initial instinct of “nope” when they see an imperfect animal. I get it, but less-adoptable does NOT mean less loveable. 9 out of 10 people will choose a kitten over an adult cat. And those 10% that would get an adult cat often overlook “different” animals.

All I want people to do is be open to the idea of having a “different” pet in their lives. Choose the pet that you fall in love with, but at least give all of them a fair shot at winning your heart.

Don’t dismiss them, they deserve a loving home just as much as any other cat. They still purr, they still love a warm lap, they still play, they still love you. Trust me, next time you are in the market for a new kitty, just go over to that one cat that’s missing an eye and see what he’s all about!

wangxian looking at each other over the years

song insp | typography-centric version | originally for week 3 of marchgifchallenges

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In ep.IV they show us this embrace, this beautiful, beautiful and painful scene. Those few seconds hold such a deep meaning…and yet in that moment we do not know ANYTHING about it. So what? Is one supposed to see it and then go on with the show and forget about it, putting it in a corner of their mind with all those “you will understand later” things? Because that’s what happened, the first time I watched this season I completely forgot about it. And that’s such a WASTE! Pretty much all of the Flint/Miranda’s scenes in the first season are a waste, in a way. Please do not misunderstand me, I think those scenes are really amazing and I also think that the timing of the “great revelation” was perfect, I wouldn’t have liked it so much had it come before, and exactly for these reasons I’m saying that those wonderful scenes are “wasted”. Because a lot of those get lost in the first watch, since one can’t understand the importance of them still and so doesn’t even give them the right amount of attention they would deserve. Of course the mystery was intriguing, and something sounded pretty strange since the beginning, but still…STILL. Almost all of the scenes about the two of them or about Miranda kill me on rewatch, knowing their whole story. But that’s the thing, you have to rewatch it to get the complete beauty of them. And I think that’s a shame, because people who like the show but are not obsessed with it as I am would probably never rewatch it, but maybe, if they had remembered or rewatched at least those scenes, there would be one more chance for them to be as obsessed as I am with it.

Really, how beautiful this hug was? An “It’s over” kind of hug, but with a double meaning. It’s over like we put an end to part of our misery, venting our anger on the responsible for it, but also, it’s over like our old existences are over, and we will never be the same persons we used to be ever again. Which is pretty much what happens with every revenge (I’m not judging though). I just love it so much, I wish I had been able to see all of that since the first time I saw it.

Your Highness, I’ve always watched you.

“I understand your everything.”

“Your courage, your despair; your kindness, your pain;

your resentment, your hate; your intelligence, your foolishness.

“If I could, I would have you use me as your stepping stone, the bridge you take apart after crossing, the corpse bones you need to trample to climb up, the sinner who deserved the butchering of a million knives.

"But, I know you wouldn’t allow it.”

10 YEARS OF BLACK SAILS (2014–2017) – Created by Jonathan E. Steinberg & Robert Levine

I usually don't fuck with the idea of Max being Silver's wife in TI. My primary reasoning for this is how intentionally the writers set up SilverMadi as a romantic pairing. Whether you like it or not, everything in BS leads to TI. Why Madi chose to stay with Silver post-BS (in both senses of the acronym), I don't know. But Silver canonically has a Black wife in TI. So she does.

BUT there is such a good and angsty reason that Max as Silver's wife (or "wife" for whatever non-romantic reason they have to take those titles) works. Also, the character parallels it gives... Pardon me if this has been discussed before. I just couldn't stop thinking about it once I came to the realization!

Shortly after the conclusion of BS, the real-life Jack Rackham and fellow pirates were arrested and killed; Mary/Mark Read dies in jail after having their sentence postponed due to alleged pregnancy. Anne Bonny is also allegedly pregnant and has her sentence commuted, then disappears. Let's presume that these events play out for BS' characters.

Anne and Max can't marry; Jack and Anne aren't by preference. Jack and Max coexist (with the addition of Mark/Mary, maybe). Silver cannot legally marry Madi (I think? Not entirely clear on that) but certainly they would face serious backlash, especially if people found out it was a loving marriage. Plus, like the whole (ex-)pirate and revolutionaries thing. Also, Madi wouldn't marry him, at least not immediately. In this AU, Madi leaves Silver's ass (as she should), and they never speak again.

So where does that leave Max and Silver? Essentially, as a divorcee and a widow, respectively (if you ignore the complications of their specific circumstances). If you disregard questions of legality, both Silver and Max had relationships that could be defined as marriage. Max (and Silver) would also need to get out of Dodge Nassau quickly after the cards fall (i.e., Jack and Anne's capture). They've worked together before and can compartmentalize well enough to work together now - plus they're tired and lonely and hey, even if we were enemies I respect your cleverness and you're a familiar face.

Civilization won't accept an unmarried couple running an inn, and Max needs the protection of marriage in England. They would get judged still but less than Silver and Madi would. Here's where the parallels kick in. Both Max and Silver were part of a trio of some kind of romantic nature. Both are similar in their approaches to life - they were each other's first allies for a reason - and both have gotten exactly what they wanted (on paper). Max got her safety and power AND got to keep Anne. Silver kept Madi alive and stopped the war, and that now has to be enough for him, or else Flint was right. They were both married - in the purest and idealistic sense. But no more. Silver is divorced, and Max is a widow.

So now, with their dreams shattered and no one to blame but themselves (with some caveats for Max, of course), they only have each other. So they get married. Now they have a 'real' marriage that is recognized by Civilization. But it isn't authentic.

Silver got what he wanted: stability and a life away from piracy. Max got stability, retained (some) of her dignity, and (a fraction of) power. Isn't that what they wanted? And so time flows onwards. Eventually Silver returns to Skeleton Island, leaving his wife behind.

This aspect, at least for me, is definitely what did the magic. I mean, I don't think I'd be here talking about it if it hadn't included such an important theme (current for those times but still very current today too).

Probably is because I understand it personally , but also I think you don't necessarily have to experience something first hand in order to understand it and emphatize with it. So yes, I think there are also people foreign to this problem who can appreciate it.

Moreover, I heard also of a lot of people which are part of this problem on the other side, the one which causes it, that however enjoy very much the show, so I guess each one can find their own attractive aspect in it.

Just...don't know, maybe emphatize with it about this subject specifically makes the like for the show way more personal, in a way. But it's not necessarily the only way to like it.

I wonder what the cishet experience of Black Sails is like — or more accurately I suppose the experience of the show for people who have not known shame and who have not been made to feel like monsters, for one reason or another.

Because there is something so compelling to me about Flint's rage—and his ruthlessness. There is something so satisfying to the way he turns into a monster because that's what England tells him he is, and the way he lies and kills and believes in a better, different, impossible world and will stop at nothing to fight for it—even if the fight is doomed from the start. "This ends when England apologises to me," he says and all I can say in return is go off king.

I wonder what this show is like for the normies who never felt that rage—and that shame—burning under their skin and had to swallow it down.