But Thanks To That Obsession Coming Back, I Met Amazing People !

MY SHAYLAS...

Oh my…

You know, when it comes to the four Cherik actors, the old men walked so the young men could run.

We all give McAvoy and Fassbender the love they deserve, but honestly we wouldn’t have any onscreen Cherik at all if those two old Shakespeare vets hadn’t laid such a strong foundation a whole decade prior in the original trilogy.

Remember that Stewart and McKellen had no beach divorce to work off of. First Class wasn’t even a thought in any writer’s head yet when the OG trilogy was filmed. And yet they understood the assignment from day 1 - the “exes who never got over each other” vibes are just pouring off of both of them in every scene, especially from their eyes, starting from the very first moment Stewart’s jaw drops and his breathing stops as he sees McKellen in the shadows of the Congress crowd, and McKellen then manages to make a threatening line like “don’t get in my way” sound so … gentle. Be it outside Congress or in the plastic prison or outside Jean’s house, you can feel the weight of their shared history bearing down on them, a weight so palpable it’s on the verge of crushing them both every time they so much as lock eyes.

And you can see echoes of the young men Charles and Erik used to be in their performances … you can fill in the gaps with First Class details thanks to their level of nuance.

Every time they call each other “old friend,” you can hear the underlying emotions they haven’t figured out how to express aloud, and the hidden knowledge that those two words only scratch the surface of what they really are to each other.

Within Stewart’s heartbroken look in all of his closeups in their first scene on the Congress walkway in X1, you can see the yearning of a man remembering the first time this other man walked away from him and wishing he knew how to convince him to stay now, like he did then.

Within McKellen randomly name-dropping Charles throughout the trilogy (like when Sabretooth reports the X-Men knew about Rogue and when he’s headed to Alcatraz), you can hear the obsession of a guy embittered by years of opposition but with a secret piece of his heart still living in that moment when he first heard a beautiful voice in his head pulling him back from the darkness.

Within Stewart’s whispered “what’s happened to you?” at the sight of a bruised eye, you can see the grief of a man remembering the sense of a wave of horror and trauma pouring off someone down in the water, and now seeing that same someone has been abused again, and just like then, he wasn’t there to stop it, to protect Erik from getting hurt.

Within their suppressed smiles in the prison scenes and their repartee outside young Jean’s house, you can tell these two banged 40 years ago. You can feel faint echoes of the two guys who once sat on a bed showing off their powers and saying stuff like “more tea, vicar?” and “you’ve never looked more beautiful, darling.” (I even noticed that at the end of X1, in the “I will always be there” exchange, the camera placement leaves their hands out of frame, so they’re obviously touching each other’s arms in that moment but we can’t see exactly where - it makes me imagine that Charles briefly touched Erik’s hand before being wheeled away and that’s why Erik sits frozen for a moment before toppling his king. Again, it’s those actors’ nuances that give birth to these implications.)

Within McKellen’s facial expression of pure anguish and his scream of “CHARLES!” at Jean’s house, you can hear the soul being ripped from the body of a man whose life was, long ago, forever changed by the words “there’s so much more to you than you know, not just pain and anger … there’s good too, I felt it…”

You know two actors are at the top of their game when they’re able to convey the exact history of their two characters long before any actual prequels imprint that history in canon.

I do wonder if Stewart and McKellen watched First Class before they filmed Days of Future Past - it’s impossible to tell because regardless, they once again gave it their all, especially in the Rogue Cut. They took a little sentence “in other words, a door” and a little piece of direction to smirk and nod, and somehow made it one of the most flirtatious/erotic moments of the series. And then of course at the end, they gave us the most heartbreaking moment of the series and one of the top 10 most heartbreaking moments in any comic-book movie ever, period. You know the one.

I’m just so grateful to them for what they started. It all started with them. They knew what they were doing.

Absolutely fucking not

another question that gets me is… would u be friends with your parents if they were your not your parents/ were the age you are now?? hard to tell bc who knows what they were really like at 20 something but….. we wonder. and we wonder and wonder. 

