“Men at Arms is a direct attack on the idea of monarchy and aristocracy that so much “high fantasy” is based on; Jingo is a fantasy war story that denies the reader the “fun” of seeing a war break out and ends up attacking the concept of war; the character of Rincewind is a subversion of the whole idea of heroism. Monstrous Regiment is a meditation on feminism, Cherry Littlebottom and other female dwarfs a commentary on gender identity and trans people, Thud! a statement against ethnic hatred. But all this deconstruction and subversion didn’t come across as having to eat your vegetables, the way literary fiction often does. And it didn’t come across as a bitter, guilty pleasure either, the way people geek out about the horrifying viciousness of “low fantasy” worlds like A Song of Ice and Fire’s Westeros. Pratchett somehow made his progressive, subversive work as tasty a snack as any of the high fantasy he was subverting. Much of that candy coating was humor–the ability to laugh, as he once argued, being our brain’s way of extracting pleasure from the otherwise painful process of recognizing uncomfortable truths.”
—
Arthur Chu breaks down the importance of Discworld in his farewell tribute to Sir Terry Pratchett, A Guide to Escape from Escapism (via landunderwave)
Part of why it worked was because Pratchett didn’t sneer at heroism or idealism, he showed how good intentions go bad and over the course of centuries things fossilise and need to be replaced, and most importantly, he showed the heroism of the small. Yes, he showed the other side of the coin, the darker side of the heroic and epic, but he didn’t use that as an excuse to go Martin’s way of “this is what it’s really like: murder, rape and treachery under all the fine words”.
People like Vimes who stuck to duty even in his worst hours, when he was sunk in self-loathing and alcoholism, a dangerous man who sabotaged himself half-intentionally, because it was in his bones and because (as we got to know in “Night Watch”) he also had his own ideals and idealism that he doggedly held on to, even when half-ashamed of that.
He permits honour to exist in his world, even if it’s not kings and knights in shining armour.
It may be low fantasy, but it’s never vile. Even when he’s showing us what real evil looks like.
(via tartapplesauce)
It’s December folks, you know what that means.
Crowley good omens
Oh, by the way, there are already 10 covers!
Witches are next
I saw this on the day I finished Night Watch and...
It feels almost cathartic, in a way
Sir Terry has changed many lives, including mine, and I think he will continue to do so far into the future
It's an honor long deserved that he be added to this collection, and I hope this will give more people an opportunity to learn from his wit, humour, and everything else exemplified in his writing.
It feels odd, mourning a man I've never met, who died before I could have even dreamed of it, and yet I still do. Because stories are an immutable part of humanity and stories are timeless. We must rise up, march on, and continue singing, while remembering those who we're not singing with.
We have to use those emotions -the joy, the fear, the grief- to forge a new future
One Samuel Vimes would be proud of;
One Terry Pratchett would be proud of;
One we're proud of
So here's to Truth, Justice, Freedom, Reasonably Priced Love, and
a Hard Boiled Egg
GNU Sir Terry Pratchett
We are thrilled to announce that Sir Terry Pratchett’s NIGHT WATCH is set to become a Penguin Classic, publishing in April 2025.
quick tutorial on how I shade with solid black (a lot of people ask, hope this helps)
prints | patreon
Who is hotter?
When ur mutuals w/ some cool ass people rb if u agree
Hello! genderfluid Bow tie wearing Nerd; Ancient history is my jam; Huge Pratchett and GO fan; also love TMA; Queen; ROS; TOH; She-Ra; GF; basically anything queer and ND; I really don't know what I'm doing
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