In Japan, The Azalea Flower Symbolizes "Happiness Of Love" (pink) And "First Love" (white).

From the river to the sea,

I'm at a :.|:; for words.

This is either some kind of bizarre foreshadowing or a very egregious example of Star Rail's clumsy design and writing philosophy.

Wait a second, Irish Man playing Hollow Knight. RTGame? Love them. Anyway, love all the AUs that people have made for the Dream SMP.

To be fair, fundy storyline was that he was like a Phoenix and reborn from a young age for his first canon life loss, so there was a Fundy from before, but well, they always said is harder to people to get out of something you were born in than not

O MAYBE THAT DREAM AMMNESIA THING IS HIS OLDER SELF TRYING TO GET HIM TO WAKE UP AND SEE WHAT'S HAPPENING but XD never let him outright say it so he has to get mysterious while being hunted in dream plan by this God that get ideas from what happens in this realm and translates it to to history. That's why he words it like it's a Fundy ability and because Fundy too can access and mess with this realm too

And maybe because Fundy knows deeply about this world and its tricks and how to change it and explore it at his favour XD had to make it like he was born from this history and not was trow in it, but of cource the fox boy finds the glitches and edit things on his own so to busy him XD trow to him too a lots of angst to deal with

...I like Fundy a normal amount shut up

Oh wow I’m very behind on Fundy lore. I’ve been so focused on Jack Lore and an Irish Man playing Hollow Knight that I forgot to see the other lore.

Anyways. Oh boy. The dreams being his older self trying to get him to wake up and see what’s happening? Oh no. Oh dear. Now Fundy is freaking the hell out with this. And Fundy also has a lot of angst in this to nerf him or else he’ll be too powerful.

it gets me a little irritated when people act like mono isn't supposed to be an intrinsically compassionate foil to six's character.

every moment of his character in cutscenes with six demonstrates kindness and compassion. his hand is always reaching out to offer comfort and reassurance. when they're separated, despite the fact that he's answering the tower's call, he still goes out of his way to ensure that him and six are reunited and that he is safe again instead of continuing to push forth to the pale city.

the only aggression he shows is towards entities that are hostile to himself. he does what he has to do to survive, which is something that him and six do have in common. but him smashing the bullies open or lighting the doctor on fire doesn't negate the fact that he is being portrayed as a child who is inherently more tender-hearted and trusting than the girl he's travelling with.

mono is afraid of being alone. by the time we pick up six's story again within the maw, we can see that she has become adept at being alone. they're stark opposites.

even the simple theory of shapes in character design tells us so much about the two of them. mono's shape is square. this indicates to us that he is strong, sturdy, reliable, and supportive. six's shape is triangular. triangles signify that a character is cunning, sneaky and dangerous. (sometimes it is used to indicate that a character is 'evil,' but we know all too well as a fandom that using that term to describe six is doing her a complete disservice and shows a deep misunderstanding of her character.)

all this to say that it's upsetting that people see the need to try and make mono out to be more edgy than he actually is, often just in retaliation against the misunderstandings people have about six's nature. this series is very open to interpretation, so it's fair enough if you personally believe him to have a darker side. but it's my personal belief that isn't the correct portrayal of his character and there's very little evidence of that being the case within the series.

Schwarzwälder

Sauerkraut

MAJOR SPOILERS FOR ARCANES ENDING BELOW:

Now, this is off topic for my blog but I'd like to shed light on something.

Arcanes ending. Namely the end of Jinx's character arc is what I believe to be one of the finest pieces of writing in the modern world with no exception. When Jinx is born at the end of 103 we see what happens to someone who heals wrong, we see the kind of monster they become when they aren't nurtured and given a proper environment to heal in. Powder becomes a monster known as Jinx who goes on to commit multiple acts of terrorism against Piltover. The way she feeds into this idea of being a monster as a way of lashing out at the pain she's felt from being "abandoned" by Vi is so incredibly realistic and relatable that it begs the question what has happened in the writers lives that allow them to understand such a transformation so thoroughly.

Then, at the end of season 1 we see Powder/Jinx finally embrace her new self with no more qualms about her identity, truly and finally one. Without any need to hold back anymore, she does something truly unforgivable and without redemption in the form of 9/11ing Piltover. Even in this moment though, she screams and cries in pain at how her old life is well and truly gone. The emotional turmoil of what she's done and what she's doing is too much to handle. To violently tear a new life out from the broken and beaten body of your old one is something no soul should have to do, but she does, and she makes it relatable.

Once we see her again in season 2, she has become much more lucid and comfortable in her own body as Jinx, the hallucinations have subsided for the most part and her inner turmoil is appropriately dealt with. Additionally she has a goal in mind now, she's chosen who she is and she knows what she wants to do: Kill Vi. The new life she has built for herself is purposeful, deliberate, no more a mish mash of two clashing ideals.