I've seen that on ig :

"I think one of my favourite things ever is the fact that before she watched Supernatural, my girlfriend literally thought that the plot was that two angels had fallen from heaven as children, and were found by an old drunk named Bobby who called them Sam and Dean , and chose the name "Winchester" after his favourite gun, then raised them to hunt monsters."

And you know what ?

I'm gonna write it. 🫡

I like to think that after Dark Phoenix Charles and Erik didn’t get together immediately.

Charles moved in with Erik, they had a three hour long debate over who got the bed and who the couch and they ended up in a day-by-day system that just had double the trouble. And of course someone was always running (or wheeling) to the other in the middle of the night to wake them up/calm them down from a nightmare. Then one day Erik came back hurt/very tired, but it was Charles’ turn to take the bed, they had an (unsurprisingly) short argument and they both ended up sleeping on the bed.

Needless to say that, after that, the only person to ever sleep on that couch was Peter when he was visiting.

Chapter 4 of my fic brought you the fish boyfriend, so I thought I'd do a quick little drawing to go with it<3

I've been thinking about those soulmate AUs where whatever happens to your skin translate's to your soulmates, so when you get hurt, they get hurt as well. Those can be really cute with other ships when one doddles on their skin, or if one works as vet and has weird scratches.

But Cherik. Fuck, Cherik.

Kurt beating Charles up and Erik thinking that the bruises he doesn't remember is just Shaw experimenting on him while unconscious. That's just the tip of the iceberg.

One random morning when Charles is a kid, he feels this excruciating pain and numbers appear on forearm. From that point beyond it's just downhill, everyday he screams like it's torture, because, well, it is.

It gets to a point where even his negligent mother can't ignore and takes him to a hospital, he gets tested for every single type of chronic pain possible, but it all turns negative, so they think he's faking it/ it's psychological. But his shitty family still doesn't want to deal with that, so they lock him up in the hospital, so the doctors can "treat him" and "ease the pain", however nothing works — because the it's not Charles', it's Erik's.

At this point some might suspect it's soulmate induced, but what kind of person would be torture this much for so long?

Raven is the only one who keeps visiting, disguised as a nurse or a doctor, she's the only one who believes him. Until the late 1940s, when the pain stops. Erik is free from the camps. Charles is discharged from the hospital.

It's not until some years later, the world learns the the horrors the Nazis were doing, and my god the tattoo — that's when Charles understands what kind of person his soulmate is. He never cried so hard as that night. Raven hugs him, saying that his soulmate has to have survived, or else he'd be dead too, right? Right?

They want to search for his soulmate, but all they have is the numbers (and they'd assume it's a girl because of period typical homophobia). Besides, if they're soulmates, the universe is going to put them together, right?

And then Charles saves a random man who was going to drown trying to throw a submarine at a Nazi yacht. Their minds touch, and it's like they've known each other their wholes lives, it's beautiful.

Charles shows him his numbers and Erik shows his, and they match — because of they do — and my god, IT'S YOU!!

Erik didn't even thought he had a soulmate, thought he was doomed to be alone, but Charles is cheering and hugging him because IT'S YOU WHO I'VE BEEN IN HELL FOR! oh my god you've been through hell OH MY GOD WE'VE BEEN THROUGH HELL!

Raven is crying in the background because she has a new brother-in-law. Erik is a bit confused in the beginning, but as soon as he realizes Charles has suffered in Shaw's hands as much as he did, he hugs him to never let go. He cries variations of ‘I'm sorry’, but Charles reassures him it was never his fault.

And they go hunt Shaw together, holding hands. And Charles doesn't protest when Erik wants to kill him with the coin. He endures holding Shaw still while Erik gets his closure, he endured so much for Erik, it's just one more thing, once and for all. It's revenge for us both.

There's no beach divorce.

They live happily ever after.

Guys, we NEED a season 3 of Good Omens because we can let Aziraphale and Crowley like that. They deserve so much better !

“What’s your favourite horror movie?”

Oh I don’t know, maybe Erik’s eyes when he realised that his decades of trial and error did nothing to help him against Shaw, and he and everyone he loved would die a pointless death at the hands of the man he swore to never let hurt anyone else again…