I can kinda draw n stuff
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That's his trend
#Chuuya
meanwhile
bsd wan 192: dazai, chuuya, age fourteen – if i had the power
translation by me | don't repost outside tumblr! | << 185
Oda's death becomes even more tragic when you realize Dazai did get there in time to save him.
The first time.
After Ango's betrayal, Dazai reached Oda in time to save him from the poison. Dazai probably spent that night thinking he was going to lose Oda, he sat by his bedside until he woke up again. Sure, he played it cool, like he was just there to update Oda when he woke up, but anyone could have done that.
Dazai stayed, because for awhile he probably didn't know if Oda would ever wake up again.
But he did and Dazai saved him and he could finally let go of the dread clutching his heart, because he made it.
He was on time. He saved Oda.
The first time.
"Please, I'm begging you..."
Elton John - Rocket Man
(The animatic the drawing of dazai I posted the other day is from :))
How did Oda leave such a strong impression on Dazai?
OOHH ok i have a lot of thoughts on this topic so bear with me, this is gonna be a long one My interpretation is the first thing Dazai latched onto about Oda was his honesty.
Oda is a very straightforward person, he rarely ever if at all has an ulterior motive and it totally blindsides Dazai. He can't manipulate Oda because he'll take what he says too literally, he can't predict him - not because Oda is good at hiding his thoughts, he just naturally has the most unreadable resting poker face imaginable - and no matter what he does nothing seems to phase Oda (keyword "seems", it often does he just doesn't show it) , and it intrigues Dazai.
As seen with Chuuya we know Dazai gets hooked on people who surprise and/or impress him, so I can absolutely understand how he saw the enigma that is Oda and said "you're my friend now we're having soft tacos later <3".
I could go on for hours about the various times Oda has bamboozled Dazai and how each effected him profoundly in so many different ways, but that's a discussion for another time. I don't think just these factors would realistically warrant Dazai's drastic change in world outlook and spur on his sudden redemption arc, so what did?
I believe it was his complete lack of judgement. Despite Dazai's constant suicide attempts and harsh view of the world not once did Oda outwardly judge him for it, which is in some ways a blessing and in some ways a curse. Oda never viewed himself as qualified enough to call Dazai out, which in hindsight might've done harm as there were times were Dazai needed someone to call him out, but unbeknownst to Oda that lack of judgement gave Dazai room to breathe.
He saw right past the silly facade and the darker side to Dazai, he saw a "sobbing child abandoned in the darkness of a world far emptier than the one we're seeing", and he saw a friend.
And this is exactly why Oda's last words hit Dazai so hard. Odasaku, who never speaks up for himself, Odasaku, who's so genuine he'd believe a murderer if they simply said "I didn't do it", Odasaku, who is now telling Dazai life might just be little better if he decides to help rather than hurt.
Bleeding out on the floor of a mansion, in a desperate attempt to make up for all the times he didn't confront Dazai Oda has to find some way to get through to him and fast. His harsh words to Dazai on how he'll never find that happiness he so desperately craves are so jarring they snap him out of his panic, suddenly he's blindsided all over again, and that vulnerable state gives Oda's next words the chance to reach deeper - "be on the side that saves people."
In order to truly get through to him, Oda needed to level with Dazai, the only way to do that in such little time was to repeat back to him his own internal mantra of "never filling that hole that is his loneliness". It's clear his words are false, especially the line "nothing beyond your own expectations will happen" as Dazai's entire speech to Fyodor in the prison is about his belief in the unpredictable nature of human beings.
But regardless, that slap in the face of hearing his own self-destructive thoughts voiced aloud after going his entire life without ever considering anybody else could understand them heightened Dazai's faith in Oda's promise of a life that's "a bit more wonderful."
What makes me adore Oda and Dazai's friendship so much is how grounded and natural it feels. Oda isn't some perfect saviour who always knows exactly what to say, far from it, he was a 23 year old PM grunt with 5 kids and a love for spicy curry, but that's all he needed to be.