She wants to solidify her role as a monster once and for all, which ends in an epic battle between her and her sister, and at the very end of the fight right before she's taken out for good? A single soul sees the value in her life and risks everything to protect her. A child. Everyone, even Jinx is shocked by this because how could anyone ever love an ugly, broken thing like her? Let alone risk their life for her? The shock this instills in everyone buys Jinx enough time to escape with the kid, Isha. Imagine performing such horrible, inconceivable actions with no remorse and being full of such hatred, and then one person decides you're worth it. Just one person decides you are worthy of love and that they do love you and want you around. Can you imagine how that would shatter your world view? Being full of such self hatred and hatred for the world around you only to be shown warmth even in those times? This is exactly what happens to Jinx.

When we see her next, some time has passed, and she's even begun to drop the name Jinx. Her new friend, Isha, and her have begun a new life together and they look out for each other. The way Jinx describes her new life is "like I'm looking through glasses, except I can't tell if everything's blurry or clear." And what's clear to us as the audience is that Jinx is FINALLY healing. She is finally beginning to find some peace after all she has been through, and all it took was ONE soul, one singular person to love her even after all she had done. We go on to see her reunite with her sister, and somewhat with her father. We get to watch her slowly rebuild the life that was stolen from her and reconnect with those she lost, and those she hurt. This represents hope and change, rebirth and love, that maybe your sins aren't who you are. That you can change and love and be so wonderfully you with those who love you!

Isha dies. Isha, Jinx's anchor to the world, dies protecting her. Yet again Jinx loses everything. Her father is taken from her yet again in the process and the exact trauma that shaped her into Jinx is entirely recreated. Except, this time? There's no insanity. There's no hallucinations and mania. There's no rage or hate or flames or explosions or chaos or screaming. It's just sad. Nothing but sorrow fills Jinx up as she loses her one and only friend. She intends to kill herself at this point. She looks back at her life and sees how everyone she gets close to dies, gets hurt, or she in some way is preventing from being happy. That she alone is the perpetuator of a cycle of violence that has plagued her families lives for years and years. So she decides to give them closure. She tells Vi she can stop feeling bad for being happy and move on, she tells Cait she didn't know her Mom was in the explosion, and she leaves. Nothing more, just leaves. Doesn't tell anyone what she's going to do, she just does it. The intense guilt she feels is palpable in every breath she takes, it's clear she just wants to quietly leave this world without hurting anyone, just this once. Then the time finally comes, to end her life and finally be free of it all. Only to be stopped. One more remnant of her old life comes back and convinces her to stick around a little longer. Somehow, she agrees, but we all know that this is only temporary. The guilt someone feels after doing something so terrible, so unforgivable, can't be cleansed by a single conversation. She hates herself and just wants to stop hurting people, but she still has a small spark, something in her that has hope she can do good. So she delays her death to try one more time to be kind.

Next we see her, she's got a new look and is fighting alongside Vi, instead of against. She acknowledges their connection and at a pivotal moment, takes the fall. She saves her sisters life and "sacrifices" herself in the process. At the very last moment, she understands that there's another way out of her pain and hurting everyone around her instead of dying. She fakes her own death to everyone and escapes the country quietly. She tells no one and quietly escapes, with everyone having the closure of her death.

No more chasing her, no more thinking of what she might be plotting, no more hoping the old her will return. It's just over.

Her final action in Arcane is one of kindness, and healing to those she hurt. It is not redemption, but it is understanding. She accepts she is a bad person and may very well still hate herself, however she at the very least opens herself up to a new life far from those she hurt. And I think that's beautiful.

Anyway this is just my personal interpretation of the ending, I'm open to new ideas and down to discuss though! Btw I didn't proof read this so if it seems messed up anywhere that's why.

As I’m trying to come to terms with whatever the fuck that was, I’ve decided that:

Seasons 1 and 2 are peak. Absolute masterpieces. Canon.

Season 3 can be taken or left. Has its moments, but overall not as good as the first two. Canon, but only if you want it to be.

Season 4 is a fucking crack fic written at 2am that the author rereads at a later date and decides to delete. Absolutely not canon.

Sometimes I wake up and bam. Toxic Side Order yuri is in my sketchbook. I can't control it

Just as a reminder to those hyped about side order, this is Nintendo’s official opinion of Agent 4 from the Splatoon website:

Look at her face. Does she look like a pushover? Someone who is just a little wacky? No. This is a teenager who fought an entire Empire. And *won*. People I know keep saying she’s not as impressive as Three or Eight and like?? Just because she did the same thing as Three makes it no less impressive you ding dongs. In fact, she did it with less help than Three had, AND kicked Octavio to the curb WHILE HE HAD CALLIE ON HIS SIDE. She’s practically a force of nature. And it’s not like the Splatoon devs to forget something like this.

No matter what your hopes for side order are, don’t expect Four to be some damsel in distress or anything similar. Remember what the contents of the Splatoon 2 campaign were. Remember that Four is not a member of the New Squidbeak Splatoon because “someone has to be Agent 4!!!” Because I can almost guarantee the devs haven’t forgotten. I say with complete confidence that their definition of Four being “pushover” is a red herring. She’s going to kick our ass on February 22nd.

Get ready.