The Feminine Urge To Take 21 Credit Hours And Then Complain About It When Finals Start Up.

Do YOU want to cry?

Oh I'm sure you do!!!!!

This will give you FEELS for WEEKS

TEARS for MILES

Get out destiel, anderperry is snatching this song now

@thecharliedalton the half a rick roll has been born.

“Either a mother and daughter know each other very well or they are strangers.” ― Kyung-Sook Shin

1.Annie Ernaux | 2.mothers | 3.Ocean Vuong | 4.mothers | 5.Safia Elhillo | 6. mothers | 7.Ada Limón | 8.mothers | 9.Ocean Vuong | 10.Mitski | 11.mothers | 12.Lorde | 13.Hieu Minh Nguyen | 14.Ilenia Tesoro | 15.Ocean Vuong | 16.Hieu Minh Nguyen | 17.Ilenia Tesoro | 18.Kyung-Sook Shin | 19.Louise Glück

TODD ANDERSON FROM DEAD POETS SOCIETY?????

keating: where’s charlie?

cameron, remembering that charlie got his head stuck in a tuba after keating told him to leave it alone, and that he’s supposed to cover for the dead poets as they frantically work together to free charlie's head from the tuba: who’s charlie?

Friendly reminder to include POC in the dark academia community more <3

https://uquiz.com/quiz/8hL5Xi/what-problematic-queer-trope-would-you-be

here have a uquiz uwu

you know what hits me about the "on purpose on purpose im going to love you on purpose" "i'll take care of you, it's rotten work, not to me not if it's you" "im going to love you without a single string attached" "i don't know where to put it all the love i have for her, i'll take it" "i walked in love with you with both eyes open choosing to take every step"?

they all have the same desire, they all desire for someone to Want it, for love to not be an accident or something that happens without recognising it, they all have the overtones desire of wanting someone to deem you worthy of love, to see you and meet you and know you and Want to love you, to make that choice and stick by it because loving you or being loved by you is something so deeply worth it and fulfilling and moving and powerful that they Want it, in their soul they crave to love and be loved

they're such varieties of the basic desire to be wanted

they say these things and they mean "love me because i am lovable" not "love me because you find me desirable/you have realised you already do/you want something from me" etc

it's "love me because i am me and you are aware of that" and it's something you can just scream to someone when you can't find another way to say "i am choosing to love you because loving you is something i want to experience no matter the outcome"

love them . On purpose, on Purpose and by choice and intentionally you will Love Them

obsessed with the way that gothic horror is about horror but never directly. it’s not horrific because there’s a haunted house and that’s scary, it’s horrific because the monster isn’t a monster, it’s your grief, your loss, your pride, your desire, your fear. the monster skulking in the shadows, the darkness at the edge of the woods, the haunted house that is too broken to be a home—those are manifestations of events that grabbed onto the fabric of time in a fit of abject horror and clamped down so tightly that they couldn’t keep moving forward toward resolution and eventual dissipation like they were supposed to. it’s all about the scared child and the mourning mother and the hunger in your gut and the little emptiness in your chest at the end of the day. those things are all little horrors but you can’t approach them directly to understand them, so gothic horror gives us these little metaphors and says “here play with these for a while and see what you find.” and all of those metaphors need someone to go back to childhood to release them. you have to care, and be curious and clever, and look for a way to heal the hurt. you have to be so achingly human to survive in gothic horror

women in S.T.E.M (smuggling, treason, embezzlement, murder)