Sorry this is so ramble-y and long winded if you couldn't tell already Oda's my favourite character so I have a lot to say about him 😭 Thank you so much for the ask!!!
and even more importantly, this scene, which takes the part of this one in the lightnovel.
light a candle for me when i die, won't you?
so be a good person
CW: disturbing imagery/spoilers for bsd
I’m making this because the BSD fandom has 2 modes for interpreting Mori and it’s either evil evil child abuser or spineless bastard and I HATE both of them.
Mori is an abuser, yes, but the way he abuses characters is very atypical, and not at all what most people expect. His abuse is almost all psychological, the only character we can say for sure has been physically abused by him is Yosano, and we’re only shown one instance of that.
For simplicity, I’ll be referring to his abuse of Dazai, Chuuya, Koyo and Yosano, but I believe it could be said that Kyuusaku and potentially the Akutagawa’s have suffered because of him.
To understand why Mori has abused certain characters, we must understand a bit about him as a person. This is potentially why Mori’s actions are so wildly skewed by the fandom, because no one wants to observe him too closely (but that’s a whole other post). Simply put, Mori is a military man. He does anything and everything to achieve the “optimal solution”, he has a plan and if he has to get his hands dirty to reach his goal, he will. Emotions and attachments go out the window for him, most of the time at least, because he would sacrifice anything, and anyone, to achieve his goal. Most of the time at least. That’s why he used Yosano, because what’s the life of one girl to the safety of his nation? That’s why he manufactured Oda’s and his orphans deaths, because the prize outweighed the cost.
Mori is logical and reserved, so we must observe all his actions with the lens that he has a reason for what he does, because he (almost) always has a reason.
I’ll start by referring to Mori’s abuse of Dazai, because he’s a bit of a special case and also the one that the fandom overall gets the most wrong. Mori’s abuse of Dazai is usually twisted to be sexual or physical, when there is absolutely no evidence of that. People like to bring up Dazai’s abuse of Akutagawa, or that one throwaway line from The Day I Picked Up Dazai as evidence, but neither of those hold up in my opinion.
Firstly, just because Dazai’s abuse of Akutagawa was partly physical, doesn’t mean he himself underwent physical abuse. Just like Mori, Dazai always has reasons for what he does, and his reason for what he did to Akutagawa was tailored to Akutagawa and his ability, therefore not something that Mori would have done to Dazai. Not to excuse Dazai’s abuse of Akutagawa, of course, but the fact of the matter is that Dazai’s abuse was a test of Akutagawa, and a punishment because Akutagawa didn’t adhere to Dazai’s standards. This abuse is the result of Mori’s own abuse, yes, but it’s not as straightforward as “Mori hit Dazai, ergo Dazai hit Akutagawa”.
The line from TDIPUD is also poor evidence, as all it is is Oda telling Dazai that what he’s doing won’t hurt and Dazai responding that Mori says the same about the needles he gives him. The fact that this is taken as abuse is really weird to me, why is that the assumption here? Mori is a doctor, there are multiple reasons for him to be giving Dazai needles. And the fact that Mori says it’s not going to hurt just sounds like the typical “doctor giving a kid a shot” exchange.
Dazai hates pain, so obviously Mori would lie and say that it isn’t going to hurt. Mori cares for Dazai’s well-being, which is what makes Dazai a bit of an outlier, as Mori shows care for him before he’s found a reason to justify that care. This is evidenced by their exchange in the beginning of Dazai, Chuuya: Fifteen, which is very important as it gives us an insight into Mori’s perspective during that time, where he panics because he hasn’t achieved the “optimal solution” by keeping Dazai alive, but then justifies that action by deciding Dazai is too good an asset to throw away.
And here-in lies the actual abuse that Dazai went through, not being hit or shamed or any of that, but emotional coercion, a slow cultivation of the parts of Dazai that Mori saw as useful, and a creation of the mindset we see Dazai use. This is most prominent with how Mori plants ideas into Dazai’s head. This is referenced in Chapter one of Fifteen as well, establishing that Mori has taken somewhat of an instructor role to Dazai, but that’s something Dazai rebels against.
This exchange is a perfect example of that conditioning, instead of giving Dazai information directly, Mori gets Dazai to deduce his answers using information he already has, something we see Dazai does very often in the current plot. But the main example of this conditioning comes in the form of Dazai’s plan to use the Sheep against Chuuya, a plan that comes DIRECTLY from Mori.
