Yes please!
Another Monomythic element Joseph Campbell identified was the Mentor. The mentor is wiser, older, and more worldly than our soon to be hero. They also offer the necessary bit of encouragement. Classic examples include Merlin in Arthurian legend, Obi Wan in Star Wars: A New Hope, Moiraine Damodred in the Wheel of Time series, and maybe even Bayaz in the First Law trilogy. Vogler in his famous missive identifies “the crusty Robert Shaw character” in Jaws as a mentor.
As a DM, you can use this mentor as a tool to provide knowledge, quests, and a safety net for low level PCs. After a few levels, the mentor can make the ultimate sacrifice to raise dramatic tension.
Knowledge Most heroes start as young foolish mortals who have decided to leave the safety of the town for the first time in their lives. They often know very little of the world beyond their homestead. The mentor can fill in this gap by being a large warehouse of knowledge for the players, even adding the occasional cosmic overview (“…the thing about a shark, he’s got lifeless eyes. Black eyes. Like a doll’s eyes.”). Mentors never tell their heroes everything, the impatient protagonists aren’t going to listen anyway. The truth is hidden, overly simplified, or, if your father was seduced by the dark side, from a certain point of view.
As DMs we are all thrilled with our endless world crafting, but in reality players don’t care after four sentences. If the mentor is spouting pre-written lore, compress it down into into its barest elements. Think about how Obi-Wan explains the force to Luke: “The Force is what gives a Jedi his power. It’s an energy field created by all living things. It surrounds us and penetrates us. It binds the galaxy together.” The Star Wars Religious Experience in sixteen seconds.
Quests Along with knowledge the mentor can also give quests. This allows the DM to nudge players in a certain direction or even call them to adventure. Mentors can also use their knowledge to impart the importance of the quest to the PCs. For example, Obi Wan gets tapped for a quest to save a princess, and then drags Luke, Han, and Chewie to go along with him. Moiraine requests that Rand, Matrim, and Perrin travel to the White Tower with her. The forest spirit tells Logan to meet with Bayaz.
As a DM you need to be careful to ensure that your wizened mentor isn’t running the show. While they can offer initial quests, their influence wanes as the heroes grow in strength and knowledge. They shouldn’t be telling high level heroes what to do.
Safety Net Low level heroes are idiots. Time and time again they go off into the wilderness only to come tumbling back, bloodied, broken, and bruised. Sometimes our characters even need to be rescued. Strangely enough, mentors often have just enough magic to save everyone from certain destruction. Obi-wan saves Luke from the Tusken Raiders with a call from Krayt Dragon. Moiraine saves the town of Edmond’s Field from Trollocs with a well placed “ball of fire”. How many times does Gandalf save… everyone?
While a mentor can save the low-level party from a TPK, remember that he or she won’t always be around to protect the party. At some point they will stand against the darkness alone.
Increasing Dramatic Tension So for the first 5-8 levels, the mentor has been aiding our adventures. Saving their butts when the adventure got too real, asking them to keep the dark lord imprisoned, and dropping the occasional, if obfuscated, knowledge bomb (“Dude, Vader totally killed your father…”). Hopefully your characters have come to know and respect their mentor as a friend and a honored member of the adventuring party. So far so good.
Now, if you are familiar with all of the examples that I have been spouting, what happens to all of them?
Obi-Wan: Slain in a duel with Vader Moiraine: Presumed dead after a fight with Lanfear Quint: Eaten by Jaws. Gandalf: Dies fighting a Balrog. Merlin: Beheaded or disappears, depending on the tale.
Half way through the story, the mentor is killed by agents of Darkness. Although their spirit may live on to spout lore (from a certain point of view) or the mentor may even get resurrected, but for now the heroes going to have to face the darkness alone.
If you use a mentor, this is an utterly important step. Remember the adventure is about the heroes not the mentor, and like the flamboyant Mercutio, she or he cannot be more fun than the PCs. Use this to your full advantage. The death of a mentor should increase dramatic tension and provide meaning. Gandalf’s fight with Balrog, Obi-Wan’s with Vader, and Moiraine’s with Lanfear are all excellent examples of this. The mentor makes the ultimate sacrifice because they truly believe in the heroes.
Pulling it all together Although not required for a good campaign, this is an expected trope, and stories can feel empty without someone filling this role. If used with care, an NPC mentor can enhance the game at lower levels, and ultimately increase the dramatic tension in the story. Here are a guidelines to follow when using a mentor:
While the mentor can be more powerful than the heroes, the he or she shouldn’t steal the spotlight
Avoid long winded speeches. Keep pre-written lore to a minimum and don’t flesh it out. This allows the story flexibility to bend to player agency.
Mentors should only be for low level characters, once the players get past Level 5 or so (in D&D 5e) the mentor should take a reduced role.
The mentors should be respected by the PCs, this may not be time for a “bumbling” character
These are just guidelines, bend and break the trope and see what happens.
The Final Bits: Variations on a Theme Once you understand the role of the mentor in a heroic story, you can begin to play with trope. Maybe you can collude with a PC (who starts a few levels higher) who acts as the Mentor to the rest of the party. If they sacrifice themselves for the party, their death would be ultimately more dramatic than the death of an NPC.
