I've been watching some videos about xenofiction for... reasons... *glances at my recent writing projects* AHEM yeah and this guy mentioned something that... vaguely got me to understand my friends more.
I'm (unfortunately) friends with lots of people who think a lot of the things I'm interested in are "too weird" for them. They can't watch The Last Unicorn because they find the unicorn as well as the art style creepy. They can't watch Watership Down because they can't wrap their head around talking rabbits who haven't advanced to Wind in the Willows levels of society yet. Or maybe they can't watch or read animal xenofiction or consume anthro art whatsoever because animals don't talk or do those things and they think that it could have been as good with human characters. It's like their brain does all of these gymnastics that I haven't in all my life considered. I just liked these pieces of media as a kid because I thought they were... cool... I've never found it hard to understand that the rabbits in this story talk, even though they don't in real life. That objective/subjective concept has never crossed my mind whatsoever.
This guy talked about verisimilitude and suspension of disbelief. Verisimilitude is pretty much just continuity and rules in a story. Firebenders in The Last Airbender cannot bend water. Rabbits in Watership down can talk to each other, vaguely understand other animals, and cannot understand humans. They're fabricated rules of reality that exist within a narrative.
Suspension of disbelief is basically your capacity to understand and believe those fabricated rules. This can swing wildly in two directions. You can either be just wholely unconvinced of anything that doesn't follow normal rules of life or be totally gullible to the point of disregarding plot holes and crappy deux ex machina. I feel like I lean more toward disregarding plot holes lmao.
Not sure where I was going with this post but it felt sorta nice to hear another fan of xenofiction describe this... weird thing when you read a book or watch a movie that changes your life and you recommend it to a friend and their first reaction is "uh... how is she able to understand the wolf?" and that stuff is too weird for them to even consider picking up a masterpiece of art. I guess it makes me feel less like my friends are intentionally withholding understanding to be mean to me and more that this is just... how some people are and some people just seem incapable of understanding certain stories and media.
Happy May Day all. Solidarity and all that jazz. For your brain, some history on May Day and how it came to be: 1. The Zinn Education Project: May 4, 1886: Haymarket Tragedy
2. IWW Historical Archives: The Brief Origins of May Day
3. NPR : What is May Day? For the most part, the opposite of capitalism
hold on a fucking second. delaware is a state?? i thought it was a river? or is the river more important than the state? why don't i know this? (i should mention i don't like in america, i'm just confused)
there is delaware (state) and delaware (river)
both are equally strange
the state is a tiny little cryptid thing
the rive is a monster that spans new york, pennsylvania, new jersey and delaware. also washington crossed it once and that was like kinda a big deal i guess. like crossing the rubicon in rome.
the state tries to me more important with its “im the first state!!!” bs (seriously its even on the fucking license plates) but we all know. its the river.
Another brilliant video.
I may save some of those cultural/society ideas he included as blueprints for some future stories I may write someday.
something i think about a lot is what if alien species have less biodiversity on their planets. like if they’ve got maybe 20, 25 species of bugs, total. so they come to earth and they’re like “whoa.” or they’ll like be like walking down the street and they’re like “ok what’s that” pointing at a st bernard and you’re like “oh that’s a dog” and they’re like “whoa, neat, i’ve heard about dogs.”
and you walk for a while longer and then they point at a yorkie and they’re like “what’s that?” and you kind of have to be like “…that. that’s also a dog.” and they’re like “wait, really?” and you’re like “yeah.” and it takes them a while to absorb this but then you just keep walking.
and like you’re going for a while and somebody’s walking their bull terrier and you’re like trying to walk faster hoping your alien friend doesn’t see but no dice they’re like WHAT THE FUCK IS THAT and you’re like “that. that is a dog” and they let out an anguished wail
and like every time after that they see a weird four legged creature they’re like “that BETTER not be a goddamn dog” and half the time you gotta wince and be like “actually,”
Xenofiction stories that add the negative impact of invasive introduced species and how native animals react and deal with them are an absolute Top Tier for me.
Ok but, imagine a xenofiction story where the main characters are "feral" domestic animals (that have run away from home to live in the wild for some reason), but instead of romanticizing their experience (demonizing captivity in the process) they show all the shit they have to deal with because they are not animals designed to live "free" and how there is no place for them in the nature anymore.
Or I don't know if there is already a story like that, btw.
no piece of teen media has ever accurately depicted the quiet psychological warfare of bullying. bullies on TV are always dumb brutes and not the evil geniuses of emotional manipulation that they are in real life. being given a wedgie and having your lunch money stolen is nothing in comparison to a classmate quietly creating a taboo against speaking to you that they intend to enforce against all the other kids. it’s nothing like continuous cutting comments from people you thought were being nice to you. that way that the work of one kid can make you feel like every person on earth silently hates you and that you are dirty, disgusting, worthless, creepy and useless. that you can have friends but many of them will not speak to you at school for fear of the social consequences on their end. how that damage lasts in any social setting for the rest of your life
I love science fiction and fantasy.
I’ve always chosen science fiction and fantasy first when I had a choice about what literature I read, and growing up almost all of the characters I identified with were in some kind of speculative setting. An obvious consequence of that is identifying with a fair number of nonhumans.