Mori makes sure that Dazai is in the room as he baits Chuuya, uses the weakness of the Sheep against him, and then breaks down EXACTLY what has happened for Dazai. “Just some food for thought” my ass.
Then when discussing his plan with Rimbaud, Dazai brings up a theory taught to him by Mori. 15!Dazai is such a little parrot, it’s all “Mori says, Mori says, Mori says”, just word-vomiting all the thoughts Mori puts in his head, there is a CLEAR influence here.
Just like Mori, Dazai uses the Sheep against Chuuya. Mori shows Dazai how to control people, how to make them listen and how to make them obey. The reason Dazai treats people like pawns, the reason he KNOWS how to manipulate people is because Mori taught him.
Just like so many of the characters, the fandom forgets that when Mori met Dazai, he was a child. He was a broken child who needed a guiding hand and the hand he got was Mori’s. Morí crafted the Dazai that we see, shaped the way that he thinks, THAT was his abuse.
Chuuya as well is a special case. Like Mori, he is a leader, and that is a quality Mori admires in him. In turn, Chuuya looks up to Mori, sees him as an inspiration for what it means to be a leader. This is another example of Mori’s manipulative abuse. To Chuuya, Mori makes himself out to be a saviour, someone who will teach him how to be better, how to protect the people he thinks he has failed. Mori takes Chuuya at his weakest point and gives him a new chance.
And with that, Chuuya is loyal to the mafia and Mori has Soukoku. Never mind that Mori was the brains behind Dazai’s plan that got Chuuya into the mafia in the first place, by getting Dazai to do his dirty work, Mori gets to appear to Chuuya with a halo and wings (I could also talk about Mori’s involvement with Stormbringer and how that locked Chuuya into the mafia, but that’s another tangent).
Mori has done the same with Koyo. She’s loyal to him, but clearly does not LIKE him, so where does that loyalty come from? It is because he has freed her. Koyo suffered under the rule of the Old Boss, she had no freedom, the man who cared for her was executed, she was restrained within the mafia. And then Mori takes over and she ends up an executive. Suddenly she’s got POWER, she can change things, under Mori she’s given the ability to change things and take charge. He sees a girl in chains and loosens them, not enough for her to escape, but enough that she can move. And having been chained up for so long, that feels like freedom. Koyo is loyal to Mori because he’s better than the alternative, because if she can’t be free, at least she can move.
I left Yosano for last, because again, she’s a wild card. Unlike all the other people Mori has coerced, Yosano’s abuse took place during a time where every second was precious. There was no time to do it delicately, the way Mori handled everything else, it was war, win or lose. Mori’s tactics were a lot more brutal, Yosano wants the soldiers to live, so Mori shoots the one she cares about so either she WATCHES her friend die, or she can save him. Unlike with Dazai, with Chuuya, with Koyo, Mori isn’t Yosano’s saviour, he’s her captor, he gives her a choice, but its one where neither option is made to look kind. He makes it clear, she heals them, or they die, whether it’s at his hands, or the hands of the enemy, and he knows she would never let them die.
Mori works through coercion and manipulation, he shapes the way people think of him carefully, moulding his appearance in the eyes of others. To Dazai he’s just an old man that Dazai has under his thumb, who tries and fails to manipulate him. But that’s not the truth. To Chuuya he’s a benevolent leader, someone so gracious as to grant him a place in the mafia. But that’s not the truth. To Koyo he’s the safest option, not someone she wants to follow, but someone she will follow, because at least she’s free. But that’s not the truth. To Yosano he’s evil, cruel and harsh and he takes lives as easily as he breathes with no remorse, he’s the God to her Angel of Death. But thats not the truth. To the audience, he’s a monster, a filthy pervert who is nothing more than a pedophile. Is that the truth?
Mori is like a spider, ensnaring people in his web with carefully constructed lies and appearances, his abuse is not physical or sexual, it’s a psychological coercion, careful at times and brutal at others, his abuse is a targeted attack of an individual’s weaknesses, and a cultivation of the parts he sees as useful.