Or maybe, the mentor is only interested in using the PCs as pawns in their schemes (Bayaz from the First Law series is a good example of this). How are the PCs going to feel if, time and time again they saved the Mentor, only to be wrapped up in his schemes for power?
Playing against the expectations this trope provides can be just as dramatically powerful fulfilling them.
eat drink sleep play
(Art by the talented euclase).
Once, long ago, Anael said that humans understand many things, but they do not truly understand war.
Castiel has bled upon thousands of battlefields, because there was not just one battle to force Lucifer back into the cage. Day after day, he would clash blades with the twisted forms of angels and humans which once were whole. And, at the end of those seemingly endless days, he would help carry the broken bodies of their dead to where they would be laid to rest.
(His genocide of the angels, under the name of a new God, did not even come close to the body count of those battles. He would sit among the bodies of thousands, the ashes of their wings left to disintegrate in the vast corners of Hell. And he would feel nothing.)
It is not in the days of peace when brotherhood is formed. Brotherhood is born in fire and blades and blood. Brotherhood is born in loss, in the mutual, terrible decisions one must make.
Castiel fought beside Anael, Uriel, and Balthazar, thousands of years on end. The words they spoke eventually faded from his mind - everything does, especially in times like those. But he remembers those moments clearer than anything, those moments when their fates were tangled.
Anael. The moment when the flames of Hell had risen, burning half of his feathers to crisps. He’d fallen, hard, his armor dented, his eyes unseeing. He was sure he was going to die, until her arms had wrapped around him, and they were together, one, brother and sister under the eyes of all who understand.
(He didn’t see her die. He knows, with her blood on his hands, that he should have.)
He and Uriel, fighting side by side, their blades one. Uriel’s wings had been beautiful. Golden, like the sun. The war had hardened him, just like it hardened everyone.
According to Heaven, the replacement of laughter for pain was a price that must be paid. For the greater good.
(Anael had stabbed Uriel, for him. Uriel had made his choice. Staring down at his body, Castiel had thought that the price that Heaven had asked was much too high.)
Balthazar had thrown himself upon a blade for Castiel. Castiel remembers this, clear as day. The day after Lucifer had been forced back into his cage, Balthazar had left Heaven. And Castiel had let him.
(Castiel’s blade had slid into Balthazar’s back easy as anything. Castiel had felt Balthazar’s Grace slip away, and didn’t think twice about the decision at the time. Now, it’s on a list of regrets which extends for miles, regrets forged in good intentions.)
Humans have war. But it does not last as long, and nowhere near as bitter. Demons and angels, two sides of the same coin, would fight and kill forever, in the name of a greater purpose. Humans cannot understand wars in the ways that angels fight them.
(“We’re expected to kill,” Anael had said. “We’re expected to kill, and then we’re expected to feel nothing.”)
He does not feel nothing.
I would like the onesies please
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Hehe it’s so cuuute
Baby Charizard!
We live in interesting times
I will be honest guys, the Red portrait of king Charles is gorgeous asdfghjkl
it's a bad portrait. Like. Objectively. It does the opposite of what's intended. It looks like the painter is insulting him. If it was in a contemporary gallery with no context you would see it immediately as the ambivalent criticism of Charles's reign, how he fades into the overwhelming red background as a tiny little figure, small and insignificant, insufficient for the clothes he's wearing. It reminds my of Goya's portraits, how they were so 'realistic' that they ended up making these great figures look pathetic to the viewer. So these are our rulers?
the sheer novelty. the surprise and shock, the kinda cunt it's serving for no reason. I. I love it. It's an incredible portrait by Jonathan Yeo. By the sheer fact that Charles, the man, is impossible to portray as greater than man because he's just such a nothingburger of a dude. So a portrait made to make him look huge and interesting made him be swallowed in red brushstrokes. The butterfly, that reminded me immediately of " we will all laugh at guilded butterflies", draws more attention than him. It looks like an omen. It looks like a warning in all this red. Something is not right here.
This is the best royal portrait ever 10/10
Only Love and Proud of It
Pick a little, talk a little, pick a little talk, cheep cheep cheep, talk a lot, pick a little more!
And don’t we know it. I find it particularly disheartening when so many of us can relate to this stupid concept and yet still there is no change. We need more affection, period. Why is sexual conduct so demonized, let along non-sexual affection like cuddling or hugs or a shoulder rub? Why?
being touchstarved makes u absolutely buckwild when someone does smth simple like .share a chair with u
I'd like to ask for some help from any intersex followers I have (or any intersex folks who come across this post!)
I've been struggling a lot to find proper terminology for intersex issues in my research because Google is all gunked up and Tumblr is just as hard to parse through.
So, if anyone could point me in the direction of any good literature by intersex authors or any good online resources (especially that define terminology) that would be incredibly helpful!! I'm still doing work myself but any sort of direction would be wonderful!
(tl;dr I want to be a better ally to intersex folks in trans feminist conversations about sex/gender and approach my own theory with intersex experiences in mind better! So, any and all resources would be appreciated!)
I love what I love and respect what I don't. I wish to be there for all and love all. Dum Spiro Spero, Dum Spero Amo, Dum Amo Vivo.
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