Here’s the complicated part. I’ve spoken before on the dangers of writing asexual and aromantic characters as “less human” because of these orientations, and I’ve warned against using sexual and romantic relationships as shortcuts to “humanize” characters whose humanity is in doubt. But unless misleading messages come with the stories, I’m more than okay with aliens, robots, fey creatures, and monsters being written as ace or aro. In fact, I want to see it there, because those are the genres I read.
It can become a problem when, under the blanket of science fiction and fantasy, we offer ace and/or aro characters who are simply naturally ace or aro because of their nonhuman status and use that quality to distinguish themselves from humans. You see it a lot when aliens who don’t have sexual reproduction or don’t form similar social relationships will laugh at and condescend to humans over what’s assumed to be a universal urge among them. This is an issue because
a) it suggests there are no asexual or aromantic humans;
b) it implies that a person who identifies with asexuality or aromanticism believes themself superior;
c) it creates a misleading connection between sexual and/or romantic attraction and “really” being human, having emotions, being functional, and having meaningful relationships;
d) it encourages a tendency to see humans without these qualities as more alien/less human or perhaps potentially evil. (How often do you see a SF villain scoffing at “human love” and have them not only be portrayed as robotic or hateful because they don’t do love, but also be defeated by something related to love?)
I want SF/Fantasy to continue including ace and aro characters, and I’m not offended if they’re sometimes nonhumans, even if that’s how that whole race is and even if they sometimes react with bafflement toward some humans’ relationships. (I sure do.) I will happily take that representation. I want to see perspectives I relate to, even if they come from a robot or an alien or a mystical creature. And I think, if done right, nonhuman ace and aro characters can still get those orientations on the radar for fans who may not have been looking for such things, even if they might have initially questioned and rejected the validity of human characters being ace or aro.
However, when I say “if done right,” I mean they need to avoid these tropes:
Writing robots or aliens to “really understand” humanity by learning to love/having a romantic relationship or sexual experience
Writing nonhuman creatures to “become” more human through the act of falling in love or having sex
Portraying sex, sexual attraction, love, or romantic attraction as the major defining factor of who is human
Writing sex, sexual attraction, love, or romantic attraction as the central explanation in a human character explaining to nonhumans what makes humans human
Creating situations where a character’s humanity is in doubt and it is “proved” or “disproved” through a test that incorporates sex, sexual attraction, love, or romantic attraction (e.g., “if he’s a lizard person, he won’t be able to show love! Oops he failed the test, we found him out!”)
Assigning any nonhumans a lack of understanding about this specific aspect of so-called human relationships and associating this with innocence, superiority complexes, or evil
Having aliens or other nonhumans able to engage in or enjoy virtually every other human experience EXCEPT love or sex, which is on some pedestal they just can’t reach or comprehend
Inventing nonhuman societies that pair-bond or mate in very similar ways to “typical” humans, but having their ways portrayed as more hygienic or less messy than humans’, yet have them still somehow baffled by minor differences in how humans do it
Having alien societies that are as diverse as human societies in most ways EXCEPT that they have only One Way of mating/dating/reproducing, and humans’ heterosexual two-person pairing is presented as the “human” equivalent that they find disgusting
Having nonhumans all be gay, all be polyamorous, or all be asexual, but “learn” from humans that monogamous heterosexuality both exists and is better
Creating characters in the nonhuman world that don’t have physical sex/gender or only have one sex/gender, and never experience love or romantic relationships–portrayed as a Direct Consequence of their gender situation (while having an ace and aro sexless species is fine, just don’t portray it as if lol obvi the reason they wouldn’t have relationships is they don’t have boys and girls lol)
Having nonhuman characters fall in love with human characters and having the experience attached to a moral of This Is What Life Is Supposed To Be About
Having a nonhuman defeated because they Don’t Have Love (and therefore cannot comprehend the deepest and most strength-inspiring emotion in the universe, which can always be defeated by a protagonist who Has Love)
So, while it’s sometimes aggravating to have to find representation in nonhuman characters whose aro or ace status is portrayed as integral to their nonhumanness, I would rather have that than not see my orientations in SF at all. I have also seen plenty of aliens whose romantic and sexual habits are similar to non-ace and non-aro humans’ without the story suggesting those elements of their lives are uniquely human, so I’d like to see some ace/aro humans and nonhumans who just happen to be so. It isn’t automatically insulting to our orientations if a nonhuman character is ace/aro, but I’d like authors to think about how they’re portraying those qualities and whether they are sending negative messages about real ace/aro people through their inclusion in fiction. I’d also like to ask authors to seriously consider why they’re making the choice to attach those qualities to their nonhumans, and if “to make them distinct from humans” and “to make them more alien” and “to make them seem oblivious or innocent or empty or robotic” comes up, do some serious questioning and at least consider including counterexamples.
You can actually move away from and avoid cementing negative messages much more easily if there is more than one ace/aro character in your story. Maybe one of your nonhumans is just like that and you don’t want to change them? Well, great. But maybe have another character from that race, or a human, also be ace or aro and not be like that, or have the nonhuman character say or do something that confirms ace and aro status aren’t uniquely alien.
I say all this because I DO NOT WANT people thinking nonhuman characters can’t have sexual diversity, up to and including asexuality and aromanticism. I want to see them! I just don’t want to feel like my orientations are considered science fiction themselves, or that the only place I can see people like me are in books about things that aren’t possible or are definitively inhuman.