Every person is his tool, and he likes his blades sharp.
@1seaweedbrain1 for you <3
no but in all honestly i fucking love how weird bsd gets it's never taken itself too seriously and the fact that it gets SO wild sometimes is just perfect for my brain. are there contradictions? yes. does it make zero sense at times? totally. do i have the most fun with it every single time? HELL FUCKING YEAH
i’ll never wear your broken crown
Fan art for @frenchonionsoop ‘s AMAZING WORLD CHANGING stormbringer animatic!!!! Everyone go watch it NOW!!
WHY ARE THESE PANELS SO SIMILAR. WHY ARE THEIR EYES SO SIMILAR.
Fyodor was lying in this scene, putting up a facade, does that mean Dazai is doing the exact same thing? Both scenes are SO INCREDIBLY similar. Sigma shoots Fyodor in the shoulder, Chuuya shoots dazai in the shoulder, Fyodor tries to appeal to Sigma, Dazai tries to appeal to Chuuya.
The difference here is the appeal doesn't work on Dazai's end, because Chuuya knows him.
His expression at the end is almost begrudging, if he really is even at least partially conscious he would almost definitely be showing more emotion than just slight annoyance after SHOOTING DAZAI IN THE GODDAMN SKULL
Thread from my twitter about this official art because it’s one of my favorite official anime art. This is actually part 1 because alot of people wanted a soukoku specific/Dazai focused part. So will post that here as well.
Starting off:
They’re gorgeous here but what I really love is the detail of the red thread of fate. More specifically how & where the thread is wrapped for skk & sskk + Kyoka. I’ll start with skk.
When it comes to Soukoku, my loves, Dazai has the thread wrapped around his neck. Chuuya has one end & it’s wrapped around his wrist (the one with the scar that proves he’s human btw), that seems to symbolize he's holding Dazai's life in his hands, at least partially. That's no surprise we all know they're inexplicably linked and fated etc.
Chuuya is always there to save Dazai & Asagiri said he’s the only one who truly understands Dazai. But it's super interesting the other half of Dazai's string that’s wrapped around his neck is first wrapped around his own wrist, before continuing to Aku. This essentially saying Dazai holds his own life in his hands.
Which obviously seems super accurate since we know his is biggest enemy is often his own mind & the hole inside his chest that he has a hard time filling. It’s where his suicidal tendencies come from. But essentially, it seems like Dazai's life is held only by Chuuya & then himself and I love that detail.
This is in contrast to Atsushi, Akutagawa, & Kyoka. The thread is wrapped around Atsushi's throat & Aku & Kyoka both have it around their wrists. Essentially symbolizing *both* Aku & Kyoka have Atsushi’s life in their hands. This seems to showcase both of their importances in Atsushi’s life.
Also other than dead apple, given recent events with Kyoka saving Atsushi in the beginning of the DOA arc & Akutagawa's sacrifice for him later, that red thread being held by them continues making sense.
Also Aku's sacrifice was massive for his development & I hope it is our universes Aku at the end of episode 11 so we can continue exploring that development for himself & his relationship with Atsushi.
The red thread itself is typically to symbolizes those who are destined to be together, regardless of place or time. Which naturally makes sense for soukoku & their “two bodies one soul” situation lol It’s interesting that Atsushi has both Aku & Kyoka linked to him in this sense.
That’s just my take on the art & why it’s one of my favorites.
Ok so im currently still in shock that were getting new day I picked up dazai content so bare with me, but onece again Asagiri has included playing cards in his art so of course I have to break down what they mean.
First we see a joker:
While Gogol is the obvious fit for the joker, the card also describes Dazai extremely well. He is almost always acting like the fool in any given situation, even in the mafia he loved to be as weird and funny as he could as well as tease and annoy the people around him, something jesters famously did.
In fact, his dynamic with Mori is very close to how a king and a jester used to work, where the jester was the only person who was allowed to openly mock the king and would usually heckle him. They also played a key part in psychological warfare, which we see Dazai specialises in.
I think the whole; wit, intelligence and unpredictability kind of speaks for itself.
Next card is the four of spades:
This one is also really fitting, it shows how after the day I picked up Dazai side A, Dazai settles into his little routine of going to bar lupin with Oda as well as how he finally has someone who he can trust and be comfortable around. Finally, it is a clear message of optimism, something Dazai never shows before he meets Oda.
Next the two of hearts:
This one is pretty obvious, it's Dazai and Oda spending time at bar lupin. It actually fits so well, there's not much I can say about it other then how it shows the love and care Dazai and Oda had for each other (platonically)
The first card is the three of spades:
Whyyyyyyyyyy... why Asagiri. This one is also fairly obvious but it has multiple meanings. It most clearly represents Dazai suffering in side B as he has to run the mafia without odasaku and live in utter loneliness while destroying all the connections he never got to have for the sake of a friend he never got to meet.
“It was hard,” muttered the young man. “It was really hard fighting Mimic without you in the organization. I had no choice but to take over for Mori and make enemies of everyone around me to expand the business. Everything I did was for this world’s—”
It also represents the moment on the platform where he nearly tells Odasaku the truth and goes with him to bar lupin, the horrible decision to abandon everything for Odas future
The next card is... the ace of spades:
The ace of spade has many meanings, most of which involve change or transition, but by far its most famous meaning it death. I really don't think I have to explain this one, Beast Dazai having the card of death has a pretty clear meaning.
But the ace of spade does have a secondary meaning, and this one is a little more hopeful, as it shows Dazai passing the safety of this world onto Atsushi and Auktagawa.
Finally, (it's a bit hard to see) we have the ten of diamonds:
I want to focus mostly on the highlighted part because it's what really applies to BEAST Dazai, he lived his whole life to create a world where what matters most to him, that Oda gets to be happy and write his books, becomes real. This card doesn't apply to Dazai directly, more to the fact that he made succeeding in his mission his only priority and discarded everything else.
the only card thats seen on Oda's section and one that clearly represents Odasaku as a character.
"King of clubs represents a dark man, who is loyal and kind. He is a good businessman, shrewd with money and investments, but isn’t selfish. In fact, the King of clubs is a very devoted father, husband and citizen. In a broader sense, the King of clubs encompasses idealized qualities of a fatherly figure. This card is universally considered as a very good omen."
I feel like this sums Odasaku up very well, the devoted father and loyal friend parts are just him to a t.
(this is also the card I think best represents Fukuzawa)
Right, I think I got everything, if you disagree with this or find something I missed, please reblog or comment with whatever you want to add, or send me an ask. I love discussing, and hearing other people's views as long as they're respectful.
If you add something, please add it in the post not the tags, so I can reply to it (or in the tags if that makes you more comfortable)
Dazai: Self deprecating comment that asserts his own bias that he is not good/human and therefore his actions are to be questioned
Atsushi: Immediate empathetic response because he’s never questioned Dazai’s goodness/humanity
—
This is Dazai being surprised that Atsushi does not view him as the inhuman, removed identity that he portrayed for so long. Atsushi does not see Dazai the way himself and many others have always viewed him. Because of this, Atsushi has been able to reach Dazai in ways that nobody ever really has before.
I think we should take more time to appreciate the cruel irony in so many of the bsd backstories, because Asagiri has this way of writing that's not just "oh sad things happened to this character." They're twisted, each in their own special way.
Atsushi: His whole life, he was treated awfully because he had the tiger. And yet, that tiger is what helped him survive that treatment, it's a manifestation of that will to live he grew because of his abuse. It's the source of all his strength and all his pain. The director told him to only hate him, never to hate himself, and yet, all his life, he blamed only himself for his misfortune. The one lesson the director wasn't trying to teach him is what he learned.
Dazai: At the beginning of dark era, Odasaku has one of the healthiest wills to live. And he reaches out to save Dazai from his own darkness, but he can't. But at the end of dark era...it's flipped. Dazai is begging Odasaku to stay, he's reaching out to stop him, he's telling him to find some meaning in life, that things will get better. Mr. "life is meaningless" himself is trying to tell his friend that life has value because he doesn't want him to go. It's right after he told Odasaku how he knows he's destined to lose everything he desires, and then Oda leaves him because he's lost his will to live. And when he dies, he sees himself as a man who failed to become good, to give up killing, yet Dazai sees him as a success story that people can change.
Chuuya: Chuuya's friends betrayed him because they thought he was betraying them by joining the Mafia. And then Chuuya joined the Mafia in order to protect the friends who just betrayed him.
Yosano: She only wanted to save lives. All she wanted was to help people, to heal them, and yet it was that kindness that ended up turning against her. Because by helping them, she also became the source of all their problems and all their pain. She saved their lives so much that all they wanted was to die.
I could go on for longer, but then this post would be very, very long. There's just something about the cruel irony in each of the backstories that make them all feel so tragic.
OK SO CAN WE TALK ABOUT THE WHOLE EYES BEING IMPORTANT TO THE CHARACTERS THING. because this chapter had a whole lot of that. ohhh boy it had a lot!!!!! it did!!!!!
FIRSTLY. akutagawa. for a while, his eyes have been pitch-black. last chapter, they regained their light, as he remembered atsushi. and then they're pitch-black again in this chapter-- as the person who brought light to them, to akutagawa himself, is gone.
SECONDLY. dazai. as he tells akutagawa he can "certainly" give him a reason to live, at the same time, he himself looks like he has no reason to live, as if he's not living at all. his eyes are dark and dead. pitch-blacm just as akutagawa's were at the start of the manga, and this chapter, but with none of the determination or bite akutagawa has. just emptiness.
THIRDLY. (child) akutagawa. his eyes aren't empty, nor pitch-black at first. they're dark, with light within. he has not been shown light, nor has he been pushed into the shadows. they become purely fully of light when dazai claims he can give akutagawa a reason to live.
his eyes turn his signature pitch-black with his time in the mafia. he was not given a reason to live. he was given fear, pain, emptiness, and desensitivity to brutality. the chance of light and goodness in his eyes from when he was a child is erased by the port mafia-- by dazai.
his eyes become like dazai's dark, lifeless ones as dazai trains him. any chance at light, or goodness, or happiness, or true life is sapped from him and replaced with violence, abuse, the mafia, dazai, dazai, dazai!
atsushi is what brings akutagawa that light. and when atsushi is gone, the light is gone.
"the light in somebody's eyes" is a phrase meant to refer to someone's spark of life. their reason to live. akutagawa says that killing atsushi "became [his] sole motivation." but when atsushi dies, that takes the light out of his eyes. his reason to live vanishes along with atsushi.
atsushi is akutagawa's reason to live, isn't he?
Chuuya has so much angst potential.
I genuily don't know why people ignore that.
They opt for Dazai angst instead.
Which is not bad, but Chuuya has way more complex angst than Dazai, whose problems come from HIMSELF.
Chuuya ends up being like Dazai, but he is like that because life hasn't been kind to him.
I think he is one of the most complex characters and I can understand Dazai's admiration and obsession.
He hides himself behind a mask, barely showing how he feels.
So seeing him break is so satisfying, yet quite painful.
Dazai showed who he is through Oda, Chuuya and other characters, but Chuuya is like a man trapped inside a soldier.
It makes me so sad.
I love skk because of this.
Dazai makes Chuuya be more free.
He can bicker with him, because he wants too, not because he has to.
So even though Chuuya "hates" Dazai, that hatred ends the moment he begins the think the reasons of this hatred.
He is fascinating.
The hero with a fate he cannot scape, but it doesn't define who he is and his character.
It's there, but Chuuya opts for ignorance.
"I don't do what I want, I do what it has to be done."
Consider yourself a pro if you recognize the quote ^^
Ok, follow up post to the original cause I wanted to actually offer my analysis/interpretation on this.
I feel like this is a right/left brain analogy 🧵
Dazai covering his right side, the side supposedly responsible for the emotional & artistic things. It says alot about his mindset, accurate for that time.
It’s intriguing, then, Kouyou covers the “logical” side
I feel like this lends to why Chuuya & Kouyou do get along well. While both Chuuya & Kouyou are no doubt very intelligent (Asagiri literally refers to Chuuya as a genius) they both still lean very much into their emotional side as well. Even if Kouyou seemingly does so less.
Kouyou reveals herself, however, not only in her care for Chuuya but we mainly see it how she handled the situation with Kyoka.
She could have insisted Kyoka come back without ever changing her mind but when Dazai presents her with a way to save Kyoka from dark, she agrees quickly.
Kouyou clearly cares & wanted to help & protect Kyoka even if she went about it poorly. She was trying to help based on her past experiences, lest we forget that she tried to leave the mafia herself once, for *love* no less. She also tends to get emotional when talking about her past or her wish to help Kyoka.
But once she was presented with another solution, a far better one, she didn’t do “what’s best for the mafia”. Kouyou agreed to what was best for Kyoka & that was definitely a more emotional choice.
This is an area where Chuuya & Kouyou align. So, of course they would get along.
Chuuya always seems to find the balance between his logic and emotion. However, he can easily & often does lean more into his emotional side first, then his logical side.
It’s similar for Kouyou, even if we don’t see it as much from her.
Back to Dazai then, when he left the mafia & the cover on Dazai’s “emotional side” was gone Dazai seemed to also move more towards that balancing of the two sides.
He started off heavily relying on his logical brain & struggled emotionally. Often feeling numb or apathetic mostly, hence his suicidal ideation.
Then he meets Chuuya & this shifts. Chuuya forces him to experience new feelings. As Chuuya is a living breathing example of most things Dazai felt the world lacked. It opened Dazai to the idea that there is more to the world, there is more to *people*. Chuuya intrigues Dazai enough to make him want to live a little longer again. Chuuya gave him a reason to keep going, a promise of more.
From the moment he met Chuuya, it was a process of letting more & more emotions seep into his mind & his heart. We see how he feared for Chuuya in 15 even after they just met, even though Dazai *knew* it was a plan.
I might even venture to go as far as to say Dazai may not have feared for someone else’s life that hard before. It was a burst of unrecognizable emotions to him. After this, he only had more & more emotion seep in as the years went by. In Storm Bringer he was ready to sacrifice the city to give Chuuya a choice.
That relationship opened Dazai up to others later, namely Oda & Ango. Which only further encouraged the intermingling of his logical brain and his emotions. Then reaching the point at which the bandages were finally removed entirely and then he, like Chuuya, moved to striving to find the balance rather than relying on one side.
Bringing us back to current Dazai as he is still attempting to find that balance.
He still leans more towards his logical side. This, of course, in contrast to Chuuya who, while intelligent, more easily leans into the emotional.
Yet another thing between them that completes & balances each other. Soukoku will always pull the other back when drifting too far.
So, of course, Soukoku complement each other & it benefits them both.
Having Kouyou on Chuuya’s other side I think also does help Chuuya stay grounded while in the mafia. Chuuya isn’t one to lose who he is but I think having someone else who he knows *cares* like he does helps.
Now, additionally, if we apply this to Beast, I think this also says alot about beast Dazai & why Asagiri says beastzai would be the hardest for someone to portray.
Because *this* Dazai, is perhaps *too* far into his emotional side. He’s always intelligent but in beast, his actions aren’t fully logical, they’re emotional.
He appears cold & calculating as always but he saw another version of himself suffer the great loss of a best friend & allowed his emotional desire to prevent that from happening take control. Thus, his emotional side takes over, thus him covering the opposite side from canon Dazai, he’s covering his “logical” side.
I feel like this is the main difference between all the various Dazai we’ve seen.
PM Dazai relied heavily on his logical side, especially before meeting Chuuya. He rarely took emotion into account unless it involved the 3 people he actually cared for. We see him make emotional choices when it involves Chuuya, Oda, and Ango. Dazai did seem to let more and more emotion seep in over time as a result of knowing them, however, leading to that moment the bandages are removed.
Beastzai is leaning far too heavily into his emotional side, getting lost in it even. Acting solely on an emotional desire rather than a logical one. His desire to prevent a tragedy. He only was using his intellect to further that emotional desire.
Canonzai went through a steady progression, meeting Chuuya starts to open him up, this extending over time to Oda & Ango, leading to the cover on his “emotional” side being taken off.
But beastzai skipped all of that, all the *progression* to that point for canonzai & so beastzai just got all these intense emotions he never experienced before all at once when he saw canonzai’s memories & therefore he sunk far too deep, too quickly into his emotions.
Now current/ADA Dazai is the balance of the two extremes, and seemingly the closest to happiness.
ADA Dazai uses his logical brain as always but he also actually takes emotion into account as well and has more people he actually cares for now.
I think that says alot to the theme of bsd, leaning into that “everything is grey” dynamic. Everything is about the *balance* of things. Showcasing that anything in extremes in either direction doesn’t work.
Anyway, just some thoughts I had and interpretations of mine. Take them as you want, as always.
Oh and just to be clear, I don’t think Dazai was ever “emotionless”, even at his worse. Even if he was numb and apathetic. He was also lonely.
Just saying the more people he came to care about (Chuuya, Oda, Ango then later the ADA) the more he was able to feel a variety of emotion.
My original post:
There is so much to break down here holy shit
First off, I like how Fukuzawa and Mori are the only one fully on different sides here, I think of all the generations of skk they are the ones who simply and truly hate eachother. Everything about them is antithetical, they represent the complete opposite values.
skk here is also interesting, look at chuuyas expression, he has his typical "I hate being here but i have no choice" look that he had as the king of sheep. And Dazai literally leaning over him is pretty spot on for how we see their partnership play out for most of their time in the mafia.
sskk being back to back here I think actually shows their trust in eachother now, Fyodor being a present threat and both of them wathcing eachothers back. There's also the fact that Atsushi is looking up while Akutagawa is looking straight ahead
OK correct me if I'm wrong, but I feel like the main 'yin/yang' parallel with Atsushi and Akutagawa is not something like 'this one is bad but secretly has a good side and this one is good but secretly has a bad side'.
I feel like it's more about 'who they are at their core vs who they choose to be'.
At his core Akutagawa is kind and at his core Atsushi is not. But despite this Atsushi tries every day to make the kinder choices and I love him so much for it. He has to work so hard to be good.
He wants to be a bitch SO bad I know he does but he tries his best to help people and be nice (sometimes he fails but that's OK <3)
Atsushi doesn't always WANT to help people, a lot of the time he's selfish and scared, but he does help people anyway. He keeps helping people over and over again. There's still some selfish motivation to it, and his initial motivation for helping people was because the headmaster told him that's all he was worth, but overall he does care about the people he helps and it weighs on him if he fails to save them. And of course, as the series goes on he starts helping people more because he can rather than because he feels like he needs to.
In Akutagawa's case, he's still capable of being kind but his environment led him into being someone who chooses to hurt people. But he's always been a protector at heart. In the start he was bad compared to Atsushi because he was choosing to hurt people and keep the cycle of abuse going. Just like how Atsushi developed in why he saved people, Akutagawa starts to get redeemed when he chooses to not just act on his rage. Not only does he start to spare people, but he speaks more kindly to them (apologising to Higuchi and telling Kyouka he's proud of her). It all culminates into the moment he chooses to help Atsushi and sacrifice himself for him, going back to his core value of being a protector. Even when he's finally revived, he keeps this role in his new position as Aya's Knight.
I kind of see the streaks of white in Akutagawa and the streaks of black in Atsushi not as their 'hidden sides' but as their fundamental selfs. That's who they are at their core, and their main colours (black for Akutagawa and white for Atsushi) are how they're presented to everyone else and how they try to have people see them as.
remembered this line from Beast and now I have to kill myself
smth smth bsd’s recurring theme of your past not defining who you are but facing your past being necessary to move on anyway. the symbolism of atsushi’s abuser being the one to push him forward despite atsushi’s dislike for him—you cannot get rid of him. you cannot stop caring. you will cry when your father dies and you will hate him for it. you will never get rid of the ghost that haunts you but sometimes acknowledging it is the first step to healing. can anyone hear me
“Sorry there weren’t any! Goodbye 🎵”
going back to my old ways
IM DYING LMAO
I'VE BEEN LAUGHING AT THIS FOR THE PAST 10 MINUTES LMAO
I dont loke Mori but this shit is too funny